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Lot 3342
Terence Cuneo (1907-1996), by and after, Birmingham Snowhill Station, with Great Western Railway 49XX ('Hall') class locomotive No. 4983 'Albert Hall' waiting to leave at the head of a train, 0-6-0PT No. 7752 alongside as station pilot, signed, Fine Art Trade Guild blind stamp, 50cm x 67.5cm
Lot 160
Selby (Prideaux John). A History of British Forest-trees, indigenous and introduced, 1st edition, John van Voorst, 1842, numerous wood engraved illustrations to text, small circular ownership stamp of Colin Gordon to upper outer corner of half-title and title, all edges gilt, contemporary sprinkled full calf gilt, a little rubbed (generally a very good copy), 8vo, together with Doyle (Martin, editor), The Illustrated Book of Domestic Poultry, 1st edition, George Routledge, 1854, 20 colour plates by W. Dickes after drawings by C.H. Weigall, some marks and light soiling and occasional spotting, contemporary half calf, worn with upper cover detached along inner hinge, 8vo, plus Badger (Mrs C.M.), Wild Flowers drawn and colored from nature, New York, Charles Scribner, 1859, 10 (of 22) hand-coloured lithographed plates only, title and 2 plates loose, some light spotting, all edges gilt, original publisher's full morocco gilt, heavily rubbed and some wear, with upper cover detached, large 4to (3)
Lot 308
* Roosevelt (Theodore, 1858-1919). Autograph letter signed, 'Theodore Roosevelt', New York, 13 March 1881, to Missy [Harriet Douglas Robinson], on her engagement [to Henry Bazeley Wolryche-Whitmore], ‘Of course I could see that he was very much in love, and I rather thought it would be an engagement some time; but I had no idea things had gone so far. I am too glad that we had all of us already grown to like him so much; I don’t think we could have trusted our Missy in a total stranger’s hands… ‘, and later in reference to them going away to England, ‘… whenever you come over it will not only be to see Mr & Mrs Robinson Jr but Mr & Mrs Roosevelt Jr’, 4 pages, 8vo, creases where previously folded, light toning to final page, together with remains of original envelope address in Roosevelt's hand to 'Miss H.D. Robinson care Roosevelt & Son, 32 Pine St, New York, United States', stamp torn away, remains of Basel and New York franking stamps to both panels Provenance: This letter was written while Roosevelt was at Columbia Law School and before he began on his political career, and only months after his short-lived marriage to his beloved Alice Hathaway Lee. Alice died three years later just two days after giving birth to their only daughter (Alice Lee Roosevelt) due to an undiagnosed case of kidney failure. Roosevelt wrote a large ‘X’ on his diary page and then, “The light has gone out of my life”. His mother, Mittie, had died of typhoid fever eleven hours earlier in the same house. For the rest of his life, he rarely spoke about his wife Alice and did not write about her in his autobiography. By direct family descent from Henry Wolryche-Whitmore. See also lots 300-303. (1)
Lot 314
Ruskin (John, 1819-1900). Lectures on Art Delivered before the University of Oxford in Hilary Term, 1870, 1st edition, Oxford University Press, 1870, errata slip tipped in at rear, author's presentation inscription to front free endpaper, 'Lily Armstrong with St. C's love, 1870', all edges gilt, contemporary dark blue calf with five raised bands and blind-stamped floral motifs, the fifth compartment with gilt stamp 'R' and '1', heavily rubbed and marked, 8vo St. C is an abbreviation for St. Crumpet, the pet name that the young Rose La Touche had given Ruskin and which he continued to use. (1)
Lot 35
Armstrong (Mostyn John). An Actual Survey of the Great Post-Roads between London and Edinburgh, published 1776, title page with engraved oval vignette of a coach and horses, dedication (to Thomas Pennant) with old ink library stamp to verso, general map of the Post Roads, table and index and forty-four (complete) engraved road maps with sparse contemporary outline colouring and some later crude outlining of the main roads, a few more library stamps on the verso of some leaves, page 8 with repaired closed tear, later ownership signatures to preliminaries, later endpapers, modern panelled calf with gilt decorated spine, 8vo (1)
Lot 361
