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Lot 534
* JAMES FULLARTON (SCOTTISH b. 1946), HENS IN THE YARD oil on canvas board, signed, titled label verso image size 25cm x 30cm, overall size 44cm x 49cm Framed and under glass. Artist's stamp verso. Label verso: Roger Billcliffe Gallery, Glasgow. Note: The prestigious Roger Billcliffe Gallery (Glasgow) had scheduled their most recent solo exhibition of the work of James Fullarton for May 2020, but the pandemic lockdown intervened. Born in Glasgow, James Fullarton studied at the Glasgow School of Art under Donaldson, Goudie and Shanks. Since gaining his Diploma in Drawing and Painting in 1969, he has worked full-time as a professional painter based in Ayrshire. He is a regular exhibitor with the Royal Glasgow Institute of Fine Arts and has exhibited with the Royal Scottish Academy and lectured for the Scottish Arts Council. He has also won several prizes and awards throughout his career including the David Cargill Award and the Britoil Award. James has enjoyed a long and successful career with many solo shows. His work is sold in a number of galleries across Scotland and England and has been acquired for many public and corporate collections including; Adam and Company, Arnold Clark Organisation, The Bank of Scotland, Greenock Art Gallery, Guinness Plc, Heriot-Watt University, Lillie Art Gallery (Milngavie), Lord Macfarlane of Bearsden, Macfarlane Group Plc, Maclaurin Gallery (Ayr), Northern Corporate Bank, Proctor and Gamble, Robert Fleming Holdings Ltd, Royal College of Physicians and Surgeons, Scottish Power Plc, Scottish Television, Stirling Smith Art Gallery and Museum, TSB Collection, The Earl of Wemyss and March, The Indian Empress (Yacht), United Distillers and many private collections worldwide.
Lot 546
* ANN PATRICK (SCOTTISH b. 1937), IN THE SPiRNG TIME oil on board, signed, titled labels verso image size 82cm x 49cm, overall size 95cm x 61cm Framed. Handwritten artist's label verso. Label and stamp verso: The Open Eye Gallery, Edinburgh. Note: Ann Patrick, Scottish artist born and educated in Dundee, is a graduate of Dundee Art College and presently resides in Arbroath. She often visits and paints Italy and, in particular, Tuscany. Her works are in the permanent collections of Dundee, Aberdeen and Angus Art Galleries and in the collections of H.R.H. The Duke of Edinburgh, Scottish Television PLC, United Distillers, Noble Grossart, Harrison (Clyde) Ltd, Adam & Co Private Bank, Robert Fleming Holdings of London, as well as in Private Collections in Great Britain, Canada, USA, Holland, Denmark, Hong Kong, France, Algiers, Japan and Ireland.
Lot 591
* JOHN LOWRIE MORRISON OBE (JOLOMO) (SCOTTISH b. 1948), MOON OVER CNOC-CUIL PHAIL, IONA, or CADELL'S HOUSE oil on canvas, signed, further signed, titled and dated 2004 verso image size 30.5cm x 30.5cm, overall size 54cm x 54cm Framed and under glass. Artist's label and artist's stamp verso. Note: Jolomo remains one of Scotland's most celebrated contemporary artists. In The Scottish Contemporary Art Auction of 13th December 2020, lot 717 "Birlinn Leaving the Uists" by Jolomo sold for £7000 (hammer) and on 20th June 2021 lot 641 "Nick'sTug at Crinan" achieved £6000 (hammer). These being just two of numerous recent auction prices which reflect the still growing collector demand from both the UK and abroad for the vibrant work of John Lowrie Morrison.
