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Lot 148

Martini Henry Falling Block 2 Band Rifle, barrel with military proofs and ladder rear sight, bayonet bar to front band, iron sling swivels, action stamped with crowned VR, ENFIELD 1877 government inspector’s stamp, and II , stock with extensive stampings, crudely carved Thomas Cole beneath for-end, stock inlaid with a brass plate engraved RECOVERED AT RORKE’S DRIFT ZULULAND BY J. N. CREALOCK 1879, iron cleaning rod. Overall 125cms, barrel 82cms. Well worn condition, brass plate and stock markings 20th century additions.

Lot 131

Sea Service Percussion Belt Pistol, stepped lockplate engraved with crowned VR, TOWER 1842 with inspector’s stamp, regulation barrel with Tower proofs and multiple inspector’s stamps, swivel ramrod, regulation brass mounts, steel belt hook (expertly restored) and lanyard loop to buttcap. Barrel 15cms, overall 29cms. Good condition, some age wear, cleaned bright.

Lot 10

Turkish Dagger Bichaq, 19th Century, straight single edge blade with small maker’s stamp, one-piece ivory grip, pommel set with glass stone, in its velvet covered sheath, brass mounts embossed with foliage. Overall 28 ½ cms, blade 19cms. Good condition.

Lot 84

A Box Containing Schoolboy Stamp Albums and Stamps, ESSO Collection of Football Club Badges etc

Lot 7

A Collection of Nine Miniature and Other Reproduction Greek Byzantine Icons to Include Two Handmade Examples with Stamp for Athos, Certification and Wax Seals Verso etc Largest 19cm wide

Lot 88

A Late Victorian Postage Stamp Album Dated Jan 31st 1900 Containing Small Quantity of British and Foreign Stamps Including Penny Red, Victorian Commonwealth etc Together with Small Collection of Edwardian and Later Loose Stamps

Lot 535

A good collection of stamps in presentation sleeves to include part sheet uncirculated for Scouts, Grenada, Sharjah etc along with 2$ lest we forget stamp, philatelic auction lots of stamps in presentation sleeves and bags still including Tonga, Italy, Army and Admiralty Official stamped, Mauritius, United Nations collectable stamps 20th century and others, South African and other commonwealth,  block sheets of German stamps etc

Lot 1117

A mixed group of three boxes dating from the early 20th Century to include a green metal military example with lift out compartment having a 1941 army stamp within, a metal deed box with brass plaque atop and a wooden military example.   

Lot 536

A good collection of stamps to include many philatelic auction lots of stamps inlcuding Kenyan 5/ stamp, Victorian postal letter with penny red, New Zealand. Canada and South Africa. US Postage stamps, 19th century British Eight Pence, Two Pence  halfpenny examples in presentation sleeve, One Shilling stamps, £1 postage stamp 2/6 stamps, six pence, Penny red sets War Tax, War Stamp, Deutches Reich stamp, Five Shilling Stamp

Lot 555

A large collection of stamp related books and ephemera to include auction catalogues, Bristol Postal History Group, Postal History, Stamp catalogues, London Fancy Geometric postmarks, postal history madrid to london service, canary Islands and many other publications, stamp albums empty and part / full etc

Lot 543

Stamp album of single sheets of the world. To include Australian, Bermuda, Burma, Cuba, Cook Islands, Denmark, Falklands, Gibraltar, Bailiwick of Guernsey, Haiti, Hong Kong, Magyar, Iberia, Jersey, Isle of Man, Korea, Latvia, Kuwait, New Zealand etc

Lot 28

Bernard McMullen limited edition print with double blind stamp & signed in pencil ' Rag & bone man'

Lot 25

Bernard McMullen limited edition print with double blind stamp & signed in pencil ' Eastgate street Chester'

Lot 29

Bernard McMullen limited edition print with double blind stamp & signed in pencil 'Bonfire night'

Lot 27

Bernard McMullen limited edition print with double blind stamp & signed in pencil 'Blackpool'

Lot 26

Bernard McMullen limited edition print with double blind stamp & signed in pencil 'Open all hours'

Lot 59

ELIAS HULK - UNCHAINED ELIAS HULK LP - ORIGINAL UK PRESSING (YOUNGBLOOD - SSYB 8). An extremely clean original UK pressing of the wicked 1970 "proto-hard-blues psych" only LP from Elias Hulk. The record is in Ex+ or 'NM' condition with only a couple of extremely faint, tiny and wispy paper markings witnessed under intense LED lighting. With original 'BBC Gramophone Library' purple stamps on both labels. Matrix: SSYB 8 A-1G & SSYB 8 B-1G. The sleeve is in strict VG+ condition - feeling extremely clean throughout, there are 2 BBC Gramophone Library stickers, the one on the front is smaller than the one on the reverse. Also with 'STEREO RECORD' stamped and a 'BBC Gramophone Library' stamp on the reverse.