*Victoria, Princess Royal (Victoria Adelaide Mary Louise, 1840-1901). Pencil drawing of a girl in Eastern Mediterranean attire, pencil sketch on watermarked laid paper, with circular embossed Windsor Castle stamp at head, full-length portrait of a girl wearing a headdress, long tunic dress with gathered skirt, wide pantaloons, and turkish slippers, signed in sepia ink 'V. pss. R.' lower right, 30 x 18.5cm (11.75 x 7.25ins), mounted, framed and glazed Princess Victoria was the eldest daughter of Queen Victoria and Prince Albert, and was created Princess Royal in 1841. She married Prince Frederick William of Prussia in 1857, when she was only seventeen. In 1888, when her husband succeeded to the throne, she became the Queen of Prussia, and after her husband's death in the same year, she became widely known as Empress Frederich. She was the mother of German Emperor Wilhelm II. Princess Victoria was an accomplished amateur artist and the Royal Collection holds a large number of her drawings and paintings, but works by her rarely come onto the market. (1)
Lot 375
Almanacs. Rider's British Merlin: For the Year of our Lord God 1761, title printed in red and black, red duty stamp at foot, light toning, contemporary sheep, upper cover detached, spine ends chipped, 12mo, together with The Universal Scots Almanack for the Year of our Lord MDCCLXI, duty stamp at head of title, some spotting, original wrappers, spine defective, wrappers detached with loss to lower wrapper, 12mo, plus The Universal Scots Almanack for the Year of our Lord MDCCLXXII, red stamp to title, a few foremargins chipped, annotation at front, original wallet-style limp vellum, some soiling, 12mo, with other almanacks, mainly Scottish, including The Town and Country Almanack for the Years 1777-1780, 1785 & 1791, The Universal Scots Almanack for the Years 1781, 1788, 1790, 1793-94, 1796 & 1801, The Glasgow Almanack for 1795, 1798-1800, and The Aberdeen Almanack for the Years 1797, 1814, 1818, 1826, 1834, 1836, 1840, 1842-43, 1845-62 & 1867, some covers detached, Aberdeen Almanack from 1840 onwards in original cloth (50)
Lot 377
Baskerville Press. Catulli, Tibulli, et Propertii Opera, Birmigham, 1772, occasional scattered spotting, ownership inscription and bookplate of Arthur Pott, near contemporary diced calf gilt, joints rubbed, corners slightly bumped, 4to, together with Titi Lucretii Cari de Rerum Natura Libri Sex, Birmingham, 1772, 19th century calf gilt, gilt stamp of armorial bearings of Rev. John Wilder (1801-1892), joints rubbed and worn, corners worn with slight loss, spine particially deficient, 4to, plus Terence, P. Terentii Afri Comoediae, Carolus Whittingham for Eton College, 1854, printer's device to title, marbled endpapers, contemporary calf, a little rubbed and slightly scuffed, 4to (3)
Lot 387
Bindings. The Vicar of Wakefield, by Oliver Goldsmith, with thirty-two illustrations, by William Mulready, R.A., John van Voorst, 1843, numerous engraved letterpress vignettes, marbled endpapers, bookplate of Charles Plumptree Johnson on front pastedown, all edges gilt, early 20th century crushed scarlet morocco by Zaehnsdorf, signed on front turn-in and with gilt oval stamp on rear pastedown, gilt dotted roll decorated raised bands, gilt lettered direct in second and fourth compartments, remainder with a variety of volute, flower, star, and roundel tools, dated lettered at foot, covers with gilt single and double fillet border, lily tool at each corner, single fillet on edges, flower and sem‚ dot roll on turn-ins, small 4to, together with The Story of Jack and the Giants. Illustrated with thirty-five drawings by Richard Doyle. Engraved by G. and E. Dalziel, 1st edition, Cundall & Addey, 1851, engraved frontispiece and additional title, vignette letterpress title, and numerous illustrations, some full-page, original printed wrappers bound in at rear, bookplate of Charles Plumptree Johnson on front pastedown, top edges gilt, early 20th century tan calf by Riviere & Son, with ink stamp on verso of front fee endpaper, gilt rope roll decorated raised bands, gilt lettered red morocco label in second compartment, remainder with flower tool surrounded by stars and roundels, volute cornerpieces, date lettered at foot, covers with gilt double and single fillet border, double fillet on edges, gilt decorated turn-ins, small 4to (2)
Lot 392
Cervantes Saavedra (Miguel de). The History Of the most Renowned Don Quixote of Macha, And his Trusty Squire Sancho Pancha, Now made English according to the Humour of our Modern Language And Adorned with several Copper Plates [translated by John Phillips], printed by Thomas Hodgkin for John Newton, 1687, copper- engraved frontispiece, sixteen copper-engraved illustrations on eight leaves, occasional short closed marginal tear (occasionally with slight loss), minor marks, early ink stains, small holes, and overall dust-soiling, Eeee3 torn and repaired, Kkkk torn with loss, early library stamp of C. Hardyman and near contemporary ownership inscription of Eliza Cranmer to title, contemporary calf, rebacked and repaired, rubbed and worn, upper board detached, folio Wing C1774A. First English illustrated edition. Another edition printed by Thomas Hodgkin appeared the same year to be sold by William Whitwood. (1)