Lot 592
* JOHN LOWRIE MORRISON OBE (JOLOMO) (SCOTTISH b. 1948), SLEEPING SHEEP AT CADELL'S HOUSE, IONA oil on canvas, signed, further signed, titled and dated 2004 verso image size 30.5cm x 30.5cm, overall size 54cm x 54cm Framed and under glass. Artist's label and artist's stamp verso. Note: Jolomo remains one of Scotland's most celebrated contemporary artists. In The Scottish Contemporary Art Auction of 13th December 2020, lot 717 "Birlinn Leaving the Uists" by Jolomo sold for £7000 (hammer) and on 20th June 2021 lot 641 "Nick'sTug at Crinan" achieved £6000 (hammer). These being just two of numerous recent auction prices which reflect the still growing collector demand from both the UK and abroad for the vibrant work of John Lowrie Morrison.
![VLADIMIR YAKOVLEV (RUSSIAN 1934-1998)Fish, 1974watercolor on paper 28 x 40 cm (11 x 15 3/4 in.) [full sheet] signed and dated](https://cdn.globalauctionplatform.com/21685c8f-fe63-42ed-b3eb-ad6401159c32/726a7b70-4ec6-4953-b6cb-ad64011f48b5/468x382.jpg)
Lot 102
VLADIMIR YAKOVLEV (RUSSIAN 1934-1998)Fish, 1974watercolor on paper 28 x 40 cm (11 x 15 3/4 in.) [full sheet] signed and dated lower right; USSR export stamp on versoCONDITIONObserved out of frame, the work appears in good condition. Very minor craquelure, most notably against the lighter areas of the work. A slight waviness to the sheet. The sheet is hinged by the upper left and right corners. Not inspected under UV. framed dimensions: 59 x 70 cm (23 1/4 x 27 1/2 in.) N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 130
ABRAHAM MANIEVICH (UKRAINIAN 1883-1942)Autumnoil on canvas 71 x 84 cm (28 x 33 1/8 in.) artist stamp lower right We are grateful to Alan Pensler for confirming the authenticity of this work.LITERATURE Alan Pensler and Mimi Ginsberg, Abraham Manievich (New York:YIVO Institute of Jewish Research; Manchester: Hudson Hills Press, 2011), p. 149, pl. 90 CONDITION Observed in frame, the painting appears in good condition. Very fine and stable craquelure consistent with age. The canvas has been relined. Inspection under UV shows scattered retouching to the sky and perimeter of canvas. framed dimensions: 94 x 107 cm (37 x 42 1/8 in.) N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 132
ABRAHAM MANIEVICH (UKRAINIAN 1883-1942)Abe the Butchercharcoal on board 70 x 55 cm (27 1/2 x 21 5/8 in.) artist stamp lower leftWe are grateful to Alan Pensler for confirming the authenticity of this work.CONDITION Unframed, the charcoal appears in age-appropriate condition. The corners are worn with creases and lifting. Creasing visible overall to the naked eye. With no significant issues to report otherwise. unframedN.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 133
ABRAHAM MANIEVICH (UKRAINIAN 1883-1942)Artist's Daughterpastel on board 96 x 63 cm (37 3/4 x 24 3/4 in.) artist stamp lower right We are grateful to Alan Pensler for confirming the authenticity of this work.CONDITION Unframed, the pastel appears in age-appropriate condition. The corners are worn with creases and lifting. Creasing visible overall to the naked eye. With no significant issues to report otherwise. unframed N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 140
EVGENY MIKHNOV-VOITENKO (RUSSIAN 1932-1988)Golgotha Three or Messiah, 1981watercolor on paper 65 x 62 cm (25 5/8 x 24 3/8 in.) [full sheet] dated lower left; dated and title on verso with USSR export stamp CONDITION Observed out of frame, the work appears in good condition. The sheet is hinged at the top edge. No apparent issues visible to the naked eye. Not inspected under UV. framed dimensions: 89 x 85 cm (35 x 33 1/2 in.) N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
