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Click here to subscribeλ KEITH VAUGHAN (BRITISH 1912-1977) HEAD OF A MAN IN PROFILE Pencil Stamped with studio stamp (verso) 17 x 24cm (6½ x 9¼ in.)PROVENANCE:Agnews, London Acquired from the above by the present owner Condition Report: Unexamined out of glazed frame. A couple of very small creases to the left edge, hardly noticeable. Otherwise appears to be in good original condition. Condition Report Disclaimer
λ ERTÉ (FRENCH 1892-1990) LACE: PRĒSENTATION DE LA ROBE DE DENTELLE ROSE; UNE FLEUR DE LA DENTELLE NOIS, QUI ADEVIENT AGRANDIE Gouache Both signed (lower right); stamped with studio stamp, titled and dated 1937 (verso) Each 27 x 37cm (10½ x 14½ in.) (2) UnframedProvenance: Acquired directly from the artist and by descent Condition Report: Flower - Light staining to the extreme edges. Pin holes to the corners with some creasing. Figure (pink and blue) - Light staining to the extreme edges. Pin holes to the corners with some creasing. Condition Report Disclaimer
Two Reproduction British Army issue Kukri's stamped 1917 consisting of one large and one small, in original leather scabbards, stamped "CO1, one under crows foot stamp, G11, 1911, 37" to blades, ricasso, largest measuring approx 48cm long from tip of blade to pommel base, blade 13.5 inches, small Kukri approx 24cm long blade approx 6.5 inches (2)
A Spanish Cross in Gold. A very good-quality example, retaining most original factory finish. It would appear that this grade was not actually awarded, but examples regularly appear on ‘souvenir boards’ brought home by Allied servicemen after May 1945. This would seem to indicate that this grade was produced for issue, but not awarded. Maker’s stamp ‘B and N L’ [Berg and Nolte, Ludenscheid]. Wide tapering pin, with some very slight wear along the points of the Cross and on the pin, good very fine £800-£1,000
A Luftwaffe Flak Badge, in Original Presentation Case. A very good quality example in polished blued nickel, now a little dull. Luftwaffe eagle with polished highlights to wreath and eagle, vertical nickel round pin. No maker’s stamp. Excellent, almost new condition. Smaller size cardboard case covered in blue paper artificial leather, inside the top section is covered in black paper, and the bottom in thin pale blue flock. Printed in gold gothic lettering on lid ‘Flak=Kampf= Abz.’, extremely good condition £200-£240
A German Second World War Luftwaffe Officer’s Sword, with Engraved Scabbard Mount. A superb blade manufactured by Horster and Son with its Luftwaffe acceptance stamp. Good bright finish to the blade, full length, no damage with its blue leather washer still intact butting up between the blade and the lower cross guard. All the leather to the grip good with one small section worn close to the lower ring. All grip wire intact. This is an early heavy nickel sword. The upper scabbard throat stamped to the throat itself ‘NR.32’, again matching nickel fittings to the hilt. To the face side of the upper scabbard mount it is beautifully engraved are the initials ‘FR’ with below a unit insignia of a bird in the form of a bow and arrow flying what appears to be over the series of islands on the Baltic coast of Germany. The leather is all complete with some minor indentations and abrasions, one slight crease and three indentations to the lower scabbard mount. The sword is with its leather hanger and is fitted into its blue carrying bag, this with a small hole. An excellent example, extremely good condition £800-£1,000 --- This is an age restricted lot: the successful buyer will be required to either collect in person, or arrange specialist shipping.
