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Lot 593

AFTER SNAFFLES (CHARLES JOHNSON PAYNE) "Le Poilu", colour print, heightened in watercolour, unsigned, bears studio stamp top right

Lot 595

AFTER SNAFFLES (CHARLES JOHNSON PAYNE) "Sans panache - French Cavalry 1914", colour print heightened with white and body colour and watercolour, bears studio stamp upper right

Lot 36

NO RESERVE Letteratura. Lotto di 9 opere in 10 volumi Bartoli Daniello. L'eternità consigliera. In Venetia: appresso Nicolò Pezzana, 1664.In-12° (mm 144x75). Pagine [16], 331, [1]. Antiporta calcografica realizzata da Antonio Bosio, marca editoriale xilografica al frontespizio, frontalini, capilettera e finalini xilografici. Alone al margine inferiore dei primi fascicoli e nella parte superiore del margine esterno delle ultime dieci carte. Fori di tarlo ai margini superiore ed inferiore delle prime quattro carte, che interessano limitatamente l'antiporta e rimangono invece ben distanti dal testo nelle carte successive. Fori di tarlo nelle ultime sette carte. Legatura in piena pergamena coeva su cartone, con titolo manoscritto al dorso. Piatti e dorso un po' sporchi. Note di possesso manoscritte al risguardo anteriore, di cui una datata 1694.SI AGGIUNGE: Passeri Giovanni Battista. Della seccatura discorsi cinque di L. Antisiccio Prisco dedicati a Nettuno. In Venezia: appresso Pietro Valvasense, 1753. In-8° (mm 197x126). Pagine VIII, 136, 6 tavole fuori testo. Antiporta calcografica realizzata da Giorgio Fossati, cinque tavole calcografiche più volte ripiegate, frontalini, finalini e capilettera xilografici. Aloni diffusi, diversi fascicoli un po' sciolti. Minime mancanze al margine inferiore di alcune carte, che tuttavia non interessa il testo. Mancanze alla parte superiore del margine esterno dell'ultima carta, che comporta la perdita, che non comporta la perdita di testo. Non rilegato. Nota di possesso manoscritta al margine inferiore del frontespizio.SI AGGIUNGE: Gresset Jean-Baptiste-Louis. Il parrocchetto poema tradotto dal verso francese al toscano da un'accademico Apatista. In Cosmopoli, 1760. In-8° (mm 165x112). Pagine 72. Lievi aloni marginali. Cartonato coevo, lievi aloni ai piatti.SI AGGIUNGE: Pepoli Alessandro. Zeffiro, e Clori poemetto in quattro canti. S.d.t. 1781. In-8° (mm 178x115). Pagine [4], C, IIII carte di tavola calcografiche fuori testo. Antiporta e frontespizio calcografici opera di E. Manfredi e G.B. Galli, testatine e finalini calcografici. Lievi aloni, macchia a pagina XXV. Legatura coeva in pergamena su cartone, dorso a quattro nervi.SI AGGIUNGE: Il cavalier del naso poemetto di noto autore milanese. [Venezia]: per il Graziosi, stampatore e librajo in Venezia, 1768. In-8° (mm 188x133). Pagine XXX, (2). Fregio xilografico al frontespizio, capolettera e testatine xilografiche. Esemplare ad ampi margini, sciolto. Lievi fioriture marginali. Minime mancanze ai margini esterni causati dall'apertura dei fogli. Cartonato posteriore ricoperto con carta colorata. Numero '4' vergato al frontespizio. SI AGGIUNGE: I nei. Poemetto di noto autore milanese. [Venezia]: per il Graziosi, stampatore e libraio in Venezia, 1768. In-8° (mm 188x132). Pagine XXII, [2]. Vignetta xilografica al frontespizio, iniziale e frontalino xilografici. Minime mancanze ai margini di alcune carte, che tuttavia rimangono ben distanti dal testo. Cartonato moderno. Numero '5' vergato al frontespizio.SI AGGIUNGE: Arcadia Accademia. L'anno secolare d'Arcadia celebrato nella sala del Serbatojo il dì 9. Giugno 1791. (Al colophon:) Roma: per Luigi Perego Salvioni stampator vaticano, 1791. In-4° (mm 194x128). Pagine [2], III, [1], 74. Frontespizio entro cornice figurata calcografica, capolettera e finalini xilografici. Lievi aloni e fioriture diffuse. Brossura muta coeva. SI AGGIUNGE: Olivier, J. Lo sfortunato napolitano, ovvero La vita, e le avventure del signor Roselli contenenti la storia della sua nascita, schiavitù, viaggi, prigionia, e tutto ciò, che gli è accaduto in Italia, Francia, ed Ollanda ec. fino al giorno della sua morte, scritta da lui medesimo. Traduzione dal francese. In Venezia: presso Domenico Occhi all'Unione, 1737-1738. Due volumi in-8° (mm 183x109). Pagine [8], 215, [1]; 215, [1]. Al primo volume antiporta calcografica. Fregi xilografici ai frontespizi dei due volumi, capilettera e frontalini xilografici. Esemplare ad ampi margini. Lievi aloni e leggere fioriture. Macchia al margine interno delle pagine 127-130 del secondo volume. Cartonato coevo con quattro nervi passanti. Titolo manoscritto al dorso. SI AGGIUNGE: Muzzarelli Alfonso. Della vanità e del lusso del vestire moderno. Lettera al signor n.n. In Fuligno: per Giovanni Tomassini Stamp. Vescov., 1794. In-8° (mm 191x133). Pagine 155, [1]. Fregio xilografico al frontespizio, iniziale e frontalino xilografici. Esemplare in barbe, aloni e fioriture diffuse, alcune carte un po' brunite. Cartonato coevo con due nervi passanti, titolo manoscritto al dorso. Mancanze al dorso. Firma di possesso al frontespizio.