![LADY PINK [SANDRA FUBARA] (AMERICAN B. 1964)Queen Matilda, 2008acrylic on four panels173 x 452 cm (68 x 178 in.)signed lower](https://cdn.globalauctionplatform.com/21685c8f-fe63-42ed-b3eb-ad6401159c32/14d2fcec-32bb-48a9-85e6-ad65015c64f4/468x382.jpg)
Lot 146
LADY PINK [SANDRA FUBARA] (AMERICAN B. 1964)Queen Matilda, 2008acrylic on four panels173 x 452 cm (68 x 178 in.)signed lower rightPROVENANCEAcquired at Graffiti Gone Global Exhibition by SUSHISAMBAEXHIBITIONWoodward Gallery Project Space, NYC Lady Pink mural, June – August 2009. [stamp on verso]Graffiti Gone Global by SUSHISAMBA, Miami, December 3-6, 2009LITERATUREJames and Karla Murray Graffiti Gone Global by SUSHISAMBA (2009), ex. cat., p. 27 (illustrated)LOT NOTESQueen Matilda by Lady Pink is not only a visually vibrant work in the artists quintessential style for which she is most known, synopsistic of Sandra Fubaras oeuvre, but the painting is also a window into the life of the artist, her values, and her life as a young artist in the emerging street art movement in New York City in 1980s.To be more specific, the street art movement was centered in New York City's East Village neighborhood of Manhattan. The East Village is represented in the painting through use of the logos from some of the city's most popular hangouts among counterculture youth -- fertile breeding grounds for creativity that were frequented by the likes of Harring, Basquiat, and a litany of punk and folk musicians. In Queen Matilda, one can see the logos of -- among others -- CBGB, one of the city's most iconic music clubs, the birthplace of punk music and previously a biker bar, and Gem Spa, perhaps the East Villages most iconic corner store, located on St. Marks Place since the 1920s selling newspapers, candy, and one of the pioneers of the Egg Cream, a beverage synonymous with New York City. The logos of such establishments, and the East Village-scaled street seen in the bottom half of the painting, demonstrate the cultural mecca that this neighborhood came to be, and its influence on Lady Pink.Lady Pink often depicts architectural forms in her work. Occasionally, these forms personify a female figure like that of the large form made of pink brick that can be seen as the centerpiece in Queen Matilda. Lady Pinks artistic journey started with graffiti; she became a known member of the tagging scene in New York City and gained acclaim for her work. At the time, there were very few female graffiti artists. In her work, the female form and an overall message of female empowerment can be often seen. In Queen Matilda the architectural, female form shows the city itself as a living, nurturing entity - and emphasizes the role the city played for Lady Pinks upbringing, and the role women play as the backbone of societies overall. One can also see a train running through the city, emerging from behind the female figure on the right side of the work -- an allusion to her artistic beginnings tagging subway trains prior to her finding fame in the fine arts world.This painting showcases Lady Pinks roots, like the roots seen tangled over the head of the female figure the painting is centered around. This work, like the neighborhood Lady Pink hails from, is colorful, fertile, and magical. Perhaps most notably, it is hard to discern whether the work should be seen as solely an ode to the neighborhood the artist calls home, or something of a self portrait as well. As is true with so many now-ubiquitous artists, there would likely not be a Lady Pink were it not for New York City’s East Village.CONDITIONUnframed, the group appears in good condition. Minor scattered scuffing to the lower right of the panels with lettering Mendel. Minor cracking and lifting along of the lower edges of the one with the lettering Spa. Each with minor losses to the corners and edges consistent with age. Inspection under UV shows no apparent signs of restoration.unframedN.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 206
