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Lot 1140
WEDGWOOD POWDER BLUE AND GILT BOWLcirca 1920, powder blue ground with transfer printed gilt borders, border with think Persian-inspired scrolling border with repeating red flower motif, gilt Portland vase factory stamp to base and numbered 'Z5263-R', 18.5cm in diameter; together with an early 20th century Wilton Ware lustre bowl, bowl scene of temples in a garden, gilt factory stamps to base, 24cm in diameter (2)
Lot 1114
SET OF SIX ROYAL COPENHAGEN FLORAL DESSERT PLATES AND FRUIT BOWLall decorated with hand painted flowers on cream grounds with gilt rims, all with green factory stamp and blue triple wave marks, plates numbered '993, 9589', bowl numbered '1077, 3480', each signed 'fox' in green, bowl 29cm in diameter
Lot 1174
PARAGON ART DECO GILT TEA SETwith attractive sunburst gilt border on a cream ground, brown factory stamps to bases, comprising six cups, eight saucers, seven side plates, a cream jug, sugar bowl and cake plate, cake plate 22cm long; together with a Mintons Sinclair pattern part tea set, handpainted pattern number 'B991' and brown factory stamp to bases, nine cups, nine saucers and nine sideplates (qty)
Lot 830
Flying Tiger Joe Roberts AVG 6 Aerial Victories Signed 25 cents US Mail Postage Stamp Honolulu 1976 FDC. The Flying Tigers, "American Volunteer Group" (AVG) flew for China in early 1942 and achieved great success against the Japanese. They flew 100 Curtis Warhawk P-40's, complete with the famous red shark mouth.The American public reeling from Pearl Harbor were anxious to strike back "NOW!" The Flying Tigers were "the only game in town" at that point and the only Americans doing ANYTHING ANYWHERE against the Japanese. The Flying Tigers comprised three squadrons namely: "Adam and Eves", "Panda Bears and "Hell's Angels". Colonel Chennault developed the basic fighter tactics that American pilots would use throughout WW-2. He highlighted Interception, diving pass, no dogfighting and diving when in trouble. This remained the fundamental U.S. fighter doctrine throughout the Pacific War. Good condition. All items come with a Certificate of Authenticity and can be shipped worldwide.
Lot 1010
Stamp from the collection of Franklin D Roosevelt. 1898 Canada 2c stamp mounted to a special presentation card explaining that the stamp came from the personal collection of American President Franklin D Roosevelt. Originally auctioned in 1946 by H R Harmer of New York. Comes with an FDR In Memoriam cover and a printed autograph of Eleanor Roosevelt. Good condition. All items come with a Certificate of Authenticity and can be shipped worldwide.
![Heading: Author: Beckmann, MaxTitle: Der Abend [Selbstbildnis mit den Battenbergs] (Evening [Self-portrait with the Battenber](https://cdn.globalauctionplatform.com/a4f5ccd1-360c-4588-860a-a65e00203343/4f1e0ccd-22ae-4a37-ef69-84b3105b0df8/468x382.jpg)
Lot 7
Heading: Author: Beckmann, MaxTitle: Der Abend [Selbstbildnis mit den Battenbergs] (Evening [Self-portrait with the Battenbergs])Place Published: Publisher:Date Published: 1919Description: Drypoint etching. Impression size 23.9x17.8 cm (9½x7") on a larger sheet, approximately 30x24.5 cm (11¾x9¾"). Tipped to matting. One of 60 on laid paper. Signed at the lower right, publisher's embossed stamp below. Plate 10 from Beckmann's 1919 portfolio ?Gesichter (Faces). Glaser 84; Gallwitz 67; Hofmaier 90 II B b. Provenance: The estate of Aaron Sopher, Baltimore artist and associate of Max Beckmann and George Grosz.Complete description available. Please contact pba@pbagalleries.com for more information. A bit browned on rear, faint matte-burn, mounting tape at corners on rear; very good.