Army Veterinary Department Officer’s Blue Cloth Helmet 1881-1901. A fine example, the skull complete with all gilt metal fittings, the frontal plate of crowned star pattern with laurel and Garter overlays, in the centre on a ground of black vitreous enamel a silver ‘AVD’ monogram, buff leather sweatband with crimson silk lining, with supplier’s stamp ‘L. Silberston, London S.W.’ to inside, the underside of both peaks with original dark green leather, housed in its original carrying case, very good overall condition £400-£500
Victory Medal 1914-19 (3) (24071 Wkr. L. M. Cutler. Q.M.A.A.C.; 21580 Wkr. A. Pimley. Q.M.A.A.C.; 16643 Wkr. C. L. Stamp. Q.M.A.A.C.) very fine (3) £70-£90 --- Lilly Maria Cutler attested into Queen Mary’s Army Auxiliary Corps for service during the Great War and served on the Western Front from 17 March 1918 to 14 March 1919. Annie Pimley attested into Queen Mary’s Army Auxiliary Corps for service during the Great War and served on the Western Front from 9 January 1918 to 14 June 1919. She was discharged on grounds of unsuitability on 10 August 1919. Clara Lily Stamp was born in Worthing, Sussex, in 1895. She attested into Queen Mary’s Army Auxiliary Corps for service during the Great War and served on the Western Front from 29 December 1917 to 15 April 1919, the same year that she married George Cranham.
Pair: Private A. Graham, Gordon Highlanders, who was wounded during the Boer attack on Waggon Hill at Ladysmith on 6 January 1900 India General Service 1895-1902, 2 clasps, Punjab Frontier 1897-98, Tirah 1897-98 (5172 Pte. A. Graham, 1st Bn. Gord. Hrs.); Queen’s South Africa 1899-1902, 2 clasps, Elandslaagte, Defence of Ladysmith (5172 Pte. A. Graham, Gordon Highrs.) mounted court-style for display, good very fine (2) £500-£700 --- Provenance: London Stamp Exchange, August 1988. A. Graham attested for the Gordon Highlanders, and served with the 1st Battalion in India, and then with the 2nd Battalion in South Africa during the Boer War, and was wounded during the Boer attack on Waggon Hill at Ladysmith on 6 January 1900.
Eastern People’s Awards. Three examples, the first a Gold Award Second Class in Presentation Packet. Standard type, but ring stamped ‘100’ [Rudolf Wachter and Lange, Mittwaida]. Brown paper presentation packet, front printed ‘Verdienst Auszeichnung fur Angehorige der Ostvolker 2. Klasse in Gold’; the second another Gold Award Second Class, but a scarce variant, heavier than usual and with a flat back reverse; and the third a Silver Award Second Class with Swords for Bravery, a scarce variant with flat back, extremely good condition, the first rare with manufacturer’s stamp (3) £120-£160
An extremely rare German Second World War Allgemeine SS / Waffen SS Model 33 Man’s Dagger and subsequent Officer’s Sword, both belonging to Obersturmbannfuhrer (Lieutenant Colonel) Alfred Graf The model 33 dagger in magnificent condition having a very good blade by the manufacturer Gotlieb Hammesfahr of Solingen, virtually all the cross grain finish remaining, a minor area of black spotting where the blade butts up against the lower cross guard. The grip has an undamaged enamel SS inset, high quality national eagle, one minor chip to the upper right hand side of the ebony grip. Roman numeral group mark ‘I’ on the reverse side of the lower cross guard. Fitted into its excellent condition scabbard that has virtually all of the original blueing remaining to the blade, some thinness at the edges. The finish of the upper scabbard mount and lower scabbard mount is perfect without any indentations to the lower ball. One small knock to the lower scabbard mount on the left hand side just below the fixing screw. The dagger is fitted with a near perfect condition vertical hanging strap, which is ‘Assmann’ and ‘DRGM’ marked, plus a brown leather belt loop. The number ‘1969’ stamped just underneath the lower cross guard on the reverse side of the blade. The accompanying SS Officer’s Sword having a superb blade measuring 83.5cm the blade is faintly marked ‘Carl Julius Krebs, Solingen’ with number ‘1969’. The white leather washer is still intact between the blade and the lower part of the D shaped hilt and to the lower part of the D shaped