FRANCISCO INFANTE-ARANA (RUSSIAN B. 1943)Artefacts, from the Signs in a Landscape series, 1997photograph 50 x 52 cm (19 3/4 x 20 1/2 in.) signed, dated, inscribed with edition 6/10, series title and title, with artist's studio stamp on versoCONDITION Observed in frame, the photograph appears in very good condition. No apparent issues visible to the naked eye. framed dimensions: 62 x 63 cm (24 3/8 x 24 3/4 in.) N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
![MARY CASSATT (AMERICAN 1844-1926) Study of Figurepencil on paper22 x 13 cm (8 5/8 x 5 1/8 in.) [full sheet]collection Mary Ca](https://cdn.globalauctionplatform.com/21685c8f-fe63-42ed-b3eb-ad6401159c32/ed475442-664d-49d1-b91e-ad64011b9345/468x382.jpg)
Lot 251
MARY CASSATT (AMERICAN 1844-1926) Study of Figurepencil on paper22 x 13 cm (8 5/8 x 5 1/8 in.) [full sheet]collection Mary Cassatt estate stamp lower right CONDITION Observed in matte, the drawing appears in age-appropriate but fragile condition. Visible foxing to the sheet. A large tear to the upper right edge, measuring, 3 cm (1 in.) in length. A smaller tear to the upper left corner measuring 1mm in width. With a tear to the center of the figure, measuring 4 cm (1 5/8 in.) in length. Overall toning to the sheet. All consistent with age. The sheet is laid down on all edges. dimesnions of matte: 31 x 23 cm (12 1/4 x 9 in.) N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 374
LOUIS COMFORT TIFFANY STERLING SILVER CANDLE HOLDERa single candle holder with a scroll pattern atop a stippled ground along the bottom, with a ribbed holder, stamp Louis Comfort Tiffany Collection, Tiffany & Co., Sterling Silver, 925; overall height: 8 cm (3 1/8 in.), total weight: 197.00 g (6.95 oz.) CONDITION The candle holder appears in age-appropriate condition. Tarnishing to the silver, as well as wax residue, both consistent with age and use. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 474
LATE 19TH CENTURY GROUP OF FOUR JAPANESE WOODBLOCK PRINTSwood block printseach approximately 46 x 31 cm (18 1/8 x 12 1/4 in.)each signed and stamped with artist stamp [in various places]CONDITIONIn overall stable conditiona) Courtship, observed out of frame, overall surface soiling, heaving foxing, most notably to the right edge and lower right and left corners. Tinting to the sheet and a visible waviness to the sheet. The sheet is hinged at the top and right edge.b) Mother & Stilt Boy, observed out of frame, small surface soiling to the upper left corner. A small hole to the center right edge, measuring 1mm. The sheet is hinged at the top and right edge.c) Working, observed out of frame, overall toning to the sheet, waviness and creasing to the lower right corner, scattered surface soiling. The sheet is hinged at the top and right edge.d) Dinner Service, observed out of frame, overall toning to the sheet, scattered surface soiling. The sheet is hinged at the top and left edge.framed dimensions: 56 x 43 cm (22 x 16 7/8 in.)N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 73
A GROUP OF FOUR DRAWINGS BY JOSEPH STELLA (AMERICAN 1877-1946) Study of Figurespencil on paper each 17 x 11.43 cm ( 6 3/4 x 4 1/2 in.)each with J. Stella/JML Coll. estate stamp two lower right and two lower leftCONDITION Unframed, the group appears in good condition. No apparent issues visible to the naked eye. With no significant issues to report. unframedN.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 74
