Hawk-Eye Detective Camera Improved Version und 4 Kodak-Kameras1) Blair Camera, Boston. Hawk-Eye Detective Camera Improved Version, Nr. 165, für 4 x 5 in., Distanzskala in Fokussierknopf, Verschluß läuft, innen mit 2 Doppelkassetten. (3/3) - Eastman Kodak, Rochester, alle mit rotem Balgen, Verschlüsse laufen: 2) Folding Pocket Kodak No. 1A Nr. 51559. (3/3) - 3) No. 4 Cartridge Kodak Model E, Messingverschluß B-I-T, Händlerstempel "Numa Peterson Stockholm". (3-/3) - 4) No. 3 Folding Pocket Kodak Model F, Verschluß mit eingebautem Filmzählwerk. (3/3) - 5) No. 3-A Folding Pocket Kodak Model B-4, Kodak-Automatic-Verschluß, eine Rückwandschließe mit Schaden. (3-/3) - Und: 6) 2 x Kodak Film Tanks, für Vest Pocket und für Filme von 2 ½ in. mit dänischer Anleitung, beide ohne Entwicklungsband. Start Price: EUR 140 Zustand: (-/-)4 Kodak Cameras and a Hawk-Eye Detective Camera (Improved Version)1) Blair Camera, Boston. Hawk-Eye Detective Camera Improved Version, no. 165, for 4 x 5 in., distance scale on the focusing knob, shutter working, with two double cassettes inside. (3/3) - Eastman Kodak, Rochester, all with red bellows, shutters working: 2) Folding Pocket Kodak No. 1A No. 51559. (3/3) - 3) No. 4 Cartridge Kodak Model E, brass shutter B-I-T, retailer’s stamp "Numa Peterson Stockholm". (3-/3) - 4) No. 3 Folding Pocket Kodak Model F, shutter with incorporated film counter. (3/3) - 5) No. 3-A Folding Pocket Kodak Model B-4, Kodak Automatic shutter, one back catch damaged. (3-/3) - And: 6) 2 Kodak film tanks, for Vest Pocket and for 2 ½ in. films, with Danish instructions, without developing tapes. Start Price: EUR 140 Condition: (-/-)
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Two Peerless Touring Car sales brochures, American, circa 1903,both cord-tied and with New England Branch dealer's ink stamp, the first with red card covers, containing four monochrome and one gilt-lithographed illustrations, (loss to corner of last page); the second without covers, containing details and monochrome illustration of the model; each 8vo. (2)This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
A pair of Clarice Cliff Coral Firs pattern teacups and saucers, conical cups with filled in angular handles, hand painted pottery, each piece bears the factory back stamp Clarice Cliff Bizarre Condition: blemishes and minor paint loss to both cups & saucers. Overall cannot see any major cracks, chips, or restoration, the collection was made over time from the NEC “Antiques for Everyone Fair”, so all would have been vetted and of a standard.
A Clarice Cliff Coral Firs pattern, hand painted pottery vase of waisted form, bears printed Clarice Cliff Bizarre factory back stamp to base 10cm high Condition: some crazing, paint loss and scratch Overall cannot see any major cracks, chips, or restoration, the collection was made over time from the NEC “Antiques for Everyone Fair”, so all would have been vetted and of a standard.
A Clarice Cliff Coral Firs pattern, hand painted pottery Bonjour shape sugar sifter, bears Clarice Cliff factory back stamp, 13cm high Condition: crazing, no stopper in base Overall cannot see any major cracks, chips, or restoration, the collection was made over time from the NEC “Antiques for Everyone Fair”, so all would have been vetted and of a standard.
A Clarice Cliff Coral Firs pattern Bob-Bon dish of conical form raised on four disc feet, hand painted pottery, bears factory back stamp Clarice Cliff Bizarre, 11.5 cm diameter Condition: some paint blemishes Overall cannot see any major cracks, chips, or restoration, the collection was made over time from the NEC “Antiques for Everyone Fair”, so all would have been vetted and of a standard.
A Clarice Cliff Coral Firs coffee mug of tapering form, hand painted pottery, bears factory back stamp, Clarice Cliff Bizarre Condition: some blemishes and minor paint lossesOverall cannot see any major cracks, chips, or restoration, the collection was made over time from the NEC “Antiques for Everyone Fair”, so all would have been vetted and of a standard.
