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Lot 1503
A SILVER MOUNTED POSTAGE STAMP HOLDER / DESK BLOTTERFitted with an associated screw-off plated handle, otherwise with two hinged compartments, each to hold two postage stamp sections, Birmingham probably 1905, size of top 11.5cm x 7cm.The silver mounts and hinged compartments have been recently restored, hallmark date letter a little rubbed, hinges in good condition
Lot 572
A BRONZE MODEL CANNON ON FIELD CARRIAGEEarly 20th CenturyThe 55cm barrel stamped 'SSS' and mounted on a wooden carriage, with 16 inch spoked wheels, overall length approx 80cmCondition report: Wear and oxidisation in areas, notably to the iron mounts to the exterior of the wheels.Some shrinkage splitting in areas to the wheels. Light surface wear, dirt and dust to the bronze cannon barrel, with a stamp 999 to the one end. Dirt and dust as to be expected overall, wear, scuffs, scratches and dents commensurate with use and age.
Lot 195
Cutlass. British 1845 Enfield naval cutlass (1888 converted), the 68.3cm slightly curved steel blade with war department stamp and 1888 converted stamp, iron cup guard with brass lozenge stamped '23', iron grip and flat pommel, 83cm long overall, in its black leather scabbard with steel mountsQty: (1)
Lot 360
London and Birmingham Railways. ‘Extracts from the Minutes of Evidence given before the Committee of the Lords on the London and Birmingham Railway Bill’, 1st edition, London, 1832, Those giving evidence included Stephenson himself and John Rastrick, John Moss, Joseph Pease and Henry Booth, bound with Bradshaw, Lengths and Levels to Bradshaw’s Maps of the Canals, Navigable Rivers, and Railways, in the Principal Part of England. Dedicted to Thomas Telford… , printed by E. Ruff, 1833, 15pp., a good copy with neat library stamp on verso of title, bound with Bradshaw, Lengths and Levels to Bradshaw’s Maps of Canals, Navigable Rivers, and Railways from Actual Survey, T.G. White & Co., 1832, 15pp., misbound with pp. 9-15 bound before title, with a large folding map showing the London & Birmingham Railway ‘George Stephenson & Son Engineers’, some neat repair where folded, 55 x 43 cm, contained in a pocket at end, with a folding plate in two halves showing (1) the continuation of the Lea Navigation and River Stort and (2) continuation of the Grand Junction Canal and the proposed London and Birmingham Railway, trimmed on right-hand margin, also bound in starting on A3 (page 5) ‘Canals and Navigable Rivers’ pp. 5-20, showing distances between locks and basins on various midlands canals, neat library blue cloth binding, 8voQty: (1)
Lot 377
India. An album of photographs, compiled by D. A. Garnier, 1940-1941, containing approximately 100 black and white photographs relating to 23/24 Medium Battery Royal Artillery, stationed in Campbellpur, India, most of the images depicting scenes of social and local life, including numerous British soldiers and their wives and other mostly British men and women at sports days, horse races, clubs, having picnics, at military displays, etc., also some group photographs of soldiers, including camping, places mentioned include Campbellpur, Kirkee, Attock, Poona, Rawalpindi, Madrota, Lower Topa, Ferozepur, all mounted, most with simple captions (many humorous), front pastedown with ink ownership stamp 'D.A. Garnier R.A. Mess', original patterned cloth, the leaves tied together with the binding, somewhat soiled and rubbed, a trifle faded, oblong folioQty: (1)Footnote: The compiler of the album is believed to be Major Derick Alan Garnier, Royal Artillery.
