A CULTURED PEARL NECKLACE, single row of cultured cream pearls, each measuring approximately 6.0mm, individually knotted onto a white cord, fitted with a yellow metal integrated box clasp, of a flower form set with a central circular cut garnet in a surround of seed pearls, stamp mark for possibly 9ct, with additional safety chain, length 490mm, approximate gross weight 23.2 grams (condition report: general light wear, natural blemishes to some of the pearls, clasp in working order, overall condition good)
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A SILVER VESTA CASE, STAMP HOLDER AND A BELT BUCKLE, the rounded rectangular vesta case, decorated with engraved acanthus leaf and foliage pattern, striker to the base, fitted with a suspension ring to the top, hallmarked 'Joseph Gloster' Birmingham 1895, a small stamp holder in the form of an envelope, hallmarked 'Adie & Lovekin Ltd' Birmingham 1907, approximate gross weight 24.8 grams, together with a white metal belt buckle stamped with sponsors mark, approximate gross weight 12.6 grams
GOLDING; WILLIAM, LORD OF THE FLIES, First Edition, published by Faber and Faber 1954, printed in Great Britain by Latimer Trend & Co, with second impression dust wrapper bearing reviews, book bears a label for W.H.Smith & Sons Library Bridge House, Lambeth with stamped 'SOLD' over stamp and a torn charge sticker below (Condition Report: text complete and firmly bound, the dust wrapper is torn and stained with some light water damage along the bottom back edge, there is also a dead moth behind the top back corner near the spine, the top edge of the pages have a large pink stained patch and all other edges are dirty, there is some foxing particularly to first few front and back page, other areas of water staining from red cover into end papers / inside covers)
SEVEN PAINTINGS AND PRINTS, comprising a Howard Hooker oil on board depicting a vintage sports car racing a vintage bi-plane, signed and dated 1991 bottom right, approximate size 19cm x 26cm, Robert Tomlin print 'The Ambassadors' depicting the Red Arrows in Cornwall, approximate size 36cm x 62cm, Edmund Miller signed print 'Wings over the Glens' depicting a vintage car and aeroplane meeting, a William Russell Flint print 'Alexandrine and Josette on the river Gard' with WRF blind stamp, two Gordon King signed limited edition prints 'Pandora' and 'Hidden Thoughts', together with a signed Dick Twinney print 'Winter Fox' (Condition Report: all in good overall condition aside from the Twinney print which appears a little faded)
Assorted volumes to include:- Tolkien, J R R "The Fellowship of the Ring", George Allen & Unwin, 4th impression 1969, small ex-library stamp at base of tp, dj not price clipped "The Two Towers", revised edition, George Allen & Unwin, 4th impression 1969, small library stamp at base of tp, ffep been cut out, dj not price clipped, glassine covers Day, David "A Tolkien Bestuary", Michael Beazley Limited 1979, name and address written on ffep in ink, dj Doyle, Roddy "The Giggler Treatment", Scholastic Press 2000, dj Milligan, Spike "Bad Jelly the Witch, a Fairy Story", Michael Joseph 1973, decorated ep, pictorial boards, dj price clipped Briggs, Raymond "Ugg, Boy Genius of the Stone Age" "Fungus the Bogeyman, Popup Book", "Ivor the Invisible", dj Various David Walliams novels, Philip Pulman, Eoin Colfer, Anthony Horowitz Pike, Oliver G "Behind the Veil in Birdland, Some Nature Secrets Revealed by Pen and Camera", London, The Religious Tract Society 1908, tipped in photographic plates on dark grey card, some loose tissue guards, some foxing, plates appear to be clean, pictorial boards which have suffered and are stained and faded, corners bumped and backstrip also Rees, Darren "Bird Impressions, a Personal View of Birds", Swan Hill Press 1993, colour and black and white illustrations throughout, light grey cloth with gilt titles, dust wrapper not price clipped Gibson, Graeme "The Bedside Book of Birds, an Avian Miscellany", Bloomsbury 2005, colour illustrations and plates, pictorial ep, green cloth, dust wrapper "The Bedside Book of Beasts, a Wildlife Miscellany", Bloomsbury 2009, pictorial ep, colour illustrations throughout, pictorial ep, orange cloth, dj not price clipped (I box)
SWITZERLAND ALL ERAS INCLUDING FEDERAL ADMIN STAMP COLLECTION IN ALBUM Swiss Collection with wide and varied collection in cluding early Federal Admin items, Helvetias in rappens and SF values, other good early to mid era material, Aarau mini sheet used, National Exhibition of late 1930's postal stationery, covers, and other material through to around the early 1980's. Several hundred stamps, + covers etc. Viewing recommended
BOX OF 7 WORLD STAMP COLLECTIONS SOLD AS ONE LARGE LOT, ALL ERAS MINT & USED Box with 7 collections, in brief 64 page stockbook, with Andorra, Early mid period Germany. Cover album of Methodist covers modern, GB collection in SG one country album, collection of coaching covers, postcards etc, album of Channel Islands issues, PHQ style cards etc, collection of 1960's GB covers and finally Persia and Iran collection.