Lot 95
Heading: (Monographs)Author: Title: Five Art MonographsPlace Published: Various placesPublisher:Date Published: Various datesDescription: Includes: Alexander, Francesca. Drawings for Roadside Songs of Tuscany. Introduction by Joseph R. Goldyne. Illustrated with black and white facsimiles. (8vo) Grey printed wrappers. Light wear; near fine. Woodside, California: Sven H. A. Bruntjen Fine Arts, 1981. Bautze, Joachim K. Interaction of Cultures: Indian and Western Painting, 1780-1910. With text illustrations throughout, mostly color. (4to) gilt stamped black cloth, illustrated dust jacket. Light wear; near fine. Alexandria, Virginia: Art Services International, 1998. Bruneau, Philippe, et al. Sculpture: From Antiquity to Present. 4 volumes. Profusely illustrated from photographs. (Folio) maroon cloth printed in white, pictorial slipcase. Some wear to slipcase, light wear to bindings; near fine. Koln: Taschen, [1991-1996]. Calder, Alexander, et al. Hommage a' Alexander Calder. Profusely illustrated with facsimiles and from photographs. (Folio) gilt stamped yellow cloth, pictorial dust jacket. Light wear; previous owner's name in pen on front free endpaper; very good. [New York: Tudor Publishing, Co. 1972]. Dodgson, Campbell. The Etchings of James McNeill Whistler. Illustrated with 96 plates. (4to) vellum backed grey boards with gilt stamp. Formerly of the Stanford library with a few labels and pencil markings. Wear and soiling to binding; toning to pages, hinges cracked; very good. London: The Studio, 1922. Due to the size and/or weight of this lot extra charges may apply. Very good to near fine.
Lot 15
Heading: Author: Beckmann, MaxTitle: Prosit Neujahr 1917 (Happy New Year 1917)Place Published: Publisher:Date Published: 1919Description: Drypoint etching. 23.7x29.7 cm (9½x11¾") on larger sheet, approximately 30x37 cm (11¾x14½"), tipped to matting. One of 60 on laid paper. Signed at lower right, publisher's embossed stamp below. Plate 17 from Beckmann's 1919 portfolio Gesichter (Faces). Glaser 98; Gallwitz 86; Hofmaier 108. Provenance: The estate of Aaron Sopher, Baltimore artist and associate of Max Beckmann and George Grosz.Complete description available. Please contact pba@pbagalleries.com for more information. Browned on rear, tape residue to edges on reverse, matte-burn line on front; very good.
Lot 182
Heading: Author: Silvestre, ArmandTitle: The Gallery of Contemporary Art - Limited Imperial Edition.Place Published: PhiladelphiaPublisher: Gebbie & CoDate Published: [1884]Description: 6 portfolios. 88 pp. + 60 photogravures and 94 wood engravings, each plate followed by unpaged leaf with descriptive letterpress. (Folio) 47x34 cm (18½x13½"), blue cloth portfolios with gilt stamp, cloth ties, with pages and plates laid loose in printed wrappers, as issued. No. 9 of 1000 limited copies, unbound on India paper. Featuring plates after works by Bouguereau, Corot, Fromentin, Meissonier, Millais and Puvis de Chavannes among many others.Due to the size and/or weight of this lot extra charges may apply. Wear, soiling, and rubbing to portfolios, toning and offsetting to wrappers with some split and others splitting; toning and wear to plate edges; overall very good.