Lot 58

NO RESERVE Religione. Lotto di 5 opereBiblia sacra vulgatæ editionis, Sixti V. Pont. M. jußu recognita, et Clementis VIII. auctoritate edita. Coloniæ: apud Jacobum Naulæum, 1678-1679. Cinque volumi di sei in-16° (mm 116x60). Manca il primo volume. Pagine [2], 360; [2], 368; [2], 432; 64, [96]; 398, [18]. Frontespizi calcografici ai volumi 2, 3, 4 e 6. Monogramma di Cristo xilografico al frontespizio del quinto volume. Lievi aloni e fioriture marginali. Piccolo foro al margine inferiore del quarto volume che tuttavia non interessa il testo. Piena pergamena coeva su cartone con dorso a quattro nervi. Doppio tassello con titolo e numero del volume in oro al dorso. Tagli colorati molto sbiaditi. Mancanze ai tasselli dei volumi quattro e cinque. SI AGGIUNGE: Vite de' santi per ogni giorno dell'anno con ritratti in rame e meditazioni sul vangelo corrente. Gennajo. In Firenze: presso Niccolò Pagni e Gius. Bardi, 1797. In-8° (mm 175x96). Pagine [2], X, 186, [2], [32] carte di tavola fuori testo. Manca l'ultima carta, bianca. Frontespizio calcografico, illustrazione xilografica del Santo o della ricorrenza celebrata per ogni giorno del mese. Lievi aloni marginali, foro di tarlo al margine interno delle prime sei carte. Mezza tela con punte posteriore. Piatti rivestiti con carta marmorizzata. Piccolo forellino alla cerniera anteriore. Nota di possesso cassata al frontespizio, note manoscritte al recto della seconda carta. SI AGGIUNGE: Leonardo da Porto Maurizio. Manuale sacro ovvero Raccolta di varie divozioni proprie d'una religiosa che aspira alla perfezione. Prima parte (-Seconda parte). In Roma, ed in Lucca: per Filippo Maria Benedini, 1751. Due parti in un volume in-8° (mm 147x102). Pagine 118, [2]; 280. Vignette xilografiche a pagina 4 della prima parte e al frontespizio della seconda. Emblema xilografico dei Gesuiti a pagine 6 della seconda parte. Frontalini, finalini e capilettera xilografici. Aloni marginali, alcune carte un po' brunite. Minime mancanze marginali alle pagine 273-276. Pergamena coeva su cartone, dorso a tre nervetti con titolo manoscritto. Tagli spruzzati in rosso. Lievi aloni ai piatti. Un po' sciolto. Note di possesso manoscritte al recto del risguardo anteriore. SI AGGIUNGE: Roberti Giovanni Battista. Lezioni sacre sopra la fine del mondo. Tomo primo (- secondo). Bassano: a spese di Remondini di Venezia, 1792. Due volumi in-8° (mm 193x130). Pagine XVI, 306, [2]; IV, 292. Esemplare in barbe. Lievi fioriture marginali, frontespizi un po' bruniti. Foro di tarlo al margine interno delle ultime tre carte del secondo volume, che rimane ben distante dal testo. Cartonato coevo, piatti rivestiti con carta colorata. Rinforzo in cartone moderno al dorso, minima mancanza al piatto posteriore del secondo volume.SI AGGIUNGE: Marchetti Giovanni. Ragionamenti su i prodigj avvenuti in molte sagre immagini specialmente di Maria SSMA. In Fuligno: per Gio. Tomassini Stamp. Vescov., 1797. In-8° (mm 193x116). Pagine 63, [1]. Lievi aloni e fioriture al frontespizio, lievi fioriture marginali. Cartonato moderno, alone al piatto posteriore.