Red Stamp Album Collection (1992 1997), (1923), (1938 47), (1956) used Postage Stamps Country Hong Kong. Approx. Size 11 x 10 Inch. Approx. 230 Stamps plus 1 FDC. We combine shipping on all lots. Single items from £5.99 UK, £7.99 Europe, £9.99 ROW. We can ship a parcel up to 20kg which in UK £12, EUROPE £39.99, ROW, £59.99
Variety mainly Mint Stamps a few used Postage Stamps in a Black Stamp Holder Country Hong Kong / China. Approx Size 11 x 8. 5 Inch. Approx. 60 Stamps. We combine shipping on all lots. Single items from £5.99 UK, £7.99 Europe, £9.99 ROW. We can ship a parcel up to 20kg which in UK £12, EUROPE £39.99, ROW, £59.99
Pale Blue Stamp Album KA / BE used Postage Stamps and; Mint Stamps 1948 1990 Collection Country Germany (Berlin) Approx. 12 x 9. 5 Size. Approx. 500 Stamps. We combine shipping on all lots. Single items from £5.99 UK, £7.99 Europe, £9.99 ROW. We can ship a parcel up to 20kg which in UK £12, EUROPE £39.99, ROW, £59.99
Burgundy Stamp Album used Postage Stamps and; Mint stamps Collection 1949 1959 Country Germany Approx. 12 x 11 Inch. Approx. 200 Stamps. We combine shipping on all lots. Single items from £5.99 UK, £7.99 Europe, £9.99 ROW. We can ship a parcel up to 20kg which in UK £12, EUROPE £39.99, ROW, £59.99
An Edwardian silver mounted stamp box, the sloping top inset with three glazed compartments, two of them with inset stamps by Charles Penny Brown, Birmingham 1904, 8cm wide; a silver rectangular cigarette box with engine turned decoration, marks worn, and a silver cigarette case and vesta case, 6oz weighable. (4)Stamp box - silver ok, minor knocks and scratches but there are some tears and losses to the burgundy leather exterior, to the back and side edges. The interior divider is loose with a part missing. Cigarette box has some wear, knocks and scratches, marks very worn. Cigarette case and vesta have minor knocks and scratches.
A beautiful saltglaze jug, hand painted with incised stylized leaves. Doulton Lambeth impressed stamp. Edith Lupton and Emma Martin initials on the base. Artist: Edith Lupton and Emma MartinIssued: c. 1876-1880Dimensions: 6.25"L x 5.75"W x 8.5"HManufacturer: Doulton LambethCountry of Origin: EnglandCondition: Age related wear. As found.
Stoneware grotesque figural bottle of a bird; with removable head. Blue and red coloration.Andrew Hull signature in gold ink, and Cobridge Stoneware impressed stamp on base. Artist: Andrew HullIssued: c. 1998-2005Dimensions: 7.25" HManufacturer: Cobridge StonewareCountry of Origin: EnglandCondition: Age related wear.
Vintage shell shaped trinket dish with a kookaburra perched on the back.Doulton Lambeth impressed stamp. Artist: Harry SimeonIssued: c. 1927Dimensions: 4.5" L x 3" W x 4" HManufacturer: Doulton LambethCountry of Origin: EnglandCondition: Age related wear. Restored hairline cracks around beak.
Cream-color glaze ground with tubelined depiction of a brown squirrel perched on a pine tree branch. Moorcroft impressed stamp. Artist signed on the base. Artist: Gwyneth HibbittIssued: 1994Dimensions: 1"H x 8.5"diaEdition Number: 274 of 500 Manufacturer: MoorcroftCountry of Origin: EnglandCondition: Age related wear.