Lot 142
Heading: (Koons, Jeff)Author: Holzwarth, Hans WernerTitle: Jeff KoonsPlace Published: ColognePublisher:TaschenDate Published: 2007Description: 606 pp. Illustrations from photographs, most in color. (Folio) original cloth, red cloth-covered clamshell box with gilt stamp, original shipping box present. No. 564 of 1600 copies. First Edition. Signed by Koons at limitation. "This exhaustive monograph begins with a biographical essay by Interview magazine editor-in-chief Ingrid Sischy that puts his work into context and tells his personal story, as well as a text by Eckhard Schneider analyzing Koons from a European perspective. Arranged in chronological chapters by work groups, the main body of the book features art historian and critic Katy Siegel's detailed analyses alongside hundreds of large-format images tracing Koons' career from 1979 to today. Rounding off the book are an extended bibliography and a lavishly illustrated biography. Fans of Jeff Koons' work will find in this publication not only a sumptuous book-object, but also the most comprehensive study of the artist's work ever published". - from the publisher.Due to the size and/or weight of this lot extra charges may apply. Volume fine; light wear to inner clamshell, original shipping box with some wear, styrofoam packing pieces broken.
Lot 56
Heading: Author: Kent, RockwellTitle: Watercolor sketch of Greenland coastPlace Published: GreenlandPublisher:Date Published: c.1931Description: Watercolor sketch, approximately 9x14.5 cm (3½x5½") tipped to matting. Charming sketch of the Greenland coast, with the artist's estate stamp at lower left. A touch browned; very good.
Lot 206
Heading: (Vuillard, Édouard)Author: Roger-Marx, ClaudeTitle: L'Œuvre Gravé de VuillardPlace Published: Monte-CarloPublisher:Andre SauretDate Published: 1948Description: Profusely illustrated with color and black & white plates. (4to) 32x24½ cm (12½x9½"), gray cloth with blue blind-stamp design, illustrated dust jacket. No. 1950 of 2500 copies. First Edition. Beautifully illustrated with handsomely printed lithographs.Lots sold without reserve are sold “As Is” and are not returnable under any circumstances. The minimum shipping and handling per invoice is $20 for shipments to the US and $30 for shipments outside the US, please consider this when determining your bid amount. Wear to jacket with some chips and a few short closed tears, some wear and rubbing to cloth, bump to top front corner; slight darkening to endpapers; very good.
Lot 130
Heading: Author: Friedlander, LeeTitle: The American MonumentPlace Published: New YorkPublisher:The Eakins Press FoundationDate Published: [1976]Description: Profusely illustrated from photographic plates. (Oblong Folio) 29x39 cm (11.5x16"), bound in original blue cloth with 3 bolts. Gilt stamp design. One of 2000 copies. First Edition. Gorgeous gravure reproductions of monuments across America. Light wear to binding; near fine.
Lot 156
Heading: (Moore, Henry)Author: Clark, KennethTitle: Henry Moore: Drawings - InscribedPlace Published: LondonPublisher:Thames and HudsonDate Published: [1974]Description: With 304 illustrations, including 40 color plates. (4to) tan cloth with gilt stamp design and gilt spine, pictorial dust jacket. First Edition. Inscribed by Moore on front free endpaper: "For Carol and David Dovsky, with best wishes from Henry Moore, May 9th 1975." A comprehensive review of Moore's work to 1973. Rare signed edition. Some wear to jacket, a few slight chips and tears at edges; light browning to endpapers; very good.
Lot 14
Heading: Author: Beckmann, MaxTitle: Irrenhaus (Madhouse)Place Published: Publisher:Date Published: 1919Description: Original drypoint etching. Impression size 26x30.5 cm (10¼x12") on a larger sheet, approximately 37x36.5 cm (14½x14¼"). One of 60 on paper. Signed in pencil at the lower right, embossed stamp at lower left corner. Plate 3 from Beckmann's 1919 portfolio Gesichter (Faces). Glaser 116; Gallwitz 106; Hofmaier 135. Provenance: The estate of Aaron Sopher, Baltimore artist and associate of Max Beckmann and George Grosz.Complete description available. Please contact pba@pbagalleries.com for more information. Slightly browned at right edge; near fine.
