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Galerie Bassenge
Lot 4199

Krausz, Tom -- "Amerikanischer Seeadler". 2021. Pigment print on Fine Art Hahnemühle Baryta paper. 51,6 x 41,3 cm (59,3 x 42 cm). Photographer's blindstamp in upper margin; signed, titled and dated in felt-tip pen and photographer's stamp on the verso. From an edition of 20.Born in 1951 in Hamburg, Tom Krausz began working as an assistant in public television and for various advertising photographers after his studies. Since 1980, he has been working as an independent photographer and filmmaker. His photographs have been widely exhibited and have appeared in numerous photo books. – A rich strong print in excellent condition.

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Galerie Bassenge
Lot 4202

Krolow, Wolfgang -- Ku'damm Eck, Berlin. 1980s. Vintage gelatin silver print. 40 x 27,3 cm. Signed by the photographer in pencil and photographer's/copyright stamp on the verso. Minimally buckled, otherwise in very good condition

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Galerie Bassenge
Lot 4205

Landauer, Lou -- Photogram of oat grass. 1942. Vintage gelatin silver print. 24 x 18 cm. Photographer's estate stamp on the verso.Born in 1897 in Cologne, Lou Levi married Georg Landauer, a prominent Zionist politician, in 1923 after attending the Commercial Academy in Cologne. Her passion for photography led her to the Staatliche Fotoschule in Munich in 1928/29. She continued her photographic studies in Berlin, at the Lette Verein, and in 1934, she immigrated to Palestine with her husband and parents. Lou Landauer worked as a press photographer for the Jüdische Rundschau, still published in Berlin at the time, and later as a photography teacher at the Bezalel Hechadash, the new arts and crafts school in Jerusalem. In 1949, she relocated to the USA, where she pursued a career as an advertising photographer and experimented with the Carbro process before transitioning to an assistant librarian position at the Leo Baeck Institute in New York. – Some light handling marks, corners slightly bumped, light spot in upper right, otherwise in very good condition. Provenance: From a descendant of the photographer

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Galerie Bassenge
Lot 4206

Landauer, Lou -- Stapelia. 1944. Vintage matte gelatin silver print on strong paper. 28 x 23,5 cm. Annotated and dated by the photographer in ink/pencil and photographer's Jerusalem stamp on the verso.A rich tonal print in very good condition. Provenance: From a descendant of the photographer

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Galerie Bassenge
Lot 4218

Man Ray -- Rayographs. 1924/1928. 2 gelatin silver prints, printed 1980s. 27,8 x 20,8 cm (30,6 x 23,8 cm). Both prints annotated in pencil on verso, one print annotated Man Ray in pencil and with the photographer's studio stamp and one with A.D.A.G.P. Paris stamp, both with Tirage original réalisé par Pierre Gassmann stamp and Foto von einem Fotogramm stamp on the verso . Man Ray's rayographs involved placing objects directly onto photosensitive paper and exposing them to light, resulting in ethereal and often abstract compositions. This technique allowed him to explore the interplay of light and shadow, shape and form, in a way that challenged conventional photography. Offered here are two photographs of Man Ray's photograms made by Pierre Gassmann. The original prints of these works are in the collection of the Museum of Modern Art in New York. – Minimal buckling along edges of prints, a few handling marks, otherwise in excellent condition.

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Galerie Bassenge
Lot 4219

Mapplethorpe, Robert -- "Dennis Speight, New York City" from "Portfolio Z". 1980/printed later. Gelatin silver print. 35 x 35 cm (50,8 x 40,6 cm). Signed and editioned 6/15 by the photographer in ink in lower margin, edition/copyright stamp, therein signed and numbered by the photographer in ink and titled, numbered and dated in pencil in lower edge on verso, framed under glass in silver gilded wooden frame.Robert Mapplethorpe's oeuvre is distinguished by his meticulous black-and-white photography, which explores themes like sexuality, beauty, and the human form. His work pushes the boundaries of artistic expression and has left a significant mark on the world of photography. This work is from Mapplethorpe's notorious "Z" portfolio, notable for its explicit exploration of sexuality, which challenged societal norms and prompted debates about artistic freedom and censorship. It remains a pivotal part of the artistic discourse on these themes. – A fine tonal print in excellent condition.Lit.: Robert Mapplethorpe. Black Males. Galerie Jurka, Amsterdam 1980, illustrated.

