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Lot 197
Balls & My Partners 1844-1845, by Miss AHE Seymour Adelaide Horatia Elizabeth Seymour (1825-1877) A handstitched booklet in which Miss Seymour has compiled all the balls she attended, all her dances and her partners, she also provides little insights to some of these occasions: "Dreadfully crowded & could not get into the Ball Room till very late" or the Duke of Devonshire's Ball on May 17th "A charming Ball". She dances with some very distinguished partners, various Lords and 'Prince Edward' and at the end of each year she tallies up all her dances.A charming historical document. Note: Miss Seymour married Vice-Admiral Frederick Spencer the 4th Earl Spencer. She was Princess Diana’s great, great grandmother and so is also great, great, great grandmother to our future King.Her father was Sir Horace Beauchamp Seymour, a hero of Waterloo and aide-de-camp to the cavalry commander Lord Uxbridge, and was reported to have killed more men in the battle than any other individual. This branch of the Seymour Family were direct decendents of Edward Seymour, 1st Duke of Somerset, brother of Jane Seymour, 3rd wife of Henry VIII. He was Protector of the Realm from 1547 to 1549, during the minority of his nephew King Edward VI. Size: 11.5 x 10cm. The condition is good and probably not much changed since Miss Seymour made this little book. Ink stains and rough edges original to 1845. The paper lightly browned. The cover and the first two inner sheets are loose from the stitching. No missing leaves. The last four pages and back cover are blank, one of the blank pages has been torn in half. These blank pages are embossed with a small round stamp on each corner but we cannot decipher the stamp. Containing 22 pages, fully filled on both sides, except 4 which are blank and the one page torn in half.
Lot 661
Silver chatelaine, English 925/000, with gourmet links, a pendant with wax stamp with green stone and a pendant with shield. In addition, the chain has a heart-shaped box/vesta with engraving. MT.: including Herbert Bushell & Son ltd, Birmingham, last:D:1953 and Joseph Gloster, Birmingham, last:A:1900. approx. 64 grams. In good condition.
Lot 2099
Venezia,P.A.: Guida Fedele Alla Santa Citta di Gierusalemme, e Descrittione di Tutta Terra Santa. Venedig, Lovisa 1704. Mit 1 gest. Falttafel u. zahlr. Textholzschn. (8) Bl., 429 S., (8) Bl. Prgt. d. Zt. mit Bibl.-Rsch. (Gebrauchsspuren). Sehr seltene Ausgabe eines Reiseberichts aus dem Heiligen Land (insbesondere Jerusalem) von dem venetianischen Missionars Pietro Antonio da Venezia mit vielen Zeichnungen. - Tls. etw. fleckig. Ehemaliges Bibliotheksexemplar mit Stempel innen und Rückensignatur. - Very rare edition of a travelogue through the Holy Land (especially Jerusalem) by the Venetian missionary Pietro Antonio da Venezia including many drawings. Parchment. Ex-library book with stamp inside and catalogue no. on spine. Boards rubbed. Binding tight. Paper is darkened with age and has stains. Type area still in good condition. Folding plate preserved. (27).
Lot 226
Lefevre,A.u.C. von Karthago (d.i. Thascius Caecilius Cyprianus).: Harmonia Confessionis Augustanae, Doctrinae Evangelicae Consensum Declarans. Adiunctum est Caroli Quinti Caesaris semper Augusti, potentissimorumque Imperij Christiani Principum... (Beigebunden): Divi Caecilii Cypriani Episcopi Carthagin. Ac Martyris Opera, iam diligentius multo quam hactenus unquam, Exemplarium manuscriptorum subsidio, a mendis vindicata. Köln: Cholin 1573; Köln: Quentel und Calenius 1566. 4°. (6) Bl., 574 S.; (18) Bl., 451 S. Blindgepr. Schweinsldr. über Holzdeckeln. VD16 L 940. - Sammelband mit zwei Bänden. Der erste ist die Erstausgabe einer bekannten Gegenschrift der Reformation von Andre Lefevre (Andrea Fabricius, 1520 - 1581). Der zweite ist e. Ausgabe der Werke Cyprians (ca. 200 - 258). - Ehemaliges Bibliotheksexemplar mit Stempel innen und Rückensignatur. Leder des Einbands betächtlich beschädigt. Eine Schließe defekt. Bindung fest. Altersübliche Papiernachdunkelung mit Flecken und Wasserschaden. Satzspiegel in noch guter Erhaltung. - An anthology with two volumes. The first volume contains a first edition of a well-known rebuttal of the Reformation by Andre Lefevre (Andrea Fabricius, 1520 - 1581). The second is an edition of the works of Cyprian (ca. 200 - 258). Blind satmped pigskin over wooden boards, binding considerably damaged. Ex-library book with stamp inside and catalogue no. on spine. One clasp defective. Binding tight. Paper is darkened with age, has stains and water damage. Type area still in good condition. (24).