Lot 294

A silver cheroot holder case; together with a silver cigarette holder case; a silver stamp holder; a silver bladed fruit knife; and two other items.

Lot 133

A Royal Doulton character jug of Winston Churchill, stamp to the base 23cmH

Lot 307

A vintage 'Dryad' guillotine together with a paper stamp

Lot 36

Two art deco EPNS teapots and matching sugar bowl, with a large white metal chafing dish, and brass cooking pot with lid, stamp to base, 20cmD

Lot 68

A SILVER TRINKET BOX Sheffield 1913, rectangular on four supports, monogrammed; a silver salt with liner; a book of matches case; other small items stamped '925' including a stamp case; book marks; boxes; and a thimble.

Lot 28

Rodker (John) Poems, first edition, number 40 of 50 copies numbered by the author on front free endpaper, signed presentation copy from the author to Edith M.Bushell inscribed at head of title, very light spotting at beginning and end, ex-library copy with small ink stamp on pastedowns and pencil accession number on verso of title but otherwise unstamped, original pictorial boards by David Bomberg, rubbed, spine worn, lower cover stained, privately printed, 1914 § Eluard (Paul) Poésie et Vérité 1942; Poetry and Truth 1942, translated by Roland Penrose and E.L.T.Mesens, number 483 of 500 copies signed by the translators, this copy also inscribed by E.L.T.Mesens with quotation on half-title, portrait of Eluard by Man Ray, original printed yellow wrappers, uncut, dust-jacket, a little browned, slight wear to spine and corners, London Gallery Editions, 1944, 8vo (2)⁂ The first item is the first book by the modernist poet and publisher John Rodker, one of the "Whitechapel Boys" along with David Bomberg, Mark Gertler and Isaac Rosenberg.

Lot 54

Sitwell (Sir George) On the Making of Gardens, one of 100 specially-bound copies signed by the author and artist, colour frontispiece and plates by John Piper, ink stamp of John Stuart Pollock on front pastedown (suppliers of ink and paper to the Dropmore Press), original pictorial green morocco, gilt, t.e.g., others uncut, dust-jacket spotted and browned, spine torn, slip-case (a little rubbed and faded), Dropmore Press, 1949 § Hockney (David) Six Fairy Tales from the Brothers Grimm..., inscribed by Hockney "For Mario with love from David Nov. 1970 xxx" on half-title, illustrations by Hockney, original rexine, 1970 § Raine (Kathleen) A Place, A State, number 198 of 200 copies, plates by Julian Trevelyan, original hessian-backed marbled boards, dust-jacket, browned, tear to head of rear panel, Enitharmon Press, 1974 § Nashe (Thomas) The Unfortunate Traveller, first edition, plates by Michael Ayrton, signed by the artist on title, original cloth, dust-jacket, a little soiled, 1948 § Gascoyne (David) Poems 1937-1942, first edition, title and plates by Graham Sutherland, title loose, original cloth-backed pictorial boards, dust-jacket, rubbed, spine worn and defective, 1943; and 4 others illustrated by the same, v.s. (9)

Lot 130

After Marie Laurencin (1883-1956) French. Study of Two Ladies, Lithograph, bears a Signature, and Printer's Guild Stamp, 24.5" x 18.5".

Lot 199

20th Century Chinese School. Fishing Boats with Cormorants, Watercolour, Signed with Motifs and Stamp, 18.5" x 35".

Lot 236

Attributed to William Lionel Wyllie (1851-1931) British. A Sketch of a Ship, Pencil, .5" x 4.25". Provenance: Bears the Artist's Family Stamp on reverse.

Lot 453

Ernest Jules Renoux (1863-1932) French. "Jardin du Luxembourg", Oil on Canvas, Signed, Inscribed on reverse, and Inscribed on label and with an Artist's Stamp on reverse, 13" x 16.25". Provenance: Kaplan Gallery, Duke Street, London.

Lot 461

Howard Morgan (1949- ) British. A Garden Scene with Lupines in Herefordshire, Watercolour, with Studio Stamp on Reverse, 20.75" x 14.5".