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Galerie Bassenge
Lot 4225

McBride, Will -- "Jungs schmeißen Wasser auf sich, Schule Schloss Salem". 1963/printed 1990. Gelatin silver print. 36 x 54 cm (50,5 x 60,5 cm). Signed, titled, dated and editioned 1/12 by the photographer in pencil and collector's stamp on the verso.Will McBride's photographs of Schule Schloss Salem capture the everyday life and educational activities at the progressive co-educational boarding school in Germany during the 1950s, characterized by their candid and documentary style, while some of the images are slightlty controversial for their depiction of young students in various stages of undress. – Buckled in side edges, otherwise in near excellent condition.Provenance: Directly from the photographer to the present owner

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Galerie Bassenge
Lot 4226

McBride, Will -- "Mike schmeißt Wasser auf sich, Schule Schloß Salem". 1963/printed 1990. Gelatin silver print. 53,5 x 36 cm (60,5 x 51 cm). Signed, annotated, dated and numbered 1/12 by the photographer in pencil and collection stamp on the verso. Matted.Buckled in upper portion, slightly buckled in lower edge, otherwise in very good condition.Provenance: Directly from the photographer to the present owner.

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Galerie Bassenge
Lot 4233

Meydenbauer, Albrecht -- Messbild photographs of Eltz Castle, Magdeburger Dome, Limburg Dome, St. Lambert's Church Münster, and Cologne Cathedral. 1910s. 5 vintage gelatin silver prints. Each circa 38 x 38,8 cm. Each annotated in pencil and Cologne image with stamps on the verso and AUSSCHUSS perforated stamp in lower right. Albrecht Meydenbauer, a distinguished German architect and civil engineer, gained recognition for his significant advancements in photogrammetry, a field focused on acquiring accurate information about physical objects and environments by recording, measuring, and interpreting photographic data. Through his work at the image measurement institute he founded in 1885, Meydenbauer established an extensive monument archive, now recognized as one of the world's largest and protected of such archives by UNESCO. – Two with handling creases, otherwise in good condition.Lit.: Rudolf Meyer (Hrsg.). Albrecht Meydenbauer. Baukunst in historischen Photographien. Leipzig 1985.

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Galerie Bassenge
Lot 4234

Munkácsi, Martin -- Horseback riding at Wannsee. 1930s. 2 vintage ferrotyped gelatin silver prints on doubleweight paper. Each circa 24,5 x 30 cm. Each with photographer´s stamp on verso. Martin Munkácsi, born in Hungary in 1896, stands as a pioneering figure in the realms of fashion and sports photography. His groundbreaking work reshaped the world of fashion photography by liberating models from the confines of the studio, capturing their dynamic grace in outdoor settings. – Some creases, scratches and handling marks, one print with retouched lines in upper sky area and slight mirroring visible in dark areas, more visible at an angle, one with light rust stain in upper left, otherwise in good condition.

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Galerie Bassenge
Lot 4242

Neusüss, Floris M. -- Rondanini Medusa, Glyptothek, Munich. 2002. Vintage gelatin silver after a photogram. 36 x 17 cm (40,2 x 30,5). Signed, titled and dedicated by the photographer in pencil and photographer's stamp on the verso.In very good condition.

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Galerie Bassenge
Lot 4254

[*] Reidt, Hedda -- Hands with ring. Circa 1925. Vintage gelatin silver print mounted to board (lifting off of mount). 12 x 17 cm (29 x 21 cm). Signed by the photographer in pencil below image, lower right on mount; photographer's stamp on print verso. Hedda Reidt trained in photography in Munich from 1917 to 1919, studying alongside future cinematographer Willy Zielke and fellow photographer Lotte Jacobi. During her development as a photographer she transitioned from Pictorialism to embracing the New Objectivity style. By 1928, she had established herself as an independent photographer, and her assignments included product photography for diverse clients, such as designers, educational institutions, and the Deutsche Werkstätten. Her material-focused photographs garnered recognition and were featured in prominent photography exhibitions. – Upper left corner slightly bumped, some light mirroring in edges, only visible in raling light, otherwise in very good condition.