Lot 57

THE HUMAN BEAST - VOLUME ONE LP - ORIGINAL UK PRESSING (DECCA - SKL 5053). Going on a mind-expanding trip with The Human Beast with this extremely clean original pressing of their monstrous 1970 LP. The record is in stunning Ex+ or 'NM' condition showing only a couple of extremely faint, tiny and incredibly light paper marks that are only visible under intense LED lighting. 'BBC Gramophone Library' stamps just about visible on the labels. With Ex condition original blue stereo company inner. The sleeve is in very neat Ex condition - 2 small 'pin hole' markings are visible on the front and reverse, an outline of a number 2 in a circle on the front, the mono catalogue number is crossed out in pen with 'STEREO RECORD' stamped below and there is a' BBC Gramophone Library' stamp on the reverse.

Lot 264

Carlo Jensen - Hundevad - A 1960's Danish retro vintage teak wood single door cupboard / cabinet with shelved interior, all raised on a plinth base. Applied stamp and control marks to the reverse of the cabinet. Measures; 68cm x 70cm x 43cm. 

Lot 7

Tennis Tim Henman and Neil Broad signed 1996 Atlanta Olympics Benham Silk FDC. Nice illustration of the Silver medal winners 32ct USA stamp and postmark. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.

Lot 80

Painter Georgia O' Keeffe signed Benham 1982 Youth small silk FDC, with mint stamp sheet dedicated to her. Georgia Totto O'Keeffe was an American artist. She was known for her paintings of enlarged flowers, New York skyscrapers, and New Mexico landscapes. O'Keeffe has been recognized as the "Mother of American modernism". Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.

Lot 42

Kenner Star Wars Return of The Jedi Luke Skywalker (Jedi Knight Outfit) Vintage Original Carded Figure, 3 ¾ inches mint, factory sealed bubble (slightly yellowed), punched 77 backed card, is in very good original condition, E.P & Co Ltd stamp on front of card.

Lot 58

Kenner Star Wars Return Of The Jedi 8D8 Vintage Original Carded Figure, 3 ¾ inches mint, factory sealed bubble is excellent, unpunched 79 backed card, is in near mint original condition. Faint E.P & Co Ltd stamp on front of card.

Lot 45

Palitoy General Mills Star Wars Return of The Jedi Squid Head, Vintage Original Carded Figure, 3 ¾ inches mint, bubble (slightly yellowed) one crack to bottom of bubble, lifting to bottom corner, punched 65 backed card, is in good original condition, with some creases around hanger, Giggles Toy & Gift Co stamp on front edge of card.

Lot 47

Kenner Star Wars Return of The Jedi Gamorrean Guard, Vintage Original Carded Figure, 3 ¾ inches mint, bubble (yellowed), unpunched 77 backed card, is in very good original condition, some slight creasing to back of card and around hanger, E.P & Co Ltd stamp on back of card.

Lot 41

Palitoy General Mills Star Wars Return of The Jedi Lando Calrissian Skiff Guard Disguise, Vintage Original Carded Figure, 3 ¾ inches mint, bubble slightly lifting at bottom of card, unpunched 65 backed card, is in good original condition, with some creases to back of card, E.P & Co Ltd stamp on front and back of card.

Lot 251

An Edwardian copper half gallon haystack ale jug with leaded ER LCC stamp. Approx. 21cm tall.

Lot 274

A Georgian copper 4 gallon ale jug of bulbous form, with leaded stamp and GR mark. Dovetailed joints and riveted handle. Approx. 36cm tall.

Lot 249

A Georgian copper half gallon haystack ale jug with leaded stamp and riveted hollow handle. Approx. 22cm tall.

Lot 277

A large Victorian copper 4 gallon haystack jug with leaded VR stamp. Riveted hollow handle and dovetail joint. Approx. 41cm tall.

Lot 360

An Edwardian humorous postcard depicting W.G. Grace cricketer and a young boy. Franked Edward VII half penny stamp to back with recipients address.

Lot 246

A Georgian copper 1 gallon haystack ale jug with leaded GR stamp and unusual handle. Approx. 25cm tall.

Lot 353

A collection of 100 Victorian stamps to include Penny Reds. Attached by gummed hinges to stamp sheets.

Lot 101

A 54-BORE FIVE-SHOT PERCUSSION BEAUMONT ADAMS REVOLVER, 5.5inch sighted octagonal barrel engraved LONDON ARMOURY and with the LAC stamp to the right side of the frame, serial no.s B16907 and 52655R, chequered wooden grip. Refinished.

Lot 125

A 54-BORE LEFAUCHEUX SIX-SHOT PINFIRE SERVICE REVOLVER, 6inch sighted barrel stamped with the manufacturer's details, plain cylinder, the frame with maker's stamp and the serial no. 88598, spur trigger, two-piece varnished wooden grips, the butt with lanyard ring.

