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Lot 216
A French Silver Mounted Mother Of Pearl Card Case, composed of two rectangular panels of mother of pearl, hinged and mounted with scrolling detail and central plaque "C.G.Firth", lined in salmon pink watered silk, each scroll piece stamped with boar`s head and bearing stamp "AHO". 11.5 x 7.1cms (slight damage).
Lot 1170
Emmanuel Villanis (Lille 1858 - 1914 Paris) "Cendrillon" An Art Nouveau Bronze Pedestal Bust, circa 1905, modelled as a young woman wearing a head scarf and gazing downwards to sinister, upon a castellated shaped square base with title in relief, decorated in a three-colour patina, signed (on the shoulder), foundry stamp Vrai Bronze Garanti Paris, 62cm high Cendrillon is a chamber comic opera by Pauline Viardot, and is based on the story of Cinderella. The work has a cast of seven with piano orchestration, and was first premiered in Viardot`s Paris salon on 23 April 1904. Marie (Cendrillon) is the servant in the house of her father, who is a low noble in an alterative reality of France where Royalty still existed in 1904.
Lot 819
A RUSSIAN BRONZE STUDY OF A WOLF IN A TRAP CAST FROM A MODEL BY NIKOLAI IWANOWITSCH LIEBERICH signed, foundery stamp C E WOEFFEL, rich mid brown patina rubbed in places, 15cm h, late 19th c++Of the high quality associated with the maker and in very good, original condition, not repatinated or repaired
Lot 333
Price (Harry) Revelations of a Spirit Medium (with Eric J. Dingwall), illustrations, 1922; Short-Title Catalogue of Works on Psychical Research, Spiritualism, Magic, etc., 2 vol., plates, original wrappers, a fine copy, 1929-1935; Leaves from a Psychist`s Case-Book, plates, Institute of Magicians stamp on title-page, worn, 1933; Confessions of a Ghost-Hunter, plates, 1936; Fifty Years of Psychical Research, plates, 1939 § Tabori (Paul) The Biography of a Ghost-hunter, plates, 1950, all but the fourth first editions, all but the second in original cloth, the last with dust jacket, 8vo(7)
Lot 340
Russell (Edmund) Riddles and Jokes frontispiece, 2 plates, illustrations, somwhat soiled, original pictorial boards, worn, rebacked and restitched, [Toole Stott 1174], 1860 § Cremer (W.H.) Magic no Mystery, first edition, coloured frontispiece, illustrations, loose in original cloth, [Toole Stott 195], 1876 § Sachs (Edwin) Sleight of Hand, first edition, illustrations, original cloth, rebacked preserving spine, [1877] § Theobald (Prof. J. Dazley) Magic and its Mysteries, illustrations, original pictorial boards, worn, rebacked, [c.1880] § Stanyon (Prof. Ellis) Conjuring for Amateurs, frontispiece, illustrations, original cloth, worn, with Magic Circle stamp on title and bookplate, 1897 § Hermann (Professor Carl) Hermann`s Book of Magic, Black Art Fully Exposed, illustrations, wrappers, Norman Hunter`s copy, with his ownership inscription and address stamp, Chicago, 1903 § The Wizard`s Annual, [no.1]-3 in one vol., folding frontispiece, illustrations, cloth, 1913-1915, 8vo(6) ***Russell`s book contains a section entitled "The Young Conjuror".