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Galerie Bassenge
Lot 4265

[*] Schensky, Franz -- Helgoland in rough seas. 1912/printed later. Gelatin silver print. 17,8 x 24 cm. Photographer's blindstamp on lower right corner; copyright stamp on verso. Franz Schensky, a renowned German photographer, gained acclaim for his courageous commitment to documenting the dramatic landscapes of Helgoland, particularly under harsh weather conditions during the early 20th century. His evocative photograph, dated 1912, is aptly titled 'Helgoland in Rough Seas,' reflecting his skill in capturing the island's rugged beauty and the relentless power of the sea. – Traces of previous mounting on the verso, otherwise in excellent condition.

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Galerie Bassenge
Lot 4275

Steinberg, Uwe -- "Abschied Elfriede Schielski". 1971/printed later. Gelatin silver print. 25 x 37,5 cm (27 x 39,5 cm). Titled and dated in pencil, with the photographer's stamp on verso. Uwe Steinberg, an exceptional photographer and chronicler of his time, skillfully navigated beyond the confines of official perspectives to capture the authentic essence of individuals. He harnessed photography as an autonomous medium, even within the constraints of a socialist context. Steinberg's extensive body of work, spanning various themes such as labor, daily life in the German Democratic Republic, and portraits of youth, serves as a testament to his discerning choice of subjects and his mastery of composition techniques. – Upper right corner bumped, some surface irregularities, otherwise in good condition.

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Galerie Bassenge
Lot 4276

Stöcker, Alex -- Rhön Glider Competition. Early 1930s. Vintage gelatin silver print on strong chamois paper. 12 x 16,5 cm. Photographer's stamp, copyright/reproduction limitation stamps and typed press text label on the verso.Alexander Stöcker, a versatile German photographer, is celebrated for his diverse portfolio encompassing aviation, sports, and early 20th-century history, particularly his meticulous documentation of the groundbreaking 1930 Rhön Glider Competition, a pivotal event that spurred significant advancements in aviation and gliding. – Corners minimally bumped, otherwise in excellent condition. Provenance: The estate of the photographer

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Galerie Bassenge
Lot 4279

Thiemann, Elsa -- Design for wallpaper.1930-31. Unique vintage ferrotyped gelatin silver print collage. 49,7 x 42,3 cm. Mounted to board, photographer's estate stamp on mount verso.Lifting off of mount in edges, some retouched spots/lines, some handling dents, some mirroring in edges. Lit.: Annemarie Jaeggi/Margot Schmidt (eds.). Elsa Thiemann: Fotografin. Bauhaus und Berlin. Berlin 2004, see pp. 18-27.Provenance: From the estate of the photographer

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Galerie Bassenge
Lot 4280

Thiemann, Elsa -- Design for wallpaper.1930-31. 4 unique vintage gelatin silver prints, finely hand-colored, mounted as a collage. 48 x 31,8 cm. Mounted to board; photographer's estate stamp and number 863 in red crayon and annoated in pencil on mount verso.This unique photo collage is the only known color work by Elsa Thiemann. – Some photos lifting off mount, some light soiling, a few creases, otherwise in good condition.Lit.: Annemarie Jaeggi/Margot Schmidt (eds.). Elsa Thiemann: Fotografin. Bauhaus und Berlin. Berlin 2004, see pp. 18-27.Provenance: From the estate of the photographerErrata/Addenda:The four gelatin silver prints are finely hand-colored and not on color photo paper as stated in printed catalogue.