Lot 279
Peckius,P. u.a.: De Testamentis Coniugum Libri Quinque. (Angebunden): (Tractatus de Cessione Bonorum Mathaei Bruni Ariminensis I.C. Clarissimi). Köln, Gymnich 1585-91. 12°. (8) Bl., 514 S., (44) Bl., 320 S. Prgt.d . Zt. mit Schließbändern. VD16 P 1098 and USTC 628832 and VD16 B 8602 and USTC 699147. - Sammelband / Omnibus containing two works. The first is a later edition of a legal treatise by the renowned Dutch jurist Pieter Peck the Elder (aka Pierre or Petrus Peckius, 1529 - 1589). The second is part of a legal work by the Italian jurist Matteo Bruni (c. 1510 - 1575). The second book lacks its title page and first twenty leaves. 11 x 16.5 cm. Vellum with four threads. Former monastery library book with sticker on spine and stamp inside. Boards rubbed and somewhat soiled. Binding firm. (55)
Lot 362
Wolff,L.: Musica Choralis Franciscana Tripliciter divisa in Medullam Cantus Gregoriani, Sive ejusdem principia Generalia: In Cantorale Tonorum communium In Provincia FF. Min. Recoll. Coloniensi Usitatorum: et in Processionale Romanum & Ordinis. Köln, Caspar Drimborn 1726. 12°. (4) Bl., 242 S., (7) Bl., 16 S. Leder. Incredibly rare first edition of a Franciscan music pocketbook by Leopold Wolff, an organist at the Franciscan convent Ad Olivas near Cologne. It contains lyrics and musical notes, including a chart depicting the notes and keys. The book would be especially fascinating to anyone interested in the history of music. Leather with two clasps, one defective. Former monastery library book with sticker on spine and stamp inside. Boards rubbed. Binding firm. Typical darkening and foxing of paper due to age. Three pages bear stickers meant to serve as bookmarks. Text block well-preserved and clean. An outstandingly preserved copy. (56)
Lot 4266
Rodrigue, George: (New Iberia 1944 - 2013 Houston). Mirror Image. Öl auf Leinwand. Sign., nicht dat. (um 1995). 60,8 x 51 cm. Gerahmt. Zwei Hunde unter einem mit Flechten verhangenen Baum, wie er für die amerikanischen Südstaaten charakteristisch ist. So kurz könnte die Beschreibung sein, wären da nicht die gelben Augen der Hunde, einer davon sogar mit blauem Fell, die einen in das Bild saugen. Der Louisianer Rodrigue äußerte dazu in einem Interview mit der New York Times 1998, daß diese gelben Augen die Seele des Hundes sind. Sie drücken ein Verlangen nach Liebe und Antworten aus. Antworten auf die große Frage des Seins. Warum sind wir hier? Die Antwort wissen beide Seiten, Mensch und Hund, nicht. - Rodrigue erhielt seine Ausbildung an der University of Louisiana at Lafayette und am Art Center College of Design im kalifornischen Pasadena. Ab den 1960er Jahren gelangte er schnell zu Bekanntheit mit seinen Landschaften und Familienbildern aus seinem Heimatstaat Louisiana. Weltweite Bekanntheit erlangte er aber mit seiner "Blue dog"-Serie, aus der auch unser Gemälde stammt. Inspiration hierfür fand er in dem aus den Cajun-Gespenstergeschichten stammenden "loup-garou" (Werwolf), doch als Vorlage für den markant gefärbten Hund mit den besonderen Augen diente dem Künstler seine Terrierhündin Tiffany. - Verso mit Werknummer 9452 und auf dem Keilrahmen mit Stempel der Galerie. - Minimal angestaubt. - Oil on canvas. Signed, undated (around 1995). - Two dogs under a tree, typical for the ones in the southern states. - Work number 9452 on the back, gallery stamp on the stretcher. - Minimally dusty. - Framed. R
Lot 64
Biblia latina.: Biblia sacra veteris et novi testamenti: Iuxta vulgatam editionem maiori quam antehac unquam Doctorum studio, ad veritatem Hebraicam & probatiss. exemplariu fidem... Lyon, Jean Frellon 1566. 8°. [8], 499 [i.e. 491], [25] Bl. Blindgepräg. Schweinsldr. d. Zt. (Fehlen die Schließen). USTC 158064. Seltene Lyoner Ausgabe der Vulgata aus dem Jahr 1566. Ehemaliges Bibliotheksexemplar mit Stempel innen und Rückensignatur. Einband berieben und bestoßen. Bindung fest. Papier moderat gebräunt. Kleinere Seitenläsionen, Satzspiegel in noch guter Erhaltung, jedoch mit zahlreichen Anstreichungen und Marginalien. - Rare edition of the vulgata bible, published in Lyon in 1566. Contemporary pigskin leather bound ex-library book with stamp and catalogue no. on spine. Boards rubbed and bumped. Binding tight. Pages moderately browned. Minor page lesions, text still in good condition, but with numerous underlinings and marginalia. (9).