Yardley's Old English Lavender Advertising, Woman and children carrying baskets of lavenderWoman in red and white dress and two children wearing green and gold, woman and one child carrying baskets of lavender. Black base reads Yardley?s Old English Lavender. Stamp: Made In England; Royal Doulton England Artist: Leslie HarradineIssued: 1930Dimensions: 9.5" HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Beautifully modeled handles as fox heads above riding whips. One side John Peel in his hunting pink accompanied by his friends and favorite hounds. D ye ken John Peel embossed on the bottom. On the other side three hounds running on open fields.Title, history, limited edition and Royal Doulton stamp on the bottom. This item has no reserve. Issued: 1930’sDimensions: 7"L x 10"W x 9"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Ca. 2600-2200 BC.A stone cylinder seal showcases a captivating array of animals. Among the depicted animals, a feline creature stands out, commanding attention with its graceful and powerful presence. The seal's composition exhibits a remarkable range of animals, suggesting a connection to the natural world and the significance of fauna in the ancient society's beliefs and daily life. The inclusion of various animals may symbolize traits such as strength, agility, wisdom, or even spiritual associations, reflecting the cultural values and perspectives of the time. Functionally, this stone cylinder seal would have served as a personal or official stamp, allowing individuals to authenticate documents, assert ownership, or convey their authority. By impressing the seal onto clay or other writing materials, individuals would leave behind a distinctive mark, signifying their endorsement or identification. Studied by PD Dr. habil. Pieter Gert van der Veen, Johannes Gutenberg-Universität Mainz. Size: L:36.7mm / W:18.3mm ; 22.26g Provenance: Private London collection of an Ancient Art dealer; formerly in a central London family collections 1990s; Suggested to be examined by Professor Wilfrid George Lambert FBA (1926-2011), historian, archaeologist, and specialist in Assyriology and Near Eastern archaeology, in the late 1980s and early 1990s.
Ca. 9th-8th century BC.A black stone cylinder seal portrays a gripping scene of a hero engaged in combat with a wild animal, showcasing the strength and valor of the protagonist. The depiction of the hero engaged in battle reflects the warrior culture and martial prowess of the Neo-Assyrians. This scene symbolizes the struggle between human strength and the untamed forces of the natural world, highlighting themes of courage, dominance, and triumph over adversity. In the exergue of the seal, an eight-pointed star is depicted, representing the goddess Ishtar. Ishtar, associated with love, beauty, and war, was a prominent deity in the Assyrian pantheon. The inclusion of the eight-pointed star signifies the presence and favor of Ishtar, further reinforcing the hero's divine protection and strength. This cylinder seal would have served as a personal or official stamp, allowing individuals to authenticate documents, assert their authority, or invoke the divine blessings associated with the hero and the goddess Ishtar. Studied by PD Dr. habil. Pieter Gert van der Veen, Johannes Gutenberg-Universität Mainz. Size: L:29.8mm / W:12.8mm ; 8.21g Provenance: Private London collection of an Ancient Art dealer; formerly in a central London family collections 1990s; Suggested to be examined by Professor Wilfrid George Lambert FBA (1926-2011), historian, archaeologist, and specialist in Assyriology and Near Eastern archaeology, in the late 1980s and early 1990s.
Ca. 2350-2200 BC.A central hero holding gazelles is depicted, that are being attacked by lions. A stone cylinder seal portrays a central hero who is depicted holding gazelles while being attacked by lions, creating a dynamic and engaging scene. The hero depicted on the seal stands as a symbol of strength, bravery, and mastery over the animal kingdom. By triumphantly holding gazelles, the hero demonstrates dominance and control over these graceful creatures, while simultaneously fending off the attacking lions. The presence of the lions in the scene adds an element of danger and conflict, highlighting the hero's courageous struggle against formidable adversaries. Lions have long held symbolic significance in many ancient cultures, representing power, ferocity, and sometimes even divine attributes. The seal would have been used as a personal or official stamp, allowing individuals to authenticate documents or assert their authority. Studied by PD Dr. habil. Pieter Gert van der Veen, Johannes Gutenberg-Universität Mainz. Size: L:28.5mm / W:17.9mm ; 15.75g Provenance: Private London collection of an Ancient Art dealer; formerly in a central London family collections 1990s; Suggested to be examined by Professor Wilfrid George Lambert FBA (1926-2011), historian, archaeologist, and specialist in Assyriology and Near Eastern archaeology, in the late 1980s and early 1990s.
Ca. 2350-2200 BC.A hematite stone cylinder seal exhibits a notable depiction of a row of standing figures, among which deities are prominently featured. Each figure is carefully rendered, displaying unique attributes and characteristics. Functionally, this hematite stone cylinder seal would have served as a personal or official stamp, providing authentication and authority to documents or correspondences. By impressing the seal onto clay tablets or other writing materials, individuals could leave a distinct impression, signifying their ownership or endorsement. Studied by PD Dr. habil. Pieter Gert van der Veen, Johannes Gutenberg-Universität Mainz. Size: L:27.3mm / W:11.8mm ; 9.97g Provenance: Private London collection of an Ancient Art dealer; formerly in a central London family collections 1990s; Suggested to be examined by Professor Wilfrid George Lambert FBA (1926-2011), historian, archaeologist, and specialist in Assyriology and Near Eastern archaeology, in the late 1980s and early 1990s.
