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Ten unsorted postage stamp albums, mainly English, some Victorian mainly mid-20th century, also some foreign stamps

A good collection of bijouterie silver to include two silver envelope stamp boxes, a silver trinket box in the form of an egg enclosing a silver charm in the form of a teddy bear, an antique silver sugar shovel and further art deco silver coffee bean spoon (6)

A vintage japanned tin trunk, possibly military related, with painted lettering RF Warren Victoria, containing a pair of hanging pendant lights with frosted textured pressed glass shades, three others, a glazed stoneware barrel stamped Etherium Drinking Water, a further stoneware one gallon jar with oval stamp Robbil Pottery Glasgow, a brass fender, an Edwardian/1920s oak aneroid barometer/thermometer (lights AF)

Silver chocolate pot, the body of cylindrical tapering form beneath a domed lid, with ebonised side handle, London 1907, Asprey retail stamp, 12.5oz approx total weight

A collection of six albums containing approx. 300 stamp and postcard covers signed and unsigned mostly R.A.F. Condition good. One album contains 62 RAF signed covers some limited edition.

Tom Dodson, pair of limited edition prints, Super Bar, 447/850 and Black Pea Soup 521/850, each signed n pencil with gallery blind stamp, 39 x 30 cm. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Jon Corbino (NY, FL, MA 1905-1964) Oil on canvas painting of circus riders on horseback. Depicting a small cat (lower right) who startles the horses, bucking the riders off of the horse. Original gallery label price $18,500 attached verso. Gallerie Ruvanel stamp verso. Signed lower left. Sight Size: 18 x 20 in. Overall Framed Size: 23 x 25 in.

Adriaen Jansz van Ostade (1610 - 1685) Painting of Venetian Lagoon. Oil on Canvas. Signed verso. Label and stamp verso. Sight Size: 9.75 x 13.5 in. Overall Framed Size: 13 x 17 in.

1- BLAKE, W: Pencil Drawings. Nonesuch Press, 1927. Limited edition, #47/1550. Original cloth, rubbed; 2- Keynes, G: William Blake's Water Colour Designs for The Poems of Thomas Grey. Methuen/Trianon, Paris, 1972, dust jacket, 4to; 3- Trusler, J: the works of William Hogarth, 2 vols. For J Goodwin, 1827, new edn. Revised and corrected. 4to. Cont. full leather with blind stamp and gilt decoration, aeg. Nice set. (4)

CHILDREN: ANDREW LANG: 1- The Yellow Fairy book. 1894, 1st. edn. Original gilt pictorial covers & aeg; little faded; light damp stain to bottom margin of first 40 pages; 2- The Red True Story book. 1895, 1st. edn. Original gilt pictorial covers & aeg; Small light stain to upper cover; 3- The Grey Fairy book. 1900, 1st. edn. Original gilt pictorial covers & aeg; Ex-reference Library, with bookplate, blind stamp & number to verso of title page; 4- The Brown Fairy book. 1904, 1st. edn. Original gilt pictorial covers & aeg; G+; 5- The True Story book. 1893, 1st. edn. Original gilt pictorial covers & aeg; G+; 6- The Animal story book. 1896, 1st. edn. Original gilt pictorial covers & aeg; rubbed; 7- The Book of the Princes & Princesses. 1908, 1st. edn. Original gilt pictorial covers & aeg; VG+. (7)

Brian Sanders (British, B. 1937) "Arthur T. Harris and Avro Lancaster" Original Watercolor painting on paper. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Fleetwood First Day Cover for the Great Britain 31p Sir Arther Harris/Lancaster stamp issued September 16, 1986. During World War II few men had more impact on the Allies' aerial attacks on Germany than Arthur T. Harris. At the beginning of the war, Harris was put in charge of Number 5 group of the Royal Air Force, but his natural leadership became apparent early on and he rose rapidly through the ranks. First Air Vice-Marshall, then Air Marshall, Commander-in-Chief of the Bomber Command and Air Chief Marshall, Harris was promoted time and again for his brilliant efforts in attacking the Axis powers. Throughout the war, Harris strongly supported the production of heavy bombers like the Avro Lancaster. He urged the abandonment of attacks on enemy targets in favor of saturation bombing. The persuasive Harris won his point and from 1942 on, the air attack on Germany bore the Harris trademark. The Avro Lancaster is probably the most famous British heavy bomber of World War II, and a natural vehicle for the type of bombing operations advocated by Arthur Harris. The first squadron to be fully equipped with Lancasters flew in early 1942. The Lancaster performed excellently and was there fore ordered in large numbers. A total of 7,366 were delivered. Widely used by Bomber Command until the war ended, the Lancaster won a place in history as the aircraft that made the successful attacks on the Mohne and Eder Dams on May 16-17, 1943. It was also the only British bomber capable of carrying the 12,000 pound "Tallboy" and the 22,000 pound "Grand Slam" bombs. Image Size: 12 x 14 in. Overall Size: 14.25 x 18.5 in. Unframed. (B10538)

Charles J Lundgren (New York, Connecticut, 1911 - 1988) "Royal Canadian Icebreaker - St. Roch" Signed lower right. Original oil painting on Masonite. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Fleetwood First Day Cover for the Canadian 14c St. Roch stamp issued November 15, 1978. Built in 1928 from sturdy Douglas fir and Australian gumwood, the 104-foot patrol schooner, St. Roch, was soon the pride of Vancouver and the Royal Canadian Mounted Police for whom she was built. Under the command of Sergeant Henry Larsen, the legendary St. Roch, with a crew of nine, made the first single-season transit of the treacherous Northwest Passage, a feat to which ships of much greater size had aspired for centuries, in hopes of opening a commercial sea route between the Atlantic and the Pacific. On his first historic trip, Sergeant Larsen and the St. Roch left Vancouver on June 23, 1940, and miraculously arrived in Halifax, Nova Scotia -- on the Atlantic coast -- on October 11, 1942. On this grueling twenty-eight month voyage, the St. Roch was twice frozen in for months at a time. In 1944, she made the famous return voyage, from the Atlantic to the Pacific, in a single season: over seven thousand miles in eighty-six days. On both trips through the Passage, she proudly flew the blue Ensign which featured on its outer edge the buffalo head badge of the Royal Canadian Mounted Police. In 1950, the St. Roch sailed from Vancouver to Halifax via the Panama Canal, thus becoming the first ship to completely circumnavigate North America. Her last ocean voyage was in 1954, and in 1958 she was given back to her home port of Vancouver. Image Size: 18.5 x 20.5 in. Overall Size: 22 x 26 in. Unframed. (B06151)

Dean Ellis (New York, 1920 - 2009) "Early Human Inhabitants Arrive, 1500 B.C." Original Tempera painting on Masonite. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Republic of the Marshall Islands 55c Early Human Inhabitants Arrive, 1500 B.C. stamp issued May 2, 1996. Man's migration to the Pacific Islands from mainland Asia began at least 33,000 years ago. The migration was an extended process resulting in the settling of nearly every inhabitable island by approximately 1000 A.D. Among the easternmost points of land in the Central Pacific, the Marshall Islands were not populated until after 1500 B.C. The early Marshall Islanders were extraordinary seamen and possessed great navigational abilities. Early European explorers in the region were astonished that natives had found their way to all of the islands scattered over this immense body of water without instruments to plot course and position. Their amazement would have been even greater had they understood the Marshall Islanders' sophisticated navigational techniques that utilized the Sun, Moon, stars, wind, waves, currents, the flight of birds and other natural phenomena. Image Size: 8.5 x 15 in. Overall Size: 10.25 x 16.5 in. Unframed. (B15299)