Lot 292

A CASED BLACK WATCH OFFICER'S SCOTTISH REGIMENTAL DIRK, 29cm double fullered blade with faceted back edge and etched with the owner's initials R.M.F., gilt brass mounted hilt decorated with thistle sprays, the pommel set with a faceted stone, carved basket weave wooden grip set with studs and carved with crossed swords and a bonnet to the fore and a thistle to the rear, contained in its gilt brass mounted scabbard decorated to match, the upper mount with regimental badge, complete with companion knife and fork decorated to match, the scabbard mounts with maker's stamp for Wilson & Sharp of Edinburgh, contained in its blue velvet lined case with maker's trade label and owner's initials, together with a photograph of a Scottish Officer in dress uniform.

Lot 389

A VICTORIAN OFFICER'S FOREIGN SERVICE HELMET, the six panel doe skin covered cork body with rubbed white finish, leather trimmed edge, gilt brass acanthus leaf boss with ball finial, chin chain hook, eight fold pagri, green cloth lined interior with leather and silk sweat band, the interior with maker's trade stamp for HAWKES & CO.

Lot 392

A 19TH CENTURY FRENCH BICORN HAT AND CASE, of characteristic form, the interior bearing maker's stamp for ARBINO Place de Bellecour 20 Lyon, contained in its pine transit case.

Lot 23

Bernard McMullen limited edition print with double blind stamp & signed in pencil ' Blackburn'

Lot 24

Bernard McMullen limited edition print with double blind stamp & signed in pencil ' Eastgate street chester'

Lot 102

Ren Yu (B. 1945) "Small Osmanthus Leaf " Signed upper right. Original Watercolor. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting originally appeared on the Fleetwood Proofcard China Camillias of Yunan stamp issue of November10, 1979. The Chrysanthemum Petal suggests the delicacy of rice paper, the Small Osmanthus infuses the woodlands with its enticing fragrance, and the vulnerable beauty of the Baby Face symbolizes one of the world's greatest operas. The Yunnan exquisite Camellia brings individual splendor to this area's rugged winter landscape. From the brilliant shades of deep purple and red draped across the mountains by the Purple Gown to the small golden flowers of Camellia Chrysantha, the evergreen arbor, each Camellia represents centuries of devoted cultivation by the Chinese. In Yunnan, a region of high peaks and deep ravines, these natural floral beauties bloom from mid-winter to early spring, a period in which other flowers remain dormant. Image Size: 9.25 x 10.75 in. Overall Size: 14.25 x 15.75 in.. Unframed. (B05690)

Lot 103

Zeng Xiaolian (B. 1939) "Rhododendron Agglutinatum" Original Watercolor. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was published on the Fleetwood First Day Cover for the China 50fen Rhododendron stamp issued June 25, 1991. Born in 1939 in Yunnan Province, Zeng Xiao Lian is a talented Chinese artist. He worked as a senior engineer of the Botanical Research Institute of Chinese Academy of Sciences. In addition, Zeng Xiao Lian received artistic training in Beijing. The artist has painted a series of beautiful botanical images of flowers and birds. These accurate detailed images have been published in more than fifty books, including "Flora of China", "Flora and Rhododendrons Yunnan" and others. Paintings by Zeng Xiao Lian participated in numerous national exhibitions in China, as well as in the United States, Canada and Australia. R. agglutinatum is native to China, bearing shocks of reddish-pink flowers that stand out stunningly against the deep, rich green of its leaves. Its striking beauty can be found brightening much of China, especially the moist, humid mountains near the Malay Peninsula. Gardeners find this plant grows best in partial shade, sheltered from strong winds. It does poorly in alkaline soils, preferring an acid soil rich in organic material. Image Size: 9.75 x 12.75 in. Overall Size: 12 x 13.75 in. Unframed. (B13053)

Lot 104

Zeng Xiaolian (B. 1939) "Rhododendron Delavayi" Original Watercolor painting. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation.This painting was published on the Fleetwood First Day Cover for the China 10fen Rhododendron stamp issued June 25, 1991. Born in 1939 in Yunnan Province, Zeng Xiao Lian is a talented Chinese artist. He worked as a senior engineer of the Botanical Research Institute of Chinese Academy of Sciences. In addition, Zeng Xiao Lian received artistic training in Beijing. The artist has painted a series of beautiful botanical images of flowers and birds. These accurate detailed images have been published in more than fifty books, including "Flora of China", "Flora and Rhododendrons Yunnan" and others. Paintings by Zeng Xiao Lian participated in numerous national exhibitions in China, as well as in the United States, Canada and Australia. Native to the higher altitudes and moist acid soils of southern China and Southeast Asia, the R. delavayi is a plant as hardy as it is colorful. In the nurturing climate of its homeland, this plant forms dense thickets of ground cover and tall, elegant trees bearing flowers of white, pink or red. It is also a popular hedge and border shrub, its ornamental flowers appearing over a long season and its infintie varieties delighting gardeners worldwide. Image Size: 8.75 x 12.75 in. Overall Size: 12 x 13.75 in. Unframed. (B13054)