hilt is the double runic symbol within an octangle stamp. The plating to the hilt overall is excellent. Considerable wear to the black finish of the wood grip indicating much service use. A circular SS runic symbol is complete and all grip wire complete. The upper pommel is engraved with the initials ‘AG’. The sword is fitted with its original SS sword knot ,when opening the two strands of the knot the original RZM silk woven label is still inside which has frayed and oxidised in places but is still strong and all intact. The scabbard retains virtually 90% of its original paint finish with some minor abrasions. One small indentation to the scabbard just below the hanging ring, another quite severe indentation to the lower chape of the sword. The sword is fitted into original carrying bag, overall very good condition (2) £5,000-£7,000 --- Alfred Graf was born in Kassel on 13 December 1906 and joined the SS as an Untersturmfuhrer on 5 April 1934, with number 1969. Ultimately promoted to SS Obersturmbannfuhrer in 1944, his first units were Standarte Germania, Standarte Deutschland, Standarte Nordland, SS Division Viking, SS Volunteer Mountain Division Prinz Eugen and finally 21st Mountain Division Skanderbeg. The Division SS Skanderbeg comprised of ethnic Albanians and Volksdeutsche and were involved heavily in anti-partisan operations in the Balkans. There have been statements made that he was the last Commander of Skanderbeg; however, that is in dispute through recent research but he was undoubtedly was a high ranking officer within Skanderbeg and Prinz Eugen to the end of the Second World War. This sword and dagger have an interesting history; they were obviously both liberated at the same time, more than likely from Graf’s home, and were brought back to the United Kingdom. The sword was sold to a notable collector of the 1960s and 70s and then purchased by the present vendor in the early 1980s. Some years later the dagger was seen at an Arms and Military Exhibition in the United Kingdom by the present vendor and he noticed the matching number and purchased the dagger, thus reuniting the two pieces. Included in the accompanying research file with the lot is a letter of 1986 from a researcher back to the present vendor where he has helped with the research of the history of Alfred Graf; it also would appear that many items of Graf’s were liberated, as in 2020 his SS Totenkopf ring was sold at auction along with some of his medals, and consequently there may well be other items of Graf’s circulating within collecting circles. These two items have been in the possession of the owner since the mid-1980s. This is an age restricted lot: the successful buyer will be required to either collect in person, or arrange specialist shipping.
Elizabeth II (1952-2022) The United Kingdom 2013 Sovereign Set Date Stamp 1 JAN 2013 LONDON EC3 Obverse Fourth crowned portrait of HM Queen Elizabeth II right, wearing the Girls of Great Britain and Ireland tiara, legend around ELIZABETH·II·DEI·GRA REGINA·FID·DEF IRB Reverse St. George slaying the dragon right, date and designer's initials in exergue 2013. 1 sovereign 7.98 grams 22.05mm Ø, half sovereign 3.99 grams 19.3mm Ø, quarter sovereign 1.99 grams 13.5mm Ø cased Condition Report:Available upon request
* Scottish School. Portrait of a Dog, circa 1870, oil on canvas, a mixed breed dog (possibly a Setter), lies curled up on the ground beside a red and green tartan blanket, 'Aitken Dott, 26 South Castle Street, Edinburgh' framers label to verso (very faded), 'Reeves & Sons, Manufacturers / 113. Cheapside, London.' stamp to canvas verso, canvas size 31 x 41 (12 1/4 x 16 ins), in original giltwood frame (47 x 57.5 cm)QTY: (1)NOTE:Founded in about 1780 by brothers Thomas and William Reeves, the London-based art materials business went through several partnerships before becoming Reeves & Sons in 1830. The stencilled mark on this canvas dates to about 1870 (page 2 'British canvas, stretcher and panel suppliers’ marks, Part 7, Reeves & Sons', Jacob Simon, National Portrait Gallery, London).The frame makers Aitken Dott traded as 'Aitken Dott' from 1842 to 1879 (Royal Academy Collection: People and Organisations webpage).
