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Click here to subscribeAfter Andy Warhol,American 1928-1987,Self portrait;screenprint in colours on wove, and stamped with artist's signature, numbered 19/100 in pencil,stamped Leo Castelli, New York, stamped 530 West 25th Street New York on the reverse,published by Leo Castelli Gallery, New York, in collaboration with George Israel Editeur, bearing their blind stamp,sheet: 57 x 37.7 cm,(unframed)
After Andy Warhol,American 1928-1987,Muhammad Ali;offset lithograph in colours on wove,numbered 86/100 in pencil, with artist's printed signature,stamped Leo Castelli, New York, stamped 530 West 25th Street New York on the reverse,published by Leo Castelli Gallery, New York, in collaboration with George Israel Editeur, bearing their blind stamp,sheet: 57 x 38.4 cm,(unframed)
Bob Dylan,American b. 1941-Drawn Blank Series, 8 prints in two portfolios: Woman In Red Lion Pub, 2014; Sunday Afternoon, 2014; Cityscape, 2014; Bragg Apartment, New York City, 2014; Slide, 2014; Bicycle, 2014; Train Tracks, 2014 (Red); Sunflowers, 2014;each giclée in colours on 350gsm 350gsm Hahnemühle Museum Etching wove,each signed and numbered 36/295 in pencil,each printed by GTZ Fine Art Editions, New York,each published by Washington Green Fine Art, with blind stamp, in association with Black Buffalo Artworks,sheet: 70 x 56 cm (six)sheet: 91.5 x 71 cm (two)(unframed)(8)Note: each together with COA issued by Washington Green Fine Art.
After Andy Warhol,American 1962-1987,Coca Cola; offset lithograph in colours on Arches paper,with printed artist's signature,numbered 38/100 in pencil,stamped Leo Castelli, New York, and 530 West 25th Street New York on the reverse,published by Leo Castelli Gallery, New York, in collaboration with George Israel Editeur, bearing their blind stamp,sheet: 57 x 38.5 cm,(unframed)
After Andy Warhol,American 1928-1987,Corice Arman;offset lithograph in colours on Arches paper, with printed artist's signature, numbered 28/100 in pencil,stamped Leo Castelli, New York, and 530 West 25th Street New York on the reverse,published by Leo Castelli Gallery, New York, in collaboration with George Israel Editeur, bearing their blind stamp,sheet: 57.5 x 38.6 cm,(unframed)
Banksy,British b.1974-Walled Off Hotel Souvenir (Girl With Balloon / There is Always Hope), 2019; hand-painted resin sculpture with West Bank Separation Wall base,inscribed 1106 DW Mini on the underside,dimensions: 10 x 12 x 10 cm (including stone base),(ARR)Note: this lot is accompanied by the original receipt from The Walled Off Hotel, with their blind stamp and ink stamp.
David Hockney OM CH RA,British b. 1937- Red Pots in the Garden, 2017 (Folio);giclée print on 330 gsm Somerset Enhanced Radiant White 100% cotton rag paper with hand-finished edges, printed and produced in the UK, exclusively for Tate, 2017, with their blind stamp, dimensions: 35 x 45 cm, (framed)(ARR)Note: together with original black folio.
After Andy Warhol,American 1962-1987,Superman; offset lithograph in colours on Arches paper,with printed artist's signature,numbered 8/100 in pencil,stamped Leo Castelli, New York, and 530 West 25th Street New York on the reverse,published by Leo Castelli Gallery, New York, in collaboration with George Israel Editeur, bearing their blind stamp,sheet: 57 x 38.5 cm,(unframed)
After Andy Warhol,American 1928-1987,Campbell’s Tomato Soup;offset lithograph in colours on wove,numbered 91/100 in pencil, with artist's printed signature,stamped Leo Castelli, New York, stamped 530 West 25th Street New York on the reverse,published by Leo Castelli Gallery, New York, in collaboration with George Israel Editeur, bearing their blind stamp,sheet: 57 x 38 cm,(unframed)
Christopher Wool,American b.1955- Apocalypse Now; giclée print on wove,numbered 61/89 in pencil,with a printed signature, and an 'Edition Impression Art Certified' blind stamp,image: 37.5 x 32.3 cm, (framed)Note: together with the book 'Christopher Wool', Banks, Eric, and Holzwarth, Hans Werner (Editor), published by Taschen, 2012; and a Christopher Wool offset lithographic poster - Untitled (Guggenheim Poster), 2013, published by Solomon R. Guggenheim Museum, New York, 2013.