Lot 462

Howard Morgan (1949- ) British. "Bromyard" A Car on a Country Road in Herefordshire, Watercolour, Signed, Indistinctly Inscribed and Dated 'VII 97', with Studio Stamp on Reverse, 14.5" x 21.5".

Lot 463

Howard Morgan (1949- ) British. "Soogley", Study of a Tractor with a Water hose, Watercolour, Signed, Inscribed and Dated 'VIII 08', with Studio Stamp on Reverse, 23" x 15".

Lot 464

Howard Morgan (1949- ) British. Study of a Seated Lady in a Garden, Oil on Canvas, Signed and Dated '85, with Studio Stamp on Reverse, Unframed, 16" x 13".

Lot 465

Howard Morgan (1949- ) British. 'Susie', Profile of a Young Lady, Oil on Canvas, Signed and Dated 'IX 88', with Studio Stamp on Reverse, Unframed, 16"x 13".

Lot 466

Howard Morgan (1949- ) British. 'Home SW4', A London Garden Scene, Oil on Canvas, with Studio Stamp on Reverse, Unframed, 16"x 13".

Lot 467

Howard Morgan (1949- ) British. Portrait of a Young Girl, Oil on Canvas, Signed and Dated 'I86', with Studio Stamp on Reverse, Unframed, 16"x 13".

Lot 468

Howard Morgan (1949- ) British. Study of a Mercedes in a Garage, Oil on Canvas, Signed and Dated '97, with Studio Stamp on Reverse, Unframed, 16"x 13".

Lot 469

Howard Morgan (1949- ) British. 'Car Lot SW8', A Car Lot with an Open Boot Lid, Oil on Canvas, with Studio Stamp on Reverse, Unframed, 16"x 13".

Lot 470

Howard Morgan (1949- ) British. Portrait of a Lady, Oil on Canvas, with Studio Stamp on Reverse, Unframed, 16"x 13".

Lot 472

Howard Morgan (1949- ) British. 'Car Lot SW8', A Study of a Car in a Car Lot with an Open Boot Lid, Oil on Board, with Studio Stamp on Reverse, Unframed, 16"x 11.25".

Lot 473

Howard Morgan (1949- ) British. 'Car Lot SW8', Cars in a Car Lot, Oil on Board, Signed and Dated '88, with Studio Stamp on Reverse, Unframed, 12.75" x 15.75".

Lot 474

Howard Morgan (1949- ) British. Figures in a Street Scene, Oil on Panel, with Studio Stamp on Reverse, Unframed, 16"x 12.75".

Lot 475

Howard Morgan (1949- ) British. A Garden Scene, Oil on Panel, Signed and Dated '88, with Studio Stamp on Reverse, Unframed, 13.75"x 10.25".

Lot 476

Howard Morgan (1949- ) British. A Figure Seated on a Wooden Veranda, Oil on Board, with Studio Stamp on Reverse, 12.5" x 16.25".

Lot 477

Howard Morgan (1949- ) British. Study of a Boy Looking Through a Torn Sheet, Possibly the Artist's Son, Oil on Canvas, Signed and Dated '96, with Studio Stamp on Reverse, Unframed, 24" x 17".

Lot 478

Howard Morgan (1949- ) British. Study of a Seated Lady, Oil on Canvas, with Studio Stamp on Reverse, Unframed, 24" x 17".

Lot 479

Howard Morgan (1949- ) British. Study of a Skip Lorry, Oil on Canvas, Signed and Dated 'VII '85', with Studio Stamp on Reverse, Unframed, 17" x 24".

Lot 480

Howard Morgan (1949- ) British. Study of a Builder's Yard with a Cement Mixer, Oil on Canvas, Signed and Indistinctly Dated 'VI '88', with Studio Stamp on Reverse, Unframed, 17" x 24".

Lot 481

Howard Morgan (1949- ) British. 'Fairground Workers', Oil on Canvas, Signed, with Studio Stamp on Reverse, Unframed, 17" x 24".

Lot 482

Howard Morgan (1949- ) British. Study of a Figure Seated under a Tree, Oil on Canvas, with Studio Stamp on Reverse, Unframed, 17" x 24".

Lot 483

Howard Morgan (1949- ) British. 'Arthur', Study of a Seated Man, Oil on Canvas, Signed and Dated 'VI '89', with Studio Stamp on Reverse, Unframed, 17" x 24".

Lot 486

Howard Morgan (1949- ) British. 'Car Lot SW8', A Study in a Car Lot, Oil on Canvas, Signed and Dated '93, with Studio Stamp on Reverse, Unframed, 24" x 18".