A PAIR OF DRAWINGS BY JOSEPH STELLA (AMERICAN 1877-1946) comprising of Two Heraldic Designs, a) Single Heraldic Design, pencil and watercolor on paper,13 x 10 cm (5 1/8 x 4 in.) [image size], 27 x 21 cm (10 5/8 x 8 1/4 in.) [full sheet], J. Stella/JML Coll. estate stamp multiple times; inscribed JS821 on verso Two Heraldic Designs, pencil on paper, 26 x 19 cm (10 1/4 x 7 1/2 in.) [full sheet], J. Stella/JML Coll. estate stamp lower right and inscription lower center; inscribed JS820 on verso CONDITION The set appears in age-appropriate condition. Creasing visible to each sheet. Scattered miniscule tears along the edges of each. With no significant issues to report otherwise. unframedN.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 75
A PAIR OF DRAWINGS BY JOSEPH STELLA (AMERICAN 1877-1946) comprising of two drawings, a) Study of a Female in Pink, graphite and pastel on paper, 17 x 11 cm (6 3/4 x 4 3/8 in.), with J. Stella/JML Coll. estate stamp lower right; inscribed JS270 on verso b) Table, pastel on paper, 14 x 18.42 cm ( 5 1/2 x 7 1/4 in.), with J. Stella/JML Coll. estate stamp lower left and titled upper center; inscribed JS744 on verso CONDITION Unframed the group appears in good condition. Each with no significant issues to report otherwise. Minor toning to the Table, visible along the left edge. unframedN.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 76
A PAIR OF PASTELS BY JOSEPH STELLA (AMERICAN 1877-1946) Western Landscapespastel on paper each 25 x 36 cm (9 7/8 x 14 1/8 in.) each with J. Stella/JML Coll. estate stamp lower right; each inscribed JS1065 and JS1064 on verso CONDITION Unframed the pair appears in age-appropriate condition. Minor wear to the edges and corners of each paper. Discoloration visible to the paper, one more significant than the other (as apparent in photographs). With no significant issues to report otherwise. unframed N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 77
JOSEPH STELLA (AMERICAN 1877-1946) Profilesoil on canvas 30 x 35.56 (11 3/4 x 14 in.)J. Stella/JML Coll. estate stamp lower right CONDITION Observed in frame, the painting appears in age-appropriate condition. A visible vertical line from the stretcher along the center canvas. No apparent issues visible to the naked eye. Inspection under UV shows no apparent sign of restoration.framed dimensions: 41 x 46 cm (16 1/8 x 18 1/8 in.) N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
![JOSEPH STELLA (AMERICAN 1877-1946) Forest Cathedralwatercolor on paper44 x 56 cm (17 3/8 x 22 in.) [full sheet]J. Stella/JML](https://cdn.globalauctionplatform.com/21685c8f-fe63-42ed-b3eb-ad6401159c32/c8c372ed-41a9-4ab2-8c6c-ad64011fcb22/468x382.jpg)
Lot 78
JOSEPH STELLA (AMERICAN 1877-1946) Forest Cathedralwatercolor on paper44 x 56 cm (17 3/8 x 22 in.) [full sheet]J. Stella/JML Coll. estate stamp lower rightCONDITION Observed in frame, the painting appears in age-appropriate condition. A visible waviness to the sheet. With no significant issues to report otherwise. Not inspected under UV. framed dimensions: 71 x 81 cm (28 x 31 7/8 in.) N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 79
JOSEPH STELLA (AMERICAN 1877-1946) Head of Man in Profilepastel on paper 56 x 43.18 cm ( 22 x 17 in.)J. Stella/JML Coll. estate stamp lower rightCONDITION Unframed, the work appears in age-appropriate condition. Overall visible creasing, most notably to the center of the sheet and left edge. Two tears, one to the lower left edge, the other along the lower edge, largest measuring, 3 cm (1 in.) in length. unframedN.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 3015
Kleines Konvolut mit u.a. Weimarer Republik 3 Reichsmark Zeppelin 1930 A, dazu weitere Münzen, Fleißmedaille und Briefmarken (Stempel falsch). Bitte eingehend besichtigen. Erhaltungen verschieden| Mixed lot with i.a. Weimar Republic 3 Reichsmark Zeppelin 1930 A, in addition more coins, Diligence medal and postage stamps (wrong stamp). Please inspect carefully. Conditions different