After Andy Warhol,American 1928-1987,Mickey Mouse (black);screenprint in colours on wove,numbered 31/100 in pencil, and stamped with artist's signature,stamped Leo Castelli, New York, stamped 530 West 25th Street New York on the reverse,published by Leo Castelli Gallery, New York, in collaboration with George Israel Editeur, bearing their blind stamp,sheet: 57 x 38 cm,(unframed)
After Andy Warhol,American 1928-1987,Queen Elizabeth II;offset lithograph in colours on wove,numbered 53/100 in pencil, with artist's printed signature,stamped Leo Castelli, New York, stamped 530 West 25th Street New York on the reverse,published by Leo Castelli Gallery, New York, in collaboration with George Israel Editeur, bearing their blind stamp,sheet: 57 x 38 cm,(unframed)
David Hockney OM CH RA, British b. 1937- Garden, 2015 (Folio);giclée print on 330 gsm Somerset Enhanced Radiant White 100% cotton rag paper with hand-finished edges, printed and produced in the UK, exclusively for Tate, 2017, with their blind stamp, sheet: 35 x 45 cm, (framed)(ARR)Note: together with original black folio.
Christopher Wool, American b.1955- Why?; giclée print on wove,numbered 78/89 in pencil, with a printed signature, and an 'Edition Impression Art Certified' blind stamp,image: 44.2 x 31.4 cm, (framed)Note: together with the book 'Christopher Wool', published by Guggenheim Museum Publications, 2013; and a Christopher Wool offset lithographic poster - Untitled (Guggenheim Poster), 2013, published by Solomon R. Guggenheim Museum, New York, 2013.
Christopher Wool,American b.1955- Untitled (You Make Me); giclée print on wove,numbered 81/89 in pencil,with a printed signature, and an 'Edition Impression, Art Certified' blind stamp,image: 44.4 x 29.4 cm, (framed)Note: together with the book 'Christopher Wool', Banks, Eric, and Holzwarth, Hans Werner (Editor), published by Taschen, 2012; and a Christopher Wool offset lithographic poster - Untitled (Guggenheim Poster), 2013, published by Solomon R. Guggenheim Museum, New York, 2013.
Three blue ring bound albums, one containing a collection of hinge mounted late Victorian, Edwardian and later stamps including India (some overstrikes), Jamaica, Africa, Trinidad, Straits Settlements and other examples, the other two with mainly 20th Century commemorative World stamp contents
A collection of miniature bijouterie, comprising a silver satchel for storing stamps, silver trug shaped pill box, circular white metal pill container, a rectangular lidded brass box with embossed decoration and a bone clenched fist (5). (see illustration). CONDITION REPORT: There are five items in this lot, all in used condition in line with age. A small silver stamp container on four round raised feet is in working order. The lid opens and closes tightly. The leather interior is discoloured in places. There is also discolouration to the silver throughout. Structurally sound. The small stamp satchel again has a lid which opens and closes tightly. No visible losses, in working order. The small round pill box has a lid which operates on a hinge. It is slightly loose but does open and close. Again with discolouration to the main body of the item. The lidded brass embossed box is with numerous dents and shows signs of use.
A Burmantofts faience turquoise urn, No. 372 with factory stamp to base. 41 cm high. (see illustration). CONDITION REPORT: This urn is structurally in sound condition. No visible losses or cracks. The glaze does have imperfections in many places both with colour, rubbing to the top edge where the glaze is lost, pitting and crazed areas of the surface. The interior of the bottom of the base is significantly crazed and the glaze is raised in places. Also to the base itself there is old card still stuck to the rim in many areas.
A pair of late 19th century Royal Worcester models, of oriental figures carrying water by James Hadley, both marked with Hadley stamp and Royal Worcester marks to base. Each +/- 45 cm high (2). (see illustration). CONDITION REPORT: These two figurines are structurally sound with no visible losses, cracks or hairline cracks. Some areas of wear to the base, the occasional patches of ingrained dirt. Both urns to each figurine are loose on their bases. Some have circular brass fittings of which there are parts missing and they are loose. There is some wear to the decoration and the gilt decoration on both figurines.
Laurence Stephen LOWRY (1887-1976) Three Men and a Cat Lithograph Signed in pen and with the Fine Art Guild blind stamp from an edition 850Image size 25 x 17cm There is light mount burn present on perimeter of the piece, this is particularly evident on the bottom edge (please see additional image). The print has not been examined out of the frame and appears to be in good condition.
Piotr POTWOROWSKI (1898-1962) Landscape, 1959 Gouache on paperSigned and dated24 x 35cmPotworowski was a tutor at the Bath Academy of Art, Corsham, alongside Peter Lanyon, William Scott and Patrick Heron From the Estate of Dorren Potworowski (stamp verso)No paint loss, intentional, educated line marks to the surface. In good order.
'The Prints of Wilhelmina Barns-Graham' by Ann V. Gunn, special edition numbered 30/100, Lund Humphries 2007Together with the limited edition screenprint titled 'Water Dance (Porthmeor) III', numbered 30/100, WBG Trust stamp to verso, 19.5 x 26cm (reduced in size to accompany this publication) In excellent overall condition.
Bernard Howell LEACH (1887-1979) Lion Tile, 1974 LithographSigned and numbered 63/100 in pencilImage size 43 x 52cmPaper size 57 x 77cmPublished by Curwen Studio 1974, CP blind stamp lower leftThere is a minor crease to the bottom edge of the piece (please see additional image), along with a mark present to the top of the frame. Other than this, the piece is in excellent condition.
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