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Lot 107
INDORE, MADHYA PRADESH - HENRY DALYA good collection of approximately 41 views of Indore (2 signed by Deen Dyal), Maharajah group portraits, Kabul (5 signed in negative by John Burke), and others, albumen prints, most mounted on card, the Burkes in an album, a few loose, typically approximately 200 x 270mm., a few smaller, mostly 1870s (group)Footnotes:Indore images include: 'First Engine at Indore. 10th June 1875' [train pulled by elephant]; 'Indore Residency, C.I.'; 'New Iron Durbar Hall erected by H.H. Maharajah Holkar in honour of... the Prince of Wales' visit to Indore' (this and last signed by Deen Dyal, March 1876, others in series probably also by Dyal); 'His Royal Highness the Prince of Wales' Departure from Indore Residency, 9th March 1876'; 'The Investiture Durbar of the 19th January 1878 at Indore Residency' [Daly beneath portrait of Victoria, flanked by Raja of Dewar, Maharajas of Holkar, Dhar, Dewas, etc.]; 'Native Princes studying at the Indore Residency College'; two views of Indore Residency, one with photographer's stamp of Bourne & Shepherd, one with stamp of R. Bhyroolal of Indore. Portrait groups include: 'H.H. the Maharaja of Dattia and Nobles'; 'Maharaja of Bikaneer & his Dewan'; Scindia, c.1878; Maharaja Tookajee Rao Holkare of Indore. The images by John Burke (numbered in negative 102, 164, 178, 190, and 307) include 'General Roberts & Staff at Kabul 1880'; 'The Guide Corps. Kabul, [19]80'; city walls of Kabul, Admsi Heights above Kabul, corner of Sherpur defended by the 5th P.I., and Bemarau village, Sherpur.Provenance: Sir Henry Dermot Daly (1821-1895), from 1861 until 1871 commander of the Central India horse and political assistant at Angur for western Malwa, when he was appointed agent to the governor-general for central India at Indore, and opium agent in Malwa until his retirement in 1882. Daly College at Indore was named in his honour; Sir Hugh Daly (1860-1939); by family descent to present owner.For further information on this lot please visit Bonhams.com
Lot 90
JAMES (HUGO)A Volunteer's Scramble through Scinde, the Punjab, Hindostan, and the Himalayah Mountains, 2 vol., FIRST EDITION, AUTHOR'S PRESENTATION COPY INSCRIBED TO HIS SISTER, 'To my darling Liz from her affect. brother Hugo James' on the front free endpaper of each volume, half-titles, library bookplate inside upper covers, small ink stamp on first leaf of contents, and stamp on lower edge of book block, publisher's maroon cloth, rebacked, 8vo, W. Thacker, 1854Footnotes:RARE, AUTHOR'S PRESENTATION COPY, inscribed to his sister. James was in the Bengal Army. That the book is rare is perhaps explained by a contemporary review in The Rambler, a Catholic Review of Home and Foreign Literature, 1854: 'Though Mr. James was with Major Edwardes at Mooltan, and has therefore some stirring personal recollections to disclose, he spoils all by his utter inability to write... his pretensions to be a sage are somewhat inconsistent with his oblivion of syntax'.Provenance: The author's sister, presentation inscription from the author; University of Southern California, bookplate and stamps.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 43
Tay Bak Koi (Singaporean, 1939-2005)'Under the Shade' signed 'Bak Koi' (centre left), inscribed with title (next to gallery stamp within frame)watercolour and gouache66.4 x 66cm (26 1/8 x 26in).Footnotes:ProvenanceWith Gallery Fine Art, Singapore.Private collection, UK.For further information on this lot please visit Bonhams.com
Lot 89
CALCUTTA IMPRINTSJERVIS (THOMAS BEST, of the Engineer Corps) Records of Ancient Science, Exemplified in the Primitive Universal Standard of Weights and Measures, ink inscription 'Elphinstone College' on half-title, with stamp in the margin of the final page, 2 single wormholes to opening pages, half-title splitting at gutter margin and small loss to one corner, modern half morocco, Calcutta, Baptist Mission Press, 1835--[APPERLEY (CHARLES JAMES)] The Chace, the Turf, and the Road. By Nimrod, 10 lithographed plates by Henry Alken, occasional light dampstains, one plate slightly frayed at upper margin, ownership inscription dated 19 June 1838 inside upper cover, original green cloth, remnant of printed spine label, spine split with small losses, Calcutta, William Rushton, 1838--LOVER (SAMUEL) Rory O'More: A National Romance, 15 wood-engraved plates, some foxing, contemporary green half calf, worn, some loss to spine, Calcutta, William Rushton, 1837, 8vo (3)This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 199
An Art Deco aquamarine cocktail ring by Cartier, circa 1940, the rectangular scissor-cut aquamarine with canted corners in a four claw setting, mounted in platinum, signed ‘Cartier, London’, numbered ‘W.11518’, Cartier case, aquamarine measuring approximately 26.0 x 16.2 x 10.3mm, ring size J-K (hoop off-round). £4,000-£6,000 --- Accompanied by the original pencil and watercolour designs on waxed paper, with impressed Cartier stamp to bottom right corner reading ‘Cartier, London, Paris - all rights reserved’, showing four numbered ring mounting options for the aquamarine, to include the final chosen design.