A Clarice Cliff Coral Firs conserve pot, hand painted pottery, factory back stamp to base, Clarice Cliff Bizarre Condition: some minor paint losses Overall cannot see any major cracks, chips, or restoration, the collection was made over time from the NEC “Antiques for Everyone Fair”, so all would have been vetted and of a standard.
A Clarice Cliff Coral Firs pattern cylindrical conserve pot with cover, hand painted pottery, bears factory back stamp, Clarice Cliff Bizarre Condition: some paint blemishes and paint losses to base & cover Overall cannot see any major cracks, chips, or restoration, the collection was made over time from the NEC “Antiques for Everyone Fair”, so all would have been vetted and of a standard.
A Clarice Cliff Coral Firs pattern, hand painted pottery conical sugar sifter, bears Clarice Cliff Bizarre factory back stamp to base, 14cm high Condition: crazing to glaze, a few blemishes to the hand painting. Overall cannot see any major cracks, chips, or restoration, the collection was made over time from the NEC “Antiques for Everyone Fair”, so all would have been vetted and of a standard.
A Clarice Cliff Coral Firs pattern, hand painted pottery three piece condiment set, comprising conical salt and pepper pots and a lidded mustard, the mustard bears Fantasque, Bizarre Clarice Cliff factory back stamp to base, pots 8cm high Condition: overall the three pieces paint rubbing, and some paint losses, chip to foot rim of the conical pepper, neither have cork stoppers, mustard, paint losses, blemishes, and some crazing, no cracks or restoration. Overall cannot see any major cracks, chips, or restoration, the collection was made over time from the NEC “Antiques for Everyone Fair”, so all would have been vetted and of a standard.
A Clarice Cliff Coral Firs pattern Biarritz rectangular plate, hand painted pottery 15.5cm x 18.5cm together with a matching coffee can and saucer with angular filled in handle, each piece in the lot bears the factory back stamp, Clarice Cliff Bizarre Condition: Plate - tiny chip on right underneath, some paint scratches, coffee saucer - crazing, blemishes, a few paint scratches, coffee can - paint scratches Overall cannot see any major cracks, chips, or restoration, the collection was made over time from the NEC “Antiques for Everyone Fair”, so all would have been vetted and of a standard.
A pair of Chinese silver table card holders,early 20th century, in the shape of a fan, enamelled with magpies in a blossoming prunus tree, stamp marked 'Fusheng', 'SF' and '90',9.5cm long, a Chinese silver clip,with a shou roundel, stamp marked 'Liquan', 'SF' and '90',6.5cm long, and a Japanese silver box,decorated with chrysanthemum in relief, stamp marked 'jungin' to base,15.5cm long (4)Provenance: The Collection of Dr Anne F Sutton (1942-2022).二十世纪初 银器 一组四件Condition ReportCard holders - 45.9g. Surface scratches and dents.Clip - 9.7g. Surface scratches and dents.Box - 501.9g. Surface scratches and dents, with solder marks in various locations.
A collection of silver, 19th-20th century, comprising: a Chinese walking stick handle, decorated with figures in a landscape, the globular finial with three Chinese characters in roundels, stamp marked 'Hao', 20cm long, a Japanese cloisonné cup, enamelled with a mythical beast amongst scrolling lotus, the interior with a silver lining, 5.7cm diameter, and a Southeast Asian silver bowl, decorated with phoenixes against a hammered ground, 13.3cm diameter (3) Condition ReportBowl - 198.7g. Surface scratches and dents. Walking stick handle - 73.4g. Surface scratches and dents, crack to the lower section. Cloisonne cup - small chips and losses to enamel. Surface scratches.