Lot 41
Full title: A fine pair of Chinese cloisonne 'millefleurs' vases, workshop mark of De Cheng, Beijing, 2nd half 19th C.Description:H.: 31 cm This superb mirror-pair of vases in the 'hundred flowers' style is a tour de force of the De Cheng (å¾·æˆ) cloisonne workshop. It would have been extremely time-consuming to produce, requiring a workshop with a set of exceptionally skilled draftsmen. Established between 1850 and 1860, the De Cheng workshop became renowned throughout Beijing over the course of the century for the superior quality of its cloisonne enamel wares, which were eagerly collected not only by members of the imperial court but also by the area’s foreign residents. Even with the resources available to the most sought-after cloisonne workshop of its time, it is not surprising that very few pieces decorated with this complex design were made, and only a handful survived. Among the represented flower species may be distinguished peonies of several kinds, lotuses, chrysanthemums, magnolia, roses, hibiscus, orchids, iris, lilies, asters, hydrangea, wisteria, pomegranates, begonias, narcissuses, convolvuli, syringas, pyrus japonica (hai-t'ang) etc. Both are marked with the stamp of the workshop, one of the vases still has part of the original workshop label. Ref.: - Cloisonne: Chinese Enamels from the Yuan, Ming and Qing Dynasties, Beatrice Quette (ed.), Bard Graduate Center, New York, 2011, p. 28 for a reproduction of the label (see added image). Both Chinese and French texts inform prospective buyers of possible imitations (although put differently) and pinpoint the address of the workshop. In Chinese the text reads as follows: “Now some shameless people counterfeit the trademark of å¾·æˆ; Nevertheless, our customers have our certificate, specifying exactly where we are located, it is at ‘Jingdu Jianmen wai Yangmeizhu xiejie zhongjian lubei’ [in Beijing outside Tsien-men gate toward the middle of the north side of Yangmeizhu xiejie street).In French: “The one and only true cloisonne workshop of Teuo-Tcheng is located in Beijing outside the Tsien-men gate, around the middle of Yan-mei-tchou-sie-kiai street (north side)â€.As Quette suggests, these bilingual labels indicate a deep concern about quality and forgeries and it is possible these labels were made on the specific occasion of an international exhibition in Paris (1878 or 1889).We would like to thank Mr Nicolas Belmans, expert on 19th century Chinese cloisonne, for providing information in the redaction of the catalogue note. Mr Belmans is currently preparing a first catalogue of the De Cheng workshop.Condition:The absence of a condition report does not imply that a lot is in perfect condition.Condition reports are provided on request. They will be made available, together with additional images, on our website at www.rm-auctions.com. Condition reports are given as a service, we can not be held liable for errors in such a report. The full list of condition reports for this sale is available on the following URL: https://www.rm-auctions.com/en/condition-report/75Further questions are always welcome at info@rm-auctions.com
Lot 30
1953 Hungary football manager Gustave Sebes signed 1953 Stadio Olimpiaco cover and Magar Post football stamp. Set with corner mounts on A4 descriptive page. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
Lot 312
JAMES MOONEY (BRITISH B.1944) CARD PLAYERSwith the artist's stamp and titled CARDPLAYERS lower rightoil on board53 x 41.5cm; 21 x 16 1/4in71 x 59.5cm; 28 x 23 1/2in (framed)Property from a Private Collection, ChelseaProvenanceEverard Read, Cape TownPurchased from the above by the husband of the present owner.ARR may apply
Lot 159
Pierre Molinier (1900-1976)Reproductions d'Å“uvres de Molinier, dessins et tableaux, remises à Jean-Jacques Pauvert pour l'impression du livre en 1969 55 tirages dont 10 couleur et 45 argentiques, certains avec les notations habituelles comme '2 plancher' ou '12 plancher D 75' ou titrés avec parfois plusieurs lignes de recommandation pour l'imprimeur, certains avec tampon encré. Dans étui-chemise entoilé d'époque.55 prints including 10 color and 45 silver, some with the usual notations such as '2 floor' or '12 floor D 75' or titled with sometimes several lines of recommendation for the printer, some with inked stamp. In vintage woven shirt case.7 x 5 cm à 18 x 13 cm.Les tirages argentiques sont réalisés par Molinier. Les tirages couleur viennent d'un laboratoire professionnel de Bordeaux.Footnotes:ProvenanceCollection particulière, FranceThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 93
Pierre Molinier (1900-1976) - Peter Gorsen (1933-2017)'Pierre Molinier, lui-même', ouvrage réalisé par Molinier et Peter Gorsen, éditions Rogner et Bernhard, München, 1972. 2 exemplaires de cet ouvrage ayant appartenu à Molinier, avec cachet de l'atelier, texte en allemand.- un exemplaire de consultation, avec des feuillets qui se détachent.- un exemplaire conservé et non manipulé, état neuf. Enrichi d'une page de commentaires critiques par Molinier sur les reproductions qu'il aurait, lui, refusées... 2 copies of this work that belonged to Molinier, with studio stamp, text in German.- a consultation copy, with loose pages.- a preserved and untouched copy, new condition. Enriched with a page of critical comments by Molinier on the reproductions that he would have refused.Footnotes:ProvenanceCollection particulière, FranceTrès beau livre, le seul à avoir donné satisfaction à Molinier. L'ouvrage a été classé parmi les 50 plus beaux albums de photographies.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 89