Lot 104a

Zeng Xiaolian (B. 1939) "Rhododendron Fortunei" Original Watercolor. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was published on the Fleetwood First Day Cover for the China 80fen Rhododendron stamp issued June 25, 1991. Born in 1939 in Yunnan Province, Zeng Xiao Lian is a talented Chinese artist. He worked as a senior engineer of the Botanical Research Institute of Chinese Academy of Sciences. In addition, Zeng Xiao Lian received artistic training in Beijing. The artist has painted a series of beautiful botanical images of flowers and birds. These accurate detailed images have been published in more than fifty books, including "Flora of China", "Flora and Rhododendrons Yunnan" and others. Paintings by Zeng Xiao Lian participated in numerous national exhibitions in China, as well as in the United States, Canada and Australia. In 1856, Robert Fortune discovered deep in eastern China the breathtaking creamy-pink flowers of a beautiful new species of Rhododendron. This plant often attains a height of 12 feet, exhibiting clusters of its multi-petaled flowers from its slender stalks. R. fortunei, named for its discoverer, is now found in gardens throughout the world, an ever-popular evergreen variety of the beautiful Rhododendron. Image Size: 9.25 x 11.75 in. Overall Size: 12 x 13.75 in. Unframed. (B13060)

Lot 11

Zhan Gengxi (Chinese, B. 1941) "Mother Pig w/ Babies" Signed lower left. Original Watercolor painting on Rice Paper laid on Cardboard. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting appeared on the Fleetwood First Day Cover for the 29c The Year of the Pig Lunar New Year Series stamp issued December 30, 1994. Regarded by many Westerners as a combination of mathematical complexities and symbolic tradition, the Chinese lunar calendar is aligned in repeating 12-year cycles. Each year in the cycle is represented by a different animal. Many legends offer explanations for how these particular creatures were chosen. One states that the Heavenly Jade Emperor summoned all the world's animals to participate in a race. The first 12 to complete the challenge were chosen to represent each of the different years, which were assigned by the order in which the animal finished. Occupying first place is the rat, who, according to the story, did so by using trickery. When confronted by a large river that he was unable to cross, the clever rodent hitched a ride on the back of the ox, another participant in the race. As they neared the far side of the river, the rat jumped from the large beast to finish first. The pig, 1995's symbol, came in 12th, capturing last place. Perhaps this explains why those born during the Year of the Pig appear to be sedate and easy going! People whose birth years are represented by the Pig are also believed to be sincere, tolerant and honest. But, because they expect others to possess these same honorable traits, they are considered to be naive as well. Image Size: 8.25 x 9.75 in. Overall Size: 12.5 x 14.25 in. Unframed. (B14910)

Lot 115

Tom McNeely (Canadian, B. 1935) "American Indian Headdresses/Cheyenne" Signed lower left. Original Watercolor Painting. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was published on the Fleetwood Maximum Card for the U.S. 25c "Cheyenne" stamp issued August 17, 1990. For the Cheyenne, as for all Indians, the elaborate feathered headdress was a symbol of immense power and great medicine. Those who wore it were the recipients of that power. One such Cheyenne warrior was the mighty Bat -- known as Roman Nose to the whites -- who stood six-foot, three-in. tall and was thought to be invincible in battle. Roman Nose wore a magic headdress made for him by a medicine man named Ice. Its power was believed so great that whenever Roman Nose wore it into battle, he was untouchable; bullets and arrows whizzed past him time and again. The huge man delighted in proving his prowess, loping on his horse casually across the enemy's line of fire without harm. This feat, of course, inspired the other Cheyenne warriors to follow their hero into battle. However, the medicine of this headdress was neutralized if Roman Nose happened to eat anything taken from a pot with an iron instrument, such as a fork. Accordingly, he diligently avoided the white man's utensils. But on the eve of a battle with fifty frontiersmen in 1868, he accidentally ate a piece of bread taken from a skillet with a fork. The next day, Roman Nose was mortally wounded on the battlefield. The Cheyenne, like Roman Nose, were noted for their horsemanship and their courage. A cautious people, they avoided conflict if possible. Tragically, they often had to pay for the misdeeds of other tribes in their own blood, as many white men thought all Indians to be the same, regardless of tribe. Image Size: 18.75 x 25.75 in. Overall Size: 20.75 x 26.75 in. Unframed. (B12362)