Lot 40
Ivelaw-Chapman (Ronald, 1899-1978). A fascinating WWII archive relating to a senior commander in the Royal Air Force and his time as a prisoner of war Including typed service memoirs ‘Evader’ and P.O.W. (Germany) – 1944 to 1945 (10 pages); the typed account of his evasion continuing from his capture in a contemporary exercise book with a 36-page journal and 10-page separate continuation of his time as a prisoner of war, June 1944 to April 1945, all in pencil, giving an account from first interrogations at Dulag Luft, Chartres, and time spent in solitary confinement there and hospital treatments at Oberursal, Hohemark and Frankfurt, with additional exercise book entries about books read, etc., plus 3 airmail letters to his mother loosely inserted; a manuscript letter to Ivelaw-Chapman written by Erich Killinger (German Commandant) about treatment to Chapman during his time as a P.O.W. , 5 December 1948 (3 pages); photographs of the recipient and personal photographs including an aerial photograph, inscribed verso ‘Drogland Aerodrome, 10 Squadron R.F.C. March 1918’, 21.4 x 16.2cm, another large scale photograph of Chapman in a the cockpit, Armed Forces Information Office, Ministry of Defence stamp verso, 24 x 28.5cm; a page with 6 snapshot photographs of Chapman as a P.O.W., inscribed ‘Photos of RI-C taken at Hohemark in Oct 1944 and sent home to MI-C’, a magazine article is affixed to the reverse titles ‘Greatest Day in the Life of a P.O.W.’ and inscribed ‘Photos of the Liberation on 27 Mar 1945, by American Troops of Hohemark Hospital where RI-C spent 9 months. RI-C by then was at Buchenbuhl’; telegrams and letters, inter-war period circa 1929 including a telegram via Iraq Telegraphs congratulating Chapman on his Air Force Cross. Letters written from Chapman to Sir Norman detailing his damaged aircraft, Jugdulluck, 1 February 1929; a letter written by from Mademoiselle Lecomte to Chapman, dated 13 May 1947 detailing her husband’s death in a German labour camp at Wilhelmshaven. Monsieur Lecomte was shot and captured at the same time as Chapman; two folders of letters relating to the award of the and K.B.E. (June 1951) and K.C.B. (June 1953); many personal papers, birth and death certificates, order of service and other related documents, all contained in a small brown leather briefcase with embossed initials ‘R.I.C.’, 12cm high x 40cm wide x 25cm deepQty: (a case)Footnote: Air Chief Marshal Sir Ronald Ivelaw-Chapman GCB, KBE, DFC, AFC (1899-1978), was a senior commander in the Royal Air Force and RAE and, commander-in-chief of the Indian Air Force. Ivelaw-Chapman was born in British Guiana and came to England in 1903. He was educated at Cheltenham College, before joining the Royal Flying Corps in 1917 where he served as a Bristol Fighter pilot over the Western Front with 10 Squadron. By WWII Ivelaw-Chapman had advanced to Wing Commander and was part of the operations staff at RAF Bomber Command headquarter, by June 1940 he was promoted to Group Captain and appointed station commander at RAF Linton-on-Ouse. In 1941 he returned to a staff job at the Air Ministry involved in D-Day planning. On the night of 6/7 May 1943 Ivelaw-Chapman was flying a second pilot of a 576 Squadron Lancaster on a mission to bomb an ammunition dump at Aubigne, France. His aircraft was shot down by a night fighter and Ivelaw-Chapman went on the run. Churchill ordered the French resistance to do all they could to help him return to England and he was to be killed if he was in danger of being capture by the Germans because of his experience and extensive knowledge. Ivelaw-Chapman was captured by the Gestapo on 8 June 1944 but the Germans failed to realise his seniority and importance and treated him as an ordinary prisoner of war. He was released by the Americans on 16 April 1945. Post-War service saw Ivelaw-Chapman promoted to Air Marshal and seconded to the Indian Government. Having left India in 1922 as a Flying Officer, he returned as the Commander and Chief of the newly independent nation's Air Force and was the penultimate officer to hold the post.