Lot 654
STATUS QUO - 7" UK PYE 60s PROMO RARITIES. A superb pack of 3 1960s 7" promo releases by Status Quo on the PYE label. Titles include Ice In The Sun/ When My Mind Is No Love (7N 17581, 1968 promo. 4-prong centre has a date stamp on Aside label. Record is Ex), The Price Of Love/ Little Miss Nothing (7N 17825, 1969, 4-prong centre labels, Aside has date stamp and J Wilcox written on it in. Record has one or two hairline light paper surface marks, strong VG+) & Pictures Of Matchstick Men/ Gentleman Joe's Sidewalk Cafe (7N 17449, 1967, 4-prong centre. Aside label has some writing. Record is Ex).
Lot 676
ANSERMET - CLASSICAL STEREO LPs - UK SXL RARITIES. A superb pack of 3 classical LP rarities by Ernest Ansermet on the Decca label. All stereo SXL pressing. Titles include Stravinsky: Symphonies (SXL 2237, ED1 label is lovely bright and clean. The record is Ex. Sleeve has some light edge shelfwear, strong Vg+), Mussorgsky-Ravel: Pictures At An Exhibition/ Liszt: The Huns (SXL 2195, ED1 label, side 2 has a silver stamp. The record is beautiful Ex condition. The front laminated flip-back sleeve is also Ex) & Stravinsky - The Rite Of Spring (SXL 2042, ED1 label is lovely and clean. The record is superb Ex. The laminated flip-back sleeve with a blue border on the rear is lovely bright and glossy but unfortunately has a little damage to the bottom flap, VG).
Lot 435
An enamel calendar plaque by Anthony Tregent,c.1759, Battersea, entitled 'A New Year's Gift for 1759' and further inscribed with calendar and notes for the year, signed 'by Anth Tregent in Denmark Street' and with a red one penny duty stamp to the bottom right-hand corner, set within a gilt metal frame,10cm wide12cm highProvenance: Christie's, 'Fine English Enamels - The Property of Lady Mullens', 18 March 1987, lot 407. Condition report: Worn to the front with loss of legibility in places chipped in several places to the edge with hairline crack radiating from the top edge, lightly scratched overall
Lot 517
After Giovanni Batista Pittoni Christ giving the keys to Paradise to Saint Peteroil on canvas79 x 43cmA copy of the painting in the Louvre, Paris.Condition report: Oil on canvas which is unlined with artists; supplier stamp for Sennelier on the reverse. The tacking edges are starting to come away from the stretcher and are currently reinforced by drawing pins around the edges. The canvas tension is poor and there are numerous deformations across the surface. There are scattered punctures and small tears in the support with associated paint loss. At the upper edge there are two areas of fine flaking and loss to the paint layer. The work appears to be unvarnished and there is a layer of surface dirt present.
Lot 578
*Richard Stone (b.1951)A portrait of HRH Princess Alice, Duchess of Gloucester, three-quarter length seated, by a table with a vase of yellow rosessigned 'Richard Stone' l.l., oil on canvas60 x 49cm*Artist's Resale Right may apply to this lot.Richard Stone records that the portrait was painted from sittings at Barnwell Manor, Northamptonshire.Condition report: Oil on linen canvas with a supplier’s stamp for Winsor & Newton on the reverse. The canvas is in plane with good tension and the paint layers are in a good condition overall. The painting does not have an overall varish layer, in areas of gloss it seems likely that a layer has been locally applied by the artist. In the background at the upper right corner are dark splashes. There is an uneven layer of surface dirt across the picture.
Lot 592
E... Mann (19th century)Feeding the rabbitssigned 'E Mann' l.r., oil on canvas45.5 x 61cmCondition report: Oil on canvas which is unlined with an artists’ supplier stamp for Rowney & Co. on the reverse. The canvas tension is good and the picture is in plane. The paint layers are in a good, stable condition overall. There are localised areas of drying cracks, notably around the figure of the mother and baby. The varnish layer is in a good condition but covered with a thick layer of smeary surface dirt.
Lot 618
*Cecil Kennedy (1905-1997)Still life of Christmas roses in a glass vase on a ledgesigned 'Cecil Kennedy' l.r., oil on canvas30.5 x 25.5cm*Artist's Resale Right may apply to this lot.Condition report: The painting is executed in oil on a small canvas with an artists’ supplier stamp for Roberson & Co on the reverse. The canvas is in plane and the paint layers are in a good condition overall.
Lot 620
Vincent Clare (1855-1930)Still life of greengages, plums and raspberriessigned 'Vincent Clare' l.r., oil on canvas22 x 27cmCondition report: Oil on canvas which appears to be unlined with an artist’s supplier stamp for H. Eassalle of Tottenham Court Road, London on the reverse. The paint layers are in a good, stable condition overall. The varnish is clear, glossy and even.