Lot 116

Shannon Stirnweis (Arizona, New York, New Hampshire Oregon, B. 1931) "Fort Prince of Wales" Signed lower left. Original Oil on Illustration Board painting. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was published on the Fleetwood First Day Cover for the Canada 32c Fort Prince of Wales stamp issued June 30, 1983. The first forts built in the New World by both the French and English were built by fur-traders. One of the most famous of these early forts was Fort Prince of Wales, the most northerly fortress on the North American continent. It was built by the Hudson Bay Comapny and was situated on a sand point which extended out into the bay at the mouth of Churchill River. Within the walls of the Prince of Wales, the cruel and despotic Governor Norton ruled. Also he was Indian, he had completed a nine year course of study in England which equipped him for the governorship. Unfortunately, during his education Norton had grasped many of the vices but few of the virtues of the white man and he also embodied few of the pleasing qualities of his own native people. He dressed like a native but ruled like a European prince. Frightful crimes lay at his door and few residents were sorry when the evil governor died. Apart from the crimes of Governor Norton, Fort Prince of Wales will be remembered as the starting point for Samuel Hearne's exploring expeditions which discovered the Coppermine River and exposed the myth of there being a Northwest water route to Asia from Canada. When Hearne returned from his expeditions, he succeeded Norton to the governorship of Fort Prince of Wales. It was this fine man and brave explorer who was compelled to lower the British flag to French conquerors in 1782. The Fort sustained heavy damage, but today has been restored as a National Historic Park. Image Size: 19.25 x 16.75 in. Overall Size: 23 x 20 in. Unframed. (B08159)

Lot 117

Tom McNeely (Canadian, B. 1935) "Flathead Headdress" Signed lower right. Original Mixed Media on Paper painting. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was published on the Fleetwood First Day Cover for the U.S. 25c Flathead Headdress stamp issued August 17, 1990. Though many Indian tribes clashed time and again with the invading white men, early relations between whites and the Flatheads were generally friendly. This friendship was reflected in the headdresses of the tribe. Made from the tail feathers of a Golden Eagle, the headdress often contained products obtained in trade with the white man, such as wool, felt, beads and other items. Typically used only for very important events, the headdress was most often worn into battle with the tribe's neighbors and traditional enemies, the Blackfeet. The Flathead Indians traded often with the white man, first in beaver pelts during the mountain man era, then in buffalo robes as the demand for beaver tapered off. The Flathead tribe also adopted Christianity, with a Jesuit priest, Father Peter John De Smet playing an important role in converting many. Among the early pioneers, the Flathead were thought to be intelligent, honest and peaceful. But this friendship also had its price: They were frequently decimated by a white man's disease, smallpox. The first epidemic attack was in the 1770s and this was the beginning of a series of plagues which nearly wiped out the tribe. And for their initial friendship with the whites, the Flathead were reduced to poverty and finally driven out of their long-time home, the Bitterroot Valley of Montana. Consequently, relations with the whites declined and the erstwhile allies became foes. Image Size: 26.75 x 21.5 in. Overall Size: 27.5 x 22.25 in. Unframed. (B12302)

Lot 11a

Zhan Gengxi (Chinese, B. 1941) "Two Black-necked Cranes Walking" Signed and stamped lower right. Original Watercolor painting on Rice Paper. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting originally appeared on the Fleetwood First Day Cover for the 29c Black-necked Crane stamp issued October 9, 1994. To the Chinese people, many varieties of birds are considered symbolic. The golden pheasant, for example, is associated with royalty, denoting glory, splendor, wealth and rank. The beautiful kingfisher, too, is fraught with symbolism. Its jade-colored feathers represent nobility and fortune. The crane is considered a meaningful bird in China as well. One writer comments that cranes are best known as symbols of longevity. Still others report that Chinese mythology describes the birds as emblems of justice. China's Black-necked Crane is also reputed to denote the ideas of friendship and peace. Those attributes are both no doubt partly responsible for the Black-necked crane being chosen as one of the two birds featured on stamps issued jointly by the United States and the People's Republic of China in 1994. The other bird is America's Whooping Crane. Both species of cranes are today considered rare. Though at one time naturalists could easily count thousands of Black-necked Cranes wintering in China's Y?nnan province, they have become noticeably fewer in number. Likewise the Whooping Crane, which once numbered in the thousands, has been reduced to a mere 100 or so individuals. Conservation efforts in both countries seek to preserve these striking birds for the future. Only time will tell if they will be successful. Image Size: 11.25 x 12.5 in. Sheet Size: 12.25 x 14.5 in. Overall Size: 16 x 20 in. Unframed. (B14740)

Lot 12

Zhan Gengxi (Chinese, B. 1941) "Two Whooping Cranes Standing" Signed and stamped lower right. Original Watercolor painting on Rice Paper. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting originally appeared on the Fleetwood First Day Cover for the 29c Whooping Crane stamp issued October 9, 1994. Few birds are as large or as distinctive as America's Whooping Crane. And few birds are as threatened. Crowned with fashionable feathers, Grus Americana was virtually wiped out in the 19th century due to the popularity of its plumes with milliners. Known for its trumpeting call, created by an unusual coiled windpipe, the sizable Whooping Crane can be as long as 56 in. Though they are more numerous today thanks to strict conservation measures (in the late 1980s there were nearly 100 individuals), in 1941 just 11 of these majestic birds were believed to exist. Cranes around the world have faced similar difficulties, and of the 14 known species most are now rare. An exception is the somewhat smaller sandhill crane of the central and western United States. Conservation laws there have helped this bird to hold its own. Every spring, thousands of bird watchers gather in western Nebraska's Sandhill region to view the migration of these birds. Interestingly, the sandhill crane may do its part in saving its cousin the Whooping Crane. In recent years, experimental projects have been undertaken in which Whooping Crane eggs have been placed in sandhill crane nests in the hope that the wild birds would successfully raise the newly-hatched Whoopers which would then be fit to survive in the wild. Image Size: 11.25 x 12.5 in. Sheet Size: 12.75 x 14.75 in. Overall Size: 16 x 20 in. Unframed. (B14741)