Don Balke (North Carolina, B. 1933) "Grayling" Signed lower right. Original Watercolor painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which appeared on the Fleetwood First Day Cover for the U.S. 37c Grayling Arctic Animals stamp issue of July 2, 2003. One of the most unusual and beautiful fish of the far north, the arctic grayling Thymallus arcticus is an elegantly formed cousin of the trout distinguished by its sail-like dorsal fin. Dotted with large, iridescent red and purple spots, this distinctive fin stands three to four inches tall when fully extended. Depending on its situation, the arctic grayling can be highly migratory or quite stationary in its range. To cope with the often harshly cold waters of the north, it may use vastly separate locations for spawning, juvenile rearing, summer feeding and overwintering. Or, it may spend its entire life in the same short section of stream. Primarily a "drift feeder," the arctic grayling prefers to establish a feeding location in flowing water and let the current automatically deliver its meals. Subsisting mainly on aquatic insects and their larvae, this hardy fish will also dine on mollusks, prey fish and fish eggs -- especially when sharing the same rivers as spawning salmon. The area's dominant grayling will install itself at the upper end of the pool or stream to ensure first pickings of incoming food; subordinate graylings occupy less desirable positions downstream. All summer long, the arctic grayling feeds voraciously in preparation for the lean months of winter -- a period which it often spends beneath a thick sheet of ice. Its ability to tolerate low levels of dissolved oxygen in its environment allows it to survive the protracted arctic winters. Image Size: 7 x 6 in. Overall Size: 14 x 14 in. Unframed. (B17097)

George Sottung (American, 1927 - 1999) "Tourism Sites of Kosrae - Sleeping Lady Mountain" Artist stamp lower right. Original Oil painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Federated States of Micronesia First Day Cover for the 29c Tourism Sites of Kosrae stamp issued February 11, 1994. At the easternmost limits of the Federated States of Micronesia lies the island of Kosrae. Its jungle-covered volcanic peaks rise majestically above the sparkling waters of the Pacific Ocean. One of the most breathtaking views of the island is best seen from offshore. From that viewpoint, the aptly-named Sleeping Lady Mountain resembles the silhouette of a reclining woman. One of the many legends tied to this fascinating mountain states that this formation was created at the beginning of time by powerful gods. Image Size: 18.25 x 23.5 in. Overall Size: 22 x 27.75 in. Unframed. (B14592)

Howard Koslow (American, 1924 - 2016) "To the Heroes of Desert Storm - Eagle" Signed lower right. Original Watercolor painting on Cold Press Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original which appeared on the Republic of the Marshall Islands 29c To the Heroes of Desert Storm stamp issued July 4, 1991. On January 16, 1991, the day after a United Nations deadline directing Iraqi President Saddam Hussein to withdraw from the tiny, defenseless Kuwait, word came. Operation Desert Storm -- the liberation of Kuwait -- had begun. For the next forty-three days, dauntless American forces and their UN allies battled an implacable enemy. Vastly outnumbered, they fought valiantly and achieved one stunning victory after another. On February 28, Saddam Hussein -- his heinous war machine decimated and his army in rout -- capitulated. Howard Koslow's painting honors the veterans who served in the Persian Gulf during Operation Desert Storm. Image Size: 12.25 x 14.25 in. Overall Size: 20.25 x 21.75 in. Unframed. (B13158)

Howard Koslow (American, 1924 - 2016) "Mt. Rushmore and U.S. Flag" Signed lower left. Original Acrylic painting on Cold Press Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original which was published on the Fleetwood First Day of Issue Maximum Card for the U.S. 29c Flag Over Mt. Rushmore stamp issued March 29, 1991. America, in its vastness, has many natural wonders befitting a great nation. Yet of all these, Mount Rushmore National Memorial, located southwest of Rapid City, South Dakota, is a bit unusual, for it is both a natural and man-made wonder. Each year, more than two million visitors gaze in wonder at the stern visages of four great men who molded the nation, their faces carved from a huge mountain of solid granite. Legendary men all, with ideas as rock solid as their granite profiles. In 1927, Gutzon Borglum, an impassioned student of Rodin in Paris, began the nation's most ambitious sculpture. Working for fourteen years, Borglum guided his crews in meticulously measuring, marking and chiseling into the tough granite of the 5,725-foot high mountain. "There is not a monument in the country as big as a snuff box," he exclaimed before he began his huge project. It was a task which he would not live to see completed. His son, Lincoln, closed down the project in 1941. Each of the presidential faces is as high as a six story building. George Washington looks out across a country he helped to create; Thomas Jefferson gazes over land he acquired through the purchase of the Louisiana Territory; Theodore Roosevelt's square-jawed countenance rises above forests he helped preserve -- and finally, Abraham Lincoln eternally watches over a union he kept under one flag. Image Size: 8.75 x 12.25 in. Overall Size: 13.75 x 17.25 in. Unframed. (B13000)

Ivan Akimovich Sushchenko (Russian, B. 1930) "Steamship" Signed lower right. Original Oil painting on Masonite. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This is the original painting which was published on the Fleetwood First Day Cover for the U.S. 1c Pan-American Invert: City of Alpena Steamship stamp issued March 29, 2001. During the 19th century when Americans began traveling West by the thousands, the Great Lakes provided a convenient route for passenger and freight. Vessels powered by sail were commonly used -- just as they had been for centuries throughout the world. The invention of the steamboat revolutionized waterway transportation. American engineer and inventor Robert Fulton designed the first commercially successful steamboat -- Clermont. He adapted James Watt's steam engine (patented in 1769) to his boat and, in 1807, the Clermont steamed 150 miles up the Hudson River from New York City to Albany in 32 hours. The boat later provided regular passenger service on the Hudson and opened the door for other steamboat service on the Great Lakes and along the Atlantic coast. In 1809, the Phoenix, designed by John Stevens, became the first steamboat to make an ocean voyage, traveling along the Atlantic coast and up the Delaware River from New York City to Philadelphia. It was only a matter of time before steam would be used to power ships across the Atlantic, and in 1819, the American ship, the Savannah, became the first steamship to do so. The Savannah traveled from New York City to Liverpool in 29 days. However, in 1838, the British side-wheeler Sirius became the first ship to cross the Atlantic under steam power alone. Image Size: 9 x 13.75 in. Overall Size: 11.75 x 16.25 in. Unframed. (B16913)

Jack Fellows (American, B. 1941) "Curtiss P-36A Hawk" Signed lower right. Original Oil painting on Masonite. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Republic of the Marshall Islands 33c Curtiss P-36A Hawk stamp issued February 10, 2000. Throughout its service, the Curtiss P-36A Hawk was flown by 10 different pursuit groups both stateside and abroad. As part of the U.S. Army's fighter forces stationed at Pearl Harbor, a Hawk was credited with scoring the first kill by a U.S. combat aircraft in World War II. Image Size: 16.5 x 14 in. Overall Size: 18.5 x 16 in. Unframed. (B14419)

Jack Fellows (American, B. 1941) "Fokker Dr.1" Signed lower left. Original Oil painting on Masonite. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original which was published on the Republic of the Marshall Islands 32c Fokker Dr.1 stamp issued November 1, 1996. The German Fokker Dr.1 triplane was favored by Baron Manfred von Richthofen, the legendary Red Baron. Painted a bright scarlet, his Fokker Dr.1 struck fear into the hearts of his enemies. Richthofen died with 80 kills to his credit, making him the preeminent ace of World War I. Image Size: 16.5 x 14 in. Overall Size: 18 x 15.5 in. Unframed. (B15462)