Lot 393
Dickens (Charles). Our Mutual Friend, 2 volumes in one, 1st edition, Chapman and Hall, 1865, half-title to volume two present (that to volume one discarded), forty engraved plates by Marcus Stone, including frontispieces, no publisher's advertisements, later inscription on preliminary blank, marbled endpapers, all edges gilt, 20th century tan calf by Riviere & Son, with ink stamp on verso of front free endpaper, edges a trifle rubbed in places, gilt lettered contrasting labels in second and fourth compartments, remainder with lozenge tool within triple line frame, and volute cornerpieces, covers with gilt double fillet border, gilt decorated edges and turn-ins, 8vo (1)
Lot 446
Roland (George). A Treatise on the Theory and Practice of the Art of Fencing, illustrated with twelve highly finished plates, and continued by Easy and Progressive Lessons, from the Simplest Position to the Most Complicated Movements, 1st edition, Edinburgh: Archd. Constable, 1823, half-title present, twelve lithographed plates, scattered spotting, marbled endpapers, armorial bookplate on front pastedown, all edges gilt, modern tan polished calf by Frost & Co, Bath, with ink stamp on verso of front free endpaper, a few faint superficial scratches, gilt lettered contrasting leather labels in second and third compartments, remainder with central fleuron tool and flower garland cornerpieces, covers with gilt double fillet border, gilt decorated edges and turn-ins, tall 8vo (1)
Lot 540
Thomson (James). The Seasons, printed for A. Millar, 1766, 4 black and white illustrations, bookplate to front pastedown, ex-libris bookplate and stamp to front endpaper, some light marks, contemporary calf binding, boards slightly marked, hinges cracked, 8vo, together with Johnston (Keith), Africa, 3rd edition, 1884, 68 black and white illustrations including frontispiece, 16 colour folding maps, some slight spotting, contemporary gilt-decorated calf prize binding, boards and spine rubbed, 8vo, plus Kandahar (Lord Roberts of), Forty-One Years in India, from Subaltern to Commander-in-Chief, new edition, 1901, 41 illustrations and maps including portrait frontispiece, bookplate to front pastedown, some minor spotting, contemporary gilt-decorated calf prize binding, spine rubbed and faded, 8vo, plus other 19th and 20th-century literature, poetry and miscellaneous reference, some leather bindings, G/VG, 8vo (a carton)
Lot 8
Bryce (James). Transcaucasia and Ararat: Being Notes of a Vacation Tour in the Autumn of 1876, 2nd ed., 1877, wood engraved frontispiece, some scattered spotting, contemporary half morocco, rubbed at joints, 8vo, together with Dubeux (Louis), La Perse, part of L'Univers series, Paris: Didot, 1841, half-title, 2 folding maps, 86 plates (a few folding), ink stamp to title, quarter sheep, green morocco spine labels, 8vo (2)
Lot 166
A FINE SILVER GELATINE PRINT OF J-CLASS YACHTS, BY KIRK OF COWES, 1934, depicting the yachts Velsheda, Candida, Shamrock, Astra and Britannia at the start of a race, signed (lower right) and inscribed in Indian ink and dated 9.8.34 in black lower left, in frame of issue inscribed on reverse by Kirk with studio stamp, -- 16 x 21¾in. (40.5 x 55cm.)
Lot 813
Laurence Stephen Lowry RA (British, 1887-1976) - 'Level Crossing, Burton-on-Trent', Pencil signed limited edition colour print, edition of 850, bears Guild stamp to mount, approx. 41x57cm, mounted and framed. CONDITION REPORT: 1. We can't tell if it is stuck down as it is within a sealed glazed frame. 2. No signs of any foxing or damage to the paper 3. Colour is good, not faded 4. It is pencil signed and bears the Fine Art Trade Guild stamp.
Lot 814
Laurence Stephen Lowry RA (British, 1887-1976) - 'The Bearded Lady' Pencil signed colour print, bears Guild stamp to mount, approx. 58x48cm, inset silvered frame. CONDITION REPORT: 1. We can't tell if it is stuck down as it is within a sealed glazed frame. 2. There are no signs of any foxing , however where the picture has slipped within the mount one area is much brighter than another. 3. The pictures does not appear to be faded in any way. 4. The picture has the pencil signature and Fine Art Trade Guild stamp.