Lot 416
Cannon (Richard). Historical record of the First, or King's Regiment of Dragoon Guards, the 2nd, or Queen's Regiment of Dragoon Guards, & the Third, or Prince Wale's Regiment of Dragoon Guards, together three volumes in one, London: William Clowes, 1837-38, engraved general title, for, 4 and 3, and hand-coloured plates to each work respectively, a few marks and some light spotting to preliminary leaves, marbled edges and endpapers, 19th century bookplates of John W. Thomas and Robertson Fernie to front endpaper, together with another similar bound volume of Regimental records of Dragoon Guards by Richard Cannon (Historical Record of the Fourth, or Royal Irish Regiment of Dragoon Guards, Historical Records of the Fifth, or Princess Charlotte of Wales's Regiment of Dragoon Guards, Historical Record of the Sixth Regiment of Dragoon Guards, or the Carabineers, & Historical Record of the Seventh, or Princess Royal's Regiment of Dragoon Guards), four volumes bound in one, Longorm & Co., 1839, each with Three hand-coloured plates (except the last title which has two plates), plus three further bound volumes of Cannon's Historical Record of the First, or the Royal Regiment of Dragoons, The Royal Regiment of Scots Dragoons: now the Second, or Royal North British Dragoons, commonly called The Scots Greys, The Third, or The King's own Regiment of Light Dragoons, three works bound in one, 1840 & 1847, Historical Record of the Seventh, or the Queen's own Regiment of Hussars, The Eighth, or The Kings Royal Irish Regiment of Hussars, The Tenth, the Prince of Wales's own Royal Regiment of Hussars & The Eleventh, or The Prince Albert's own, Regiment of Hussars, four works bound in one, 1842-1843, and Historical Record of The Ninth, or the Queens Royal Regiment of Light Dragoons; Lancers, 1841, The Twelfth, or the Prince of Wales's Royal Regiment of Lancers, 1842, The Sixteenth, or The Queen's Regiment of Light Dragoons, Lancers, 1842 & The Seventeenth Regiment of lIght Dragoons-Lancers, 1841, marbled edges and endpapers, 19th century engraved bookplates of John W. Thomas and Robertson Fernie, and 20th century bookplate of Derek J. Cross to front endpapers of each volume, contemporary uniform red half morocco spines, lettered in gilt in compartments, between gilt military motifs, very slightly rubbed, and a few scuffs to head and foot of joints (generally in good attractive condition), 8vo, and Nolan (Captain L. E.). Cavalry; Its History and Tactics, 2nd edition, London: Thomas Bosworth, 1854, hand-coloured lithographed frontispiece, five plates including one hand-coloured, and one wood engraved illustration to text, single library stamp to front endpaper (otherwise unmarked), later half calf, some marks and wear to spine, 8voQty: (6)
Lot 438
Leask, J.C. and H.M. McCance. The Regimental Records of the Royal Scots (The First or The Royal Regiment of Foot), 1st edition, Dublin, 1915, portrait frontispiece, colour and monochrome plates, light spotting, original blue calf gilt and red spine (faded), with owners stamp for 'O. Ramsay Brush' and the notes page at the rear is inscribed in ink with information relating to the uniform of 1878, 4toQty: (1)Footnote: Captain Oliver Ramsay Brush was born in Torquay in 1858, he passed Military College in 1878 and was commissioned 2nd Lieutenant in 1879 advancing to Captain in 1888, he served in the Bechuanaland Expedition between 1884-85, he retired from service in 1898.
Lot 472
Archer (Frederick Scott, 1813-1857). Rochester Bridge, c.1855, albumen print, arch top, 164 x 221 mm, original thin card mount with photographer's embossed stamp to lower marginQty: (1)Footnote: This photograph is taken from the castle and cathedral side of the bridge and features boats and a rustic timber building in the foreground.
Lot 475
Australia & Papua New Guinea. An album containing approximately 190 photographs, c. 1917-20, gelatin silver prints including some real photo postcards and mostly postcard size (8 x 13.5cm) or slightly smaller, pasted as multiples onto rectos and versos of paper album leaves with ink captions, approximately 23 photos loose including 10 real photo postcards, some with inscribed details to versos and some with stamp of photographer John S. Hoskins of Sydney, a total of approximately 60 Australia and 130 Papua New Guinea interest, the Australian photographs mostly pasted at the front of the album with a few at the end, including scenes of the Timber Lands of Atherton Tablelands [near Cairns, Queensland] including timber felling, cutting sugar cane, Mission people and children, a broken jetty at Cardwell after the Cyclone, 1917, Crossing the Johnstone River by Ferry, etc., three Aboriginals detained for murder of a missionary in North Queensland; the Papua New Guinea photographs predominantly of indigenous people, activities including sago pith beating, gathering nuts at Gili Gili, latex rubber factory production (including three larger photographs, 10.5 x 17cm, on two separate album mounts), the Vermauri River and Plantation, Laloki copper miners, Albino native of Trobriand Islands, Port Darwin natives, Villagers of Isuleilei, etc., contemporary linen-backed boards, soiling and wear, backstrip deficient and covers near detached, oblong folio (25 x 30cm), together with a large collection of approximately 450 related roll film negatives, 8 x 13.5cm, many loose and unsorted and unidentified but including over 200 in three contemporary negative film wallets, featuring similar Mission scenes and people, farming, fishing, working and village scenes, scenes from both Australia and Papua New Guinea, one of the cloth wallets with ink signature of J.S. Hoskins, and presumably all taken by him, some negative sleeves with captions and one wallet with legible index at rear, wallets damp frayed but contents largely unaffectedQty: (an album & 450 negatives)Footnote: An interesting and large photographic archive covering various economic activities with indigenous people in both Queensland, Australia and Papua New Guinea. The photographs would appear to have mostly been taken by John S. Hoskins of Sydney between around 1917 and 1920. Commercial rubber was first planted in Papua New Guinea in 1903 with most production in the Australian Territory of Papua (now the Southern Region of Papua New Guinea). The Australian interest in copper mining in Papua began in earnest around 1912.