A collection of Chinese silver,late 19th century, comprising:a tray, of lobed form on three spreading mask and paw legs, the centre incised with a peacock and peony, enclosed by a pierced panel inscribed 'Hua Kai Fu Gui' (flowers bloom for prosperity) amongst dragons and chrysanthemum, stamp marked 'LW' and 'Hu Jie Ji' to base,13.5cm diameter,a snuff bottle, decorated with pierced blossoming prunus branches, stamp marked 'Du De' and 'LW' to base, glass liner,5.5cm high, a salt, of square form, the hammered body decorated with 'Ping An Qing Ji' in roundels, stamp marked 'Tu Mao Xing' to base, 7cm high, and another, in the shape of a bird, stamp marked 'Tu Mao Xing' to base, 4.5cm long (4)Provenance: The Collection of Mr Edmund Bruce Ball (1873-1944), and thence by descent.清十九世纪末 外销银器 一组四件Condition ReportTray - 91g. Surface scratches. Minor dents and small splits to edges. Snuff bottle - 57g without the stopper. Surface scratches. Square salt - 37g. Surface scratches. Cover dented. Bird salt - 14g. Surface scratches.
Baume & Mercier Tronosonic double-signed 18ct cased gents quartz wristwatch, circa 1970s. The grey dial with gilt baton markers and date aperture at 3 o'clock, the double signed dial 'Baume & Mercier' along with Arabic text (translates to Khalifat) and State Of Qatar stamp. Complete with original Tronosonic leather strap, cufflinks stamped 750(15g) and original box. Untested
A Diamond Five Stone Ring, the graduated old cut diamonds in white claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.85 carat approximately, finger size O1/2 (a.f.)The ring is in poor condition with a split to the setting. It bears no hallmark nor stamp but in our opinion would test as gold. The approximate qualities of the diamonds are; colour J/K/L, clarity I1/I2/I3. Gross weight 2.2 grams.
Limited edition. A vintage carved figure of Minnie Mouse feeding a deer. Limited edition number 352/500 carved on the underside. Anri embossed stamp and Walt Disney backstamp on the base. Issued: 20th centuryDimensions: 4.25"L x 3.25"W x 6"HEdition Number: 352 of 500 Manufacturer: AnriCountry of Origin: ItalyCondition: Age related wear.
A clear crystal miniature train set with a locomotive and 3 passenger cars. Includes original round reflective base that is 3.5"dia. Swarovski stamp on the locomotive underside. Issued: c. 1995-2005Dimensions: 3.5"L x 0.50"W x 0.75"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Nikifor (Polish/Hungarian, circa 1893-1968), also called Nikifor KrynickiVillage of Rosyta, Krynicki inscribed 'PNC RA WIESROSYTA SEtOtOOO' (along the lower edge); two stamps of the artist and indistinct pencil inscriptions (on the reverse); export stamp (on the backing)gouache and pencil on paper25.5 x 17.5 cm (10 1/16 x 6 7/8 in).framed (unglazed) 36.8 x 27.5 x 1.5 cm (14 1/2 x 10 3/4 x 3/4 in).Footnotes:ProvenanceAlfred and Maria Tarski, Berkeley, California; then by family descent to the Estate of Eva Kristina Ehrenfeucht.N.B.Along with his wife, Maria, Jewish-American logician and mathematician Alfred Tarski was an avid collector of Polish art and amassed an impressive collection of works from some of Poland's most influential artists. Like many artists in their collection, Mr. Tarski was born in Warsaw, Poland to Jewish parents in 1901. Mr. Tarski was educated in Poland at the University of Warsaw and became a member of the Lwów–Warsaw School, one of the most important schools of Polish logic and philosophy, and of the Warsaw School of Mathematics. In 1929 he married Maria Witkowska and they began collecting art. Maria worked as a courier for the army in the Polish–Soviet War. They had two children together, and in 1939 the family immigrated to the United States where Mr. Tarski taught and carried out research in mathematics at the University of California, Berkeley until his death in 1983.For further information on this lot please visit Bonhams.com