Lot 18
Heading: Author: Beckmann, MaxTitle: TheaterPlace Published: Publisher:Date Published: 1919Description: Drypoint etching. 12.8x18 cm (5¼x7¼") on larger sheet, approximately 18.3x24 cm (7¼x9½"). Tipped to matting. One of 60 on laid paper. Signed in pencil at lower right, publisher's embossed stamp in margin below. Plate 8 from Beckmann's 1919 portfolio Gesichter (Faces). Glaser 83; Gallwitz 66 c; Hofmaier 89 III B b. Provenance: The estate of Aaron Sopher, Baltimore artist and associate of Max Beckmann and George Grosz.Complete description available. Please contact pba@pbagalleries.com for more information. A bit toned, mounting tape and tape residue at top edge on rear; very good.
Lot 33
Heading: Author: Dixon, MaynardTitle: San Francisco Chinatown sketchesPlace Published: Publisher:Date Published: c.1900Description: Graphite sketches of two figures on paper. Approximately 14x9.5 cm (5½x3¾") visible. Matted and framed, overall 31.5x27 cm (12½x10¾"). Small estate stamp at lower left. Provenance: Edith Hamlin Dixon; Prof. J.A. Baird; our consignor. Maynard Dixon (1875-1946) was an American artist whose body of work focused on the American West including many book and magazine illustrations. Paper a bit toned; near fine.
Lot 149
Heading: (Matisse)Author: Soby, James Thrall, introductionTitle: Mural Scrolls: Calder, Matisse, Matta, MiroPlace Published: New YorkPublisher:Katzenbach and WarrenDate Published: 1949Description: [8] pp. Introduction by James Thrall Soby. Artist's statements by Matta, Joan Miro, Alexander Calder and Henri Matisse. Illustrated with 4 silkscreens in colors printed on canvas and tipped onto burlap. (Folio) 44.5x 30 cm (17¾x11½"), spiral-bound with color board covers. The silkscreens comprise: "A Piece of My Workshop" by Calder; "Arbre en Fleur" by Matisse, "Sun-Dice" by Matta, and "El Sol" by Miro. The Matisse and Miro prints have a small stamp "MS". This edition is in essence an advertisement for the larger-scale mural scrolls printed in limited editions in sizes from 6 to 10 feet in length and 4 to 6 feet in height. One loop of the spiral lacking at top, boards lightly worn; patch of tape to both inside covers with some offsetting; very good.
Lot 5
Heading: Author: Beckmann, MaxTitle: Das Karussell (Merry-Go-Round)Place Published: Publisher:Date Published: 1922Description: Dry point etching. Impression size 29x25.7 cm (11½x10¼") on larger sheet, approximately 51.5x38 cm (20¼x15"). One of 125 on wove paper. Signed in pencil at lower right, embossed stamp in margin beneath signature. Plate 7 from Beckmann's 1922 portfolio Jahrmarkt (Annual Fair). Glaser 172; Gallwitz 169; Hofmaier 197 II B. Provenance: The estate of Aaron Sopher, Baltimore artist and associate of Max Beckmann and George Grosz. Max Beckmann (German, 1884-1950) was a painter, draftsman, printmaker, sculptor, and writer. Although he is classified as an Expressionist artist, he rejected both the term and the movement. Beckmann achieved great success during the years of the Weimar Republic but his fortunes changed with the rise to power of the Third Reich. His work was considered degenerate by Adolph Hitler and Beckmann was dismissed from his teaching position at the Art School in Frankfurt. He left Germany for the Netherlands and later the United States. A bit toned overall, matte-burn; very good.