Lot 476
Bear Hunters. Three photographs of Russian bear hunters with their kills, gelatin silver prints, one dated 30.12.09 in the image, the other two probably slightly later, 12 x 17 cm and smaller, mounted on to 3 uniform card album leaves, together with: Schiller (Anna). Oil 'blow-outs' at Campina, Romania, c. 1907, 3 matte gelatin silver prints, photographer's blind stamp to edge of each print, 30 x 23.5cm, original window mounts, some foxing and corner chips, plus a group of 21 photographs of a Debenhams Longman & Co. Ltd. furniture factory, possibly Matthews Company factory, Gloucester, c. 1930, 22.5 x 29.5cmQty: (27)
Lot 479
Beaton (Cecil, 1904-1980). Francis Bacon in his studio, 1960, vgelatin silver print, light diagonal crease to upper right corner, credit stamp, numbered in ink ‘554/69’ with identity of sitter, a pencil note in an unidentified hand, ‘Please treat with care’, and a later press wet stamp from 1976, 18.8 x 19.0cmQty: (1)Footnote: Beaton and Bacon were kindred artistic spirits and enjoyed each other's company, sometimes spent drinking together in Soho. This photograph is from a series shot in Bacon’s Battersea studio in January 1960, and captures the artist at the age of 50. In his journals Beaton evocatively described Bacon's studio as 'a Dostoevsky shambles of discarded paints, rags, newspapers and every sort of rubbish'.
Lot 519
Franco-Prussian War. Siege de Paris 1870-71. 7ème Bataillon, panoramic albumen print photograph by Disdéri, some fading and marks, uneven central line where two photographs cut and jointed, photographer's stamp lower right, 16 x 50 cm, original mount within red rule with photographer's studio stamp lower left and large ink caption at foot, framed and glazed, together with 6 related albumen prints of Sédan and ruined buildings, 19.5 x 25.5 cm and similar sizes, on contemporary mounts with ink captions at footQty: (7)
Lot 537
Jazz Musicians. A group of 4 large-format gelatin silver prints of jazz musicians, including Archie Shepp at home, Cooper Square, New York, 1967, photographed by Val Wilmer, printed by the photographer, 2003, pencilled details and signature to verso, signed by the photographer in ink lower right, 23 x 34 cm; Ronnie Scott, Gerrard Street, London, 1961, by Val Wilmer, printed by the photographer 2004 with pencilled details and signature to verso, 30 x 27 cm, photographer's embossed stamp to blank lower margin; plus a photograph of the Temperance Seven by Richard Levin, 26 x 25 cm; and an enlarged contact sheet of a 36-shot film, mostly featuring Benny Goodman playing clarinet, 38 x 46 cmQty: (4)
Lot 540
Korda (Alberto, 1928-2001). Fidel Castro and Camilo Cienfuegos entering Havana on 8 January 1959, printed c. 2000, gelatin silver print, embossed photographer's stamp in wide blank margin lower left and signed by Korda in black fibre pen lower right, image size 30.5 x 25 cm, inscribed 'Korda 4/100' inn black felt tip to lower margin verso, sheet size 40 x 30 cmQty: (1)Footnote: A fine photograph of this historic occasion. Korda, who was then not a photojournalist, took the photo to Revolucion, the revolutionary newspaper, who published it. Four months later, Korda was called by the newspaper with an offer to become Castro's personal official photographer, and so his career as the leading Cuban Revolutionary photographer began. Camilo Cienfuegos died in an aeroplane crash later that year.