Jack Fellows (American, B. 1941) "C-119C Flying Boxcar" Signed lower right. Original Oil painting on Masonite. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original which was published on the Republic of the Marshall Islands 33c C-119C Flying Boxcar stamp issued February 10, 2000. First produced in 1948, the twin-boom, high-wing Fairchild C-119C Flying Boxcar could accommodate 78 troops, 42 paratroops, 34 litters or up to 9 tons of freight. Throughout the 1950s and early 1960s, the highly-versatile C-119C served the U.S. Air Force well, playing an important role during the Korean and Vietnam conflicts. Image Size: 16.5 x 14 in. Overall Size: 18.5 x 16 in. Unframed. (B13356)

Jack Fellows (American, B. 1941) "Grumman S2F-1S1 Tracker" Signed lower right. Original Oil painting on Masonite. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original which was published on the Fleetwood Commemorative cover with a US 29c Flag stamp postmarked December 4, 1991. In World War II, Allied use of hunter-killer aircraft teams played a key role in defeating German submarines. After the war, the Navy wanted to develop anti-submarine aircraft capable of both seeking and destroying enemy submarines. In 1950 Grumman won the right to produce a prototype, and production of the S-2 Tracker commenced two years later. Until its retirement in 1977, the Tracker operated primarily off carrier decks, combining low speed maneuverability with high payload capacity for ordnance and detection equipment. In 1964, Lt Bud O'Toole, stationed on the U.S.S. Intrepid in the Mediterranean, honed in on the signal of a Soviet "Whiskey" class submarine lurking in the area. The encounter illustrated the Tracker's efficacy and warned potential enemies that the U.S. Navy kept vigilant watch on the open seas. Image Size: 16.5 x 14 in. Overall Size: 18.5 x 16 in. Unframed. (B13333)

Jim Butcher (American, B. 1944) "Spacious Skies/Flag & Eagle over Farm" Signed lower right. Original Oil/Pastel on Cold Press Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original which was published on the Fleetwood First Day Cover for the U.S. 34c Flag over Farm stamp issued February 7, 2001. Most farmers in early America were largely self-sufficient, producing only enough for the needs of themselves and their immediate families. At the beginning of the 19th century, significant changes in farming began to occur. Settlers began to homestead the Great Plains, using horse and mule labor with iron and steel plows, reapers, planters and threshers. In 1862 Congress passed the Homestead Act, which granted 160 acres to settlers who worked the land for 5 years. Within 3 years, over 15,000 homestead claims had been established. Over the next half century, immigrants from Scandinavia, southeastern Europe and Mexico transformed the Great Plains from barren prairies into fertile fields of American bounty. During the 1920s and 1930s the gasoline-powered tractor came into general use. In 1940, the average American farmer supplied food to some 10 people. During the 1950s America experienced an agricultural revolution with the number of tractors on farms exceeding the number of horses and mules. In 1850, some 90 labor hours were required to produce 100 bushels of corn. A century later, only 15 hours were required for the same result. By 1960, one farmer was supplying food to over 25 people. By 1970, this figure had tripled as a result of using better fertilizers, herbicides, pesticides and strains of crops. Today, agriculture in the United States continues to be the msot efficient and productive in the world. Image Size: 16.75 x 14.75 in. Overall Size: 20.25 x 18.25 in. Unframed. (B07137)

Keith Reynolds (American, B. 1929) "Marshall Islands Fishing Vessels" Signed lower right. Original Oil painting on Canvas Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which appeared on the Republic of the Marshall Islands $2.90 Marshall Islands Fishing Vessels stamp issued April 19, 1994. The fish-laden waters surrounding the Marshall Islands have long provided the Republic with an ample supply of food. They have also been a source of recreation for those who enjoy the sport of fishing. The seaworthy vessels in this attractive painting are just two examples of the watercraft that ply Marshallese waters. Today, the commercial fishing boat is fast becoming a common sight in the Marshalls, where the government is steadily building a viable tuna-fishing operation. Nonetheless, there are those who fish for the sheer enjoyment of snagging a trophy-size catch. The sleek skiff also pictured in this painting calls to mind the hardy souls who spend every free moment dropping lines into the Marshalls' many lagoons, patiently waiting for a bite. Image Size: 15.5 x 24 in. Overall Size: 20 x 24 in. Unframed. (B14616)

Keith Reynolds (American, B. 1929) "Spanish Galleon San Jeronimo" Signed lower right. Original Oil painting on Canvas Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting originally appeared on the Republic of the Marshall Islands 10c Spanish Galleon San Jeronimo stamp issued April 19, 1994. Taken out of dry dock and refitted in Acapulco, Mexico, the San Jeronimo was sent on a mission to bring supplies to a Spanish settlement in the Philippines. Although the galleon set sail under the command of Captain Pero Sanchez Pericon on May 1, 1566, the following month he was killed by disgruntled crew members and quickly replaced by one of their own. Just three weeks later, Pericon's successor was thrown overboard and Lope Martin became the self-appointed captain. It was under his command that the San Jeronimo continued on to the Marshall Islands. When the vessel anchored there, the crew received a friendly Marshallese greeting accompanied by singing and dancing. Shortly thereafter, the San Jeronimo headed for Ujelang Lagoon. After resting for several days on a nearby island, mutineers again took over the ship, leaving Martin and 26 others on shore as they sailed toward the western horizon. Image Size: 15.25 x 21.25 in. Overall Size: 20 x 24 in. Unframed. (B14613)

Keith Reynolds (American, B. 1929) "Russian Brig Rurick" Signed lower right. Original Oil painting on Canvas Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting originally appeared on the Republic of the Marshall Islands 30c Russian Brig Rurick stamp issued April 19, 1994. Prompted by both mercantile and scientific interests in the Pacific, Russia launched a string of naval expeditions throughout Micronesia during the late 18th and early 19th centuries. One such voyage involved the Russian Brig Rurick, accompanied by a tender in its depiction in this painting. Ordered to explore the Marshall Islands, the Rurick's commander, Lieutenant Otto von Kotzebue spent three months in early 1817 visiting the eastern Ratak chain. There the ship's crew carried on trade and updated their maps of the area, giving the islands Russian names. French artist Louis Choris, also part of the expedition, spent his time busily sketching the islanders' daily activities. Later that year, von Kotzebue returned to the Marshalls for a brief stop before sailing home to Kronstadt. Image Size: 15.5 x 21.75 in. Overall Size: 20 x 24 in. Unframed. (B14614)

Keith Reynolds (American, B. 1929) "Schooner Victoria" Signed lower right. Original Oil painting on Canvas Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting originally appeared on the Republic of the Marshall Islands $3.00 Schooner Victoria stamp issued May 5, 1995. Records show that on May 31, 1834, the crew of the Schooner Victoria, in search of provisions, came ashore at Bikini atoll in the Ralik chain of the Marshall Islands. After two days, however, the crew came under attack and the captain was killed. Subsequently, the Victoria set sail on June 3. Naval research reveals that two vessels by the name of "Victoria" apparently sailed the seas during this same time period. Both were connected with the business of whaling. This same source also suggests that the schooner shown here most likely had a displacement of more than 350 tons. Image Size: 16 x 24 in. Overall Size: 20 x 24 in. Unframed. (B14998)