Lot 9
Interessantes Konvolut Münzschmuck, dazu Grandelbrosche, weitere Armbänder und Broschen. Material unterschiedlich, teils mit Silberstempel. Am besten ansehen| Interesting bundle of coin jewelry, with a Grandel brooch, further bracelets and brooches. Material different, partly with silver stamp. Best to watch
![An Art Nouveau porcelain nude lady figurine. [Blue Crown and L Stamp to base] [9x13x9cm]](https://cdn.globalauctionplatform.com/0ca753d6-e09a-4e58-9deb-ad6e00d8fde7/4eeb7ade-d569-4aec-a4dd-ad700117c848/468x382.jpg)
![Original Arkana Side table, 1960's, Maurice Burke Design, Aluminium, cast base with Arkana Stamp. [not original top] [39x70x7](https://cdn.globalauctionplatform.com/0ca753d6-e09a-4e58-9deb-ad6e00d8fde7/5e5c17dc-b8c6-4987-af5b-ad70013aa73f/468x382.jpg)
Lot 489
Continental School circa 1900, "Chaque age a ses plaisirs" pen and ink, signed indistinctly "J Wornik"?, approx. 27cm x 17cm, an English School monochrome sketch of a seated pensive woman, late 19th century, watercolour wash, approx. 19cm x 16cm, together with a set of four small overpainted oils, after John Walker, depicting military subjects, over a printed base, paper laid down on panels, French retailers stamp for Martine Paris, each approx. 13cm x 12cm (6)
Lot 670
A Chinese Yixing Double Teapot and Cover, 18th Century, the sides moulded with a simple tied ribbon device, the lid with potter's stamp, 4ins (10.1cm) high, and an Yixing teapot and cover moulded with a rat and vine design with high-strap handle and crabstock spout, potter's stamp to base and lid, 6.25ins (15.9cm) high
Lot 1653
KÜNSTLER/IN 19. Jh., "Professor Conrad Kohler (Schorndorf 1793-1877 Cannstatt)", Brustbildnis des jungen Mannes in schwarzem Gehrock mit weißem Einstecktuch, unsigniert, Öl/Leinwand doubliert, HxB: ca. 37x32 cm (44x39 cm mit Rahmen). Craquelé und Farbabplatzer, alt restauriert und retuschiert. Mit Rahmen (Holz gekehlt und gefasst, Kanten part. leicht beschädigt). VERSO handschriftlich bezeichnet und Eignerstempel 'Hans Kohler, Tübingen'.| ARTIST 19th century, "Professor Conrad Kohler (Schorndorf 1793-1877 Cannstatt)", portrait of the young man in a black frock coat with a white pocket square, unsigned, relined on oil / canvas, HxW: approx. 37x32 cm (44x39 cm with frame ). Craquelé and flaked paint, old restored and retouched. With frame (grooved and mounted wood, edges slightly damaged in places). VERSO handwritten and owner's stamp 'Hans Kohler, Tübingen'.
Lot 1669
SCHOBER, PETER JAKOB (1897-1983), "Dorfstraße", Öl/Leinwand, HxB: 50x61 cm. Leichte Alters- und Beriebspuren. VERSO Nachlassstempel mit WVZ-Nr. 876.81 und Titel. LITERATUR: Ehrenfried Kluckert, Peter Jakop Schober, Monographie mit Werkverzeichnis, Theiss 1990, WVZ-Nr. 1981, 876, mit Abb..| SCHOBER, PETER JAKOB (1897-1983), "Dorfstraße", oil / canvas, HxW: 50x61 cm. Slight signs of age and rubbing. VERSO estate stamp with WVZ no. 876.81 and title. LITERATURE: Ehrenfried Kluckert, Peter Jakop Schober, monograph with catalog raisonné, Theiss 1990, VMS no. 1981, 876, with ill.
Lot 1671
SCHOBER, PETER JAKOB (1897-1983), "Bleiberg II", Landschaft, u.re. signiert, Öl/Leinwand, HxB: ca. 50x61 cm. Part. Farbabplatzer. VERSO am Keilrahmen Nachlassstempel mit WVZ-Nr. und Titel. LITERATUR: Ehrenfried Kluckert, Peter Jakop Schober, Monographie mit Werkverzeichnis, Theiss 1990, WVZ-Nr. 1982, 908.| SCHOBER, PETER JAKOB (1897-1983), "Bleiberg II", Landscape, below right signed, oil / canvas, HxW: approx. 50x61 cm. Part. color flakes. VERSO estate stamp on stretcher with WVZ no. and title. LITERATURE: Ehrenfried Kluckert, Peter Jakop Schober, monograph with catalog raisonné, Theiss 1990, VMS no. 1982, 908.