Lot 487

Howard Morgan (1949- ) British. 'Home, SW4', A Garden Scene with a Wooden Chair, Oil on Canvas, with Studio Stamp on Reverse, Unframed, 24" x 17".

Lot 488

Howard Morgan (1949- ) British. 'SW4', Study of a Girl, seated by a Table in the Garden, Oil on Canvas, with Studio Stamp on Reverse, Unframed, 24" x 17".

Lot 489

Howard Morgan (1949- ) British. Bust Portrait of a Lady, Oil on Canvas, with Studio Stamp on Reverse, Unframed, 24" x 17".

Lot 490

Howard Morgan (1949- ) British. "Chelsea Type Waiter", A Study of a Man Dressed in White, Oil on Canvas, Inscribed with Title, with Studio Stamp on Reverse, Unframed, 24" x 17".

Lot 491

Howard Morgan (1949- ) British. Study of a Semi Naked Lady in the Firelight, Oil on Canvas, Signed and Dated '96, with Studio Stamp on Reverse, Unframed, 24" x 17".

Lot 492

Howard Morgan (1949- ) British. A Country Road with Roadworks, North Wales, Oil on Canvas, Signed and Dated '93, with Studio Stamp on Reverse, Unframed, 24" x 17".

Lot 493

Howard Morgan (1949- ) British. Study of a Seated Lady, Oil on Canvas, with Studio Stamp on Reverse, Unframed, 24" x 17".

Lot 494

Howard Morgan (1949- ) British. 'Home, SW4', A Figure Seated at a Garden Table, Oil on Canvas, with Studio Stamp on Reverse, Unframed, 17" x 24".

Lot 495

Howard Morgan (1949- ) British. "SW15", Cars parked along a London Street, Watercolour, Signed and Inscribed and Indistinctly Dated, with Studio Stamp on Reverse, Unframed, 14.5" x 21.25", together with thirty six others of various subjects, (37).

Lot 496

Howard Morgan (1949- ) British. 'Car Lot, SW4', Man Standing in a Car Lot, Oil on Canvas, Signed and Dated 'VI '93', with Studio Stamp on Reverse, Unframed, 24" x 18".

Lot 497

Howard Morgan (1949- ) British. "Ginahgurra", A Street Scene in New South Wales, Watercolour, Signed and Inscribed, with Studio Stamp on Reverse, Unframed, 22.5" x 15.25", together with forty three others of various subjects, (44).

Lot 498

Howard Morgan (1949- ) British. Portrait of a Lady, Charcoal, Signed, 22.5" x 14.75", with Studio Stamp on Reverse, Unframed, together with ten other portraits and a portfolio of sketches and designs, (Qty).

Lot 499

Howard Morgan (1949- ) British. "Castletown", A Landscape view with Sheep Grazing, Watercolour, Signed, Inscribed and Dated 'VI '09', with Studio Stamp on Reverse, Unframed, 22.5" x 15", and seventy five others, (76).

Lot 500

Howard Morgan (1949- ) British. "Self Portrait", Crayon, Inscribed and numbered '38', and Inscribed on Reverse, with Studio Stamp on Reverse, Unframed, 19.5" x 13.5", together with a portfolio of other studio works, (Qty).

Lot 13

A Lock & Co. gentleman's top hat, internal measurements 20cm x 15.5cm, height 18cm. With leather travelling case and internal maker's stamp Scott & Co. Hatters to H.M. The King and the Royal family, 1 Old Bond Street, Piccadilly.W.

Lot 3205

Movies and Cinema - a promotional poster Poor Cow starring Terence Stamp 76cm x 50.5cm

Lot 53

Edward Stamp RI (20th century)Autumn Drillingsigned, titled to verso, dated 1992, watercolour, 37cm x 54cm, Shell House Gallery label to verso Condition Report: Fine condition with fresh, bright, unfaded colouring. The frame with signs of wear.

Lot 65

A collection of stamps together with stamp catalogues

Lot 1242

** Stamp /stamps: Mint, empty pristine quality 'place for everything' GB decimal album 1971 - 1989. De luxe album in slipcase. Royal mail Stamp Album.

Lot 1245

** Stamp /stamps 37 perfect condition GPO presentation packs. Postal face about 80 pounds. All in Royal Mail Presentation packs album. Immaculate,

Lot 1246

** Stamp /stamps 51 perfect condition GPO presentation packs. One is pre-decimal. Postal face about 70 pounds. All in Royal Mail Presentation packs album. Immaculate, royal Mail Presentation Packs album.

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