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Galerie Bassenge
Lot 4282

Trülzsch, Holger and Vera Lehndorff -- "Verschlossene Haustüre, Paros 1977". 1977/printed 1979. Dye transfer print. 27,5 x 39,8 cm (61 x 51 cm). Signed, titled, dated and numbered 10/15 in pencil as well as artists' copyright stamp on verso. Renowned German photographer and painter Holger Trülzsch collaborated with the internationally celebrated supermodel Vera "Veruschka" Lehndorff to produce a diverse and compelling body of work during the 1970s and 80s. The highlighted pieces are drawn from their collaborative body-art project titled "Trans:figurations." These images prominently feature the colors of oxidation, showcasing rust, soot, and chalk, which are beautifully rendered in the dye transfer prints. – Some buckling and discoloration from previous mounting in edges, otherwise in very good conditon. Lit.: Lehndorff & Trülzsch, Veruschka, Trans-figurations, Bullfinch Press, 1988.Oxydationen. Vera Lehndorff & Holger Trülzsch. Museum für Kunst und Gewerbe Hamburg 1979.

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Galerie Bassenge
Lot 4285

Umbo -- Dance images. 1936. 8 vintage ferrotyped gelatin silver prints. Each circa 12 x 8,7 cm. Each with PHOTO UMBO Berlin-Grunewald Niersteiner Str. 6 stamp and annotated in pencil on the verso.Otto Umbehr, known as UMBO, played a significant role in avant-garde and modernist photography during the early 20th century. His exceptional photographs of dancers exemplify his innovative approach to this art form, portraying the grace, energy, and fluidity of dance in a manner that surpasses conventional representations. UMBO's images of dancers are characterized by dynamic compositions and a compelling use of light and shadow, imparting a palpable sense of motion and vitality to each frame. One of these photos features the dancer Gret Palucca. – Traces of previous mounting on the verso, several light handling marks, some silver mirroring in dark areas, otherwise in good condition.

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Galerie Bassenge
Lot 4287

Wall, Danny -- "The Beatles performing at Star-Club, Hamburg". 1962/printed later. Gelatin silver print. 26,8 x 26,8 cm (40,5 x 30,3 cm). Star-Club blindstamp in lower margin; copyright/edition stamp, therein numbered in pencil on the verso. From an edition of 250. An early photograph taken by Danny Wall showing the Beatles during their residence at the Star Club in Hamburg, Germany. – Small nick in upper right corner in margin, otherwise in excellent condition.

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Galerie Bassenge
Lot 4293

Windstosser, Ludwig -- Ball bearing. 1950s. Vintage ferrotyped gelatin silver print on Agfa paper. 19,5 x 29,5 cm. Photographer's and SAAR stamp and number in pencil on the verso.Ludwig Windstosser's work is a testament to his passion for capturing the beauty and essence of architectural forms and the built environment. He meticulously documented architectural details, landscapes, and everyday scenes, with a profound appreciation for the aesthetic qualities of structures and their relationship to their surroundings. His photographs are characterized by a keen sense of composition and attention to detail, offering viewers a visually compelling journey through the architectural wonders of Germany and beyond. – Corners bumped, some creases in upper right corner, a few light handling marks/creases, a few retouched spots, otherwise in very good condition.

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Galerie Bassenge
Lot 4302

World War II/Displaced Persons -- Photographer: Wolf Schärf. Jewish Displaced Persons camps in Vienna. Circa 1946-1948. 33 vintage ferrotyped gelatin silver prints. Each circa 8,5 x 13,5 cm. Each with photographer's stamp in lower left/right corner.Following World War II, Jewish Displaced Persons (DPs) in Austria and Germany mainly consisted of Holocaust survivors who had been left homeless and stateless due to the war's destructive impact. These individuals were initially accommodated in DP camps, which played a crucial role in offering them essential support, including food, medical care, and educational services. Various organizations, including Jewish relief agencies, worked tirelessly to help DPs recover from the trauma of the Holocaust, reunite with surviving family members, and find a path to a better future. Their ultimate objective was to facilitate the emigration of these survivors to countries like Israel and the United States, where they could rebuild their lives, form new communities, and make valuable contributions to their adopted societies. This transition marked a significant step in their journey towards recovery and resilience. – In very good condition.