Lot 630
J... Quinton (19th century)A bay hunter with a white terrier in a stable;A grey hunter in a stablea pair, oil on canvas 46 x 61cm (2)Condition report: Both paintings are executed in oil on linen canvas supports which are unlined and have an artists’ supplier stamp for Rowney & Co on the reverse. The painting of the white horse has suffered from impact with a small hole and deformation in the canvas at the upper right corner. The paint layer of this painting has several textural defects associated with the drying of the paint layer including drying cracks. The varnish on the picture is very degraded becoming completely matte, dull and yellowed. The canvas of picture showing the bay horse is in a good condition, the canvas tension is slightly slack but the picture is in plane. The paint layer has localised areas of loss, especially in the lower half. The varnish has yellowed but retains some gloss. There is a layer of surface dirt present on both pictures.
Lot 641
*William Andrew Beer (1862-1954)'Red Cheq Hen', a racing pigeonsigned 'Andrew Beer' l.l., inscribed with racing history l.c., oil on canvas30.5 x 40.5cm, unframed;and another unnamed racing pigeon by the same handsigned 'W A Beer' l.l., oil on canvas30.5 x 40.5cm, unframed (2)*Artist's Resale Right may apply to this lot.Condition report: 'Red Cheq Hen. NUPP 25-57365. Winner of 1st Banff, Hanham HS 1930. Property of A Croom, winner of Silver Cup for Best Old Bird Average, with the following positions...2nd Ashchurch, 1st & 2nd Barnt Green, 1st Tamworth, 2nd Durham & 1st Banff (Old Bird Average Velocity, 1065)'Both works are executed in oil on canvas supports. The work signed W.A. Beer has a faint supplier stamp for Winsor and Newton on the reverse. The canvas tension of both works is reasonable. The canvas for ‘Red Cheq Hen’ has circular deformations in the upper half caused by material on the reverse of the canvas. Both paintings have wear and abrasion around the edges. Overall the paint layers are in a good, stable condition. The paintings are not varnished and have some dirt and slight efflorescence forming in the darker paint passages.
Lot 663
Herbert Thomas Dicksee RE (1862-1942)‘Parting Ways’, early morning rural scene of a young farm labourer with horses going off to work for the dayoriginal etching on vellum, signed artist proof, edition of 300, published by Frost & Reed 1906image 46.4 x 69.8cm;‘The Road to the Village’, a young woman driving cows and calves along a village roadoriginal etching on vellum, signed artist's proof, edition of 300, published by Frost & Reed 1909, with blind stamp, as exhibited at the Royal Academy 1910, number 1335 image 31.3 x 49.2cm (2) Provenance: The Bryan Steele Collection.Condition report: ‘Parting ways’ – Cockling throughout, which is particularly severe in the margins. There are some light creases in the margins also. A line of black dirt in the righthand margin. A little time-staining to the vellum. Not seen outside of glazed frame. ‘The Road to the Village’ – A little light cockling to the margins. A little rubbing to the roof of one of the cottages near the right edge. Not seen outside of glazed frame.
Lot 688
Jean Émile Renié (French, 1835-1910)Cattle wateringsigned 'Jean Emile Renie' l.l., oil on panel32 x 44cmCondition report: Oil on a wooden panel with an artist’s supplier stamp for Vieille, Paris on the reverse. The support and paint layers are in a very good condition overall. The varnish is even, glossy and slightly yellowed with an area of abrasion at the upper right corner. There is a thick layer of surface dirt present.
Lot 695
English School, mid-19th centuryA view of the village of Chislehurst, Kent, with figures, sheep and dogs by a pondsigned with monogram JHB(?) and inscribed 'The village of Chesilhurst [sic], Kent' on stretcher verso, oil on canvas59 x 83cmCondition report: Stretcher marks, some surface dirt and varnish discolouration. Some craquelure. The canvas is unlined and bears the canvas stamp verso. Under UV light there are some flecks and touches of overpaint in places throughout the composition, most notably to the lower and right edges. This is significant, but not too extensive. Would benefit from a light clean.
Lot 734
William Meadows (fl.1870-1895)Figures on a jetty with fishing boats returning signed 'W Meadows' l.r., oil on canvas36 x 56cmCondition report: The painting is executed in oil on a canvas support, it is unlined and has an artists’ supplier stamp for W. Rodman & Co, Belfast on the reverse. The canvas tension is good and the picture is in plane. Stretcher bar marks are starting to form in the paint layer following the lines of the wooden stretcher behind. The paint layer is in a very good, stable condition. The varnish is clear, even and glossy. The original gilding of the frame has been bronze painted.
Lot 342
A collection of AntiquitiesIncluding a Roman bronze lockable box, of cylindrical ribbed form, retaining some of the internal iron mechanism, 9cm high, a Viking wrought iron axe head, circa 1000AD, in excavated condition, 12cm high, 17cm wide, a Byzantine bronze reliquary cross cover, 9cm high, a medieval cruciform tile stamp, 5cm diameter a medieval bronze figure of a knight, 8cm high, a section Celtic bronze zoomorphic strapwork, 5cm wide and a medieval lion finial, 7cm high, (7)For further information on this lot please visit Bonhams.com
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