* Keen (Henry Weston, 1899-1935). Odalisque, a small collection of 45 lithographs (some duplicates), mostly all with artist's ink stamp to lower right margin, one signed in pencil to lower margin, subjects including: nudes, animals, still life, topography etc., largest image 35 x 19 cm (13 3/4 x 7 1/2 ins), sheet size 44 x 29.5 cm (17 1/4 x 11 5/8 ins)QTY: (1 folder)NOTE:Henry Keen was a book illustrator and lithographer whose powerful symbolist style and decadent imagery is reminiscent of the work of Aubrey Beardsley and Sidney Sime. He exhibited lithographs at the Senefelder Club in London, and did a great deal of illustrative work for The Bodley Head, as well as for other publishers. After his death in 1935 a memorial exhibition of his work was held at the Twenty-One Gallery in London.
AR * Charles (King of the United Kingdom III, 1948-). Wensleydale, 1992, lithograph on watermarked Somerset paper, printed by Stanley Jones at Curwen Chilford Prints, limit edition 'XXV/XXV', title, initial and date in pencil, with Prince of Wales's feathers blind stamp to lower margin, limitation label from Anna Hunter and Guy Thompson, Art Publishers to verso, image size 26.5 x 38.5 cm (10 1/2 x 15 1/8 ins), mounted, framed and glazed (53 x 63.5 cm)QTY: (1)
* Attributed to Kunisada (1786-1865). Two Women under an Umbrella, circa. 1840, colour woodblock print on paper, two women shelter from rain, one holds an umbrella while the other crouches below it, and the wind whips their clothing, stamps and text to mid and lower left, a few minimal creases to lower left and right of sheet, three very small worm holes to top of sheet, tipped onto backing board, sheet size 37.5 x 25 cm (14 3/4 x 9 3/4 ins), and It? Takashi ???? (1894-1982). Todai Akamon, 1965, colour woodblock on handmade laid paper, published by Watanabe Tokyo, a view of the famous Red Gate at Tokyo University, in excellent condition, artist's stamp to lower right, with margins, tipped onto backing board, with accompanying information sheet, image size 24 x 36.3 cm (9 1/2 x 14 1/2 ins), sheet size approx. 27.5 x 40.5 cm (10 3/4 x 16 ins), window mounted, contained in original cardboard folder labelled 'Wood-Block Print, Watanabe, Tokyo', together with further three prints including one after Wang Xuetao ???QTY: (5)NOTE:Another impression of Two Women under an Umbrella is held in the John and Geraldine Lilley Museum of Art, Reno, Nevada (Inventory Number: 2014.001.896).
* English School. Portrait of Honorable Colonel Frederick Ernest Allsop, circa 1892, pastel on canvas, canvas size 61 x 50.5 cm (24 x 19 7/8 ins), sitter's name inscribed to verso of canvas, name and address of sitter in pencil and 'Kingham & Co Artists' Colourmen and Publishers' stamp to verso of stretcher, framed and glazed (70.5 x 60.5 cm)QTY: (1)NOTE:Honorable Colonel Frederick Ernest Allsop (1857-1928) of Hadzor Hall near Droitwich was an officer in the Royal Artillery.