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Bonhams
Lot 44

Samuel Palmer (London 1805-1881 Redhill)Portrait of George Richmond signed and dated 'S.Palmer 1831' (lower left)graphite on wove paper stamped with the blind stamp of Dobbs, London21.8 x 17.3cm (8 9/16 x 6 13/16in).Footnotes:ProvenanceWith Katharine House Gallery, Marlborough, where acquired in 2006 by the present private ownerSamuel Palmer was living at Shoreham in Kent between 1826 and 1835 where this portrait of his close friend George Richmond would have been drawn on one of the latter's visits to stay with him. They had met through their mutual friend John Linnell who also introduced them to William Blake, a formative influence in the artistic group they were to create with Frederick Calvert, Frederick Tatham and others which became known as the Ancients. Their visionary paintings ran counter-current to the mainstream artistic style of the day and drew much from the Italian primitives. Palmer embraced the sentiments of the group in his personal life as well, wearing his hair long, growing a beard and adopting flowing, 'archaic' clothing. In contrast Richmond, whose career as a fashionable portraitist was gaining ground in London, is shown in Palmer's portrait dressed in the high collar, silk tie and tailored coat of the day, the same attire we see in his self-portrait miniature of 1830 now in the National Portrait Gallery, London (no. 6586). The identification of the present portrait was first put forward by Raymond Lister presumably with that miniature in mind, and it serves as a record both of a friendship and of a particularly productive period in the life of both artists. Richmond was the son of a miniature painter and showed precocious talent which won him a place at the RA schools at the age of 15. He made a number of trips to stay with Palmer at Shoreham in the later 1820s and they formed a close and enduring friendship. He fell in love with Julia Tatham, but having failed to get her father's approval to marry the two eloped to Gretna Green and married the year the present portrait was taken. Later in the 1830s Palmer married Hannah Linnell, John Linnell's daughter and the Palmers and Richmonds travelled to Italy together on a two year painting tour. Although the Ancients disbanded and the artists' painting styles took different directions, Palmer and Richmond remained close friends for life.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 75

An Austrian carved walnut pipe case and clay pipe, circa 1754The foot with the Austrian eagle on the top and a martial trophy on the underside and dated '1754', the shaft with three sections depicting animals against stylised foliage, the foot with a hinged cover, the long-stemmed clay pipe with a crowned S stamp underneath the bowl, the case: 31cmFootnotes:Provenance:Acquired in 1980Literature:D. Gage/M. Marsh, Tobacco Containers & Accessories (1988), no. 31;S. Fellner, Die lasterhafte Panazee (1992), no. II/63Exhibited:London, The International Ceramics Fair and Seminar, The Dorchester Hotel, Special Loan Exhibition, The British-American Tobacco Company Collection of Tobacco Containers & Accessories, 10-13 June 1988;Vienna, Österreichisches Tabakmuseum, Die lasterhafte Panazee 500 Jahre Tabakkultur in Europa, 11 June-4 October 1992For further information on this lot please visit Bonhams.com

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Bishop & Miller Auctioneers Ltd
Lot 168

A collection of stamps and first stay covers, Brazil, Burma, Netherlands, Nez Zealand, loose pages and an "improved" postage stamp album (qty)

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Bonhams
Lot 122

Claes Oldenburg (Swedish/American, born 1929)Double Nose/Purse/Punching Bag/Ashtray; A History of the Double Nose/Purse/Punching Bag/Ashtray (Axsom & Platzker 71; Gemini 257) Leather, bronze and wood, with leather-covered book with letterpress text and one reproductive image, 1970, the multiple stamp-numbered 16/75 (there were also three artist's copies), the book signed in pencil and numbered 16/200A (there were also 25 artist's proofs), published by Gemini G.E.L., Los Angeles, with their blindstamp incised on the bronze rim of the ashtray, housed within the original wooden box as issuedBook 114 x 820mm (4 1/2 x 3 1/4in)Overall 213 x 530 x 273mm (8 3/8 x 20 7/8 x 10 3/4in)(Multiple)(2)For further information on this lot please visit Bonhams.com