Dennis Lyall (American, B. 1946) "Nat "King" Cole" Signed and dated lower center. Original Oil painting on Hot Press Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Fleetwood First Day Cover for the U.S. 29c Nat "King" Cole stamp issued September 1, 1994. Nathaniel Adams Coles was born in Montgomery, Alabama, on March 17, 1919. The son of a Baptist minister, he moved to Chicago at the age of five. As a young child he was proficient at picking out tunes on the piano, and at 12 Coles had already become a competent musician. In 1936, he joined the company of a black revue known as Shuffle Along. Although the group disbanded a year later, Coles found work as a soloist, performing in small nightclubs in California. Taking the advice of a lounge manager, he formed a combo known as the King Cole Trio. The group's title was created by dropping the "s" from his family name. The "king" portion, a nickname that stayed with the musician throughout his life, came about when he was required to wear a paper crown during a performance. The trio attracted an avid following of Jazz enthusiasts and played at Hollywood's leading nightspots. In 1941, the group embarked on a national tour and began recording with the newly-formed Capitol Records Company. By 1943, Cole had become a solo artist. Referring to his success, he humbly explained, "I guess it's the hoarse, breathy noise that some like -- that's why they call me The Sound." Regardless of the reason, Cole's style was inimitable. His first recording, 1943's Straighten Up and Fly Right, was inspired by one of his father's sermons. It quickly became one of the biggest hits of the early 40s and was followed by many more, including Get Your Kicks on Route 66, Mona Lisa, Too Young and Smile. Image Size: 18 x 15.75 in. Overall Size: 18.5 x 16.5 in. Unframed. (B14756)

Ed Vebell (American, 1921 - 2018) "Emancipation Proclamation" Signed lower right. Original Acrylic painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Fleetwood Commemorative Cover for Epic Events in American History series issued in 1985. We know almost everything there is to know about Abraham Lincoln, but each generation puts upon him a different stamp of greatness. He was one who, in the words of Stephen Spender, wore at his heart the fire's center, and one who "born of the sun, left the vivid air singed with their honor," In his First Inaugural Address, Lincon said to the South, "We are not enemies, but friends. Passion may have strained, but it must not break our bonds of affection." And when the greatest of rebellions ended, Lincoln saw to it that not one soldier who bore arms against the United States was punished for treason. To freemen and slaves alike he was "Father Abraham." Simple and sincere, he dealt with all equally; not to slaves alone was he the "Great Emancipator." At Gettysburg, and again in his Second Inaugural Address, Lincoln reached heights of eloquence unknown since Pericles' Funeral Oration. No other American -- perhaps no other statesman of recent centuries -- has been so celebrated in song and story, in marble monuments; no other has been so loved by all the world. As Boston patrician Charles Francis Adams said of Lincoln's Second Inaugural speech: "Once at Gettysburg and now once again on a greater occasion he has shown a capacity for rising to the demands of the hour which we would not expect from orators of highest school. His inaugural, in its grand simplicity and directness is for all time the historical keynote of the war ... In it a people speak in the sublimely simple utterance of ruder times." Image Size: 19.75 x 22.5 in. Overall Size: 25.75 x 27.25 in. Unframed. (B05764)

Gene Boyer (American, 20th C.) "Martin Luther King, Jr." Signed and dated lower right. Original Acrylic painting on Cold Press Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Fleetwood First Day of Issue Proofcard for the 15c Martin Luther King, Jr. stamp issued on January 13, 1979. "Violence is not only morally repugnant, it is pragmatically barren." With these words, Dr. Martin Luther King, Jr., of the Dexter Avenue Baptist Church in Montgomery, Alabama, planted the seed of an idea that would become his lifelong dream. Born in Atlanta, Georgia, where this Proofcard was issued, Dr. King graduated from Morehouse College, and then completed advanced studies at Crozer Theological Seminary in Chester, Pennsylvania, and at Boston University. Like his father and maternal grandfather, he had planned to be a Baptist minister. Yet, his approach to religion was unique. He believed that the church was not defined by the outer walls of a building or Bible studies alone; but that the economical, social and even political needs of all people were within the scope of his personal responsibility. Racial violence in the decade between the mid-fifties and sixties mapped out his ministry for him. King insisted that nonviolence was the only way to effect a lasting change. In 1954 he led a boycott of the Birmingham, Alabama, transit system to force desegregation. His continued nonviolent protest activities drew more and more participants resulting in the formation of the Southern Christian Leadership Conference. In 1964 Dr. Martin Luther King received the Nobel Peace Prize for his efforts in Civil Rights. He had a dream and gave it substance, creating a ministry that spans the continents. Image Size: 11.5 x 10 in. Overall Size: 18.5 x 17 in. Unframed. (B05984)

Howard Koslow (American, 1924 - 2016) "American Samoa" Signed lower right. Original Acrylic painting on Cold Press Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original which was published on the Fleetwood First Day Cover for the U.S. 33c American Samoa stamp issued June 14, 2000. Archaeologists believe Samoa was settled over 2,500 years ago by voyagers from the Melanesian islands to the west. In 1722 the first European to sight the islands, Dutch navigator Jacob Roggeveen, sailed by without landing. In 1768 French explorer Louis Antoine de Bougainville rediscovered the archipelago. In 1830 John Williams established a mission for the London Missionary Society. Nine years later, Lieutenant Charles Wilkes led the U.S. Exploring Expedition in surveying the islands as a possible whaling station. In 1872 U.S. Navy Commodore Richard W. Meade negotiated with the Samoans for the use of the natural harbor on the island of Tutuila as a coaling station. International rivalry between the United States, Great Britain and Germany over Samoa was resolved in 1899. Germany took control of the islands west of the 171 degree W meridian, while the remaining seven islands fell under the auspices of the United States and became known as American Samoa. After World War I New Zealand administered the western islands as a League of Nations mandate and following World War II as a U.N. trusteeship. In 1962 the territory gained its independence as Western Samoa. The U.S. Navy administered American Samoa until 1951 when the Department of Interior assumed responsibility. Today, American Samoa is an unincorporated United States territory. The U.S. Postal Service issued this beautiful stamp to commemorate the 100th Anniversary of the historical union between the United States and American Samoa. Image Size: 14 x 12 in. Overall Size: 20.25 x 18 in. Unframed. (B16743)

Ivan Akimovich Sushchenko (Russian, B. 1930) "Christopher Columbus" Original Oil painting on Masonite. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original which appeared on the $5 Columbus stamp Souvenir Sheet issued May 22, 1992. Until recently, history presented a rather simplistic, and arguably inaccurate, view of Christopher Columbus and his achievements. School children read that Queen Isabella of Spain pawned her jewels to finance his first voyage. They were also told that he actually discovered America, a term under which one massive continent falls. The truth is infinitely more interesting. Christopher Columbus was born in 1451 in Genoa, Italy, to Domenico Colombo and Susanna Fontanarossa. To this day, no one really knows what he even looked like. He went to sea as a youth, possibly as young as age 14 but more probably at age 19 or 20. His journeys took him to Africa, England and Ireland -- perhaps even to Iceland. He eventually settled in Portugal, marrying into one of the country's first families of exploration. Denied sponsorship for a voyage of discovery by the Portuguese king, Columbus turned to Spain. In 1492 he set sail to test his theory -- that the east could be reached by sailing west. Queen Isabella never had to pawn her jewels, and his first landfall in the New World fell on the beaches of present-day San Salvador, not on the continent of North America. For a few years he blazed brightly at the Spanish court. But eventually stripped of his honors and glory for bungling the administration of New World colonies, he died in 1506. This portrait is based upon a painting by Italian artist Lorenzo Lotto which is just one of the many renditions of Columbus. Image Size: 18.75 x 16.25 in. Overall Size: 22.75 x 20.25 in. Unframed. (B13766)