* Various Artists. Centenaire de la Statue de la Liberté. Lithographies Originales de Michel Dubre, Michel Lacoste, Hugo de Saint-Morand, Eric Schlumberger, Eric Gaudin and Katia Schmitt, Paris; Editions E. F. Mourlot, 1986, a complete set of six original colour lithographs celebrating the centenary of the Statue of Liberty by Dubre, Lacoste, Saint-Morand, Schlumberger, Gaudin and Schmitt, on Arches paper, each signed and numbered 86/250 in pencil, 'Mourlot Paris' blind stamp to each, portrait and landscape orientations, in excellent condition (light handling crease to lower left margin of Schlumberger), sheet size 75.5 x 54 cm (29 3/4 x 21 1/4 ins), with title, forward and justification on four sheets, all loosely contained in original blue linen portfolio with ties, title embossed in gilt on uppers, large folio (77.5 x 55.5 cm)QTY: (6)
* Scultori (Adamo, circa 1530-1585). Three Putti with Dolphins, after Giulio Romano (c.1499-1546), circa 1560, engraving on laid paper, double ring fleurs-de-lye watermark, with Enrico Lodolo's collector's mark to verso (Lugt 1725), and another unattributed collector's mark to verso, tipped onto backing board, trimmed to image, some scattered spotting, sheet size 11.6 x 16 cm (4 1/2 x 6 1/4 ins), window mounted, and Three Men Sacrificing a Pig (Allegory of Autumn), after Giulio Romano, circa 1560, engraving, a later issue (probably later 18th century) on wove paper, 'Fabriano' watermark, partial 'Calgogra...' blindstamp to right of sheet, research notes in pencil to verso, light spotting, tipped onto backing board, with margins, plate size 12 x 16 cm (4 3/4 x 6 1/4 ins), sheet size approx. 19 x 22.8 cm (7 1/2 x 9 ins), window mounted, plus Saenredam (Jan Pieterszoon, 1565-1607). Sarah, from 'The Wives of Abraham, Isaac and Jacob' after Hendrick Goltzius (1558-1617), circa 1597, engraving on paper, closely trimmed to three edges, small areas of staining, mount aperture 21.2 x 16 cm (8 1/4 x 6 1/4 ins), framed and glazed (37.5 x 30.5 cm), with The bowed Woman cured by Christ, after Hendrick Goltzius, circa 1595, etching on paper, partial collector's stamp in red to lower left recto, trimmed to image (with loss of lower text portion), mount aperture 17.3 x 13.7 cm (6 3/4 x 5 1/4 ins), together with a further collection of loose woodcuts and printer's marks, most trimmed to image, some with printed text to verso QTY: (Approx. 22)NOTE:Estate of Michael Jaffé art historian and former director of the Fitzwilliam Museum, Cambridge; thence by descent
* McEwan (Tom, 1846-1914). Weary, oil on canvas, depicting an old lady sitting near a spinning wheel, signed lower left, 46 x 35.5 cm (18 x 14 ins), title and artist and Winsor & Newton's stamp to verso, previous auction stickers to verso of frame, moulded frame some loss top right (65 x 54 cm)QTY: (1)NOTE:Provenance: Purchased from John Goodwin Saleroom in their Fine Art Sale on 6th July 2023, lot 3.
*Simonau (L., late 19th century). Woman cooking at the fireside, 1893, oil on canvas, depicting a peasant woman seated on a three-legged stool beside a large fireplace, holding a skillet over an open fire, with bellows hung up beside, a large pitcher and plate on the stone floor, and various jugs, candlesticks, and jars on the high oak mantel, signed and dated lower right, canvas maker's large ink stamp in the shape of an artist's palette on verso 'L. Aubé', 65 x 54cm (25.5 x 21.25ins), framed
AR * Wesson (Edward, 1910-1983). Summer Pond near Guildford, November 1966, watercolour on paper, signed lower left, mount aperture 32 x 50 cm (12 5/8 x 19 3/4 ins), framed and glazed (52.5 x 70 cm), verso with ink manuscript title, date and artist's name and with ink stamp of The Gordon Gallery, 67 High Street, Wimbledon Village, LondonQTY: (1)
