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Three pictures, Snaffles (Charles Johnson Payne 1884-1967), a signed print "Tally Ho Back", signed bottom left and with Snaffles bits blind stamp, 37 cm x 48 cm, together with "The sparrow catchin sort, a head like a lady a farewell like a cook" signed Snaffles bottom left with Snaffles bit blind stamp, 46 cm x 41 cm and a signed limited edition Leesa Sandis-Lumsdaine, numbered 91/500, 42 cm x 50 cm "Summer Silks".
John Silver signed Limited Edition prints, "Rainbow Trout" with a Washington Green blind stamp, 78/850, 24 cm x 32 cm, framed and mounted with certificate of authenticity, and "Brown Trout" blind back stamp numbered 78/850, together with a map of salmon pools on part of the rivers Tweed and Teviot and a photograph of a gent fishing with black labrador.
An American light cavalry sabre the blade stamp 'AMESMFGCo CHICCPEE MASS' and 'U.S. ADK 1862', the brass guard numbered 13419, blade length 87cm, scabbard length 92cm.Condition: no signs of major damage or repairs, various small dents to the scabbard, blade appears ok, very small nicks only, grips wires are all present and appear in tact, basket ok, no play in the pommel, grip or basket.
Victorian stick pin, in the form of a pearl held by a ladies hand, with two pearl set shirt studs, both in 15 ct, enamel world map brooch, enamel sarcophagus pendant, a pair of forget me not drop earrings, all mounted in silver, base metal monogram stamp and case and a coin set bar broochSilver gross weight 11.9 grams15 ct gross weight 3.8 gramssarcophagus pendant missing mummy insertworld map brooch has scratches to enamels surface
Keith Haring (1958-1990)Pop Shop VIScreenprint in colours, 1989, with the authentication stamp verso signed by the executor of the Keith Haring Estate Julia Gruen, numbered from the edition of 200, published by Martin Lawrence Editions, New York, on wove paper, with full margins, sheet 340 x 418mm., (13 3/8 x 16 ¼ in) (unframed)
δ Le Corbusier (1887-1965)Trois FemmesLithograph, 1942-64, inscribed Epreuve de L'Atelier Mourlot, a scarce studio proof, printed by Mourlot, Paris, with the Atelier Mourlot rubber stamp verso on Arches paper, with full margins, sheet 450 x 560mm., (17 ¾ x 18 1/8 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Le Corbusier (1887-1965)ModulorLithograph printed in colours, 1956, a printer's proof aside from the edition of 200, printed by Mourlot, Paris, with the Atelier Mourlot rubber stamp verso on Arches paper, sheet 735 x 540mm., (28 7/8 x 21 ¼ in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973)Portrait de Marie-Thérèse de Face (Baer 417, Bloch 276)Drypoint, 1934, printed with rich plate tone, signed in pencil, a scarce trial proof before the posthumous stamp signed edition of 50, on Richard de Bas laid paper, with full margins, 510 x 400mm., (20 1/8 x 15 ¾ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973) after.Tête d'Homme (Hommage à René Char) (Czwiklitzer 348)Lithograph printed in colours, 1969, a printer's proof aside from the edition of 100, printed by Mourlot, Paris, with the Atelier Mourlot rubber stamp, verso, on wove paper, with full margins, sheet 780 x 575mm., (30 ¾ x 22 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Patek Philippe. An 18K gold manual wind octagonal bracelet watch retailed by GübelinReference: 3854/1Date: Circa 1972Movement: 18-jewel Cal.215 manual wind, adjusted to heat, cold, isochronism and 5 positions, Gyromax balance, Geneva Stamp, No.1328107Dial: Two-tone blue, signed Gübelin, gilt lance handsCase: Brushed and polished octagonal, snap on back, No.2776995Strap/Bracelet: Integral smooth linkBuckle/Clasp: Signed folding claspSigned: Case, dial & movement Size: 28mmFor further information on this lot please visit Bonhams.com
Patek Philippe. An 18K gold automatic bracelet watchModel: CalatravaReference: 3563 3Date: London Import mark for 1971Movement: 28-jewel Cal.1-350 automatic, adjusted to heat, cold, isochronism and 5 positions, Gyromax balance, Stamp of Geneva, No.1490117Dial: Blue textured, applied gilt baton hour markers with luminous inserts, gilt pointed baton hands with luminous inserts, centre secondsCase: Brushed and polished round, screw down back, back winding, textured bezel, No.2700517Strap/Bracelet: Integral textured braceletBuckle/Clasp: Signed folding claspSigned: Case, dial & movement Size: 35mmFor further information on this lot please visit Bonhams.com
Four silver and mother-of-pearl folding fruit knives and forks,the first a pair, c.1800, with lion passant and duty marks (only), each with engraved border and owner's monograms, in a double red leather case,the second, a knife, in a blue case with Glasgow retailer's stamp,by Alfred Taylor, Birmingham 1869,the third, a dividing knife and fork, with engraved handles,by John Yeomans Cowlishaw, Sheffield 1932, each open 15cm long approximately (4) Condition report: The first with blade nick to knife and rubbed lion passant markboth cases with rubbed edges