Mark Schuler (American, B. 1951) "Flag over Yosemite" Signed lower right. Original Mixed Media painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original which was published on the Fleetwood First Day Cover for the U.S. 25c Flag over Yosemite stamp issued June 8, 1996. The Indians called it Ahwahnee, the deep, grassy valley. To Horace Greeley it was "the greatest marvel of the continent." Teddy Roosevelt found Yosemite "the most beautiful place in the world. " But perhaps it was writer and naturalist John Muir who was most profoundly inspired by the naturally magnificent grandeur that is now Yosemite National Park. Until the end of his life, he wrote of the region's natural majesty. It was Muir, in fact, who led the way to the creation of Yosemite as a protected National Park. A great wilderness of glittering lakes, rushing streams, jagged peaks and granite domes, Yosemite lies in the Sierra Nevada Mountains in east-central California, about two hundred miles from San Francisco. The park is a haven to flora and fauna as varied as it is plentiful, a place where everything from deer to bear find shelter among towering sequoias and lush ferns. After seeing a painting of the area, Muir was so drawn to it that he would later spend six years exploring the park's 790,000 acres of High Sierra territory and lower-level giant sequoia groves. His fervor about the area aroused public interest, and led Congress to create Yosemite National Park in 1890. The state of California ceded Yosemite Valley and the Mariposa Grove, not then part of the park, to the United States government to complete the beautiful reserve in 1906. Thus, as John Muir had hoped it would be, the breathtaking splendor of Yosemite has been preserved to inspire awe in generations to come. Image Size: 16.25 x 14.75 in. Overall Size: 22 x 19.75 in. Unframed. (B11612)

Mark Schuler (American, B. 1951) "Flag over Yosemite" Signed lower left. Original Watercolor painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which appeared on the Fleetwood First Day Maximum Card for the U.S. Flag Over Yosemite stamp issue of May 20, 1988. Serene and dreamlike in its misty dawns, and inviting all with lush, green meadows and giant trees, Yosemite National Park is among the most beautiful places on earth. People come by the thousands to experience this land apart from the cares of modern society. In 790,000 acres of High Sierra and world-famous lower level giant sequoia groves, Yosemite offers the best of America's natural majesty. Her smooth, granite domes -- polished by 2,000-foot thick glaciers many thousands of years ago -- and her steadfast, immovable mountains with thunderous falls cascading down, leave visitors breathless and awestruck. Thus, it is no wonder, that centuries of dreamers have found refuge in the land now called Yosemite National Park. The Indians called it Ahwahnee, meaning "deep, grassy valley." And Horace Greeley noted it as, "The greatest marvel of the continent." To Teddy Roosevelt, Yosemite was, "the most beautiful place in the world." And to Writer/Naturalist John Muir, it was worthy of his praises for many, many years. Muir first saw Yosemite in a painting in 1863, and was drawn to it. Arriving in 1868, he spent six years haunting the area, exploring its precipices, scaling its spiraling cliffs, and he would write of its unequaled beauty the rest of his life. In fact, it was John Muir who led the fight to make Yosemite a protected National Park, preserving its countless wonders for centuries to come. Image Size: 9.5 x 13.5 in. Overall Size: 15.25 x 19.5 in. Unframed. (B11611)

Mel Crawford (Canadian, B. 1925) "Metropolitan Opera" Signed lower left. Original Mixed Media painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Fleetwood First Day Cover for the U.S. 20c Metropolitan Opera stamp issued September 14, 1983. Since Opera combines acting, singing, orchestral music, costumes, scenery, and often ballet or some other form of dance -- most operas call for a large orchestra and a large cast of performers. As a result, operas are usually performed in large, specially designed theaters called opera houses. One of the best known and most revered opera houses in the world is the famed Metropolitan Opera in New York City. Since its first opening night on October 22, 1883, the Metropolitan Opera has entertained and brightened the lives of millions of Americans through hundreds of spectacular and famous operas ... such as Verdi's Othello as depicted here. In addition, it has delighted theater-goers across the nation with its many national tours, and through radio broadcasts and telecasts. In 1966, the Metropolitan Opera was moved from its original building to a new, ultramodern structure. Image Size: 14 x 11.75 in. Overall Size: 17.25 x 15 in. Unframed. (B08085)

Mel Crawford (Canadian, B. 1925) "Carolling in Cathedral at Christmas" Signed lower right. Original Mixed Media painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Fleetwood First Day Cover for the U.S. 20c NiccolinCowper Madonna, by Raphael stamp issued October 28, 1983. The magical season of Christmas is a time of merriment; but it is also a time for sincere reverence. On Christmas morning, churches all over the world hold special, joyous services to celebrate, with rich ceremony, the humble birth of the Savior of the World . . . Jesus Christ. Merriment and reverence are united by a special bond during this sacred time of the year. The sincere, yet joyful worship of Jesus Christ as the Babe of Bethlehem . . . born in humility . . . was especially stressed by St. Francis of Assisi. This Holy Saint is associated with Christmas because of his great love of the simple religious songs which were the forerunners of our modern Christmas carols. He once advised a devout Brother to mix light-hearted singing with his preaching -- "for what are the servants of God if not His minstrels, who ought to stir and incite the hearts of men to spiritual joy?" When St. Francis celebrated Christmas in Greccio in 1223 it was humble indeed . . . especially when compared with the Christmases of today, which involve diverse customs developed through two thousand years. But all Christmas customs, whether rooted in pagan festivals, folklore, or church rituals, express that "spiritual joy" of which St. Francis spoke . . . a resplendent joy to the world which we glory in manifesting, both in song and praise, during the magical season of Christmas. Image Size: 13.75 x 12 in. Overall Size: 16.75 x 14.75 in. Unframed. (B08334)

Paul Calle (1928 - 2010) and Chris Calle (B. 1961) "1920s - Prohibition" Signed lower right. Original Painting Mixed Media on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Fleetwood First Day Cover for the U.S. Celebrate the Century Series 32c Prohibition Enforced stamp issued May 28, 1998. On October 28, 1919, the Volstead Act was passed, providing enforcement of the recently ratified 18th Amendment, prohibiting the manufacture, sale or transportation of alcoholic beverages in the United States. President Herbert Hoover declared Prohibition to be "a great social and economic experiment, noble in motive and far-reaching in purpose." Most Americans, however, tended to disagree, especially those living in cities where illegal saloons or speakeasies flourished. Along with speakeasies came the men who supplied the illicit spirits, gangsters such as Frank Costello and Al Capone. Before long, the explosive growth of bootlegging and organized crime led to the broad corruption of public officials. Fewer than 1,600 liquor enforcement agents patrolled a nation inhabited by more than 105 million people, which possessed two lengthy borders and more than 18,000 miles of coastline. And since agents were paid miserable wages, few were dedicated to their work. Two notable exceptions were agents Izzy Einstein and Moe Smith -- famous for donning elaborate disguises to catch offenders. Calls for repeal of Prohibition began as early as 1923. It wasn't until February 20, 1933, however, that Congress passed the 21st Amendment, repealing the 18th Amendment and making liquor legal again. Image Size: 16.25 x 14.25 in. Overall Size: 23.25 x 16.25 in. Unframed. (B16125 / B16126)

Paul Calle (1928 - 2010) and Chris Calle (B. 1961) "Oldest Democracy Celebrates Bicentennial" Signed lower right. Original Mixed Media painting on Cold Press Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Republic of the Marshall Islands The 20th Century Series 60c Oldest Democracy Celebrates Bicentennial stamp issued November 15, 1999. On July 4, 1976, America celebrated the 200th Anniversary of the signing of the Declaration of Independence from Great Britain by the Continental Congress in Philadelphia. Festivities in the world's oldest democracy started on a mountain in Maine, where dawn first reached the country. Magnificent clipper ships breezed into New York Harbor in honor of the holiday. From coast to coast, spectacular firework displays lit up the sky. Cities throughout the country held parades featuring marching bands in Revolutionary War regalia, while streets were festooned with red, white and blue streamers and confetti. Families and friends gathered at beaches and parks. As an important part of the enormous celebration, thousands of people were naturalized as American citizens in solemn ceremonies. Image Size: 10 x 15 in. Overall Size: 13 x 20 in. Unframed. (B16587 / B16588)