* Takahashi Shōtei 高橋松亭 (1871-1945). Returning Home, colour woodblock print, some spotting to upper half, red stamp to lower right, 38.5 x 17 cm (15 1/8 x 6 3/4 ins), mounted, framed and glazed (54 x 32 cm), together withAsada Benji 麻田辨次 (1899-1984). Spring, colour woodblock print, red stamp to lower right, By Korin in pencil to mount, 18.5 x 8 cm (7 1/4 x 3 1/8 ins), mounted, framed and glazed (46 x 39 cm), plusAfter Utagawa Hiroshige (1797-1858). Shiojiri Pass in Shinano Province, colour woodblock print, trimmed to edges, 24.5 x 13.5 cm (9 5/8 x 5 1/4 ins), mounted, framed and glazed (27.5 x 16 cm), plus nine other oriental woodblocks by various artists, largest 22 x 16.5 cm (8 5/8 x 6 1/2 ins), all framed and glazed, nine in matching gilt frames, largest (55 x 32 cm)QTY: (12)
* Barr (Robina, 1878-1938). Beachscape, oil on canvas, signed by artist lower left, canvas size 28 x 38.5 cm (11 x 15 1/8 ins), Kensington J.W.L. & Co G. stamp to verso, framed 37 x 47.5 cm (14 1/2 x 18 3/4 ins)QTY: (1)NOTE:Robina Barr was born on the 24th March 1878. Barr studied at the Glasgow School of Art from 1914 to 1918, where she took evening and weekend classes in sculpture, life drawing, drawing and painting. She remained in Glasgow, exhibiting sculptural works at the Glasgow Institute and at the Walker Gallery, Liverpool, between 1919 and 1938.
* Varley (John, 1850-1933). Bazaar in the Mansoor Pasha Street, Cairo, 1894, oil on canvas, with Winsor & Newton manufacturer's stamp to verso, inscribed by the artist to verso 'Bazaar in the Mansoor Pasha Street, Cairo, John Varley. Finished 1894', 51 x 76 cm (19 1/2 x 29 1/2 ins), antique-style gilt moulded frame with artist's name plaque to lower edge of the frame (64 x 91 cm) QTY: (1)NOTE:Provenance: Estate of Martin R. Davies, Bristol.
* Orpen (William, 1878-1931). After Bathing, Sowing the Seed, The Winner, Kit, & others, 1913, 12 photogravures (including 2 duplicates), each with printed title and signature below the image, published by the Chenil Gallery, Chelsea (blind stamp to upper left corner of each sheet), some scattered spotting, plate size 32.5 x 23 cm (12 3/4 x 9 ins, or inverse) and similar, each with loose tissue guard, sheet size 58 x 45.5 cm (or inverse), contained together in original publisher's board and cloth portfolio, gilt-lettered title 'Drawings by William Orpen' to front cover, Chenil Gallery label inside front cover, remants of cloth ties to fore-edges, the portfolio 60.5 x 48 cmQTY: (1)NOTE:The other titles included are: The Breeze (2 copies), The Bather, On the Cliff, The Draughtsman and His Model, The Yacht Race, Part of Composition (2 copies). Kit was the family name for Orpen's daughter Christine.
* Kotasz (Károly, 1872-1941). Village Dance, oil on canvas, depicting ladies dancing in colourful dresses, spectators looking on, signed lower right, canvas size 40 x 50.4 cm (15 3/4 x 19 3/4 ins), contemporary Brussels label to verso of stretcher, indistinct stamp to verso of canvas, framed (43 x 53.5 cm)QTY: (1)
AR * Abrahams (Ivor, 1935-2015). E. A. Poe, Tales and Poems, 20 Images by Ivor Abrahams, 1976, the complete suite of 20 colour screenprints, printed on heavy handmade wove Crisbrook paper, some with embossing or varnish, printed by Advanced Graphics London, and published by Bernard Jacobson Ltd., in an edition of 100, plus 10 sets of artists proofs, this set one of the ten artist proofs, each print signed, dated and marked AP, and with circular blind stamp of Advanced Graphics London to lower right corner, sheet size 495 x 362 mm (19 1/2 x 14 1/4 ins), in excellent condition, lovely contained in original publishers black cloth portfolioQTY: (1)
* Orton (J. R., active 1828-1876). Winter Scene, 1848, oil on canvas, depicting a young boy standing by a water trough, holding his fingertips in his mouth, some overall craquelure, 38.5 x 31 cm (15 1/8 x 12 1/4 ins), 'painted by J.R. Orton A Jan 1848' in black ink, and manufacturers stamp 'G. Rowney & Co manufacturers London' to verso, some previous ownership pencil notes to verso of frame, gold painted wooden frame, some rubbing to upper right edge of frame (55 x 47 cm)QTY: (1)NOTE:The 19th century artist J. R. Orton is known to have resided in Gloucester. In Post Office directories of the 1860's and 1870's he is listed as a portrait and animal artist. An oil painting depicting Gloucester Old Bank is held by Gloucester Museums Service Art Collection.