Lot 489
Larionov (Mikhail) and others. Ticket, the ticket printed in brown and ochre, the price "15" added by rubber stamp?, 222mm. by 275mm.; the handbill double-sided with portions of the same designs printed in black, with Larionov`s signature below the large design completed by hand, the smaller design signed with initials, 501mm. by 132mm.; the programme 16 pages, with illustrations by Goncharova, Picasso and others, that by Picasso coloured by hand, unbound, large 4to, Paris, 1923.(3)
Lot 521
Gatayes (G.P.A.) Séconde Méthode de Guitare Oeuvre 26, third edition (revised and enlarged), 41 pp., including pictorial title-page and fingerboard chart, Paris, Frere § Carulli (Ferdinando) Le Répertoire des Elèves, Op.124, 13 pp. including title, (plate no. 223 P), Paris, Ph. Petit; Morceaux Progressifs, Op.264, 11 pp. including title, (plate no. 613), Paris, C. Lafillé; Récréation: Choix de Douze Airs Connus, 13 pp. including title, (plate no.501 P), Paris, Ph. Petit; Quatrième Recueil de Morceaux Faciles, Op.36, 11pp. including title, (plate no. N.1525), Paris, Naderman; Petit Fantasie pour Trois Guitares, Op.251, (1st guitar only), 5 pp. including title, (plate no.V.D et D.1304), Paris, Vve. Dufaut et Dubois; Choix de Plusieurs Morceaux d`Haydn, Mozart, Beethoven & Hummel, Op.235, 9pp. including title, (plate no.2054), Paris, Pacini § Spontini (G.) Marche Triumphale de la Vestale arrangée par Maurice de Raoulx, 4pp. including title, (plate no.941 1), Paris, Melles.Erard, [c.1820] § Quadrille pour deux guitares tirées de Robin des Bois Freischütz, arrangées par Varlet, (1st guitar only), 5 pp. (plate no. M.S.401), Paris, Maurice Schlesinger § Meissonier Jeune (Joseph) Trente Airs Connus, Oeuvre 2, 13pp. including title, (plate no.258 P), Paris, Ph. Petit, 10 separately issued works bound in one vol., the contents engraved throughout, a few leaves slightly spotted or stained, all with label of Fulliatre et Neveu, Bordeaux, over imprint, and import stamp of Jas. Jacobs, Calcutta, contemporary half calf, folio, [c.1820]. ***In the lengthy introduction to his tutor Gatayes names several of the leading players and composers of the time. followed by exercises and scales, several preludes, five songs, and eight solos. None of the above pieces have been located elsewhere apart from a second edition of the Gatayes Méthode; the first Carulli piece; and another edition of the second Carulli title.
![Giuliani (Mauro) Le Rossiniane per la Chitarra [part 3], Op. 121, first edition, 13pp. including title, (plate no. 2769), tit](http://lot-images.atgmedia.com/SR/1574/2790853/523-201038171049_468x382.jpg)
Lot 523
Giuliani (Mauro) Le Rossiniane per la Chitarra [part 3], Op. 121, first edition, 13pp. including title, (plate no. 2769), title-page pasted down, soiled, Vienna, Aetaria, with Wessel & Stoddart stamp over imprint, [1823]; Giulianate: Recueil d`Airs Favori, Liv.2, Oeuv.148, 13pp. including title, (plate no. 2538:R), stained, Paris, Richault, [c.1830]; Nouvo Rondo di Gusto Originale, Opera 5, 3 pp., Paris, Richault, with the stamps of Wessel & Stodart, [c.1830]; Douze Walzes pour la Guitare, Opera 44, 4pp. including title, (plate no. 1309.R), Paris Richault, [c. 1830] § Kûffner (J.) Serenade for Spanish Guitar and Flute or Violin, Op.48 (guitar part only), 4pp. including title, Metzler & Son, imprint obscured by Wessel & Stoddart label, [c.1820] § Horetzky (Felix) Quatre Variations, avec l`Introduction et Finale, Op.22, 5pp. including title, W.H. Aldridge, with the stamp of Johanning & Whatmore, [c.1840]; Twelve Easy Divertimentos for the Guitar, Op.26, 5pp. including title, J.J. Ewer, [c.1840]; Divertissemens pour Guitare seule, Op.17, 7 pp. including title, Johanning & Ferry, [c.1835]; Divertissements for the Guitar, Op.19, 4pp including title, Mezler & Son, [c.1835]; Preludes, Cadences, and Modulations in every key for the Guitar, Op.21, 9 pp. including title, the latter loose, Metzler & Son, [c.1840] § L`Aurore, ou Journal de Guitare, no.5 and 6, each 17 pp. including titles, with 23 pieces by Giuliani, Sor, Carulli, and others, Johanning & Whatmore, [c.1840] § The Stranger`s Bride, arranged for the Spanish Guitar by F. Pelzer, 3 pp., J. Duff, [c.1840] § Craven (J.T.) The Light Bark § Lover (Samuel) Under the Rose, arranged for the Guitar by M. Sola, both 3pp. and one page letterpress publisher`s catalogue, H. Falkner, [c.1840] § Meves`s much admired song The Muleteer, expressly arranged for the Spanish Guitar by W. A. Wordsworth, 3pp., Monro & May, [c.1835] § Teach me to Forget, arranged by C.M. Sola, 2 pp., Goulding & D`Almaine, [c.1835] § Stevens (Charles) The Rose, a Divertimento for the Spanish Guitar, 3pp. including title, Johanning & Whatmore, [c.1840], the nineteen pieces bound in one vol. with manuscript index, engraved throughout, soiled and stained, contemporary half roan, covers loose, stitching defective, folio, [c.1820-1840]. ***Four copies of Le Rossiniane have been located; one of the second item (and two first printings); one of the fourth item (and two with Viennese imprints); one of the sixth item, and two of the nineteenth, (one with different imprint). None of the others have been found.