Lot 120

Dennis Lyall (American, B. 1946) "The Stars and Stripes - Fort Sumter Flag" Signed lower right. Original Oil on Canvas painting. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation.This painting was published on the Fleetwood First Day Cover for the U.S. 33c Fort Sumter Flag Classic Collection Series stamp issued June 14, 2000. By early 1861, several Southern states had seceded from the Union, claiming possession of all U.S. forts and arsenals within their territory. Fort Sumter -- named for Revolutionary War patriot Thomas Sumter -- was located on Sullivan's Island at the entrance to the harbor of Charleston, South Carolina. Union troops were garrisoned at Fort Sumter under the command of Major Robert Anderson. Confederate authorities demanded that President Abraham Lincoln surrender the fort to the South. Although Fort Sumter was of no strategic value to the Union -- it was an incomplete structure whose 60 guns pointed toward the Atlantic -- Lincoln believed the fort symbolized national unity and refused to surrender it to the Confederacy. The president dispatched much-needed supplies to the garrison, but before they arrived, South Carolina troops, led by General Pierre Beauregard, opened fire on the fort. The shelling began at dawn on April 12, 1861, marking the first engagement of the Civil War. The U.S. garrison surrendered two days later. The Fort Sumter flag features 13 red and white stripes, representing the 13 original colonies. A diamond-shaped grouping of white stars is displayed on the blue canton. Image Size: 14 x 11.5 in. Overall Size: 18 x 14 in. Unframed. (B16806)

Lot 121

Dennis Lyall (American, B. 1946) "The Stars and Stripes - Continental Colors Flag" Signed lower middle. Oil on Canvas. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation.This painting was originally published on the Fleetwood First Day Cover for the U.S. 33c Continental Colors Flag Classic Collection Series stamp issued June 14, 2000. During the formative years of the American Revolution -- from the first protests in 1765 to the outbreak of hostilities in the spring of 1775 -- American flags featured a variety of emblems, like the rattlesnake, liberty pole and pine tree. Although these symbols were popular among local colonists, they failed to represent the nation as a whole. In 1775, after the battles of Lexington, Concord and Bunker Hill, colonists established the first unofficial national flag of the United States. Known as the Continental Colors, the flag was first hoisted by General George Washington on Prospect Hill on January 1, 1776. The Continental Colors displayed the Union Jack of the British flag design consisting of the combined crosses of St. George and St. Andrew -- which symbolized American loyalty to the mother country. The flag also featured 13 stripes of red and white, signifying colonial unity. The flag was quite popular among colonists and universally accepted as the national flag. The Continental Colors flew for the first time in battle in early January 1776, aboard ships of the first regular American fleet under the command of Commodore Esek Hopkins. Image Size: 14 x 11.5 in. Overall Size: 18 x 14 in. Unframed. (B16804)

Lot 124

Tom McNeely (Canadian, B. 1935) "Shoshone Headdress" Signed lower right. Original Watercolor painting. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was published on the Fleetwood First Day Cover for the U.S. 25c Shoshone Headdress stamp issued August 17, 1990. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation.Onto the headdress of the Shoshone went pieces of the mountains where they lived. From the high, rocky crags came the tail feathers of a Golden Eagle; the deep snows of the high country yielded the fur of an ermine; from forests of pine and spruce came the feathers of the flicker and the quills of a porcupine. And each piece of the headdress had a special meaning: the ermine fur and eagle feathers gave the wearer protection ... the flicker feathers had healing powers. Great effort went into the making of each headdress -- prepared by the elders through an elaborate ceremony and accompanying song -- thus only the very great men of the Shoshone wore this badge of prestige and honor. Among the Shoshone, the chieftain did not obtain his prowess through heredity, it was obtained only through acts of bravery and valor. These deeds were then reflected in the headband of the war bonnet -- for every great feat there were two holes. In a land of deep canyons, snow-clad peaks and harsh desert -- today known as the north-central Rockies -- bravery was a necessity. Without it, the leader along with his entire band could perish, be it from enemy or elements. With it, the chieftain was destined for fame among his people. Yet the most famous Shoshone of all was a woman, Sacagawea, who led the Lewis and Clark expedition across the vast, unmapped expanse of the Louisiana Purchase and paved the way for later friendship between the whites and the Shoshone. Her contribution changed the history of the West. Image Size: 27 x 21.5 in. Overall Size: 27.5 x 22.25 in. Unframed. (B12303)