English School, c.1810 Portrait of Sir Robert Chester, Master of Ceremonies to King George III, King George IV, King WIlliam IV and Queen Victoria, head and shoulders, in court dress Oil on canvas 74 x 62cmProvenance: Watsons, Broome End Sale, Stansted, Essex, 13 September 1983, Lot 106;Wood Hall, Arkesden, Essex.Sir Robert Chester of Bush Hall, Hertford, was Assistant Master of Ceremonies from 1796-1818 and then Master of Ceremonies from 1818-1847.The Master's duties were to receive foreign dignitaries and present them to the monarch at court.Condition report: Oil on canvas which is unlined and has an artist supplier's stamp for C.E. Clifford of London on the reverse. The canvas tension is slightly slack but in plane. There are a few scattered losses at the edges of the painting but overall the paint layer appears stable. Textural phenomena associated with the drying of the paint layer is evident across the surface with wide drying cracks and an uneven surface. The drying cracks in the face reveal the white ground layer below. The varnish is old and degraded; it has become yellowed, dull and no longer saturates the paint layers below. There is a light layer of surface dirt present. There are scattered losses to the gilded surface of the frame and old areas of damage have been covered in metallic paint.
Circle of Sir William Beechey RA (1753-1839)Portrait of Robert, 4th Earl of Buckinghamshire, seated at his desk, in black coat and white stockInscribed l.l. 'Robert, 4th Earl / of Buckinghamshire / 1814', oil on canvas90 x 69cmProvenance: Cheffins, 23 March 2011, Lot 536;Wood Hall, Arkesden, Essex.Condition report: Oil on canvas which is unlined and has a suppliers stamp for Roberson & Miller as well as a tax stamp. The canvas tension is slightly slack but the picture is generally in plane. The paint layer is stable in the centre of the painting but around the edges there are areas of lifting and flaking paint, this is particularly bad along the lower edge where the are numerous losses. The painting has been partially clean with old residues still present in the darker paint passages creating a slightly yellowed cast. The painting is poorly fitted in the frame. There are large losses to the moulding on the frame and the original gilded surface is covered with bronze paint.
Robert Edward Morrison (1851-1924)Portrait of a lady in a black lace mantilla with yellow flowers in her hairSigned and dated 1886 u.r., oil on canvas59 x 49cmCondition report: Oil on canvas which is unlined with a Winsor and Newton supplier stamp on the reverse. The paint layer is in a good condition overall although there is abrasion and loss around the edges caused by framing. There are areas of overpaint in the left hand of the background, the sitter's right shoulder and the sleeve. The overpaint is loosely applied and is fairly well matched to the original. The varnish is clear, even and glossy. The frame is in a good condition with some wear to the gilding at the edges.
A Grand Tour bust after Pierre Joseph Chardigny (French, 1794-1866),'Esculape', bronze, inscribed and dated 1854, bearing an 'H.Y. LORIN & CIE EDITEURS PARIS' stamp,12.5cm highEsculape or Asclepius is the God of Medicine in Greek Mythology and son of Apollo.Condition report: No obvious major faults.
A Scottish silver four-piece tea set,by J R, Glasgow 1879-1880, consisting of:a teapot,hot water jug,sugar basin, andcream jug.each decorated with banded Japonesque Aesthetic designs and the maker's mark 'J.R. Glasgow', the teapot and hot water pot with ivory insulators and with the retailer's stamp 'Rait' to the underside,hot water jug 25cm tall, 62ozt (4)
A MIXED LOT:- A late Victorian vesta case engraved with a penny piece on one side & "24th May", and the portrait of a smoker on the other, a sugar caster, a Chinese filigree card case, another card case, initialled, a reeded vesta case, a stamp case, a napkin ring, initialled, two small boxes and two pin dishes; the caster 6.6" (16.8 cms) high; 13.3 oz (11)
An early 20th Century platinum, ruby and diamond mounted bracelet: with central circular brilliant-cut diamond approximately 4.8mm diameter within a surround of calibre-cut rubies and on an openwork lattice panel set with round old, brilliant and 'eight-cut' diamonds, on flexible expanding link bracelet, the clasp stamped 'Platine Pure' and 'Brevete' with maker's stamp G.F.
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165558 item(s)/page