Lot 32
Heading: Author: Diebenkorn, Richard, et al.Title: Drawings: Dixon, Diebenkorn, Hultberg, Kuhlman, Lobdell, StillmanPlace Published: Mill Valley, CAPublisher:Eric T. LedinDate Published: [1947 or 1948]Description: 17 offset lithographs tipped to mounts, each signed in graphite on the mount or the image. Includes 3 by Richard Diebenkorn; 3 by George Stillman; 3 by Frank Lobdell; 2 by Walter Kuhlman; 4 by John Hultberg; & 2 by James Budd Dixon. Plates 28x21.5 cm (11x8½") or reverse, the mounts are 32.5x26 cm (12¾x10¼"), set loose as issued in black paper folder with printed cover label. 1 of 200 copies. First Edition. Landmark portfolio of abstract expressionist prints reproduced in offset lithography, representing some of the earliest published work by Diebenkorn, Hultberg and other influential artists in the San Francisco Bay Area in the years immediately following the Second World War. David Acton, in his recent work The Stamp of Impulse: Abstract Expressionist Prints, describes the confluence of artists and ideas which led to the publication: "In about 1948 a group of artists associated with the CSFA [California School of Fine Arts, now the San Francisco Art Institute] began meeting informally in each other's studios, mostly in Sausalito. They were James Budd Dixon, Frank Lobdell, Richard Diebenkorn, George Stillman, and Walter Kuhlman, as well as [John] Hultberg, who recalled that they all wanted to distance themselves from other artists at the school who were overly devoted to Clyfford Still... One day Lobdell gave each of his colleagues paper offset lithography plates. His friend Eric Ledin, who owned a radio and television business, had received an old electric Multilith offset press in lieu of a debt. Ledin set up the machine in the basement of his house in Mill Valley, and as he taught himself to operate it, his friend Lobdell drew on a few aluminum and paper plates. Then he invited his colleagues to participate. Each of the six artists drew two or three plates, which were printed in Ledin's basement over eight days. They completed seventeen prints in editions of 200 and compiled them in an album, contained in a black paper envelope with a lithographed label. The artists offered the portfolios for sale at some of their exhibitions and in the CSFA bookstore at a cost of one dollar. In the end, the proceeds were just enough to buy a case of scotch and provided a rousing party." Portfolio with wear and fading, split nearly completely along the spine fold; slight marginal darkening to some of the mounts, two mounts with short closed tears at the top, a few of the plates neatly detached from the mount, else near fine, very scarce.
Lot 668
A collection of 17 assorted stoneware jars, from various merchants and makers in the South West, including James Foan Wine & Spirit Merchant Yeovil, and William Seymour Sherborne (17) Condition report Report by GH 1. William Seymour Wine & Spirit Merchant Sherborne, 42 cm high, rim chip 2. Doulton & Co Lambeth, 46 cm high, no obvious damage 3. James Foan Wine & Spirit Merchant Yeovil, 56 cm high, with several rim chips. 4. Not inscribed, 52 cm high, Bristol maker's mark, no obvious major damage. 5. Not inscribed, 42 cm high, Bristol maker's mark, a couple of small chips to rim. 6. Stephen Barber Wine & Spirit Merchand Berkeley, 33 cm high Price of Bristol maker's mark, generally crazed. 7. G Squire Wine & Spirit Merchant Beaminster, 32 cm high, no obvious damages 8. Not inscribed, 32 cm high, no obvious damages 9. William Seymour Wine & Spirit Merchant Sherborne, 32 cm high, rim chipped 10. Hall & Woodhouse Ltd Blandford Brewery, 32 cm high, rim chipped and repaired, appears to have been reglazed over the chip 11. Not inscribed, 30 cm high, some small chips 12. Not inscribed, 22 cm high, with Price of Bristol maker's mark, with small rim chips 13. Not inscribed, 27 cm high, with Price of Bristol maker's mark, with small rim chips 14. Inscribed Knight's Bull Hotel Bridport, 27 cm high, with Price of Bristol maker's mark, small rim chip 15. Inscribed D. Tucker Greyhound Hotel Bridport, 27 cm high, with Priest Canton Cardiff maker's stamp, no obvious damage. 16. Inscribed John Hoare Bridport, 27 cm high, small chips to rim and handle 17. Not inscribed, 21 cm high, no obvious damage