Lot 127

Chris Calle (American, B. 1961) "Assiniboine Headdress" Signed lower right. Original Mixed Media on Illustration Board painting. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was published on the Fleetwood First Day Cover of the U.S. 25c Assiniboine stamp issued August 17, 1990. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation.The showy, elaborate headdress, as in all Assiniboine clothing, reflected the tribe's taste for the beautiful and colorful. Materials obtained in trade often were used in their clothing, with such items as their headdresses containing wool, brass tacks, beads, felt and other cloth. The headdresses also contained items of the land -- eagle feathers and ermine. Early travelers into the northern plains of the Assiniboine were immensely impressed by the tribe. George Catlin, an artist who traveled the area in 1832, noted of the Assiniboine that they "are undoubtedly the finest-looking, best-equipped, and most beautifully costumed of any on the Continent ... ." Living in the open prairie of Saskatchewan and Manitoba Canada the Assiniboine were influenced early on by British traders of the Hudson Bay Company. The Cree Indians to the north were close allies of the Assiniboine and acted as "go-betweens" with their southern neighbors and the British of the Far North. At one time, it was reported that the Assiniboine traded and hunted from Montana to the Arctic Circle and from the Rockies to James Bay in the early 1800s. Like many Indian tribes, the white man's diseases, not bullets, brought down the Assiniboine by the thousands. But throughout their time of destruction, the proud Assiniboine kept their legendary composure and cleanliness, even though more than four thousand of their people died during the late 1830s. Today, the Assiniboine occupy a small area of Montana north of the Missouri River. Image Size: 16.5 x 14 in. Overall Size: 20 x 16 in. Unframed. (B12423)

Lot 128

Chris Calle (American, B. 1961) "Flathead Headdress" Signed lower left. Original Mixed Media on Illustration Board painting. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was published on the Fleetwood First Day Cover of the U.S. 25c Flathead stamp issued August 17, 1990. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation.Though many Indian tribes clashed time and again with the invading white men, early relations between whites and the Flatheads were generally friendly. This friendship was reflected in the headdresses of the tribe. Made from the tail feathers of a Golden Eagle, the headdress often contained products obtained in trade with the white man, such as wool, felt, beads and other items. Typically used only for very important events, the headdress was most often worn into battle with the tribe's neighbors and traditional enemies, the Blackfeet. The Flathead Indians traded often with the white man, first in beaver pelts during the mountain man era, then in buffalo robes as the demand for beaver tapered off. The Flathead tribe also adopted Christianity, with a Jesuit priest, Father Peter John De Smet playing an important role in converting many. Among the early pioneers, the Flathead were thought to be intelligent, honest and peaceful. But this friendship also had its price: They were frequently decimated by a white man's disease, smallpox. The first epidemic attack was in the 1770s and this was the beginning of a series of plagues which nearly wiped out the tribe. And for their initial friendship with the whites, the Flathead were reduced to poverty and finally driven out of their long-time home, the Bitterroot Valley of Montana. Consequently, relations with the whites declined and the erstwhile allies became foes. Image Size: 16.5 x 14 in. Overall Size: 20 x 16 in. Unframed. (B12426)

Lot 129

John Swatsley (American, B. 1937) "C62 Class Japanese Locomotivet" Signed lower center. Original Oil on Illustration Board painting. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This artwork was published on the Fleetwood Mint Stamps of the World Collectors Panel for the Japanese Steam Locomotives stamp issue. A late starter where railroading is concerned, Japan only recently celebrated its first century of rail travel. From a sluggish and haphazard beginning, the country's national railway has come a long way in its first hundred years -- and this is due in no small part to the evolution of the Japanese steam locomotive. Already during the first half of the 1900s, fine locomotives were being designed and built in Japan, sound enough to serve as long as sixty years. The development of these locomotives helped propel Japan to the forefront position it occupies today in modern railroad technology with such ingenious marvels as its swift Bullet Trains. The Locomotive featured in this artwork is the immense and powerful C62 Class Locomotive, the largest of all Japanese passenger locomotives of the era. Image Size: 20.5 x 16.25 in. Overall Size: 27 x 22 in. Unframed. (B12009)

Lot 133

John Swatsley (American, B. 1937) "Countess of Dufferin Locomotive" Signed lower left. Original Mixed Media on Illustration Board painting. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation.This painting was published on the Fleetwood First Day Cover for the Canadian 32c Dufferin Locomotive stamp issued October 25, 1984. Believed by many to be the original No. 1 of the Canadian Pacific Railway, the Countess of Dufferin was originally an American locomotive. Built in Philadelphia in 1872 by the Baldwin Locomotive Works, the Countess became No. 56 of the Northern Pacific Railroad of America. Later that decade she was bought by a contractor -- Joseph Whitehead -- and used on Canadian government contracts in Manitoba. In 1881 the Canadian Pacific Railway was incorporated, and Whitehead took the Countess by steamboat up the river to Winnipeg. She already had Whitehead's number, which was 1, and he painted on the letters "Canadian Pacific." In 1883, the Canadian Pacific Railway -- which was the hope and pride of the entire prairie region - became associated with the Countess when the company purchased the locomotive for a small amount over five thousand dollars. And this was how the Countess of Dufferin came to be known as the Canadian Pacific Railway's No. 1. For fourteen years she served as No. 151, and then in 1897 the Countess was sold to a lumbering company in British Columbia where she worked faithfully, hauling great loads of timber. She was bought back by the Canadian Pacific Railway in 1910 and transformed into a mechanical national monument in Sir William Whyte Park, Winnipeg. Image Size: 14 x 12 in. Overall Size: 20.5 x 18 in. Unframed. (B08927)