Pierre Molinier (1900-1976)Autoportraits au loup et la perruque, devant le paravent. 5 tirages argentiques d'époque, dont 1 avec tampon de l'auteur et certains avec indications de prise de vue au crayon au dos.5 gelatin silver prints, including 1 with author's stamp and some with pencil shooting instructions on verso.13 x 7 cm à 13 x 9 cm.Footnotes:ProvenanceCollection particulière, FranceThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 104
Pierre Molinier (1900-1976) – Joseph-Marie Lo Duca (1910-2004) - Jean-Jacques Pauvert (1926-2014)'Histoire de L'Érotisme', par Lo Duca, Jean-Jacques Pauvert éditeur, Bibliothèque International d'Érotologie, 1959 Exemplaire dédicacé à l'encre par Lo Duca 'À Pierre Molinier son ami. Lo Duca'.On joint 3 tirages argentiques d'époque sur papier Agfa, inclus par Molinier dans l'exemplaire en regard des reproductions du livre pages 246 et 247 ; 'Baphomet', 'Jambes de plâtre', annoté '5 front' au dos, et 'Fleur du Paradis', tampons de l'atelier, 'Épreuve d'essai' et dont 1 avec tampon 'Exposition Internationale du Surréalisme – Paris 1959-1960' au dos.Copy dedicated in ink by Lo Duca 'to Pierre Molinier his friend. Lo Duca'.Attached are 3 gelatin silver prints on Agfa paper, included by Molinier in the copy opposite the reproductions of the book pages 246 and 247; 'Baphomet', 'Plaster legs', annotated '5 front' on the back, and 'Flower of Paradise', stamps of the workshop, 'Trial proof' and including 1 with stamp 'International Exhibition of Surrealism – Paris 1959-1960' on verso.Footnotes:ProvenanceCollection particulière, FranceThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 133
André Breton (French, 1896-1966)'André Breton et les données fondamentales du surréalisme' Les Essais XI.III, NRF, 1950 Ouvrage avec sur la page de faux-titre un dessin et un texte manuscrit de Molinier daté Août 1950 'Le drame de l'artiste est dans la part qu'il prend dans l'univers, et l'univers de chaque individu, c'est lui-même. Pour le peintre, son Å“uvre est le résultat logique du drame intime de l'univers qu'il s'est créé'. On joint : 5 revues 'Le surréalisme, même 1, 2, 3, 4 et 5', directeur André Breton, cachet de Pierre Molinier.Book with on the false title page a drawing and a handwritten text by Molinier dated August 1950 'The drama of the artist is in the part he takes in the universe, and the universe of each individual is himself. For the painter, his work is the logical result of the intimate drama of the universe that he created for himself'.We attach: 5 magazines 'Surrealism, even 1, 2, 3, 4 and 5', director André Breton, stamp of Pierre Molinier.Footnotes:ProvenanceCollection particulière, FranceThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 194
LIVRES – COLLECTION PIERRE MOLINIER LIVRES – COLLECTION PIERRE MOLINIER LIVRES – COLLECTION PIERRE MOLINIERLIVRES – COLLECTION PIERRE MOLINIER - Le Surréalisme, Yves Duplessis.- Les Masques, Jean-Louis Bédouin.- Les Sociétés Secrètes, Serge Hutin.- La Vie Sexuelle, Paul Chauchard.- La Magie, Jérome-Antoine Rony.- Technique du Cinéma, Lo Duca.- La Sorcellerie, Jean Palou.7 ouvrages des Presses Universitaires de France, avec cachet de Pierre Molinier.7 books from the University Presses of France, with stamp by Pierre Molinier.Footnotes:ProvenanceCollection particulière, FranceFor further information on this lot please visit Bonhams.com
Lot 157
Pierre Molinier (1900-1976)Reproductions d'Å“uvres de Molinier, déposés à la S.P.A.D.E.M. en 1967 et 1971. 45 tirages argentiques d'époque, tampon encré 'S.P.A.D.E.M. Modèle déposé' avec date du dépôt sur l'image, avec tampon de l'atelier, titre et légende au dos. Dans boîte Agfa, avec 'Femmes actuelles sont...', tirage argentique d'époque monté sur le couvercle, étiquettes 'Pierre Molinier', '7 rue des Faussets. Bordeaux' et légende sur le couvercle. Étiquette au verso du couvercle 'P. Molinier 'Le Miroir' 1964. Le drame de l'artiste est dans la part qu'il prend dans l'univers, et l'univers de chaque individu, c'est lui-même. Pour le peintre, son Å“uvre est le résultat logique du drame intime de l'univers qu'il s'est créé. Protestation 1951 P. Molinier' avec cachet à la cire avec son blason. Ensemble des tableaux qui constituent aux yeux de l'artiste son Å“uvre peint.45 gelatin silver prints, inked stamp 'S.P.A.D.E.M. Registered model' with date of deposit on the image, with stamp of the workshop, title and caption on verso.In Agfa box, with 'Current women are ...', vintage silver print mounted on the lid, labels 'Pierre Molinier', '7 rue des Faussets. Bordeaux' and legend on the lid.Label on the back of the lid 'P. Molinier 'The Mirror' 1964. The drama of the artist is in the part he takes in the universe, and the universe of each individual is himself. For the painter, his work is the logical result of the intimate drama of the universe that he created for himself. Protest 1951 P. Molinier' with wax stamp with his coat of arms.Tirages : 17,5 x 12,5 cm ; boîte : 19 x 14 cm.Footnotes:ProvenanceCollection particulière, FranceThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 131