Hollywood Stars of the Silver Screen, Black and White photographs and postcards some originally signed others printed. Approx. 70 in total presented in an original album and are mounted in place by edge retainers, therefore, removal from album is possible without consequence. In addition to this Lot 4 Stamp Albums and a book on stamp collecting, including photographs of Deborah Kerr, Bing Crosby, Esther Williams, Frank Sinatra, John Wayne, Jean Simmons, Margaret O'Brien, Margaret Lockwood, George Formby, Judy Garland, Mickey Rooney, Clark Gable, David Niven, Jean Marais, Hedy Lamarr, etc.
Field Marshal's Leather & Gilt Saddle Holsters by Merry. A fine and rare pair of brown leather saddle holsters. The holsters are with gilt metal caps to the pipes. Each cap chased with a double row of pointed leaves of acanthus form. Retaining attachment straps and buckles. Maker's stamp of Merry of London. Superb condition. The Colin Doy Cavalry Collection INVOICE PAYABLE ON PRESENTATION BY BANK TRANSFER ONLY
WW1 / WWII Period rare Dutch Fighting knife. A very good example with straight double edged spear point blade. Oval steel cross guard with stamp "4348 C". One piece ribbed wooden grip. Housed in original brown leather scabbard with belt frog. Clean condition near VGC. This pattern of fighting knife was introduced in 1915 and was reissued during WW2. INVOICE PAYABLE ON PRESENTATION BY BANK TRANSFER ONLY
Similar Royal Artillery 14ct Gold Regimental Sweetheart Brooch. This Royal Artillery bar brooch, is set with small diamond chips to the wheel and with enamel decoration. Stamped 14ct with maker's stamp of "PT". Retaining pin fitting. Width 5.5cm. INVOICE PAYABLE ON PRESENTATION BY BANK TRANSFER ONLY
Boer War Imperial Light Horse Trooper 1903 Silver Statue by Elkington & Co. This fine quality hallmarked silver figure depicts a mounted Trooper on horseback looking into the distance, rifle at the ready. He wears bandolier and the slouch hat, with "ILH" worn on the turn up. His horse with various items of equipment. Mounted onto an ebonized plinth. The front right horse's hoof bearing Birmingham silver hallmarks for 1903 and the makers stamp of "E & Co. Ltd" (Elkington & Co. Ltd). Height 12 inches. INVOICE PAYABLE ON PRESENTATION BY BANK TRANSFER ONLY
Imperial German Air Service WW1 Issue Flying Helmet. A good rare example, of the issue pattern worn by pilots and observers of the Imperial German Air Service during the Great War. Black leather skull with protective comb running from front to back across the crown, with similar band around the edge. Complete with re-tailored fold down neck flap. and leather chinstrap. The interior with 1915 issue stamp. GC. INVOICE PAYABLE ON PRESENTATION BY BANK TRANSFER ONLY
Glider Pilot WW2 pattern Flying Helmet. A scarce example, the fibre skull with brown painted finish and fitted with the lower section of the C Type Flying Helmet. This complete with earphones, wiring absent. The leather sweatband with size stamp 7 1/2. VGC Near Unissued condition. INVOICE PAYABLE ON PRESENTATION BY BANK TRANSFER ONLY
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