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MARIO ROMANO Riccione 1933 F.I.A.R., Milano. Litografia a colori. Telato, timbro di affissione in alto a destra, due macchie lungo il bordo destro. Qualità B+. 140 x 100 cm Le forme volutamente plastiche, leggermente ombreggiate per dare un senso di tridimensionalità alla scena e la figura della ragazza stesa al sole ricorda il ritorno all’ordine di Sironi, con un languore che richiama però le fanciulle di Riccobaldi. Color Lithograph. Backed on linen, hanging stamp on the right top, two little stains among the right margin. Condition B+. 55,12 x 39,37 in. The forms are intentionally plastic, slightly shaded to imbue the scene with an impression of three-dimensionality and the figure of the girl stretched out recalls Sironi’s return to order with a languor reminiscent of Riccobaldi’s young girls. Bibliografia / Literature Catalogo Bolaffi del Manifesto Italiano, Torino, 1995, p. 188. Cimorelli, Villari, Viaggio in Italia attraverso la pubblicità 1895-1960, Cinisello Balsamo, 2010. 1000
MARIO GIACOMELLI 1925-2000 Astrazione 1980 ca. Stampa fotografica vintage alla gelatina sali d’argento. Timbro dell’autore al verso. 24 x 31 Vintage gelatin silver print. Photographer’s credit stamp verso. 9,4 x 12,2 in. Bibliografia / Literature Crawford, Mario Giacomelli, London, 2001, tav. 15-16 (variante). 600
LUIGI GHIRRI 1943-1992 Parma 1984 Stampa fotografica a colori con bordi bianchi, stampata 2000. Timbro a secco Luigi Ghirri. Titolo, data e firma Paola Ghirri, 1/7, recto. 40 x 50 Color C-print with white margins, printed 2000. Luigi Ghirri blind stamp. Titled, dated and signed Paola Ghirri, 1/7, recto. 15,7 x 19,6 in. Bibliografia / Literature Re, Luigi Ghirri e l’Architettura, Firenze, 2006, p. 26. Mussini, Luigi Ghirri, Milano, 2001, p. 252. Re, Luigi Ghirri Project Prints, Zurigo, 2012, p. 121. Bizzarri, Paolo Barbaro, Luigi Ghirri Lezioni di fotografia, Macerata, 2010, fig. 17. Il profilo delle nuvole, Milano, 1989, p. 20. 1200
GIANNI BERENGO GARDIN 1930 India, templi sul fiume Narmada a Maheshwar 1976 Stampa fotografica alla gelatina sali d’argento, stampata 1980. Firmata, datata e titolata con timbro dell’autore al verso. 30 x 40 Gelatin silver print, printed 1980. Signed dated and titled with photographer’s credit stamp verso. 11,8 x 15,7 in. 700
JOHN CHARNOCK: 'A HISTORY OF MARINE ARCHITECTURE', printed for R. Faulder and others, London, 1802 in 3 vols. additional engraved title in vol. I with circular vignette by Shipster after West and 98 (of 99) engraved plates by Grieg, Newton, Tomkins and others, black stamp of Hampshire Library on titles, all plates with blindstamp of Wolverhampton Free Library (some foxing and offsetting), modern buckram -- 12 x 10in. (30.5 x 25.5cm.), (3)
JOSEPH BISHOP PRATT (1854-1910) BritishYoung BoyMezzotintSigned in pencil to margin and with blind stamp, published by Colnaghi & Co., London and Knoedler & Co., New York27.5 x 35 cm, framed and glazed CONDITION REPORTS: Generally in good condition, expected wear, some very slight cockling/fading.
*AR LAWRENCE STEPHEN LOWRY (1887-1976) BritishLandscape with Farm BuildingsLimited edition printSigned in pencil to margin and with Fine Art Trade Guild blind stamp, published by Venture Prints Ltd, 197450 x 40 cm, framed and glazed CONDITION REPORTS: Generally in good condition, expected wear.