Lot 816
Laurence Stephen Lowry RA (British, 1887-1976) - 'Crime Lake', Pencil signed colour print, edition of 500, bears Guild stamp, approx. 45x60cm, bears explanatory label verso, mounted and framed. CONDITION REPORT: 1. We can't tell if it is stuck down as it is within a sealed glazed frame. 2. There is no signs of any foxing or damage to the paper. 3. the colour is good. 4. It has the pencil signature and the Fine Art Trade Guild stamp.
Lot 818
Laurence Stephen Lowry RA (British, 1887-1976) - 'The Football Match', Pencil signed limited edition print, numbered in margin '149/850', also bears stamp to margin, approx. 25x36cm, mounted and framed. CONDITION REPORT: 1. We can't tell if it is stuck down as it is within a sealed glazed frame. 2. There is no foxing or damage to the paper. 3. The picture is sepia so therefore no colours, but no fading apparent. Margin not bright white, possible discolouration? 4. It does have the pencil signature but not the Fine Art Trade Guild stamp, however, it does bear a stamp.
Lot 820
Laurence Stephen Lowry RA (British, 1887-1976) - 'A Riverbank', Limited edition colour print, inscribed to mount '722/850', also bears embossed limited edition stamp to margin, approx. 38x50cm, framed. CONDITION REPORT: 1. We can't tell if it is stuck down as it is within a sealed glazed frame. 2. There is no foxing or damage to the paper. 3. The colour is good. 4. There is no signature or Fine Art Trade Guild stamp, however it does have a Limited Edition stamp and Limited Edition number in pencil.
Lot 823
Laurence Stephen Lowry RA (1887-1976) - 'Two Brothers' Pencil signed colour print, bears Guild stamp to mount, approx. 60x30cm, framed. CONDITION REPORT: 1. We can't tell if it is stuck down as it is within a sealed glazed frame. 2. There are no signs of any foxing or damage to the paper. 3. the colours are good. 4. It does bear the pencil signature and the Fine Art Trade Guild stamp
Lot 824
Laurence Stephen Lowry RA (British, 1887-1976) - 'Industrial Scene', Pencil signed reproduction colour print, bears blind stamp to margin, approx. 40x30cm, mounted and framed. CONDITION REPORT: 1. We can't tell if it is stuck down as it is within a sealed glazed frame. 2. there are no signs of any foxing or damage to the paper. 3. Colours muted, not vibrant. 4. The picture does have the pencil signature and the Fine Trade Guild stamp.
Lot 826
Laurence Stephen Lowry RA (British, 1887-1976) - 'The Family' Signed colour print, signed in blue biro to mount, also bears Guild stamp to mount, approx. 26x21cm, framed. CONDITION REPORT: 1. We can't tell if it is stuck down as it is within a sealed glazed frame. 2. There are no signs of any foxing, however there is some creasing to the paper. 3. Colours are good. 4. It is signed in biro and does bear the Fine Art Trade Guild stamp.
Lot 828
Laurence Stephen Lowry RA (British, 1887-1976) - 'Group of Children' Pencil signed limited edition colour print, bears stamp to mount, approx. 18x19cm, framed. CONDITION REPORT: 1. We can't tell if it is stuck down as it is within a sealed glazed frame. 2. There is a blemish to the margin bottom left, not sure if foxing or a general stain? otherwise no signs of any other damage to the paper. 3. Colours are ok, not vibrant. 4. It is signed and in a very dark colour, not sure whether it is graphite or ink? and it does bear the Fine Art Trade Guild Stamp.
Lot 833
Laurence Stephen Lowry (British, 1887-1976) - 'The Pond' Pencil signed limited edition colour print from an edition of 850, bears guild stamp to mount, approx 43x57cm, mounted and framed. CONDITION REPORT: 1. We can't tell if it is stuck down as it is within a sealed glazed frame - nice quality mount and frame. 2. There are no signs of any foxing or damage to the paper.# 3. Colours are good. 4. It does have the pencil signature and the Fine Art Trade Guild stamp.
Lot 834
Laurence Stephen Lowry (British, 1887-1976) - 'Man Holding Child' Pencil signed limited edition colour print of an edition of 350, bears Guild stamp to mount approx 45x71cm, mounted and framed. CONDITION REPORT: 1. We can't tell if it is stuck down as it is within a sealed glazed frame - nice quality mount and frame. 2. There are no signs of any foxing or damage to the paper. 3. The colours are good. 4. It does bear the pencil signature and the Fine Art Trade Guild stamp.