Lot 528
Loüet (Alexandre) Instructions Théoriques 2 engraved plates, ownership stamp at foot of title, uncut, Paris, 1797 § Tournatois (M.) L`Art Musical relatif a l`Accord du Piano, Paris, [1810?] § Koenig (Rudolph) Catalogue des Principaux Appareils d`Acoustique qui se fabriquent chez Rudlph Koenig, Paris, 1859 § Meerens (Charles) Examen Analytique d`Acoustique Musicale, unopened, Paris, 1869 § Hirn (G.-A.) La Musique et l`Acoustique: Aperçu Général, Paris, 1978 § Musical Pitch. Letters, Articles and Comments in the press on the proposal to adopt the low pitch throughout the pianoforte trade, folio, 1899, original wrappers, the third, fifth, and sixth split or frayed at spine; and seven others on the same subject, 8vo and folio(13)
Lot 536
Sola (C.M.A.) Six Italian Canzonets with an accompaniment for the Spanish Guitar, 7pp. including title, one leaf repaired slightly affecting text, Chappell & Co., [c.1820?]; Select Songs for the Voice and Spanish Guitar, no. 2-4 (the first and third renumberd 8 and 10: "Farewell thou coast of glory" by Rossini; "Toujours le même"; and "In happier hours" by H.R. Bishop, each 3 pp. including title, soiled, Goulding & D`Allmaine, [c.1830] § Mayseder (J.) Variations sur la romance Partant pour la Syrie pour Violon et Guitarre, 9pp. including title (plate no. 2490), spotted, Vienna, Artaria et Comp. [c.1825] § Carulli (Gustave and Ferdinando) Mélange en duo pour Piano et Guitare sur des motifs de Rossini, Op.236, 12pp. (plate no.494P), dampstained, original wrappers, title on upper cover, Paris, Nadaud, [c.1830] § Neuland (W.) Six Divertimentos for Two Guitars, Op.6, second part only, 5pp. including title (plate no.3839), later owner`s stamp at foot of title, S. Chappell, [c.1830]; "L`Or est une Chimère, from Meyerbeer`s Opera of Robert, arranged the the Guitar & Piano-Forte, Op.12, 12pp. including title (plate no.4228), title soiled, S. Chappell, [c.1830] § Philomèle no.67: "Father I Call to Thee", 4pp. including title (plate no. W & Co.no.1904), and letterpress list of German songs, Wessel & Co., [c.1830] § The Mermaid`s Cave. Cavatina composed by Charles E. Horn, arranged with an accompaniment for the Guitar, 3 pp., the first soiled and stained, Z.T. Purday, [c.1830], all engraved, four pieces strengthened at spine, folio(10)
Lot 538
Sor (Ferdinand) Méthode complète redigé et augmentée de nombreuses exemples et leçons, suivis d`une notice sur la 7e. corde par N. Coste, 85 engraved pp. including title, (plate no. 1726), spotted, some pencil markings, short tear in inner margin of the first few leaves repaired, cloth-backed boards, with the binder`s label of Simmonaire & Cie, Boulogne,folio, Paris, Schonenberger, with the later stamp of Henry Lemoine, [c.1890]. ***The appendix on the use of a seventh string has fifteen pieces by Coste, and his transcription of six pieces by Robert de Visée from the tablature of 1686, followed by the separately paginated 26 Etudes pour la Guitare by Sor. .