Royal Interest, Two Queen Elizabeth II and The Duke of Edinburgh Royal Silver Wedding Anniversary (20th November 1972) commemorative replica stamps, the 20p 'stamp' in 22ct gold, 26.3 grams, the 3p 'stamp' in Britania standard silver, 26.7 grams, both hallmarked London 1972, in a fitted case
Hobson, R L:'The Later Ceramic Wares of China',Ernest Benn, 1924, limited edn. number 77/250 signed. With five extra colour plates not included in subsequent editions. Numerous photographic plates some in colour. Original full pigskin cover, gilt; ‘Sotheby’s Chester’ copy with their stamp to front pastedown, and a print of Hobson’s portrait tipped to front blank endpaper; covers little rubbed; some foxing/browning; o/w G+
Hobson, R L,'Chinese Pottery and Porcelain: An Account of the Potter's Art in China, from Primitive Times to the Present Day',In two volumes. Cassell and Company, 1915, limited edn. number 297/1500. Original cloth, gilt and teg; ‘Sotheby’s Chester’ copy with their stamp to front pastedown; inner hinges of volume 2 cracked and a duplicate of pages 321-326 (part of the index) bound at edn; some foxing/browning; o/w G (2)
Autographs of Wimbledon Tennis Champions (1930-2000s),i) Fred Perry signed 1930s Ardath cigarette card + Wimbledon memorabiliaii) Rod Laver signed 2003 Tennis FDC / Postcard + Laver 50c Australian Stamp iii) Bjorn Borg signed colour photo iv) Pete Sampras signed 1999 Wimbledon Championships Guidev) Andre Agassi signed 1999 Wimbledon Championships ticket holdervi) John Newcombe, Stan Smith & Richard Krajicek signed Wimbledon Tennis Logo vii) Martina Navratilova autograph + picviii) Venus & Serena Williams autographs + picix) Chris Evert Lloyd autograph & pic + Also signed by John Lloyd x) Jan Kodes signed 1973 Wimbledon programme
After Peter Wileman (British, b. 1946): 'Moonlight in Venice II', a limited edition giclee print on paper, 54/195, signed in pencil to lower right margin, gallery blind stamp, 25 by 20cm, framed and glazed 57 by 49.5cm overall, with certificate, purchased DeMontfort Fine Art, together with a limited edition print, 32/650, after an aquatint by William Daniell, of Limehouse docks, London, 46 by 79cm, framed and glazed 71 by 104cm overall. (2)
Sir William Russell Flint, R.A., P.R.W.S. (1880-1969): a limited edition print of two female figures, 502 / 850, signed to the plate with WRF blind stamp, 40 by 57cm, together with a similar portrait of a woman in white with pink flowers, 306 / 750, signed to the plate with blind stamp, 40 by 44cm. (2)
A 19th century Napoleonic porcelain pipe stand, in the form of a castle with gun to the left, figure of Napoleon in front, gilt figure of an eagle to opposite side, Napoleon-Bonaparte Emperor marked to front, also bearing place names, 7cm high, also with 19th century porcelain cup depicting panel of 'Retraite De Moscou' by Naples, gilded crown and stamp to underside, 6cm high (2)
A pair of Royal Worcester cabinet cups and saucers, signed by Harry Stinton circa 1924, bearing highland cattle scenes, gilded interior and handle, H Stinton marked below panel, red stamp to underside, cups 5cm high, saucers 9.5cm diameters (4) CONDITION REPORT: Lot 199 - Minor scratches and colour fading to the gilding, minor crazing to rims of cups.
A late Victorian stained walnut American mantel clock by The Ansonia Clock Co, of large form, the casing decorated with cast bronze mask, 63cm high CONDITION REPORT: Lot 148 - Has stamp to centre of dial, has monarch label to the back, no key, minor stains and marks to casing, when touching pendulum it swings freely and clock goes.
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165598 item(s)/page