Pierre Molinier (1900-1976)Correspondance de Pierre Molinier à André Breton - 11 mars 1961 : Reproduction de l'œuvre 'Baphomet'. Tirage argentique d'époque, annoté au crayon au dos. Accompagné de l'enveloppe adressée par Molinier à André Breton affranchie à la date du 11/3/61. Image : 26 x 20,5 cm ; feuille : 30 x 24 cm ; enveloppe : 25 x 31 cm- 17 mai 1961 : Reproduction de l'œuvre 'Corbillard' N°6 1962.Tirage argentique d'époque, 6 tampons encrés au dos. Accompagné de l'enveloppe adressée par Molinier à André Breton, affranchie à la date du 17/5/1961. Image 15 x 21,8 cm ; feuille : 18 x 24 cm ; enveloppe : 24 x 32 cmTexte au dos : 'Pour bien connaître une œuvre d'art, il faut la regarder sur toutes ses forces. La sculpture se prête à cet examen. J'insiste particulièrement pour le tableau : afin de bien le connaître, le pénétrer, communier intimement avec lui, il faut le voir sur tous ses aplombs, c'est-à-dire relativement au sol, l'examiner sens dessus dessous posé sur les côtés, en un mot le faire tourner. Pierre Molinier'.- 4 février 1962 : Reproduction de l'œuvre 'Les jumelles amoureuses dans l'œuf oblong' avec lettre manuscrite signée de Molinier à Breton au dos.Tirage argentique d'époque, tampon titré au dos. Accompagné de l'ektachrome du tableau (9 x 12 cm), de l'enveloppe adressée par Molinier à André Breton affranchie à la date du 5-2-1962. Image : 15,5 x 22 cm ; feuille : 30 x 24 cm ; enveloppe : 31 x 24 cmOn joint : Reproduction de l'œuvre 'Corbillard n°3' mentionnée dans la lettre. Tirage argentique d'époque annoté au crayon au dos. Accompagné de l'ektachrome du tableau (6 x 9 cm). Image : 7,5 x 9 cm ; feuille : 8,5 x 11 cm- 8 mai 1962 : Reproductions des œuvres 'La mère-fille' et 'Dame du Septième Jour'.2 tirages argentiques d'époque annotés au crayon au dos. Accompagnés de l'enveloppe adressée par Molinier à André Breton affranchie à la date du 8-5-62. Images : 25 x 9,7 cm ; feuilles : 30 x 12 cm ; enveloppe : 22,5 x 32,5 cm- 16 février (?) 1962 : Reproduction de l'œuvre 'Les amoureuses angoissées' 1962.Tirage argentique d'époque, tampon encré du titre et envoi manuscrit signé par Molinier 'Avec mes hommes à Madame, croyez-moi très cher André Breton. Toujours vôtre. Pierre Molinier. Salut fraternel à nos amis' au dos. Marques de manipulation. Accompagné de l'ektachrome du tableau (4 x 5,5 cm) et de l'enveloppe adressée par Molinier à André Breton affranchie à la date du 16-2(?)-1962. Image : 20 x 16 cm ; feuille : 30 x 24 cm ; enveloppe : 22,5 x 28,5 cm- Reproduction de l'œuvre 'Les jumelles continuent d'être Amoureuses'. Tirage argentique d'époque, cachet de l'atelier, titré à l'encre et suivi d'un P.S. manuscrit adressé par Molinier à Breton 'Comme vous le savez, Raymond Borde a fait un film-couleur sur mon œuvre picturale, il paraît que la réalisation est des plus réussie. Je dois de vous remercier puisque à la fabrication du générique (travail exécuté dans mon atelier) j'ai su que les paroles étaient de vous' au dos. 24 x 18 cm- 14 novembre 1966 : Reproduction de l'œuvre 'Les Amoureuses' 1965-1966.Tirage argentique d'époque, 4 cachets encrés de l'atelier, du titre et textes 'Créer n'est pas se répéter sans cesse, mais bien se renouveler indéfiniment. PM' et 'L'œuvre d'art ne peut s'expliquer que par le dialogue qui s'établit entre elle et le spectateur. P. Molinier' au dos. Accompagné de : 1 carte de visite de Pierre Molinier avec texte manuscrit 'Très cher André breton, je viens d'être opéré et ma santé est plutôt déficiente. Je vous prie de me croire toujours vôtre - Mes hommages à Madame André Breton. Mon salut fraternel au groupe surréaliste' et 1 enveloppe adressée par Molinier à André Breton affranchie à la date du 14-11-66. Image : 11 x 13,5 cm ; feuille : 12,7 x 18 cm ; enveloppe : 19 x 24,5 cm- Reproduction de l'œuvre 'La fleur du Paradis'.Tirage argentique d'époque, tampons encrés 'P. Molinier : 'La fleur du Paradis' et 'Exposition Internationale du Surréalisme Paris 1959-1960' au dos. Image : 17,5 x 23,5 cm ; feuille : 24 x 30 cm- Reproduction de l'œuvre 'Le Temps de la mort', tirage argentique d'époque. Image : 20,5 x 26,3 cm ; feuille : 22 x 28,5 cmExceptionnel ensemble où Molinier utilise ses tirages originaux comme papier à lettres.- march 11, 1961: Reproduction of the work 'Baphomet'.Vintage silver print, annotated with pencil on the back. Accompanied by the envelope addressed by Molinier to André Breton stamped on the date of 11/3/61. Image: 26 x 20.5 cm; sheet: 30 x 24 cm; envelope: 25 x 31 cm- May 17, 1961: Reproduction of the work 'Hearse' N° 6 1962.Vintage silver print, 6 inked stamps on the back. Accompanied by the envelope addressed by Molinier to André Breton, stamped on the date of 5/17/1961. Image 15 x 21.8 cm; sheet: 18 x 24 cm; envelope: 24 x 32 cmText on the back: 'To know a work of art well, you have to look at it with all your might. The sculpture lends itself to this examination. I particularly insist on the painting: in order to get to know it well, to penetrate it, to commune intimately with it, it must be seen on all its plumb lines, that is to say relatively to the ground, to examine it upside down placed on the sides, in a word to rotate it. Peter Molinier'.- february 4, 1962: Reproduction of the work 'The amorous twins in the oblong egg' with a handwritten letter signed from Molinier to Breton on the back.Vintage silver print, titled stamp on the back. Accompanied by the ektachrome of the painting (9 x 12 cm), the envelope addressed by Molinier to André Breton stamped with the date of 5-2-1962. Image: 15.5 x 22 cm; sheet: 30 x 24 cm; envelope: 31 x 24 cmAttached: Reproduction of the work 'Hearse n ° 3' mentioned in the letter. Vintage silver print annotated with pencil on the back. Accompanied by the ektachrome of the painting (6 x 9 cm). Image: 7.5 x 9 cm; sheet: 8.5 x 11 cm- may 8, 1962: Reproductions of the works 'The mother-daughter' and 'Lady of the Seventh Day'.2 vintage silver prints annotated with pencil on the back. Accompanied by the envelope addressed by Molinier to André Breton stamped on the date of 8-5-62. Images : 25 x 9.7 cm; sheets: 30 x 12 cm; envelope: 22.5 x 32.5 cm- february 16 (?) 1962