Ron Fletcher (Australian, B. 1925) "Lightweight Sharpie/Yachting in Australia" Signed lower right. Original Oil painting on Canvas Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Fleetwood First Day Cover for the Australia 35c Lightweight Sharpie/Yachting stamp issued October 14, 1981. The Lightweight Sharpie derives from the International Twelve Square Meter Sharpie last sailed in Olympic competition in 1956. With experimentation by Australian designers a lighter weight hull together with acceptance of aluminum spars and synthetic sails gave birth to the Lightweight Sharpie. In 1961, this yacht gained national status, and it became Australia's firt class yacht to be registered in all Australian States. Approximate length of the Lightweight Sharpie is 6 meters with a beam of 1.47 meters and weighing 86.4 kg. This class yacht is manned by a crew of three and as it is unballasted, it must be kept upright by crew weight alone. Co-ordination technique between the helmsman, main hand and forward hand on trapeze plays an important part in controlling the yacht. The Lightweight Sharpie requires strong handling and the ideal age for learning is between 16 and 18 years of age. This class of yacht competes in the State and National Championships held in a different Australian State each year. The first National Championship was in Hobart in 1961. Competing teams are chosen from Australian State selection trials. Image Size: 12 x 14 in. Overall Size: 14 x 16 in. Unframed. (B07273)

Shannon Stirnweis (American, B. 1931) "German Settlers" Signed lower right. Original Oil painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original which appeared on the Fleetwood First Day Cover for the U.S. 20c Concord stamp issued April 29, 1983. After a long and tedious voyage from the shores of Germany, the Concord ... a rugged sailing vessel that carried the first German immigrants to America ... arrived in late 1683, in the vicinity of Pennsylvania. As soon as these German immigrants arrived by way of Philadelphia, almost all spread quickly into the country just outside the periphery of early English and Quaker settlement and control. The first real German settlement was at Germantown, founded by Francis Daniel Pastorius, the leader of this first group of German Settlers. Pastorius had purchased the land for the settlement from William Penn ... from whence Pennsylvania was named. According to Pastorius, "We named the place Germantown, which means the Brother City of the Germans." Pastorius' group included mainly people that had experienced religious oppression in their homeland ... German Quakers and a scattering of Mennonites, all in search of freedom and opportunity. All of these people brought their own special talents with them to their new home -- thus, making their living from their many trades and crafts. During the next forty years, several thousand more German and Dutch immigrants swarmed into Pennsylvania. A few found work either in or around Germantown, but most moved into the surrounding country and became successful farmers. Image Size: 17.75 x 15 in. Overall Size: 21.5 x 18.75 in. Unframed. (B07972)

Steve Ferguson (American, B. 1946) "EC-121 Constellation" Signed lower left. Original Acrylic painting on Cold Press Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original which was published on the Fleetwood First Day Cover for the U.S. 32c Constellation Classic Collection Series stamp issued July 19, 1997. The C-121 Constellation evolved from Lockheed's Super Constellation Model 1049 -- the last piston-engined aircraft to be built by Lockheed, with production ending in 1958. Equipped with four Wright turbo compound engines, the plane was supplied to a variety of civil airlines around the world, including America's Eastern Airlines. The long-range, military transport version shown on this painting carried additional fuel in two wing-tip tanks and one fuselage tank, for a total fuel capacity of 8,750 gallons -- enough for 24 hours of continuous flying time. The transport could be quickly converted to carry 75 passengers, 47 litter patients and attendants, or 14 tons of freight. Image Size: 16.25 x 13.75 in. Overall Size: 20 x 14.75 in. Unframed. (B15647)

Steve Ferguson (American, B. 1946) "C.R. 32 Cricket" Signed lower left. Original Acrylic painting on Cold Press Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Republic of the Marshall Islands 32c C.R. 32 Cricket stamp issued November 1, 1996. Nicknamed Chirri, or Cricket, by Spanish pilots, the 1933 Italian Fiat C.R. 32 had a lightweight duralumin frame that provided the plane with amazing strength and maneuverability. Armed with two Breda-Safat 12.7mm machine guns synchronized to fire through the propeller arc, the Cricket was a formidable biplane -- the principal fighter of the Regia Aeronautica from 1935-1940. Image Size: 16.5 x 13.75 in. Overall Size: 20 x 14.75 in. Unframed. (B15487)

Steve Ferguson (American, B. 1946) "Saab J35F Draken" Signed lower left. Original Mixed Media painting on Cold Press Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Republic of the Marshall Islands 32c Saab J35 Draken stamp issued November 10, 1995. Sweden accepted a world-class challenge when, in August 1949, it undertook the design of a supersonic aircraft. Later named the Draken (Dragon), this plane could intercept the most modern transonic bombers. Image Size: 16.5 x 13.75 in. Overall Size: 20 x 14.75 in. Unframed. (B15106)

Steve Ferguson (American, B. 1946) "Fiat G91Y" Signed lower left. Original Mixed Media painting on Cold Press Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Republic of the Marshall Islands 32c Fiat G91Y stamp issued November 10, 1995. Italian manufacturer Fiat was chosen to develop a fighter to equip European NATO member air forces. The G91 became operational with Italy's air force in February 1959. Image Size: 16.5 x 14 in. Overall Size: 20 x 15 in. Unframed. (B15066)

Tom McNeely (Canadian, B. 1935) "Otis Redding" Signed lower right. Original Watercolor painting on Paper. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original which appeared on the Fleetwood First Day Cover of the 29c Otis Redding American Music Series stamp issued June 16, 1993. As a high school student in Macon, Georgia, Otis Redding was so impressed by local blues-shouting singer Little Richard that he decided to pursue a full-time career as a professional musician himself. In 1959, at just 18, Redding was already on his way toward achieving that goal, cutting his first record, She's Alright. He continued to doggedly follow his dream for the next three years but with little success, until fate took a hand and propelled him to stardom. Visiting his friend Johnny Jenkins during a recording session in Memphis, Redding used Jenkins' left-over studio time to quickly cut These Arms of Mine, his first record to break into the Hot 100. Over the following four years, Redding charted with a number of other hits, including Try a Little Tenderness, Mr. Pitiful, and That's How Strong My Love Is. Redding's rendition of Jerry Butler's I've Been Loving You Too Long hit Number 21 in 1965. The up-tempo Fa Fa Fa Fa Fa also climbed the charts, reaching Number 29 in early 1967. But Redding's career was to be all too short. Eight years after rock stars Buddy Holly, Ritchie Valens and the Big Bopper died in an airplane crash, history repeated itself. Redding and several members of his band were killed when their plane smashed into a frozen lake in Wisconsin on December 10, 1967. Ironically, the ballad Dock of the Bay, released a month later, became Redding's biggest hit. It reached the Top 10 in both the United States and Britain, ensuring his status as a Rock 'n' Roll legend. Image Size: 22 x 17 in. Overall Size: 29.5 x 24 in. Unframed. (B14287)

Rembrandt Harmenszoon Van Rijn (1606 - 1669) Etching, engraving and drypoint. "The Hundred Guilder Print" Circa 1649. Partial indecipherable collector's stamp verso. Bartsch 74; second state of two. Provenance: Dr. George Kofas collection, former professor of fine arts; University of Maryland overseas division, as well as a fine arts instructor for the Department of Defense. Sight Size: 10.25 x 15.5 in. Overall Framed Size: 21 x 26.5 in. Framed behind glass.

Rembrandt van Rijn (Dutch 1606-1669) "Christ Carried to the Tomb" Circa 1645. Etching and drypoint, Signed in the plate, lower center. On laid paper with an R W Fleur-de-lis watermark. Collector?s stamp; lower right; Lugt 2775; Former collection of Sir Edward Astley (1729-1802). Provenance: Dr. George Kofas collection, former professor of fine arts; University of Maryland overseas division, as well as a fine arts instructor for the Department of Defense. Sight Size: 5 x 4.25 in. Overall Framed Size: 13 x 9.5 in.Framed behind glass.