Lot 539
Sosson (Alexander) A Complete Instruction Book with rules to facilitate a knowledge of that Elegant Instrument, 35 engraved pp. including pictorial title-page, the latter loose, with deleted ownership signature and later owner`s stamp at bottom margin, inner edge slightly frayed, outer edge trimmed, Goulding & D`Almaine, [c.1830], bound with Sola (Charles Michael Alexis) Les Amusemens Tiroliens. Favourite Swiss Airs as sung by the Tyrolese Family Rainer at the Egytian Hall, 20 engraved pp. including title, (plate no.R.M.R. 416), publisher`s letterpress advertisement on last page, slightly cropped, I. Willis & Co., Royal Musical Repository, [c.1830], later wrappers, partly obscuring text of advertisement, folio ***Sosson`s tutor has scales and exercises interspersed with 43 pieces, ending with four songs with French text. Various arrangements of the Rainer repertoire are known with piano accompaniments, but this collection for guitar and the Sosson manual appear to be unrecorded. .
Lot 956
William Rose Bock (1847-1932) - a fine presentation illuminated scroll gifted To His Royal Highness Edward Albert Christian George Andrew Patrick David, The Prince of Wales (later King Edward VIII) upon the Royal Tour to New Zealand in 1920, signed in ink by `W F Massey` ("Farmer Bill" - William Ferguson Massey, Prime Minister 1912-1925) on behalf of His Majesty`s Ministers for the Dominion of New Zealand dated 24th Day of April, 1920, surmounted by The Prince of Wales crest, written in manuscript and decorated in watercolour with circular and oval vignettes depicting titled New Zealand landmarks with gilt Maori pediment embellishments, comprising `Mount Egmont`, `Wanganui River`, `Mitre Peak`, `Mount Cook`, `Lake Wakatipu`, `Wairoa Geyser`, `Wairoa Falls` and `Lake Taupo`, signed W R Bock delt, in a 9ct gold mount, later modern gilt frame, scroll 18" x 13" The text of this address is published in the official records of the visit by the Prince. The record also indicated that the address was originally issued in a casket made of New Zealand woods and included an historic green stone Tiki, sadly separated and missing from the scroll. *William Rose Bock was born in Hobart, Van Dieman`s Land (Tasmania), by then in his 70`s he was entrusted with the commission to draw this scroll as a result of his expertise in calligraphy and miniature painting, his artistic flair was demonstrated in his work as a medalist, stamp designer, engraver and illuminator. His work as an illuminator included two jubilee addresses to Queen Victoria and other addresses to Pope Pius IX and other visiting members of the Royal family.
Lot 516
A German four-piece tea and coffee service, with matching tray, retailer`s stamp of Keyser, 800 standard, circular design, with bay leaf pattern borders, wreath pattern cartouche, some engraved initial, on amphemian and incurve legs with hoof feet, height of coffee pot 10 3/4in. (27cms), the oval tray with cut handle, 19 1/4in. (49cms), 94oz. gross.
Lot 625
An Imperial German silver coloured cigarette case, the front with lined decoration surrounded by blue enamel border, and with blue enamel lined shield with engraved intitials “J M”, the back with superimposed shooting trophy and initials “SM”, the inside engraved “Zum 23. Geburststage gewidmet von diened Geshwistern”, with small maker’s stamp “Alpacca”. GC (small chips of enamel missing)
Lot 690
A shortened 1821 pattern heavy cavalry trooper’s sword, slightly curved fullered blade 27”, marked Enfield on backstrap with stamp at forte, steel bowl guard stamped “B93” and “D.DG.84”, plain pommel and backstrap with ears ribbed wooden grip (chipped). Basically GC (blade edge nicked, dark rust patina overall)
Lot 695
A 1796 pattern light cavalry trooper’s sword, broad, curved, shallow fullered blade 33”, with stamp at forte, regulation steel stirrup hilt with langets, plain pommel and backstrap with ears, ribbed leather grip, in its steel scabbard marked “Woolley Deakin & Dutton” (title used 1808-12) with 2 hanging rings. GC (some wear and light pitting, blade cleaned, one throat screw missing) Plate 4
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