Lot 134
Pierre Molinier (1900-1976)'Pierre Molinier', par Raymond Borde, texte d'André Breton Plaquette illustrée de 60 photographies dont 6 en couleur, 50 exemplaires sur Marais ornés d'une eau forte de Pierre Molinier, imprimée en 1964. Exemplaire personnel de Molinier, accompagné de 15 tirages argentiques d'époque, certains longuement annotés au dos, tampon encré 'Pierre Molinier' sur le colophon. Chaque tirage est monté sur onglet en regard du tableau correspondant. Reliure Bradel moderne. On joint : ouvrage 'Pierre Molinier', par Raymond Borde, texte d'André Breton, éditions Le Terrain Vague, 1964.Brochure illustrated with 60 photographs, 6 of which are in color, 50 copies on marshes decorated with an etching by Pierre Molinier, printed in 1964.Personal copy of Molinier, accompanied by 15 vintage silver prints, some long annotated on the back, stamp inked 'Pierre Molinier' on the colophon.Each print is mounted on a tab next to the corresponding table. Modern Bradel binding.26 x 17 cm.Footnotes:ProvenanceCollection particulière, FranceThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 191
Pierre Molinier (French, 1900-1976)Catalogue de l'exposition 'Molinier' Catalogue de l'exposition 'Molinier' à la galerie 'À l'Étoile Scellée' 11 rue du Pré aux Clercs Paris VII, 27 janvier au 17 février 1956.Complet de la couverture verte avec la fenêtre laissant apparaître le dessin de la femme nue. Dédicace manuscrite 'Pour Claude Richard. Bien sympathiquement' à l'encre. On joint : 1 exemplaire du catalogue avec tampons encrés indiquant 'collection particulière' devant les titres des tableaux et tampon de l'atelier sur la 4e de couverture.Catalog of the exhibition 'Molinier' at the gallery 'With the Sealed Star' 11 rue du Pré aux Clercs Paris VII, January 27 to February 17, 1956.Complete with the green cover with the window revealing the drawing of the naked woman. Handwritten dedication 'For Claude Richard. Very sympathetically' in ink.Attached: 1 copy of the catalog with inked stamps indicating 'private collection' in front of the titles of the paintings and stamp of the workshop on the 4th cover.Footnotes:ProvenanceClaude Richard ArchivesCollection particulière, FranceThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 155
Pierre Molinier (1900-1976)Autoportrait à côté du chevalet présentant le 'Dessin Pour : Ce qui est merveilleux. 1966' Tirage argentique d'époque, tampon de l'auteur et tampon du titre et de la date au dos.Gelatin silver print, author's stamp and title and date stamp on verso.17,5 x 12,5 cm.Footnotes:ProvenanceCollection particulière, FranceThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 160
Pierre Molinier (1900-1976)Reproductions d'Å“uvres de Molinier Dans étui-chemise entoilé d'époque.- Comtesse Midralgar. Tirage couleur monté sur la couverture de l'étui.- Chemise bordeaux contenant Catalogue de l'exposition 'Molinier' à la galerie 'À l'Étoile Scellée' 11 rue du Pré aux Clercs Paris VII, 27 janvier au 17 février 1956, avec ektachrome de l'Å“uvre 'Cosmac'.- 35 tirages argentiques d'époque, tampon encré de l'atelier et tampons divers. Accompagnés de 14 ektachromes et 9 tirages couleur. Certains avec titre au dos.In a vintage woven shirt case.- Countess Midralgar. Color print mounted on the cover of the case.- Burgundy shirt containing Catalog of the exhibition 'Molinier' at the gallery 'With the Sealed Star' 11 rue du Pré aux Clercs Paris VII, January 27 to February 17, 1956, with ektachrome of the work 'Cosmac'.- 35 vintage silver prints, inked stamp from the workshop and various stamps. Accompanied by 14 ektachromes and 9 color prints. Some with title on the back.13 x 18 cm approx.Footnotes:ProvenanceCollection particulière, FranceThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 787
Imperial German Mauser 1898 Bayonet, with two piece wooden grips, steel pommel and long cross guard. Housed in its black leather and brass mounted scabbard. Regimental markings to the rear of the top scabbard mount. Piped back blade as found in the Prussian model 1860 bayonet. Crowned acceptance stamp with ‘W 68’ and crowned mark underneath, reverse side with makers details of ‘W CLAUBERG SOLINGEN’. Blade 51cms, overall 65 ½ cms.
Lot 1031
WW2 German Army Infantry Enlisted Ranks / NCO’s Peaked Cap, good example with white piping to the crown and bordering the central band. Aluminium cap eagle and cockade. Patent chinstrap supported by plain black domed buttons. Interior with copper cloth lining and brown leather sweatband. Underside of the sweatband with makers stamp and 1938 date. The cap shows some wear but generally still a good example.
Lot 557
Very Unusual and Probably Composite Military Sword, comprising broad curved single edge troopers blade 89cms deeply stamped ENFIELD on back edge and with Enfield government inspector’s stamp, in its iron trooper’s scabbard stamped ENFIELD 1842 with crowned VR and Enfield inspector’s stamp, deeply engraved with rack number 38, fitted with a Continental officer’s brass 3 bar hilt retaining traces of gilding, deeply stamped GNOCLITEBZ (?) within curved reserve, wire bound leather covered grip. Good condition.