Anne Brigadier (New York, 1908 - 1989) Abstract oil on board painting. Signed lower right and verso. Roko Gallery (New York City) stamp verso. Sight Size: 18 x 24 in. Overall Framed Size: 23 x 29 in.

Chuck Ripper (American, B. 1929) "Humboldt's Penguins" Signed lower right. Original Gouache Water Color on Masonite. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Fleetwood First Day Cover for the United Nations s7 Humboldt's Penguin stamp issued March 3, 1993. Also called the Peruvian Penguin, the Humboldt's Penguin is a rare bird indeed. Unlike most penguins -- which are residents of bitterly cold Antarctic regions -- the Humboldt's Penguin is found almost solely along the coast of South America, as its other name would suggest. Interestingly, the Humboldt's Penguin has evolved unique methods of adapting to tropical heat. Compared to Antarctic penguins, it has very sparse plumage and even completely bare spots to permit heat loss. The thick layer of subcutaneous fat found in other penguins is far thinner in the Humboldt's Penguin, which also has increased blood supply to certain areas of the skin, enhancing heat radiation. This fascinating bird formerly thrived in the cold waters of the Humboldt Current off the coast of South America. Nutrient-rich, these waters support large quantities of fish -- including the anchovies and pilchards which are the Humboldt's Penguin's favorite food. But despite the ability to breed all year, Humboldt's Penguin populations have been declining at an alarming rate. Human interference with nest sites, egg removal and habitat reduction caused by guano collection have all taken their toll. Today this bird faces yet another human threat. Commercial fisheries are removing anchovies and pilchards in large numbers, reducing the food supply and adding stress to the penguin's already tenuous grip on survival. Image Size: 14.75 x 12.25 in. Overall Size: 17.75 x 14.75 in. Unframed. (B14188)

Chuck Ripper (American, B. 1929) "Brown Pelican" Signed lower right. Original Gouache/Watercolor painting board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Fleetwood First Day Cover for the U.S. 20c Brown Pelican stamp issued October 2, 1996. The Brown Pelican is a large coastal bird that weighs eight pounds and has a seven-foot wingspan. During the breeding season, this waterfowl is characterized by a large gray bill, featherless black throat patch, white head, gray-brown body, and cinnamon-brown hindneck and nape. A colony nester, this bird often lays three eggs in a nest of dead vegetation or directly on the ground. When feeding, the young pelican practically crawls into its parent's beak to eat the partially digested food its parent produces. With its large beak, short tail and waddling walk, the Brown Pelican appears awkward and clumsy on land. When airborne, however, this bird is a graceful flier. The pelican launches into flight with several rapid wingbeats. Once aloft, it glides occasionally, flapping its wings to maintain altitude. Brown Pelicans often fly quite close to the water's surface while hunting for fish, but even 20 to 50 feet above the water a pelican can easily spot its prey. Although graceful in the air, the Brown Pelican appears to make a crash landing as it swoops down to catch a fish. This impressive bird will emerge from the water with a fish held crosswise in its beak, then effortlessly flip the prey into its pouch. Over the past few decades Brown Pelican populations have drastically declined. This is due to pesticide use that has contaminated rivers and coastal waters. The Brown Pelican absorbs the chemical through food that causes thinning of its egg shells, decreasing successful reproduction rates. Image Size: 14.5 x 12.5 in. Overall Size: 17.75 x 15 in. Unframed. (B15509)

Chuck Ripper (American, B. 1929) "Female Stoplight Parrotfish Among Coral" Signed lower right. Original Gouache/Watercolor painting on Masonite. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Fleetwood Mint Stamps of the World Collectors Panel for the Nevis Fish stamp issue of September 1, 1993. The males of the species known as Parrotfish, the Blue Thum is distinguishable from its mate by its blue body color and the yellow hue of its tail base and gill cover. Occasionally, it attains larger size and more brilliant shades than the female, becoming a terminal-phase or "supermale." The flesh of the Blue Thum spoils quickly discouraging human predators. In contrast, the striking red body, brown head and multicolored scales of the Red Thum make it a highly visible fish. Reaching up to 20 inches in size, it is one of the reef's most magnificent residents. So meticulous is the Red Thum in its search for food that in the process of grazing for algae on coral and rock, it turns them into fine sand. Except in special cases, this female outshines her partner, the Blue Thum in appearance and size. Image Size: 20.5 x 16.25 in. Overall Size: 22.75 x 18.75 in. Unframed. (B14485)

Dean Ellis (New York, 1920 - 2009) "Life of John F. Kennedy - Nuclear Test Ban" Signed lower right. Original oil painting on Masonite. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the First Day Cover for the Republic of the Marshall Islands 55c Nuclear Test Ban stamp issued May 29, 1995. In August 1963, the United States and the Soviet Union signed a treaty that eliminated all above-ground atomic bomb testing in a diplomatic coup, Kennedy knew that his Soviet adversary, Nikita Krushchev, would welcome an olive branch after testing America's will to fight less than one year earlier. On October 22, 1962, Kennedy had placed a brief "quarantine of shipping to the island of Cuba after learning Soviet missiles were being based there. Thus, on June 10, 1963, Kennedy suggested a limited nuclear testing ban in a speech at the American University in which he stated, "If we cannot now end our differences, at least we can help make the world safe for diversity." Khrushchev later said it was "the best speech by any President since Roosevelt." On September 24,1963, the treaty was ratified by the U.S. Senate. Image Size: 11.5 x 14.5 in. Overall Size: 14 x 15.25 in. Unframed. (B15042)

Don Balke (North Carolina, B. 1933) "Cardinal" Signed lower right. Original Watercolor painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Fleetwood First Day of Issue Maximum Card for the U.S. 30c Cardinal Flora and Fauna Series stamp issued June 22, 1991. A flash of red streaking through densely wooded park land accompanied by a sweet, clear trill indicates the presence of one of North America's most popular songbirds -- the cardinal. Often referred to as a cardinal grosbeak or redbird, the cardinal is common to North and South America but maintains a decided preference for the temperate regions of the Midwestern and eastern United States. While both the male and female possess a distinctive crest, the male outshines its mate in brilliant plumage. He jauntily sports the deep crimson feathers and black-ringed beak associated with the species, while her dun-colored mantle provides camouflage for brooding. Cardinals begin to mate in April and frequently breed until mid-September. The female often takes three to five days to build her cup-shaped nest in bushes or hedges close to houses, and lays from two to five eggs. Two weeks later the downy young hatch, and within nine days they are on their own. Within a year the juveniles are able to sing, warbling the flute-like, descending song which characterizes the species. Image Size: 14.5 x 17.75 in. Overall Size: 14.25 x 17.75 in. Unframed. (B13149)

Don Balke (North Carolina, B. 1933) "Ruby-throated Hummingbird Taking Nectar" Signed lower right. Original Watercolor painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Fleetwood First Day Cover for the U.S. 29c Ruby-throated Hummingbird stamp issued June 15, 1992. "No sooner has the returned sun again introduced the vernal season, and caused millions of plants to expand their leaves and blossoms to the genial beams, than the little Hummingbird is seen advancing of fairy wings, carefully visiting every opening flower cup. Its gorgeous throat in beauty and brilliance baffles all competition. Now it goes to a fiery hue, and again is changed to the deepest velvety black." Thus wrote the great naturalist, John James Audubon, of the Ruby-throated Hummingbird. Audubon -- like many before and since -- was entranced by the little flying jewel. The Ruby-throated Hummingbird is the best known of North America's Hummingbirds, for it is found regularly in eastern North America. Ranging from Panama to Nova Scotia, the Ruby-throated Hummingbird also has one of the most impressive migrations of the hummingbirds, although not quite as great as that of the Rufous Hummingbird. However, the Ruby-throated Hummingbird must cross the vast expanse of the Gulf of Mexico in one shot, an astounding accomplishment for such a small bird. Yet, with enough fat reserves, the Ruby-throated Hummingbird is able to make the journey without mishap. Image Size: 19.75 x 17.5 in. Overall Size: 21 x 18.75 in. Unframed. (B13682)