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Bonhams
Lot 73

Hermann Struck (German/Israeli, 1876-1944)Land of Israel The complete portfolio comprising 25 etchings, circa 1903, on laid and wove papers, plate 22 on blue wove paper, with justification page, stamp-numbered '8' on the justification, from the edition of 100, each signed in pencil, published by J. Kauffmann Verlag, Frankfurt am Main, the full sheets, hinged to individual wrappers (as issued), within the original portfolioSheet 230 x 360mm (9 x 14 1/8in)(and smaller)(25)For further information on this lot please visit Bonhams.com

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Bonhams
Lot 143

Damien Hirst (British, born 1965)Taytu Betul, from The Empresses (H10-5) Laminated giclée print with screenprinted glitter, 2022, on aluminium composite panel, signed in pencil on the publisher's label affixed verso, stamp-numbered 1412/2814, published by Heni Editions, London, the full sheet, housed within the original packagingSheet 1000 x 1000mm (39 3/8 x 39 3/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 195

Chris Levine (Canadian/British, born 1972)Lightness of Being (Blue) Inkjet print in colours, 2016, on heavy wove paper, signed and dated in pencil recto, numbered 79/200 in pencil verso, published by Jealous Gallery & Print Studio, London, with their ink stamp verso and the artist's blindstamp, with full marginsImage 304 x 236mm (12 x 9 1/4in)Sheet 410 x 300mm (16 1/8 x 11 7/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 141

Damien Hirst (British, born 1965)Theodora, from The Empresses (H10-3) Laminated giclée print with screenprinted glitter, 2022, on aluminium composite panel, signed in pencil on the publisher's label affixed verso, stamp-numbered 1885/3315, published by Heni Editions, London, the full sheet, housed within the original packagingSheet 1000 x 1000mm (39 3/8 x 39 3/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 95

Arman (French, 1928-2005) Défi à Newton (Challenge to Newton) Bronze multiple, 2004, incised with the artist's signature and stamp-numbered 'EA 10/20' on the base, one of 20 artist's proofs aside from the edition of 100, published by Venturi Arte, Bologna, with their foundry mark Overall 435 x 300 x 120mm (17 1/8 x 11 7/8 x 4 3/4in) Footnotes: This work is recorded in the Arman Studio Archives, New York under no. ARM24279. Provenance Galerie de Souzy, Paris. Acquired directly from the above by the present owner in 2011. This lot is subject to the following lot symbols: AR W AR Goods subject to Artists Resale Right Additional Premium. W Lot is located in the Bonhams Warehouse and will only be available for collection from this location. For further information on this lot please visit Bonhams.com

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Bonhams
Lot 69

Henri Matisse (French, 1869-1954)D. Galanis, 'Paysan' (Duthuit 70) Etching, 1915-16, on chine collé applied onto wove paper, signed and numbered 6/15 in black ink (there were also three proofs), with the artist's ink stamp verso, the full sheet, framedPlate 141 x 100mm (5 1/2 x 3 7/8in)Sheet 321 x 247mm (12 5/8 x 9 3/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 221

Ai Weiwei (Chinese, born 1957)Pequi Tree Miniature Tin sculpture multiple, welded, polished and finished by hand, 2012, incised with the artist's signature and stamp-numbered 193/250 on the underside, published by Serralves, Portugal, housed within the original packagingOverall 310 x 95 x 90mm (12 1/8 x 3 3/4 x 3 1/2in)For further information on this lot please visit Bonhams.com

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Bonhams
Lot 31

Laurence Stephen Lowry R.A. (British, 1887-1976)Station Approach Offset lithograph in colours, on wove paper, signed in pencil, stamp-numbered '044', from the edition of 850, printed by Max Jaffe, Vienna, published by Adam Collection Ltd., with the Fine Art Trade Guild blindstamp, with margins, framedImage 405 x 510mm (16 x 20 1/8in)Sheet 525 x 610mm (20 3/4 x 24in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 171

Banksy (British, born 1974)Barcode Screenprint in colours, 2004, on wove paper, numbered 79/600 in pencil, with the artist's red ink stamp, published by Pictures on Walls, London, the full sheetSheet 496 x 695mm (19 5/8 x 27 1/2in)Footnotes:This work is accompanied by the new certificate of authenticity issued by Pest Control Office.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 106

