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EII, error stamps: 1972 Churches, threepence, with EII head at top just right of centre with '3p' at top right (together with correctly printed example) and 1991, 22p Faraday, mis-perforated with loss of part of EII head and part of '2'), with part of right hand stamp showing, unmounted mint (2)
London conveyance dated 1927 of land and buildings near Gospel Oak Station, London with large cloth backed folding plan showing the various properties involved. The vendor was the 6th Earl Mansfield and the price paid was a staggering £30,505 which attracted stamp duty of £305/10/-, paid by six £50 embossed revenue stamps plus one at £5/10/-, together with a good collection of fiscal stamps and documents including receipts, invoices, and cancelled cheques from 1880s to 1930s (approx 50 items in all) The conveyance document provides considerable information on a large community living in London at the time. Note: miscellaneous lot not subject to return.
Broadside fine broadside dated August 2nd 1806 issued by the Stamp Office, partially printed with ms insertions, granting licence and authority to Isabella Shields to deal in thread lace of British manufacture, signed by Robert Thorp, Manager of Stamp Duties, two small holes to top not affecting text, original folds but otherwise in good condition, approx 15x10 ins. Scarce.
Sir David Young Cameron RA RE 1865-1945- "Inverrary"; etching printed on buff paper, signed within the plate and signed in pencil, 22.5x35.3cm: Professor Alphonse Legros RE HRSA 1837-1911- Men along a river bank with a cottage and woodland, etching, signed in pencil, bears collector's stamp (Lugt 265) for The Bliss Collection, 11x21cm., (2)
Levi Qumaluk, (Povungnituk), Inuit b.1919- "Preparing a sealskin to dry"; stonecut in dark turquoise, signed, titled, inscribed "Juanisialuk/ Isarah Nungak/ Caroline Qumaluk", numbered 1/40 and dated 1977 in pencil, bears publisher's blind stamp, 34x40.5cm: together with one other similar stonecut print titled 'Animals in the Summer', signed, titled, inscribed 'Josie Paperk/Leah Aumaluk, numbered 1/40 and dated 1976 in pencil, bears publisher's blind stamp, 39x40.5cm., (2) (may be subject to Droit de Suite)
Ernst Stern, Polish 1876-1954- Four costume designs for "The Fleet's Lit Up" by Vivien Ellis, London Hippodrome, 1938; gouache, inscribed, 41x24.7cm., ea: Lister Johnson, 20th century- "Road Traveller", "Matumbi"; costume designs for the Lyric Theatre, Hammersmith 1960; pen and black ink and wash, inscribed, 28x12cm., ea., in shared mount: Anthony Holland b.1912-- "Great Big Little Panther","Mullins, Alan Bone" "Gentleman Strakey, Brett Forrest", costume design for Peter Pan, London Colliseum with Dorothy Tutin, 1971; pen and ink and watercolour, all signed, each bears inscription, 36.5x21cm., largest: Marcel Multzer, French 1866-1937- Costume design for Balban in La Vierge d'Avila by Catelle Mendes, Sarah Benrnhardt, Paris 1906; pen and ink and watercolour, 32x24.5cm: Herbert Norris d.1950- Costume design for Kitty McNab by Katherine Chisholm-Cooling, Queen's Theatre, London 1916; watercolour, inscribed, 30.5x25.5cm: Alec Shanks 20th century- Costume design for the Lisbon Story; watercolour, bears studio stamp, 28.5x20cm: together with a mixed quantity of prints and reproductions, various subjects, (a lot), (unframed) (may be subject to Droit de Suite)
* Attributed to Edward Matthew Ward 1816-1879- "Col. ***, Last 'Master of the Ceremonies', at Brighton, 1840"; pencil, with inscription in pencil, (recto); Richelieu; pencil and brown ink, (verso), with inscription, blind stamp for "Thomas Creswick, Tinted Drawing paper", 14x12cm, (unframed) (recto/verso): Attributed to The Earl of Warwick c.1815- Study of a figure in a mountain landscape; pencil and watercolour wash: John Mills 18/19th century- Distant ruins by a lake; watercolour, bears inscription verso, oval, (3) (unframed)
Hubert Andrew Freeth RA PRWS 1912-1986 "Swans at Maidenhead"; pen and black ink and watercolour, signed, 28x43cm: After Richard E Sturgeon 1920-1999 mid 20th century- "The Grape Harvest"; colour reproduction print, signed within the plate, signed in pencil, bears Fine Art Trade Guild blind stamp, 45x70cm: After Norman Rockwell, American 1894-1978- "Decorator", publ by the Saturday Evening Post; colour reproduction print, titled and numbered 437/750 in pencil, bears publisher's blind stamps, 68.5x50cm: Millie, late 20th century- Portrait of a woman, head and shoulders; coloured crayon, signed, together with two watercolours signed 'Polly' and four further reproduction prints after various hands, (9)
Anthony Green RA b.1939- "The Clock"; lithograph printed in colours, signed and numbered 31/70 in pencil, with blind stamps, full sheet, on watermarked Somerset paper, 76x89cm: Eduardo Paolozzi RA 1924-2005- "Controlling" and "Active Machinery"; lithograph printed in colours, signed and numbered 13/50 in pencil, with blind stamp, full sheet, on watermarked Somerset paper, 75.3x56.6cm., (2), (unframed) (may be subject to Droit de Suite)
Sonia Lawson RA b.1934- "Girl Dreaming of Pony"; lithograph printed in colours, signed and numbered ten in roman numerals in pencil, with blind stamp, full margins, on Arches paper, 56x76cm: together with one other colour lithograph titled "Newspaper Reader" signed and numbered nine in roman numerals in pencil, with blind stamp, full margins, on Arches, 56x76cm., (2), (unframed) (may be subject to Droit de Suite)
Thomas Collier RI 1840-1891- "Near Haslemere"; watercolour, signed and dated 1879, bears studio stamp, bears inscribed label for Abbott & Holder, London, attached to the reverse, 24x34cm: David Thompson Muirhead ARA 1867-1930- "Sussex Landscape"; watercolour, bears label for Abbott & Holder attached to the reverse, Nan Youngman 1906-1995- "The River Near Cambridge"; pencil, initialed and dated 1960, bears label verso, (3)
An Edwardian inlaid mahogany lancet shaped mantle clock with French movement and painted dial with Roman numerals, retailed by R. Stewart, Glasgow, height 23 cm, with key, together with a leather cased pocket barometer by A. Franks Ltd, Manchester, a brass stamp box, two Indian brass elephants, a gilt framed wall mirror and an African fly whisk with carved wooden handle, (7).
A collection of small silver and vertu, including a William IV silver pair of spectacles by James Collins, Birmingham 1832; an envelope double stamp case by Adie & Lovekin, Birmingham 1905; a miniature powder compact formed as a hand mirror by Crispford & Norris, Birmingham 1915; a German silver coloured money box/pot, stamped '12'; a gilt embossed heart shape box, unmarked; and other items
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165598 item(s)/page