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Lot 63
NO RESERVE Wine & brewing.- Saintsbury (George) Notes on a Cellar-Book, limited edition, signed by the author, some underlining in pencil, original buckram-backed boards, water-stained, 1921 § Reed (Andrew) The Liquor Licensing Laws of Ireland, second edition, cancelled stamp to front free endpaper, signature to head of title, original cloth, Dublin, 1881; and 10 others, wine and brewing, v.s, (12)
Lot 538
A continental silver stamp box, the lid embossed with figures in an interior scene, stamped 800, weight 2oz, 2.5ins x 2ins x .05ins, together with another continental silver box, the hinged cover embossed with an Oriental scene and scrolls, import marks for London 1902, weight 2oz, 4ins x 1.25ins x 0.75ins
Lot 500
Nevinson (Christopher Richard Wynne, 1889-1946). Column on the March, 1917, offset colour lithograph on thin wove, signed in pencil lower right, sheet size 285 x 220 mm (11.3 x 8.7 ins), as issued in Modern War Paintings by C.R.W. Nevinson, with an introductory essay by P. G. Konody, 1st edition, Grant Richards Ltd., 1917, monochrome plates, faint ink stamp to verso of frontispiece, plates and few leaves of text, label removed from front pastedown, untrimmed, original green cloth-backed boards with printed paper title labels to upper cover and spine, gilt library number at foot of spine, in original blue dust jacket, with some fading, long closed tear repaired to verso with adhesive tape, some wear to extremities of dust jacket and manuscript library number at foot of spine, 4to (1)
Lot 554
*@Erte (Romain de Tirtoff, 1892-1990). Jeu d'Enfer, 1959, gouache on thick wove paper, depicting a semi-nude female wearing a flowing black cloak, holding aloft a large bejewelled bag, and wearing a striking white feathered head dress, titled in pencil upper left (and additional pencil markings upper right), signed lower right, very slightly dusty in places, verso with additional pencilled title and blue ink stamp 'Composition originale ERT Romain de Tirtoff', sheet size 48.5 x 30cm (19 x 12ins) (1)
Lot 553
*@Erte (Romain de Tirtoff, 1892-1990). Sorci‚re, 1964, gouache on thick wove paper, depicting a bare-breasted female in a bejewelled purple gown, with long flowing sleeves lined in green, and wearing a hennin on her head in matching colours, titled in pencil upper right, and signed lower right, slightly dusty in places and a few minor marks, verso with additional pencilled title and blue ink stamp 'Composition originale ERT Romain de Tirtoff', sheet size 48.5 x 30cm (19 x 12ins) (1)
Lot 473
Burne-Jones (Edward Coley, 1833-1898). An important series of 17 autograph letters to Eleanor Warren, Lady Leighton (1841-1914), 26 July 1881-27 March 1884, consisting of 17 autograph letters from Burne-Jones to Lady Leighton, on writing paper headed The Grange, West Kensington, W (except one on paper headed Ashley Cottage, Walton-on-Thames, the home of Sir George Lewis, the famous solicitor and patron of the arts), including 15 with original handwritten envelope, postmarked (except two without stamp and postmark, presumed hand-delivered), together with a telegram from Burne-Jones to Lady Leighton, and two autograph letters from Lady Leighton to Burne-Jones, on unheaded writing paper (one with original envelope), letters typically a single folded sheet, written on both sides, all now mounted on white backing paper A significant sequence of correspondence between the Pre-Raphaelite painter Edward Burne-Jones and Eleanor Warren, who married Sir Baldwyn Leighton, M.P., 8th Baronet of Loton, Shropshire in 1864. She was the sister of John Byrne Leicester Warren, 3rd Baron de Tabley, of Tabley Hall, Cheshire, and held the Tabley estate in trust for her son Cuthbert, following her brother's death. The Leighton's London residence was 49 Upper Brook Street, Grosvenor Square, London. Eleanor had met Burne-Jones at Downing Street in 1877 (the year her husband was elected a Conservative M.P.), and developed a close friendship that lasted until the artist's death in 1898, culminating in a commission from her for a stained glass window designed by Burne-Jones commemorating Eleanor's siblings at Tabley Chapel. The letters reveal the important role she played in assisting the artist with his work, discussing his art, and exchanging opinions on people and politics. Moreover, she became an important source to Burne-Jones for suggestions of old English flower names for an important sequence of small circular flower studies illustrating the names of flowers, undertaken between 1882 and 1898, known as The Flower Book (now in the British Museum). From her estate she supplied Burne-Jones with briars for his Briar Rose series (see Memorials of Burne-Jones, volume 1, page 145), and almond blossom for his painting The Tree of Forgiveness, painted in the winter of 1881, and exhibited the following spring at the Grosvenor Gallery : 'and O if I might have the real veritable & true bit of almond blossom by bearer & then I should want no more in all my life' (from a Burne-Jones letter to Lady Leighton included here). The letters refer several times to Burne-Jones' progress with 'Demophon' (The Tree of Forgiveness), the title of which was apparently suggested by Lady Leighton herself : 'I thought I had told you that you have to be the godmother to that picture - & now it is in print is it? Yes - that is a lovely name for it & will be understanded of the people better than if I called it by their names - thank you for that.' (Burne-Jones letter to Lady Leighton, postmarked May 26, 1882, included here). (20)
Lot 373
*Continental School. Oval miniature portrait of Queen Louise of Prussia (1776-1810), later 19th century, watercolour and gouache on thin ivory, signed Denise lower right, depicting the famous young wife of Frederick William III of Prussia, who met Napoleon following his defeat of the Prussians in 1807 to ask for leniancy, the figure wearing a white empire-style dress with pink ribbon sash and ermine royal cape, and a diadem with star and veil, 10 x 8 cm (4 x 3.2 ins), period ornate brass frame, together with another Berlin porcelain oval miniature portrait of Queen Louise, pencil inscribed to verso with her name, and with blind impressed stamp '15' to verso mounted on oval brass frame, 9 x 7 cm (3.5 x 2.75 ins), a small oval miniature portrait of a young woman holding red roses in the style of Heinrich Friedrich Fger (1751-1818), probably late 19th century, an English watercolour portrait of a seated widow, unsigned, and one other (5)
Lot 926
Alexandre Bailly (1866 - 1947) Oil On Wood Panel Possibly a set design for ballet/opera/cinema. Depicting a building with trees to foreground in expressionistic style, signed to bottom. Atelier stamp to verso, set dimensions in pencil to verso. 16.5 X 26.5 cm. Provenance, Atelier Jambon - Bailly Sale. Please see accompanying image
Lot 403
Royal Crown Derby Hand Painted and Signed Figural Paperweights ( 2 ) In Total. Comprises Kangaroo and Baby - Australian Collection, Gold Stopper, Gold Signature Back stamp, Date 2000. This Model Depicts The Mother-Roo with ' Joey ' Peeking out of The Pouch. Height 6 Inches - 15 cm. 1st Quality & Mint Condition.