Lot 1821
KÜNSTLER des 18./19. Jh., Konvolut 3 italienische Veduten, 1x "Veduta dell' Isola Tiberina...", nach Giovanni Battista PIRANESI, Radierung/Papier, in der Platte bezeichnet, o.li. Trockenstempel, HxB: Platte ca. 48x72 cm, Blatt ca. 62x89 cm; 1x "Vue d'une partie du couvent de St. Cosimato", Radierung von Balthasar Anton DUNKER nach J. P. HACKERT, in der Platte bezeichnet, HxB: Passepartoutausschnitt ca. 36x45 cm; 1x "Ponte Mammea - oggi Ponte Mammolo", Radierung von L. CAVALIERI, in der Platte bezeichnet, HxB: Platte ca. 13,5x18,5 cm, Passepartoutausschnitt ca. 15x20 cm. Je Altersspuren und gebräunt, part. fleckig. Je mit verglastem Rahmen (Außenmaße bis 64x91 cm.) VERSO Etiketten.| ARTISTS of the 18th and 19th centuries Century, mixed lot of 3 Italian vedutas, 1x "Veduta dell 'Isola Tiberina ...", after Giovanni Battista PIRANESI, etching / paper, inscribed in the plate, top left. Blind stamp, HxW: plate approx. 48x72 cm, sheet approx. 62x89 cm; 1x "Vue d'une partie du couvent de St. Cosimato", etching by Balthasar Anton DUNKER after J. P. HACKERT, inscribed on the plate, HxW: mat cutout approx. 36x45 cm; 1x "Ponte Mammea - oggi Ponte Mammolo", etching by L. Cavalieri, inscribed on the plate, HxW: plate approx. 13.5x18.5 cm, mat cutout approx. 15x20 cm. Signs of age and discolored, part. blotchy. Each with a glazed frame (external dimensions up to 64x91 cm.) VERSO labels.
Lot 1824
WEBER, PAUL ANDREAS (1883/93-1980), "Menschenmenge", Lithographie/Papier, u.re. mit Bleistift von Hand signiert, u.li. roter Signéstempel, HxB: Platte ca. 28x20,5 cm, Blatt ca. 43,5x33,5 cm, Außenmaße Rahmen ca. 46,5x36,5 cm. Minim. gebräunt und fleckig. Mit verglastem Rahmen. | WEBER, PAUL ANDREAS (1883 / 93-1980), "Crowd", lithograph / paper, lower right signed by hand in pencil, lower left Red Signé stamp, HxW: plate approx. 28 x 20.5 cm, sheet approx. 43.5 x 33.5 cm, external dimensions frame approx. 46.5 x 36.5 cm. Minim. browned and stained. With a glazed frame.
Lot 1829
STEIB, KARL-HEINZ (geb. 1922), "Position X/I", Farblithographie/Papier, u.re. mit Bleistift von Hand signiert und undeutlich datiert 73?, darunter Trockenstempel 'Beryll', u.li mit Bleistift num. 16/50 und betitelt, HxB: Platte ca. 26,5x48 cm, Blatt ca. 36,5x53,5 cm, Außenmaße Rahmen ca. 51,5x66,5 cm. Leichte Altersspuren. In verglastem Rahmen (lose inliegend).| STEIB, KARL-HEINZ (born 1922), "Position X / I", color lithograph / paper, below right signed by hand in pencil and indistinctly dated 73?, underneath the blind stamp 'Beryll', and left with pencil num. 16/50 and titled, HxW: plate approx. 26.5 x 48 cm, sheet approx. 36.5 x 53.5 cm, external dimensions of frame approx. 51.5 x 66.5 cm. Slight signs of age. In a glazed frame (loosely enclosed).