Lot 976
MID 19th TO EARLY 20th CENTURY SCRAP ALBUM circa 1847 to 1905, containing original admission pass for "Funeral of the late Field Marshall The Duke of Wellington, KG", St Paul's Cathedral 18th November 1852 admitting "Capt Eyre" to "centre area under the dome, south side" with Earl Marshall of England blind stamp together with accompanying printed notice regarding funeral of Duke of Wellington "Funeral of the late Duke of Wellington 18th November 1852, notices to persons going in the procession, or holding tickets of admission to St Paul's" with instructions to those attending, approx size 34 x 21cm, printed on both sides, folded, in original envelope addressed to Capt Eyre + William Botwood (died 1896), autographed letter signed to Harry Bullard (1841-1903) of Norwich, brewer, Conservative politician, MP for Norwich etc dated November 18th 1885 on W Botwood, the Ipswich Carriage Works, Woodbridge Road, Ipswich headed paper + original silk ribbon "relief of Ladysmith, March 1, 1900, Buller, White" with manuscript caption beneath, ribbon of Ladysmith relief worn by the people in Natal, approx size 32cm x 3 1/2 cm, lightly tipped in + good quantity Victorian paper lace Valentine cards + good quantity Victorian advertising puzzles for Norwich Stores including Hepworth's, Magdalen Street, Stead & Simpson, Magdalen Street, Josiah Tyler Ltd, St Stephen's Street and Dove Street and Davey Place, Charles Kelf's Boots, St Benedict's Street, Norwich etc, mainly postcard sized, several printed by Petty & Sons, approx 40 in total + original pen, ink and watercolour sketch of Bishopbridge Norwich, approx size 9 x 11 1/2 cm, with another similar depicting Whitlingham + W Shalders, Norwich, Patentee "The true art of raising fluids or perfect hydrostatics", original document with illustration of "double motion gravitating expressing fountain", circa 1830s + THE RILEY MANUFACTURING COMPANY..., EFRA WORKS, LANGLEY LANE, VAUXHALL, printed booklet promoting their patent bottling machine "for filling, syruping and corking every description of aerated drinks" with engraved illustration to top wrap and original tipped in photograph depicting machine being operated by a lady in the factory + quantity of other items of assorted ephemera, some East Anglia interest, folio, contemporary half crimson morocco, worn, rebacked, original backstrip retained
Lot 1025
OLD ALBUM: assorted postcards, good quantity early 20th century military real photographic postcards including "Suffolk RFA 1052", real photographic card depicting soldiers walking along a track with shed with R Hughes & Son military photographers in background (2) plus real photographic card two soldiers in uniform posing plus real photographic card of soldier posing next to heavy artillery weapon, the weapon marked "1 Suffolk RP East Anglia Division" plus real photographic card showing several soldiers probably Suffolk Regiment attending to heavy artillery piece etc, the military cards possibly late 19th/early 20th century South Africa? plus quantity topographical cards South Africa including Pretoria Market Square, Ladysmith and Bulwhana Hill, Ladysmith with Lombards Cop in the distance, a Transvaal transport wagon etc plus other South African cards including a zulu umfazi, a zulu in marriage costume, a zulu intombi, Natal native policemen with prisoner etc plus quantity Suffolk and Essex topographical cards including real photographic cards High Street, Brandon, River Ouse at Brandon, High Street, Hornchurch, Station Lane, Hornchurch