David Hockney R.A. (British, born 1937) A Year in Normandie; Vide Poche; Astray (detail) Three hand-cast, fine bone china ceramic ashtray multiples, 2020-21, the first two stamp-numbered 162/170 and 085/200 respectively verso, the first two housed within the original boxes Overall 163 x 203mm (6 1/2 x 8in)(and smaller)(3) This lot is subject to the following lot symbols: AR AR Goods subject to Artists Resale Right Additional Premium. For further information on this lot please visit Bonhams.com

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Bonhams
Lot 146

Damien Hirst (British, born 1965)To Belong Photogravure in colours, 2008, on wove paper, signed and dedicated 'For Brad ♡ XXX' in pencil, a proof aside from the numbered edition of 75, with red ink stamp 'Happy Christmas 2008', with full margins, framedPlate 247 x 297mm (9 3/4 x 11 3/4in)Sheet 410 x 442mm (16 1/8 x 17 3/8in)Footnotes:ProvenanceGifted by the artist to the present owner.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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Mallams
Lot 106

John Miller (1931-2002)Two Figuressigned (on the mount), studio stamp (to reverse)gouache35 x 24cm.

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Mallams
Lot 107

John Miller (1931-2002)Landscapesigned (on the mount), studio stamp (to reverse)gouache14 x 11cm.

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Mallams
Lot 258

Ervin Bossányi (1891-1975)A cowstudio stamp (lower right)pencil17 x 25cm; and two further studies of farmyard animals (3).

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Mallams
Lot 389

Robert Pansart (1909-1973)Still Life with Tree Beyondstudio stamp (to reverse)gouache52 x 79cm. Obvious fold line through the centre, rim of paper discoloured and marked. Paper is crinkled and not laid flat. Many other marks, dots, blemishes, scratches to picture. Light surface dirt. Abrasions and scuffs.Paper ripples and may once have been in damp conditions.See high-res images.

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Mallams
Lot 44

Circle of Lucian Freud (1922-2011)Portrait of a Young Manthe canvas stamped for George Rowney & Co. Londonoil on canvas61 x 50cm.   Reference:Lucian Freud often painted on canvases prepared by the art suppliers George Rowney & Co. The same stamp appears on Freud's painting Girl with White Dog, 1951 (Tate), and A Man and His Daughter, 1963 (private collection).

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Bourne End Auction Rooms
Lot 145

A 20th century Chinese shiwan glazed pottery model of by Liu Zemian, modelled as a couple on the back of a water buffalo, the underside with impressed seal stamp and marks, 30 cm wide

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Warrington & Northwich Auction
Lot 457

Forty Royal Mail mint stamp sets with Canadian souvenir sets. UK P&P Group 2 (£20+VAT for the first lot and £4+VAT for subsequent lots)

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Warrington & Northwich Auction
Lot 462

Eleven stamp albums containing UK and world stamps. UK P&P Group 3 (£30+VAT for the first lot and £8+VAT for subsequent lots)

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Special Auction Services
Lot 1031

A large Paris Bebe doll’s body, papier-mache and wood, Eiffel Tower ink stamp on lower back —25in. (63.5cm.) high (needs some repair and restringing)

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Special Auction Services
Lot 1038

A Martha Chase painted cloth doll 1910-20s, with blue painted lashed eyes, sewn on ears, textured dark blonde hair, hinged joints, cloth covered body with ink stamp on upper left thigh, muslin dress with lace trim, cotton underclothes and bonnet -17in. (43cm.) high (slight flaking to forehead

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Special Auction Services
Lot 1051

A rare Norah Wellings catalogue page photographic artwork 1933, hand-coloured and cut out photographs laid on card, featuring three nightdress cases, tracing paper overlay with a few pencil notes, ink stamp date for 1933 —15 1/4in. (39cm.) width of board

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Special Auction Services
Lot 506

A very rare John Lethal Love Cards playing card, complete set of fifty-two cards with tax stamp on the Ace of Spades, uncoloured engraved cards and plain versos, early 18th century —just under 4in. (10cm.) height of card (light staining to some cards) Notes - Lenthall advertised this pack of cards in 1709 and in 1714; Literature - Ortiz-Patiño 9; All cards on the table 265; Fournier, British Isles 30 (dated to c. 1700); Hamilton, Playing cards in the Victoria & Albert Museum 111