Ca. 1500-1300 BC.A composite cylinder seal showcases a scene featuring human figures alongside birds. The human figures depicted on the seal likely hold symbolic and narrative significance within the cultural context of the time. They may represent deities, mythical beings, or individuals of importance. The inclusion of a bird in the composition adds an element of symbolism and intrigue. Birds have long been associated with various cultural and mythological meanings, such as messengers, freedom, or divine connections. The presence of the bird on the seal could hint at concepts such as communication, spirituality, or the transcendent realm. Functionally, this composite cylinder seal would have served as a personal or official stamp, allowing individuals to authenticate documents, assert ownership, or convey their authority. By impressing the seal onto clay or other writing surfaces, individuals would leave behind a unique impression, signifying their endorsement or identification. Studied by PD Dr. habil. Pieter Gert van der Veen, Johannes Gutenberg-Universität Mainz. Size: L:23.4mm / W:11.5mm ; 3g Provenance: Private London collection of an Ancient Art dealer; formerly in a central London family collections 1990s; Suggested to be examined by Professor Wilfrid George Lambert FBA (1926-2011), historian, archaeologist, and specialist in Assyriology and Near Eastern archaeology, in the late 1980s and early 1990s.
Ca. 2nd millennium BC.A buff stone cylinder seal features a captivating depiction of a bowman in action, shown aiming and shooting at a wild animal, possibly a lion. The skilled craftsmanship is evident in the intricate details of the seal, particularly in the portrayal of the bowman and the dynamic movement captured in the scene. The bowman's stance and focus convey a sense of precision and skill, highlighting the artistry and expertise of the ancient Bactrian culture. It would have served as a personal or official stamp, providing authentication and authority to documents or objects. By impressing the seal onto clay or other surfaces, individuals would leave behind a distinctive mark, signifying their ownership or approval. Studied by PD Dr. habil. Pieter Gert van der Veen, Johannes Gutenberg-Universität Mainz. Size: L:35.3mm / W:18.6mm ; 20.53g Provenance: Private London collection of an Ancient Art dealer; formerly in a central London family collections 1990s; Suggested to be examined by Professor Wilfrid George Lambert FBA (1926-2011), historian, archaeologist, and specialist in Assyriology and Near Eastern archaeology, in the late 1980s and early 1990s.
Ca. 2350-2200 BC.A stone cylinder seal showcases a distinctive arrangement of imagery organized into three rows. The top row depicts standing and seated deities. The inclusion of these divine figures suggests a religious or spiritual significance associated with the seal. In the second row, fowls are depicted, potentially symbolizing aspects such as fertility, abundance, or even mythological associations. Lastly, the third row presents a twisted geometric band, showcasing a visually captivating pattern. This intricate motif adds an aesthetic element to the seal. Functionally, this stone cylinder seal would have been utilized for authentication purposes, serving as a personal or official stamp. By rolling the seal onto clay or other writing mediums, individuals would leave a unique impression, signifying ownership or approval. Studied by PD Dr. habil. Pieter Gert van der Veen, Johannes Gutenberg-Universität Mainz. Size: L:44.6mm / W:12.3mm ; 10.59g Provenance: Private London collection of an Ancient Art dealer; formerly in a central London family collections 1990s; Suggested to be examined by Professor Wilfrid George Lambert FBA (1926-2011), historian, archaeologist, and specialist in Assyriology and Near Eastern archaeology, in the late 1980s and early 1990s.
Ca. 3000-2900 BC.A white stone cylinder seal showcases a composition of ornamental imagery, likely depicting floral motifs, offering a fascinating glimpse into the artistic and decorative expressions of the time. The seal's design focuses on intricate and stylized patterns reminiscent of floral elements. While the exact identification of the depicted imagery may be challenging due to the abstract nature of the design, the intricate motifs suggest a connection to the natural world and the aesthetic appreciation of botanical forms. Functionally, this stone cylinder seal would have served as a personal or official stamp, allowing individuals to authenticate documents, assert ownership, or convey their authority. By impressing the seal onto clay or other writing materials, individuals would leave behind a unique impression, signifying their endorsement or identification. Studied by PD Dr. habil. Pieter Gert van der Veen, Johannes Gutenberg-Universität Mainz. Size: L:39.2mm / W:14.1mm ; 11.47g Provenance: Private London collection of an Ancient Art dealer; formerly in a central London family collections 1990s; Suggested to be examined by Professor Wilfrid George Lambert FBA (1926-2011), historian, archaeologist, and specialist in Assyriology and Near Eastern archaeology, in the late 1980s and early 1990s.
TWO EARLY VICTORIAN GILT BRASS BLOODLETTING SCARIFICATORS, c. 1840, one by Evans & Co. London, with four steel blades and trigger lever, with coronet stamp, 3.7cm wide; the other larger with twelve blades, 5.1cms wide (2)Provenance: private collection South WalesComments: some wear, steel triggers and blades slightly tarnished, working orderAuctioneer's Note:Scarificators were spring-loaded lancets used from the 17th to the 19th centuries. Bloodletting as a medical treatment was closely linked to the ancient concept of humors, to stabilise a patient's internal equilibrium.
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165598 item(s)/page