etc plus quantity further postcards loose, including real photographic PPC Hatfield, Wymondham Abbey etc plus some other further ephemera and items including WWI Victory Medal Pte G Watts Norfolk Regiment 1st Battalion, Service No 24242 killed 18th April 1918, remembered with honour Tannay British Cemetery, Thiennes plus another WWI Victory Medal A Cpl F G Elwin, The Queens Regiment Service No 19384 plus printed booklet 2 THIRD EAST ANGLIAN HOWITZER BRIGADE RFA BATTERY TACTICS, 1915 FOR THE USE AND INSTRUCTION OF THIS BRIGADE ONLY, 12pp, original printed wraps, ownership signature Corporal W Oakes, 2/1st Suffolk Battery ink stamp to top wrap plus other assorted ephemera
Lot 533
ALEXANDRE KOYRE: LA PHILOSOPHIE DE JACOB BOEMHE, Paris, Librarie Philosophique J Vrin 1919, original printed wraps + SIGMUND FREUD: DELUSION AND DREAM, AN INTERPRETATION IN THE LIGHT OF PSYCHO-ANALYSIS OF GRADIVA, A NOVEL..., translated Helen Downey, London, 1921, 1st edition, ex-Institutional ink stamp to front free end paper and page 65, no other markings, original cloth + KARL JASPERS: PSYCHOLOGIE DER WELTANSCHAUUNGEN, Berlin, 1922, original half cloth + PAUL CARUS: NIETZSCHE AND OTHER EXPONENTS OF INDIVIDUALISM, Chicago and London, The Open Court Publishing Co 1914, 1st edition, original cloth gilt soiled + FESTSCHRIFT ERNST KAPP..., Hamburg, 1958, original printed wraps, (5)
Lot 295
HENRY JAMES: TALES OF THREE CITIES, London 1884, 1st edition, 2pp adverts at end, crushed crimson morocco gilt, inner dentelles gilt by The French Binders, Garden City, NY, top board with gilt ownership stamp of Harrison Williams, top edge gilt + THEODORE FRANCIS POWYS: MARK ONLY, London 1924, 1st edition, 4pp adverts at end, original cloth, printed paper label, dust-wrapper + EDWARD HARRY WILLIAM MEYERSTEIN: JOSHUA SLADE, London 1939, 1st edition, autograph six line poems signed, tipped onto front end paper, typed letter signed loosely inserted, original cloth (3)
Lot 488
CAPTAIN A T MAHAN, 7 titles: THE INFLUENCE OF SEA POWER UPON HISTORY 1660-1783, Boston 1898 15th edition; THE LIFE OF NELSON THE EMBODIMENT OF THE SEA POWER OF GREAT BRITAIN, London 1897 1st edition 2 volumes; LESSONS OF THE WAR WITH SPAIN AND OTHER ARTICLES, Boston 1899 ex public service institutional stamp to title page; THE INFLUENCE OF SEA POWER UPON THE FRENCH REVOLUTION AND EMPIRE 1793-1812; London 1893 2nd edition; TYPES OF NAVAL OFFICERS DRAWN FROM THE HISTORY OF THE BRITISH NAVY ..., London 1902, 1st edition; SEA POWER IN ITS RELATIONS TO THE WAR OF 1812, 1905, 2 volumes ex lib; NAVAL STRATEGY COMPARED AND CONTRASTED WITH THE PRINCIPLES AND PRACTICE OF MILITARY OPERATIONS ON LAND, 1911 ex lib, each original cloth gilt (10)
Lot 963A
L/CPL G H CLARK LEWIS, GUN CORPS, CHELSEA BARRACKS 1918, notebook containing 35+ pages of manuscript notes and sketches of .303 Lewis machine gun, notes including gun specification, instructions on stripping gun, description of parts, notes on cooling, magazine, mechanism, points to attend to before, during and after firing etc etc, the book with ownership signature and further inscription to front paste down “L Cpl G H Clark, Queen’s Westminster Rifles, Chelsea Barracks, February 11th 1918”, “D” Coy, Wimbledon Common Camp” with Chelsea Barracks School of Instruction ink stamp dated 15th February 1918 and Queen’s Westminster Rifles red ink stamp with manuscript words “was killed in the Great War April 28th 1918” written beneath L/Cpl G H Clark’s name in a different, later hand, original card wraps
Lot 556
DANIEL WATERLAND: A CRITICAL HISTORY OF ATHANASIAN CREED ..., Cambridge 1728, 2nd edition corrected and improved, contemporary blind stamp calf worn plus CHARLES WHEATLY: A RATIONAL ILLUSTRATION OF THE BOOK OF COMMON PRAYER OF THE CHURCH OF ENGLAND ..., L 1741, 7th edition, contemporary calf worn, top board loose (2)
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164719 item(s)/page