Don Balke (North Carolina, B. 1933) "Elf Owl Perched in Saguaro" Signed lower left. Original Watercolor painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Fleetwood First Day Cover of the U.S. 33c Elf Owl Perched in Saguaro stamp issued April 6, 1999. One of the world's smallest owls, the Elf Owl is five to six inches high and weighs less than two ounces. Denizen of deserts, and woodlands and canyons of the American Southwest, this tiny bird is identified by its large yellow eyes, short tail, and streaked and spotted grayish-brown plumage. Being nocturnal, the Elf Owl is most often seen at dawn or dusk. Because of its small size, it isn't equipped to hunt large rabbits or rodents, and thus feeds primarily on moths, beetles, grasshoppers and small reptiles. Scorpions are also an important food source. Not called a "wise owl" for nothing, before eating a scorpion, this diminutive bird first removes the poisonous stinger. When feeding on flying insects, it simply snatches them in midair with its clawed feet. One of the most abundant birds in the desert Southwest, the Elf Owl roosts and nests in abandoned woodpecker holes in trees or saguaro cacti, where it is protected from the oppressive desert heat. Like other owl species, the Elf Owl does not build a genuine nest, but lays an average of 3 to 5 white eggs on the floor of the cavity or tree hole. When the eggs hatch, the young emerge blind and covered with whitish down. Both parents share in rearing the young. The male brings food to the female until the hatchlings are half grown, then feeds them directly. Image Size: 12 x 10.5 in. Overall Size: 13 x 12 in. Unframed. (B16360)

Erik Nitsche (Swiss, 1908 - 1998) "Three Legs of Man Sculpture" Signed lower right. Original Mixed Media painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Fleetwood First Day Cover for the Isle of Man Europa 1987 Modern Art - Architecture stamp issued April 29, 1987. On the pastoral southeastern shore of the Isle of Man lies one of the Isle's main ports of entry, the modern Ronaldsway Airport. Set amid pastures reminiscent of the English Lake District, Ronaldsway welcomes thousands of tourists to the Isle. Proud of their Manx heritage, the Isle's citizens felt some unique symbol of their heritage should welcome visitors to Man especially during the Isle's Millennium Year which took place in 1979. After holding a design competition, artist Bryan Kneale was commissioned to complete his winning entry, a free-standing sculpture entitled Three Legs of Man, which now stands just outside the airport. The sculpture depicts the traditional emblem of the Isle of Man which symbolizes the Manx spirit of independence and determination. Image Size: 14 x 12 in. Overall Size: 20 x 15 in. Unframed. (B10849)

Faith Jaques (British, B. 1923) "Boys on Bicycles" Signed lower right. Original Watercolor painting on Cold Press Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This is the original painting which was published on the Fleetwood First Day of Issue Cover for the International Year of the Child stamp issued in 1979 by countries all around the world. The bicycle is a unique and grand invention -- one of the most efficient means ever created to convert human energy into propulsion. First devised in France in the 19th century, the bicycle today is an important means of transportation and a worldwide sport and industry. Kirkpatrick Macmillan is credited with inventing the first modern bike, after he developed the drivetrain in 1839. Shortly thereafter, the first recorded bicycle race in the world occurred when Macmillan wagered a coach driver he could win a race from Glasgow, Scotland, to the nearby town of Sanquhar. Macmillan's confidence in his abilities was well-founded, as he won decisively, an admirable feat considering his bicycle weighed over 80 pounds and had awkward wooden wheels rimmed with iron. Today, bicycles are the most prolific road vehicles in many countries. Bicycle touring and racing are two popular European sports, which are also practiced in the United States to a lesser degree. Touring is often organized into clubs. The Pickwick Bicycle Club of London, founded in 1870, is the world's oldest touring club. Early cycle clubs played an important role in their outspoken and fearless support of the sport of cycling, against the prevailing mood of the day. Today, over 50 million people around the world cycle regularly, enjoying the benefits of good health and vigor that come naturally with cycling. Image Size: 6.25 x 7 in. Overall Size: 9.75 x 10.5 in. Unframed. (B05518)

Gordon Beningfield (British, 1936 - 1998) "Standing Cypress" Signed lower right. Original Watercolor painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was originally published on the Fleetwood First Day Cover of the U.S. 29c Standing Cypress stamp issued July 24, 1992. A showy flower of early to midsummer, standing cypress blooms from May to August. The plume of tubular orange-red flowers is borne on a tall, straight stalk. The inside of the flower is dappled with yellow streaks or splotches. The leaves are pinnately divided into almost threadlike segments, creating an airy, feathery look. Standing cypress prefer well-drained soils of sandy, open areas and gravel-strewn river banks. Although native to the southeast, standing cypress has escaped cultivation and become naturalized in some areas of the northeast. A biennial, standing cypress has a two year growth cycle; the first year it develops a good root system and the second year it produces foliage and flowers. A favorite addition to gardens, standing cypress readily reseeds itself. Attracted by the scarlet flowers, hummingbirds feed on the sweet nectar. Because of their close similarities, the genus Ipomopsis often is used synonymously with Gilia -- a genus of more western species. Image Size: 7 x 6 in. Overall Size: 11.5 x 10.5 in. Unframed. (B13481)

Gordon Beningfield (British, 1936 - 1998) "Dutchman's Breeches" Signed lower right. Original Watercolor painting on Cold Press Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting published on the Fleetwood First Day Cover of the U.S. 29c Dutchman's Breeches stamp issued July 24, 1992. Found in rich woods and ravines, the dainty flowers of Dutchman's breeches blooms from April to May. The flowers have four petals united in two pairs. Two larger white or pinkish petals form the "breeches," while a smaller pair of yellowtinged petals encloses the stigma. The genus name, derived from the Greek words dis -- twice -- and centron -- spur -- describes the form of the flower. The species epithet, cucullaria -- which means hoodlike -- refers to the smaller pair of petals. Bumblebees pollinate the flowers as they sip the nectar inside the spurs with their long proboscises. Unable to reach the nectar, other bees with shorter proboscises can only collect the pollen. The highly dissected, bluish green foliage of Dutchman's breeches makes a pleasing contrast to the delicate flowers. The leaves have been used in folk medicine as a poultice to treat skin ailments. Dutchman's breeches is closely related to the garden favorite, bleeding hearts. Image Size: 7 x 6 in. Overall Size: 11.5 x 10.5 in. Unframed. (B13820)

H. Douglas Pratt (American, B. 1944) "Long-tailed Cuckoo" Signed lower right. Original Oil painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original which appeared on the Federated States of Micronesia 29c Long-tailed Cuckoo stamp issued October 20, 1994. The tropical islands and atolls that comprise the Federated States of Micronesia host a multitude of migrant bird species, each with its own unique characteristics. This painting features a Long-tailed Cuckoo. During its annual winter journey, this bird is known to rest in many Pacific locales, including the island of Chuuk. This exotic creature is identifiable by its brown and white plumage, as well as by its unusually long tail feathers. Image Size: 7.25 x 5.5 in. Overall Size: 10.5 x 7.25 in. Unframed. (B14696)