Lot 680
WW1 British Steel Combat Helmet, good example of a 2nd model brodie helmet with covering to the shell brim. The helmet has a rough textured paint finish to the exterior of the shell. Complete with its original oilskin liner to the interior and the original brown leather chinstrap. Shell with makers stamp ‘FS 9’. Some dents and loss to the rough textured finish to the shell but generally a good example. Vendor states 'From the estate of Capt. Edgar Shamper of Shamper’s Bluff, N.B., Canada, and stated by his daughter to have been worn by him during his service with the 55th, 60th and 24th battalions C.E.F. before joining the Royal Flying Corps as an observer with No. 5 Squadron in which role he shot down one German aircraft'
Lot 592
British 1907 Bayonet, with two piece wooden grips, pommel stamped ‘WILTS. D 13’. Housed in P-17 bayonet scabbard with steel fittings and leather belt loop fitting. Polished standard blade with various issue stampings; P-13 bayonet with wooden grips, blade with Remington stamp, no scabbard; US 1917 bayonet by Remington with two piece wooden grips, no scabbard. (3 items)
Lot 692
WW2 British Mountain Troops Cap, fine near mint un-issued example of the khaki peaked field cap as issued to British troops in Norway and in the mountain ranges of Europe. The cap has WD broad arrow stamp with date letter ‘N’ to the inside. White ink tailors details and date which appears to be 1943 but this is not clear. Accompanied by a WW2 British Red Cross Society female drivers peaked cap with brass and enamel cap badge and patent chinstrap. (2 items)
Lot 829
Third Reich SA (Sturmabteilung) Dress Dagger by Ernst Pack & Sohn, with light brown handle with nickel silver eagle and enamel SA device. Lower mount with district stamp ‘Nm’. Housed in its original painted scabbard with single brown leather hanging strap attached. Double edged blade with motto ‘Alles fur Deutschland’ and reverse with makers trademark. The blade measures 22cms, overall 36 ½ cms.
Lot 909
WW2 German Eastern Front Medal and Citation Pair, good un-maker marked medal, complete with ribbon and with the original issue citation dated 8th October 1942 and awarded to Obergefreiten Artur Kock. Signature of Hauptmann and Abteilung commander and ink stamp with feldpost number. Citation with fold lines but generally a good condition set. (2 items)
Lot 851
WW2 German Luftwaffe Officers Sword by Paul Weyersberg & Co Solingen, fine example of a nickel silver officers sword with large pommel with sun dial / mobile swastika to both sides, blue leather covered grip with wire binding and cross guard with mobile swastika to both sides. Blue leather covered scabbard with nickel silver mounts. Original blue leather hanger fitted to the scabbard. Good condition double edged blade with partial fuller. Blue leather washer to the base and makers trade mark with Luftwaffe acceptance stamp. Blade 76 ½ cms, overall 98 ½ cms. Housed in a brown cloth sword bag. Dark patina to the exterior fittings.
Lot 486
Original Envelope For WW1 Recruiting Posters, the brown paper envelope was sent by the Parliamentary Recruiting Committee to a Mrs Evoui, Hall Farm, Little Easton, Stamford, Lincolnshire. With ink stamp. Some wear. The collection of WW1 recruiting posters in this section of our auction were all sent in this envelope.
Lot 687
WW2 British Bush / Slouch Hat Attributed to Captain I S Spalding MC, 7th Battalion The Worcestershire Regiment, fine example of a felt brimmed slouch hat with cloth pagri. Side with green felt diamond having Worcestershire regimental badge attached. Other side of the cap has printed 2nd Infantry division formation sign. Interior with brown leather sweatband having makers details impressed and 1942 date, underside with WD ink stamp. Overall remains in good condition. Vendor states the hat belonged to Captain I S Spalding, a native of Worcester and was awarded the Military Cross for the battle of Kohima. Details of Spalding and an account of his action can be found on the History of the Worcestershire Regiment website, which also has a photograph of Spalding possibly wearing this slouch hat.
Lot 681
WW1 Canadian 46th Battalion 4th Infantry Division Steel Combat Helmet, good untouched example of a 2nd pattern brodie helmet with covering to the shell brim. Remains of green painted insignia to the centre for the 46th battalion 4th Canadian infantry division. Helmet is complete with the original oilskin liner system and brown leather chinstrap. Pink brodie stamp to the underside of the liner. Shell is stamped ‘HS 278’ for the maker Hadfield Ltd, Sheffield. Good untouched example.
Lot 514
Large Continental Military Sidearm, 19th century, broad curved single edge blade 50.5cms, slightly swollen towards the tip, brass hilt stamped 1832 with small crowned PL maker’s or inspector’s stamp, recurved crosspiece, 3 prominent rivet heads, in its brass mounted leather scabbard. Good condition, some age wear, frog stut re-attached to locket.
Lot 1069
WW2 German Kriegsmarine 7x50 Binoculars by Carl Zeiss, fine pair of Marine marked binoculars with the base plate having makers mark for Carl Zeiss, Jenna and 7x50H to one side and the other with eagle over ‘M’ Kriegsmarine acceptance stamp and ‘N 3300’. Complete with the leather neck strap. Small chip to one lens cap but otherwise generally good condition. Housed in a brown leather WW2 British binocular case.
Lot 679
WW1 British Royal Artillery Marked Brodie Helmet, good example of an early pattern brodie helmet with out the rim band. Remains of the early green paint finish to the shell and outline of painted insignia of the Royal Artillery. Helmet is complete with the original oilskin cloth liner to the interior. Pink brodie stamp to the underside of the liner. Remains of the helmet chinstrap.
Lot 695
WW2 British 1943 Dated Paratroopers Steel Combat Helmet, superb example of a classic WW2 British Airborne forces / paratroopers steel combat helmet with subdued combat paint finish to the exterior of the shell. Helmet has its original camouflaged netting cover. Interior retains the original liner system with brown leather sweatband with BMB stamp and 1943 date. Helmet is complete with its airborne pattern webbing harness chinstrap with leather chin cup. The liner rubbers remain in good condition overall. Liner is size stamped 7 3/4. Overall a good example of a classic paratrooper steel helmet.