Lot 541
Korda (Alberto, 1928-2001). Fidel Castro and Ernest Hemingway shaking hands, 1960, printed c. 2000, gelatin silver print, embossed stamp and photographer's signature in black fibre pen to left and right of lower margin touching image, image size 24 x 17 cm, sheet size 30 x 24 cmQty: (1)Footnote: 'The prize-giver for the [marlin] fishing competition was none other than Hemingway. And the winner of the contest that day was Fidel ...', Cuba by Korda, 2006.
![Korda (Alberto, 1928-2001). Fidel Castro preparing to scuba dive [in the Bay of Pigs], 1959, printed c. 2000, gelatin silver](https://cdn.globalauctionplatform.com/0e340770-eaaa-491f-b03e-add000d303e1/f29c9986-0525-4816-977d-add700bb6a14/468x382.jpg)
Lot 542
Korda (Alberto, 1928-2001). Fidel Castro preparing to scuba dive [in the Bay of Pigs], 1959, printed c. 2000, gelatin silver print, embossed stamp and photographer's signature in black fibre pen to lower margin, touching image, image size 23 x 16 cm, sheet size 30 x 24 cmQty: (1)Footnote: 'Fidel was a great fan of underwater spear fishing. He introduced Korda to the sport, and Korda later went on to create the photographic department of Cuba's Institute of Oceanography', Cuba by Korda, 2006.
Lot 558
Metzner (Sheila, 1939-). One of a Kind, 2000, a pair of Michel Fresson-prints, abstract studies, images 41.5 x 27.5 and 21.5 x 32.5 cm, photographer's pencil initials to lower margin and title to versos, with photographer's embossed blind stamp to both lower margin rectos, aperture mounts, together with 3 further framed and glazed modern photography interest including 2 untitled and unidentified and 1 gelatin silver print by Martha Casanave (1946-), Man on Rock, 2002, gelatin silver print, signed and dated in pencil to lower margin, 31.5 x 42 cm, limited edition 5/35 copiesQty: (5)
Lot 49
Three cased entomologists collections of moths and butterfliesearly-mid 20th century, one case containing 66 British moths and butterflies, including a Black Veined White; one case containing Hawk-moths; one case of 15 mixed butterflies, bearing Janson & Son, 44 Great Russell St., London stamp, together with an unused entomologists display case, (4)the largest 45.5 x 45.5 x 5cmCondition:
Lot 649
A Paris Exposition Universelle 1855 silver medalby Albert-Desire Barre (French, 1818-1878)bust of Napoleon III, reverse with arms of French Empire, 'Exposition Universelle Agriculture, Industrie Beaux Arts, Paris 1855', surrounded by arms of participating countries, awarded to 'T. Kemp & Sons, 1855', bearing stamp 'Argent', in original Morocco leather case, velvet lined, with tooled gilt inscription 'Expositiion Universelle de 1855, Medaille de 1re Class'diameter 60mmCondition: Some dings and wear to edge, case with some handling wear and ink stain to underside. Provenance: This medal was awarded to silk manufacturer Thomas Kemp & Sons. Thomas Kemp & Sons were based at No. 20 Spital Square, London and are known to have exhibited at the Great Exhibition in 1851. Owner Thomas Kemp retired in 1857 to Orford House, Walthamstow. Inherited by Mr. Kemp's great-granddaughter.
Lot 67
Laurence Stephen Lowry, RBA, RA (British, 1887-1976)'Britain At Play', print, signed in pencil to lower right, with impressed Fine Art Trade Guild blind stamp, mounted and framed in silver coloured frame, labelled verso A. W. John Simmons & Sonwithin mount approximately 60 x 46cm, the frame height 67 x 80.5cmCondition: The print is faded overall, frame with knocks and scratches. Print unexamined out of frame.
Lot 68
Laurence Stephen Lowry, RBA, RA (British, 1887-1976)'Two Brothers', print, signed in pencil to lower right, with impressed Fine Art Trade Guild blind stamp AHE, mounted, framed within black and silver frame,within mount 63 x 31cm, the frame 84 x 49cmCondition: Print unexamined out of frame, overall condition appears good. The frame itself with chips to edges.