Jan Stanisławski (Polish, 1860-1907)Mrok signed 'Jan Stanislawski' (lower left); identified on gallery label from Salon Sprzedazy Dziel Sztuki Przy T. S. P. W Krakowie (affixed to backing); artist's estate stamp 'JAN STANISŁAWSKI / ZE SPUŚCIZNY / POŚMIERTNEJ' with artist's wife signature 'Janina Stanisławski' (on the reverse) oil on paperboard15.5 x 21.0 cm (6 1/8 x 8 1/4 in).framed 20.5 x 26.0 x 1.5 cm (8 1/8 x 10 1/8 x 3/5 in).Footnotes:ProvenanceAlfred and Maria Tarski, Berkeley, California; then by family descent to the Estate of Eva Kristina Ehrenfeucht.N.B.Along with his wife, Maria, Jewish-American logician and mathematician Alfred Tarski was an avid collector of Polish art and amassed an impressive collection of works from some of Poland's most influential artists. Like many artists in their collection, Mr. Tarski was born in Warsaw, Poland to Jewish parents in 1901. Mr. Tarski was educated in Poland at the University of Warsaw and became a member of the Lwów–Warsaw School, one of the most important schools of Polish logic and philosophy, and of the Warsaw School of Mathematics. In 1929 he married Maria Witkowska and they began collecting art. Maria worked as a courier for the army in the Polish–Soviet War. They had two children together, and in 1939 the family immigrated to the United States where Mr. Tarski taught and carried out research in mathematics at the University of California, Berkeley until his death in 1983.For further information on this lot please visit Bonhams.com
Nikifor (Polish/Hungarian, circa 1893-1968), also called Nikifor KrynickiSix Drawings: St. John the Baptist; Two Saints; Crowned Saint with Martyr's Palm; Crowned Female Saint with Chalices; A Bishop; and Street with Church, Krakoweach with artist's stamp (on the reverse); most titled (on face or reverse); several with export stamp (on the reverse)pencil (four with crayon) on papersizes to 16.5 x 11.5 cm (6 1/2 x 4 1/2 in).unframed.Footnotes:ProvenanceAlfred and Maria Tarski, Berkeley, California; then by family descent to the Estate of Eva Kristina Ehrenfeucht.N.B.Along with his wife, Maria, Jewish-American logician and mathematician Alfred Tarski was an avid collector of Polish art and amassed an impressive collection of works from some of Poland's most influential artists. Like many artists in their collection, Mr. Tarski was born in Warsaw, Poland to Jewish parents in 1901. Mr. Tarski was educated in Poland at the University of Warsaw and became a member of the Lwów–Warsaw School, one of the most important schools of Polish logic and philosophy, and of the Warsaw School of Mathematics. In 1929 he married Maria Witkowska and they began collecting art. Maria worked as a courier for the army in the Polish–Soviet War. They had two children together, and in 1939 the family immigrated to the United States where Mr. Tarski taught and carried out research in mathematics at the University of California, Berkeley until his death in 1983.For further information on this lot please visit Bonhams.com
A PAIR OF EXPORT SILVER 'DRAGON'-HANDLED VASESMarks of Cheng Chang, HI and 90, circa 1900Each rising from a stepped domed foot to a round body flanked by a pair of 'dragon' handles and decorated with six shaped cartouches enclosing reticulated designs of striding dragons amidst vaporous clouds and floral branches interspersed with butterflies and birds, all beneath a bulbous neck culminating in a flaring mouth decorated with further floral designs beneath a barbed rim. 21cm (8 2/8in) high, 764g and 753g. (2).Footnotes:約1900年 透雕開光花卉紋雙龍耳銀瓶一對「成昌」「HI」「90」鑄款Provenance: a European private collection來源：歐洲私人收藏The present lot is an excellent example of a cross-cultural product that combines Western-style shape with Chinese-motif decoration. This pair of silver 'dragon-handed' vases is in the shape of a trophy. They were made as commemorative ornaments rather than practical vessels, probably used by Chinese merchants as gifts to Westerners, which is related to the change in trade status between China and the West after the Opium War. The decorative patterns used on these vases, such as dragon handles, birds, chrysanthemums, bamboo and plum blossoms, are typical Chinese ones. The two vases each have three marks, namely the manufacturer's mark in Chinese characters (Cheng Chang 成昌), the seller's mark in Latin letters (HI), and the Arabic numeral quality mark (90). In the 1870s, the three-stamp format gradually became a common practice, which is called 'Guangdong-style export silverware marks' 廣式外銷銀器款識.Compare with a similar pair of Chinese export silver vases, circa 1900, which was sold at Sotheby's New York, 26 January 2013, lot 87.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
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165598 item(s)/page