Lot 835
Laurence Stephen Lowry (British, 1887-1976) - 'Our Town' Pencil signed limited edition colour print, no in pencil to margin '560/850', published by Grove Galleries Ltd, Manchester, approx 42x61cm, mounted and framed. CONDITION REPORT: 1. We can't tell if it is stuck down as it is within a sealed glazed frame - nice quality frame and mount. 2. There are no signs of any foxing or damage to the paper. 3. Colour is particularly good and strong. 4. It does have the pencil signature and the limited number in pencil also ,but no Fine Art Trade Guild stamp.
Lot 836
Laurence Stephen Lowry RA (British, 1887-1976) - 'Figures in the Park', Pencil signed limited edition colour print, numbered in pencil '48/100', approx. 40x30cm inset contemporary silvered frame, (this rare limited edition print is in excellent condition). CONDITION REPORT: 1. We can't tell if it is stuck down as it is within a sealed glazed frame. 2. There are no signs of any foxing or damage to the paper. 3. Colours are ok. 4. It does have the pencil signature and the limited edition number in pencil also, but no Fine Art Trade Guild stamp.
Lot 838
Laurence Stephen Lowry (British, 1887-1976)- 'Football Match' Pencil signed limited edition sepia print, numbered in pencil to mount '391/850', bears stamp to margin, approx 25x36cm, framed. CONDITION REPORT: 1. We can't tell if it is stuck down as it is within a sealed glazed frame. 2. There are small areas of foxing visible, no other signs of damage to the paper is visible. 3. It is sepia, therefore no colour but image is bold. 4. It has the pencil signature and limited number in pencil, and does have a stamp but the Fine Art Trade Guild stamp.
Lot 839
Laurence Stephen Lowry (British, 1887-1976)- 'His Family' Pencil signed colour print, bears stamp to mount, also printed with title to mount, approx 52x71cm, framed. CONDITION REPORT: 1. We can't tell if it is stuck down as it is within a sealed glazed frame. 2. There are no signs of any foxing or damage to the paper. 3. The colours are good and bold. 4. It does bear the pencil signature and the Fine Art Trade Guild stamp.
Lot 840
Laurence Stephen Lowry (British, 1887-1976) - 'Level Crossing with Train' Pencil signed limited edition colour print from an edition of 750, approx 46x56cm, mounted but unframed. CONDITION REPORT: 1. The picture is within a mount only, no frame, but is behind sealed cellophane and we have not removed it, however it does not appear to be stuck down. 2. There are no signs of any foxing or damage to the paper. 3. The colour is good and bold. 4. It does have the pencil signature but no Guild stamp.
Lot 841
Laurence Stephen Lowry RA (British, 1887-1976) - 'The Bearded Lady' Pencil signed limited edition print, bears Guild stamp to mount, approx. 58x48cm, framed. CONDITION REPORT: 1. We can't tell if it is stuck down as it is within a sealed glazed frame, however the picture appears to be loose and moving around within the frame and is currently not sat straight. 2. There are no signs of any foxing or damage to paper, however there is a piece of tape behind the glass and carefully consideration is recommended. 3. The colours are fine. 4. It does bear a pencil signature and the Fine Art Trade Guild stamp.
Lot 843
Laurence Stephen Lowry (British, 1887-1976)- 'St Simon's Church' Pencil signed limited edition sepia print, numbered pencil to mount '34/300', approx 38x28cm, framed. CONDITION REPORT: 1. We can't tell if it is stuck down as it is within a sealed glazed frame. 2. There are no signs of any foxing or damage to the paper. 3. It is sepia so therefore no colour, however the image is good and bold and strong. 4. It does have the pencil signature but no guild stamp, but it does have the limited edition number in pencil to the margin.
Lot 845
Laurence Stephen Lowry (British, 1887-1976)- 'Huddersfield' Pencil signed limited edition colour print, from an edition of 850, bears Guild stamp to margin, approx 45x57cm, framed. CONDITION REPORT: 1. We can't tell if it is stuck down as it is within a sealed glazed frame. 2. There are no signs of any foxing or damage to the paper. 3. The colours are ok, could possibly be brighter, but difficult to be sure without having another to compare to. 4. It has the pencil signature and the Fine Art Trade Guild Stamp.
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165598 item(s)/page