Lot 134

John Swatsley (American, B. 1937) "1890s Railway Mail Train" Signed lower right. Original Oil on Illustration Board painting. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting appeared on the Fleetwood First Day of Issue Maximum Card for the U.S. (25c) E Earth Rate coil booklet stamp issued March 22, 1988. The steam engine brought many changes to the country, offering sturdy, reliable transportation, often over a vast wilderness. Communication from the frontier had always been a problem, and now, the railroads came to solve it. Chugging onward, the "Iron Horse" quickly proved its worth to even the most skeptical of its detractors. In 1864, the Railway Mail Service was instituted to provide fast local service, and trains with specially designed Postal Cars were quickly attached to rugged engines. Agents sorted as the trains rolled on, and then, by hand, they transferred mail sacks as the trains slowed at designated pick-up spots. Later, special cranes were utilized to facilitate better coordinated mail swaps, and by 1875, the system had spread into even wider use. On into the 20th century, Mail Trains delivered mail over some 586 million miles per year. Today, instead of crossing continents, the mail must span a globe, and in ever-faster time. Image Size: 8.75 x 12.25 in. Overall Size: 15 x 18 in. Unframed. (B11423)

Lot 135

Tom McNeely (Canadian, B. 1935) "Mary and Joseph Traveling to Bethlehem" Signed and dated lower right. Watercolor. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was published on the Fleetwood First Day Cover for the Canadian 34c Angel stamp issued October 29, 1986. For centuries, the prophets -- God's servants to the Hebrews -- held before the Israelites the hope of an era of holiness and union with the Lord, when sin and evil would be destroyed. God's Chosen People would be the first ones brought into that kingdom, which would then spread out until it embraced all the nations of the earth. At first, the Hebrews looked to the royal family of David as the likely place for the "Messiah" -- the savior through whom God would finally establish his kingdom on earth. From the great prophets Daniel and Isaiah -- to the prophets Micah, Jeremiah, Ezekiel, Zechariah and Malachi -- the coming of the Messiah was foretold and promised to the Israelites for centuries. As the first Christmas drew near, the people of Israel were subjugated by the Romans, and the people yearned for a redeemer who would deliver them. At that time in a village west of Jerusalem, the prophet John -- later the Baptist -- began to proclaim the arrival of the new age and the long-awaited Kingdom of God. He began to preach first to the shepherds, and then to the Jews of Jerusalem and all of Israel. As John preached, a child was born in Bethlehem to Mary of Nazareth and Joseph, who could trace his lineage from the house of David. Their son, Jesus, was the Messiah God had promised. He had come to bring "peace on earth ... and good will to men." Image Size: 17.5 x 15.25 in. Overall Size: 28.25 x 22 in. Unframed. (B09194)

Lot 136

Tom McNeely (Canadian, B. 1935) "Three Wise Men Traveling to Bethlehem" Signed and dated lower right. Original Watercolor. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was published on the Fleetwood First Day Cover for the Canadian 39c Angel stamp issued October 29, 1986. In the nearly two thousand years since it occurred, many stories have been associated with the birth of Christ, but the Story of the Magi is among the most magnificent and inspiring for Christians around the world. Its powerful appeal lies in the reverence with which these great men paid homage to Christ's divine authority. Before the birth of the Christ Child, Three Magi -- wise men named Melchior, Balthazar and Gaspar -- set out from their faraway homelands following a special, dazzling star. This star led them to Bethlehem where the Christ Child had been born. The three Magi each bore a special gift for the Child. As they knelt in adoration of the Savior, one presented Him with Gold, the next gave Him Frankincense, and the third Myrrh. Since that time, the gifts they bestowed on the Child have sparked great interest among biblical scholars. Many now believe that gold was symbolic of God's love for his Kingdom on earth. Frankincense -- an extremely sweet-scented spice -- is thought to represent prayer and hope for the Kingdom of Heaven. Finally, Myrrh -- which is taken from a tree bearing thorns -- symbolizes suffering and foretells of Christ's sacrifice which enabled the Kingdom of Earth to share in the glory of the Kingdom of Heaven. Image Size: 17.5 x 15.25 in. Overall Size: 27.25 x 22 in. Unframed. (B09192)

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