Lot 166
HERMÈS; a brown calf leather and silver tone hardware adjustable bracelet/bangle with white stitching to the edges, and 'Hermès' stamped to the clasp, one size, stamped F. Additional InformationThe bracelet is in a used condition with some darkening to the leather, particularly on the inside of the bracelet, the stamp is very difficult to read but it is an authentic Hermès bracelet.
Lot 2148
A Russian silver swing handle basket of oval form, with gilded interior, with St Petersburg stamp and maker's marks HE and dated 1870 to underside, height including handle 21cm, length 24cm, approximate weight 23.39ozt/727g. Additional InformationThe interior is slightly worn, dents to the body, engraved initials AH to side, tarnishing and scratches.
Lot 2341
MAPPIN & WEBB; an Edward VII hallmarked silver inkwell of square form, with applied Art Nouveau style floral motifs, the hinged cover enclosing a liner, above stamp drawer, Sheffield 1908, height 9cm, together with a pair of hallmarked silver backed brushes, miniature Capstan inkwell, napkin ring, etc (7). Additional InformationThe makers marks are slightly rubbed on the larger inkwell, the glass liner is missing, polish marks scuffs and scratches, the hinge cover does not close completely on the larger example.
Lot 2681
LONDON ALMANACK; an 1810 miniature almanack, with engraved bolded frontis view of the Naval Asylum at Greenwich, within embossed and gilt leather binding and matching slip case (2).Additional InformationThe slip case with minor wear to the top edge, the binding with very slight wear at edge. Internally with some slight toning, ink stamp to the front title page and script initials 'JKJ' to the bottom of the frontisplate.
Lot 2736
WILLIAM RUSSELL FLINT; a signed limited edition print of a Spanish dancer, signed in pencil lower right and with blind stamp to the lower left, 51 x 65.5cm, framed and glazed. (D)Additional InformationThe print is slightly undulated in the frame and has some toning around the edge. This one published in 1960 by Frost & Reed Ltd, Bristol and London. The frame is grubby with some scratches.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 2761
ATTRIBUTED TO C F THOMAS; watercolour, still life study of musical instruments, music sheets and books, unsigned but with E.S.K. blind stamp lower left, 24.5 x 54.6cm, framed and glazed.Additional InformationImage generally clean and bright. Frame with light wear be a small chip to the bottom left corner.
Lot 2793
THOMAS C BALE; oil on canvas, horses at rest beside a pond with ducks to foreground and two riders to background, signed with monogram and dated 1873, Geo. Rowney stamp to canvas verso, 22.3 x 35cm, in gilt frame.Provenance: ex-Papplewick Hall Nottinghamshire sale held by Messrs. Sotheby's September 1982.Additional InformationA mark/blemish upper right; dust and dirt, would benefit from a clean; scuffs and scrapes to frame.
Lot 2818
LAURENCE STEPHEN LOWRY RA (1887-1976); pencil signed print 'Station Approach', with blind stamp lower left, 43 x 53.5cm, framed and glazed. (D)Additional InformationThe image is good with strong colours. We are unable to tell if the print has been stuck down as it has been framed. The frame with minimal wear.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 2819
LAURENCE STEPHEN LOWRY RBA RA (1887-1976); limited edition signed print, 'Great Ancoats Street, Manchester', 569/850 with blind stamp lower left, 26.5 x 36.5cm, framed and glazed. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 2821
AFTER LAURENCE STEPHEN LOWRY; a limited edition print, 'The Auction' no.230/850 and with blind stamp to the lower left, with National Fine Arts Ltd certificate verso, 46 x 55cm, framed and glazed.Additional InformationThe print is generally clean and bright, the frame with a couple of light scratches.
Lot 2822
AFTER LAURENCE STEPHEN LOWRY; a limited edition print, 'The Arrest', no.825/850 in pen and with blind stamp to the lower left, with National Fine Arts Ltd label verso, 55 x 44cm, framed and glazed.Additional InformationThe print is perhaps slightly undulated in the frame, the mount with some specs of dirt and the frame with some light scratches and scuffs, heaviest to the front right corner.
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