Lot 3008
ACHILLE GAMBA "Jugendstil-Korb" Italien, Anfang 20.Jh., Korb aus Zinn/Britanniametall, Stempelmarken, H: 24/30 cm. Leichte Altersspuren.ACHILLE GAMBA "Art Nouveau Basket".Italy, beginning of the 20th century, basket made of pewter/Britanniametal, stamp marks, h: 24/30 cm. Slight signs of age.
Lot 5038
SCHOBER, PETER JAKOB (1897-1983), "Schlafende", u.re. signiert und datiert (19)47, Öl/Leinwand, HxB: ca. 50x60,5 cm (62x72 cm mit Rahmen). Part. Berieb an den äußeren Rändern. Mit Rahmen. VERSO am Keilrahmen Nachlassstempel mit WVZ-Nr. 225/47 und Titel UND Ausstellungsetikett Württ. Kunstverein, Stuttgart mit falscher Bezeichnung. LITERATUR: Ehrenfried Kluckert, Peter Jakop Schober, Monographie mit Werkverzeichnis, Theiss 1990, WVZ-Nr. 1947,225, Abb. S.82.| SCHOBER, PETER JAKOB (1897-1983), "Sleeping woman", below right signed and dated (19) 47, oil / canvas, HxW: approx. 50x60.5 cm (62x72 cm with frame). Part. Rubbing on the outer edges. With frame. VERSO estate stamp on stretcher with WVZ no. 225/47 and title AND exhibition label Württ. Kunstverein, Stuttgart with wrong designation. LITERATURE: Ehrenfried Kluckert, Peter Jakop Schober, Monographie mit Werkverzeichnis, Theiss 1990, WVZ-Nr. 1947,225, Abb. S.82.
Lot 628
NYMPHENBURG und BAVARIA zwei Tierfiguren, 20. Jh. Weißporzellan, best. aus NYMPHENBURG "sitzender Dackel", bodenseitig grüne Stempelmarke und gepresstes Rautenschild, H 14, 5 cm x L 20, 5 cm, dazu Figurengruppe mit Hirsch und Hirschkuh auf ovalem Landschaftssockel, Geweih vergoldet, grüne Stempelmarke "Gerold Porzellan Bavaria", H 17, 5 cm. Jeweils Altersspuren.| NYMPHENBURG and BAVARIA two animal figures, 20th century, white porcelain, consisting of NYMPHENBURG "sitting dachshund", green stamp mark on the bottom and pressed diamond plate, h 14.5 cm x L 20.5 cm, with group of figures with stag and doe on oval landscape plinth, gold-plated antlers, green stamp mark "Gerold Porzellan Bavaria", h 17, 5 cm. Each with signs of age.
Lot 834
FEHRLE, ANNA und Anna-Fehrle-Werkstatt (1892-1981), 2 Engel, Leuchterengel, Anna Fehrle-Werkstatt, Holz geschnitzt und bemalt, Körper Stoff über Draht, Gewand aus Seiden- und Brokatstoff und Samt, mit dem säulenartigen Leuchter auf rechteckiger Plinthe verschraubt, H: ca. 34 cm. Altersspuren, Engel mit Harfe, Holz geschnitzt und bemalt, Stempel "Anna Fehrle", H: ca. 17 cm. Altersspuren.ANNA-FEHRLE und Anna Fehrle-Workshop (1892-1981), candelabra angel, Anna Fehrle workshop, wood carved and painted, body fabric over wire, robe of silk and brocade fabric and velvet, screwed to the columnar candelabra on a rectangular plinth, h: approx. 34 cm. Traces of age, angel with harp, carved and painted wood, stamp "Anna Fehrle", h: ca. 17 cm. Traces of age.
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