Lot 1344
Very large blue Lighthouse Faro stamp album containing several early imperforate QV stamps witha penny black, five twopenny blues (two with nice Maltese cross cancellations). Also completepenny red set, excluding plates 77, 219, 222, 223, 224 and 225. Also a complete set of bantamhalfpenny reds, excluding plate 9. Many others including KEVII 2/6. Noted six seahorses to 5/- anda virtually com[plete set of QEII stamps to 1986. many spaces are illustrated and several haveindividual Hawid mounts.
Lot 340
A Good Collection Of Royal Mint Silver Coins Five Sets In Total (1) Britannia Two Pound Silver Bullion Coin And Ten Pound Stamp Set. (2) Royal Mint Silver Proof 50 Pence Coin Celebrating The 100th Anniversary Of The Woman's Social And Political Union (3). United KIngdom 2002 Silver Piedfort one pound coin with original red leather case and certificate of authenticity. (4). 1953 - 2003 silver proof 50 pence coin and (5). one other. Please see photo.
Lot 1347
Green Windsor stamp album with fair smattering of all reigns. Several interesting blued penny reds,four twopenny blues, a largely complete set of halfpenny bantams (no plates 9, 10 or 20), a goodcollection of surface printed QV including all plates except 7 of the fourpenny vermillon (SG94)andmany others. Huge catalogue value.
Lot 1507
Five Luxury Leuchtern Kabe Stamp Albums Covering All QE2 Reign (1952-Present) These Very High Quality Albums Costing Around £100 Each Have Spaces For All The Major Stamp Issues, Each Individually Presented With Leaf Acetate Cover. The Vast Majority Of The Presented Spaces Have Mint Unhinged Stamps. A Beautiful And Well Presented Collection with many mini sheets and the like.
Lot 1341
Excellent early (Queen Victoria onwards) GB stamp collection in blue springback Merton stampalbum. Lots of early imperforate blued and otherwise penny reds and twopenny blues. Includesseveral with numbered Maltese Cross cancellations, identified varieties, plate numbers and the like.There is also a complete block of four and a rare block of ten. Many excellent surface printed highcatalogue stamps. Several high denomination stamps and many seahorses. Well worth a look.
Lot 188
Royal Mint - The Diamond Wedding Anniversary Silver Coin Commemorative Cover - Ltd Edition of Only 450, This Is Number 83 with Silver Five Pound Proof Coin - Mint, Also Features Royal Mail, Customised Stamp Celebrating The Diamond Wedding Anniversary, Complete with Certificate, Authenticity and Delux Folder.
Lot 486
Scarce 1958 Manchester Utd b&w team photograph, press issue, photo taken on the Old Trafford pitch before the match v Chelsea, the final official photo of the team (at O.T.) before the disaster. The reverse has a Thomson Newspaper stamp plus various date stamps when this iconic photo was used for later newspaper editions.
Lot 586
Wolverhampton Wanderers team postcards 1938/1939 (Wilkes stamp) with autographs by F. Taylor, T. Galley, R. Dowsett, R. Scott, D. Westcott, W. Morris, J. Gardiner, S. Cullis, A McIntosh, J. McGuire, S. Burton. Also 1948/1949 (Wilkes stamp) S. Smythe, J. Mullen, R. Pritchard, J. Dunn, J. Hancocks, L. Kelly, W. Shorthouse, T. Springthorpe. (2 postcards). Good.
Lot 3218
Pablo Ruiz Picasso (1881 - 1973), after, Jeune femme assise contemplant le Minotaure endormi derrière un rideau - 1933, No. 21 from the Vollard Suite, signed in pencil Picasso, titled and numbered in pencil, monogrammed red seal stamp to recto, stamped Magadelen Street Gallery, Cambridge to verso, lithograph, 19.5cm x 26.5cm; another, Quatre modeles devant une téte sculptée - 1934, No. 7 from the Vollard Suite, signed in pencil Picasso, titled and numbered in pencil, stamped Copie D'Epreuve and monogrammed to recto, stamped 20c Art International, Nice, France to verso, lithograph, 19.5cm x 26.5cm, [2]
Lot 361
Royal Commemorative stamp albums to include Monarchs of the 20th Century Coin First Day Covers (seven silver coloured Crowns), Royal Events limited edition coin covers, stamps and First Day Covers (three silver coloured Crowns, one gold coloured Tala and one cupro nickel coin), Royal Events stamps and The Royal Celebration Album (four gold stamps)
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164719 item(s)/page