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Lot 507

A very rare Thomas Bowles South Sea Bubble Stock-jobbing Cards or The Humours of Change Alley playing cards circa 1720, complete set of fifty-two cards with red tax stamp on Ace of Spades, engraved cards with hand coloured hearts and diamonds, plain verso —just over 3 1/2in. (9cm.) height of card (some with worn corners, mainly square, possibly from two sets, Queen of Hearts with staining and fading to speech bubbles, some red pips discoloured) - The South Sea Bubble was the financial collapse of the South Sea Company in 1720. The company was formed to supply slaves to Spanish America.The South Sea Company was formed in 1711 in London and its purpose was to supply 4800 slaves each year for 30 years to the Spanish plantations in Central and Southern America.Britain had secured the rights to supply slaves to Spanish America at the Treaty of Utrecht in 1713. The South Sea Company bought the contract from the British government for £9,500,000, a large proportion of Britain’s national debt. The sum was so huge because it was hoped that more lucrative trading rights with South America could be won once Britain got a toehold in the market. It was also assumed that the profits from slave trading would be enormous, which proved not to be the case.Speculators paid inflated prices for the stock, leading eventually to the company’s spectacular financial collapse in 1720. A large number of people were ruined by the share collapse, and the national economy greatly reduced as a result. A parliamentary inquiry held afterwards, found that many had profited unlawfully from the company and had their assets confiscated.

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Lot 509

A B P Grimaud Grand Jeu de Mlle Le Normand Tarot playing cards, probably first quarter of 20th century, set of fifty-two cards, two consultant cards, a blank card, colour printed with tartan backs, tax stamp on Ace of Clubs, instructions, in original box —just over 5in. (13cm.) height of card (box ends loose and wear, cards good)

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Lot 515

A rare John Lenthall English Proverbial Series playing cards circa 1718-44, complete set of fifty-two copper engraved cards, red crown tax stamp on ace of Spades, proverb in lower panel and plain backs —3 3/4in. (9.5cm.) height of cards (insect damage hole to ten spade cards, top right corner, other wear and staining)

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Lot 516

A Ferdinand Piatnik & Sohne (Vienna) Industrie und Gluck tarot Tarock cards 1900-1920, twenty-one Roman numeral numbered cards, each suit with four court and four pip cards and a joker, a total of fifty-four cards, Austro-Hungarian tax stamp and tartan backs — 5in. (12.5cm.) high (some wear and discolouration)

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Lot 524

A Ferdinand Piatnik (Vienna) playing cards circa 1858, complete set of fifty-two cards, engraved and coloured by stencil, Ace of Hearts with Austrian Duty stamp for 1858, patterned backs —just over 3 1/2in. (9cm.) height of cards

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Lot 534

Three packs of Continental playing cards, an Italian Dal Negro Trevigiane pattern Tarot forty playing cards; a Faustino Solesio (Genova) forty playing cards, the Ace of Hearts stamped Gen.1927, tax stamp for Lire Tre, in original green packet (missing top); and an Altenburger & Stralsunder Speilkarten Fabriken thirty-two card set

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Lot 553

A rare Pelham Puppet SL Rabbit 1963, with felt ears and checked trousers, in original yellow box with end stamp ‘Rabbit’

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Lot 554

A Pelham Puppet SL Big Ears 1960s, in original clothes and yellow box with end stamp ‘SL Big Ears’ (box a little taped)

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Lot 555

A Pelham Puppet SL Bom an Enid Blyton toy soldier character 1960s, in original clothes and yellow box with end stamp ‘SL Bom’

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Lot 675

Mauchline Tartanware, a Rob Roy square rule —9in. (23cm.) long; a Caledonia rectangular box with sliding lid; a Rob Roy square flat box with slide off lid; circular stamp and ointment boxes (slight wear) and one half of a needle case

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Lot 681

Two still money banks, a Medici Society painted wooden house bank with stamp to base —4 3/4in. (12cm.) high; and a painted tinplate safe (missing key)

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