Lot 1052
WW2 German Luftwaffe M-40 Single Decal Steel Combat Helmet, superb example of a M-40 steel combat helmet which retains nearly all of the original rough textured Luftwaffe blue grey combat paint finish to the exterior and the original smooth blue grey paint to the interior of the shell. Helmet is complete with its original 2nd pattern Luftwaffe eagle decal which is 98% present. Interior retains the original leather liner system which is size stamped ‘58’. Shell with ink dome stamp still visible. Side of the shell stamped ‘Q60’ and rear skirt with batch number ‘247’. Some light wear to the liner but generally an excellent example of a single decal Luftwaffe helmet.
Lot 613
Good Cased 5 Shot 54 Bore Beaumont Adams Patent Double Action Presentation Engraved Percussion Revolver by DEANE & SON. No.30 KING WILLIAM ST.t LONDON BRIDGE, signed on top flat, frame, cylinder, mounts and breech all profusely engraved with scrolling foliage, frame also engraved B5467. ADAMS’S PATENT 21002R within banners, cylinder engraved No. 21002R within banner, London proofs, side lever rammer, sliding bolt locks cylinder, buttcap with hinged lid for spare caps, one piece chequered walnut grip, retaining approximately 90% original mirror blued finish overall. Contained in its green felt lined fitted mahogany case with Deane and Son printed trade label and containing twin cavity brass bullet mould stamped 54 with Adams’s makers stamp, Dixon copper flask retaining much original finish, ebony handled turnscrew and nipple key, turned bone box with 3 spare nipples, leather cap gag with Deane’s label, pewter oil bottle and ebony cleaning rod, circular brass lid escutcheon engraved with owner’s initials JAS and motto NIL DESPERANDUM within garter. The whole set in good condition.
Lot 582
British 1907 Bayonet by Sanderson, with two piece wooden grips, the grip stamped with a ‘M’ to the centre of both sides. Housed In its leather and steel mounted scabbard. Standard double edged blade with acceptance stamps and Sanderson makers mark; French Chassepot rifle bayonet with brass ribbed grip, steel cross guard and muzzle ring. Housed in its steel scabbard. Matching numbers to cross guard and scabbard. Yataghan blade with armourers details and date 1868 to the spine; Swiss Schmidt-Rubin sawback bayonet with wooden grips, steel pommel and cross guard, complete with its original leather and steel mounted scabbard; French Lebel rifle bayonet with brass grip, steel scabbard and cruciform blade; French Gras rifle bayonet with wooden grips, brass pommel and steel cross guard and muzzle ring. Triangular blade with armourers details and date 1877 to the spine, no scabbard; WW2 German K98 bayonet with two piece bakelite grips, waffen-amt stamp to the pommel and blade stamped ‘3188 h’ to one side and the other ’43 crs’. No scabbard. Various conditions. (6 items)
Lot 1043
WW2 German Luftwaffe Tropical Pattern Other Ranks Overseas / Side Cap, fine example of a tropical pattern overseas / side cap as issued to the Luftwaffe and famously worn during the campaign in Italy. This example of tropical cloth has the original machine embroidered triangular Luftwaffe cap eagle and separate cloth roundel cockade. Attached to the cap is a RLB stick pin which was collected by the veteran who brought the item home as a souvenir in 1945. Standard interior with Berolina Berlin makers stamp and date 1942. Cap shows minimal service wear, probably un-issued.
Lot 694
Rare 2nd Battalion South Staffordshire Regiment Marked Fibre Rim Pattern Airborne Forces / Paratrooper Steel Combat Helmet, superb example of a 1942 dated British fibre rim pattern airborne forces steel helmet which retains nearly all of the original combat paint finish to the exterior of the shell. Helmet is complete with decal regimental colour formation sign for the 2nd battalion South Staffordshire regiment. Blackened fibre band around the brim of the helmet. Interior retains the original liner system with the leather sweatband having BMB and size 7 stamp with date which appears to be 1942. Sorbo rubber pads between the liner system and the aluminium liner band, these are generally good condition showing just light perishing. Leather two part harness chinstrap which remains in generally good condition. Overall this is a fabulous example of a desirable airborne helmet. In November 1941, the 2nd Battalion South Staffordshire regiment was converted to a glider infantry role, serving as part of the 1st Airlanding Brigade in the 1st Airborne Division. As such, they went to North Africa in May 1943, and then landed in Sicily on the night of 9/10th July 1943 where they, along with the rest of the brigade, suffered heavy casualties during Operation Ladbroke. Back in North Africa they re-built and re-equipped for the next action that was being planned, which turned out to be Operation Slapstick, the invasion of south-eastern Italy, via the port of Taranto in September 1943. In December they returned to England to prepare for the Second Front. The battalion now took part in Operation Market-Garden, and played a significant part in the Battle of Arnhem, 17th – 25th September 1944, but suffered heavy casualties. Amongst the bravery awards to members of the battalion were two Victoria Crosses, one to Major Robert Cain, and the second, posthumously, to Lance Sergeant John Baskeyfield. Although the battalion did not see action again, it did take part in one further Operation, code name ‘Doomsday’, the occupation and securing of Norway in May 1945, where they assisted with the disarming and processing of the German Garrison. In October 1945 the battalion’s airborne role came to an end and they were sent to Germany in December 1945 as part of the occupation force.
Lot 786
Imperial German Saxon Short Sword / Fascine Knife, fine example with heavy brass one piece grip, cross guard and pommel top. Regimental markings to the reverse of the cross guard. Housed in brown leather and brass mounted scabbard, different regimental markings to the top scabbard mount, this is common to find with these. Thick steel blade with hatchet point. Makers details and crowned acceptance stamp to the base of the blade. The blade measures 48cms, overall 64 ½ cms. Some wear and pitting to the blade, but generally still a good example.
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