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Click here to subscribeSuperb sculpture with cap, handmade and decorated using the 17th century technique. Hat depicts various Venice scene on traditional paper, heavy gilded decorations and finished with green satin ribbons. Signed by award winning artist to bottom right. Made in Venice Italy stamp impress. Dimensions: 9.25"L x 6"W x 4.25"DManufacturer: Giogia CompanyCountry of Origin: Venice, ItalyCondition: Good.
Blue and gold Venetian masks. Suitable for masquerade attire or decorative wall hang. Mask is adorned with central macrame, beaded tassel earnings, beaded neck covering and cascade glitter designs. Crystal lined eye slits. Wearable laces attached. Certificate of Authenticity included. Wax stamp located in the interior. Dimensions: 10"L x 6.25"W x 4"DManufacturer: La GioiaCountry of Origin: ItalyCondition: Good.
GB stamp collection of 7 albums in large, heavy box. GB Windsor album QV to 1968, 1d black (4 clear margins), good selection 1d reds, QV to 5/- (one with hotel postmark). SG Album QV to 1982, 1d black (3 clear margins) with orange postmark. Red stock book with 15 pages of mint GV1 & QE2 inc cylinder blocks, varieties. Album of specialised Regional issues from 1958 with FDIs and cylinder blocks. Stock Book GV to QE2 m & u inc overprints and QE2 booklet panes many with cylinder numbers. Queen's Jubilee album of world FDCs, commemorative covers & mini sheets (about 145 items). (7 in box)
John Hardman Trading & Co Ltd (founded 1838) Design for the memorial of Albert Cay and his son Albert Jaffray Cay, 1932, installed in Ashow Church, Warwickshire, with studio stamp, watercolour and ink, 23.5 x 15 cm, frame 37 x 27 cm, together with a design for a lancet window titled 'Chester', watercolour and ink, 45.5 x 7.3 cm, frame 60 x 22 cm (2) Provenance: Collection of Mr Magdi Obeid, purchased Biddle & Webb 11/01/2013 lot 140 Footnote: John Hardman & Co were founded in 1838 and were world leading manufacturers of stained glass and ecclesiastical fittings, at the forefront of the Gothic Revival of the 19th Century, including commissions for the Houses of Parliament and St Chads Cathedral. The sole stained glass window in the church at Ashow was commissioned from the Hardman Studios and installed in 1932.
William Lee Hankey RWS RI ROI (1869-1952) The Kiss, 1917, signed lower right, blind stamped, etching, 25 x 20 cm (PL), frame 48 x 41 cm Provenance: The Collection of Mr Magdi Obeid, purchased Bonhams 29/11/2004 lot 231, label for Walker Bagshawe LondonCondition:Lot 147: The picture is an etching, framed under glazing- not examined external to the frame. The print has full margins, with blind stamp and signature present. The platemark is fully visible. Sheet is in good condition – no obvious tears, creases or faults. There is some general ageing (browning) to the sheet. Etching is clear and surface stable. The frame has general wear and tear.
A Royal Worcester wrythen moulded bud vase by Leighton Maybury. Painted with peaches and grapes, signed, H7cm Condition Report: With Royal Worcester printed black back stamp #G161. Overall in very good condition. Some slight signs of wear including rubbing and scratches to the base. No apparent cracks, chips or restoration, gilt and details bright.
Pair of mid-century teak wall-mounted bedside tables designed by Kai Kristiansen, each with two drawers, 22cm x 69cm x 28cm (2) Condition Report The height is 22cm X the width 69cm X the depth is 39cm.Light surface scratches and scuffs. Some light stains. Wall brackets attached. No stamp. General wear and tear.
Hans Wegner (1914-2007) for A.P. Stolen, Denmark. Model AP19 "Papa Bear" chair with teak frame and mushroom fabric upholstery (re-upholstered) 99cm x 92cm x 89 cmCondition ReportThis has been reupholstered but well carried out. There is some minor dirt and wear to upholstery, mainly evident to the arms. There is some staining to the front part of the upholstery of seat. The wooden hand rests have some minor staining and minor discolouration and scratching/wear. There are some typical minor scuff marks and minor knocks to legs, with evidence of old staple marks to the underside where it has been reupholstered. There is no stamp, but there is a circular mark where a sticker (Danish furniture quality control) would have been. This item has come from an estate with various other examples of mid-century Scandinavian furniture.
â–´ Robert Sadler (1909-2001)Study of a womandated '1961' on a label verso and with a stamp from the artist's estate, acrylic on board76 x 50.5cmProvenance: With Artspace, Woodbridge, Suffolk.Condition ReportFramed: 77.5 x 52cmLight surface dirt. Not viewed under UV light, for a full report please contact the department.
Roberto Matta (Chilean-Italian, 1911-2002)'L'appui de l'appui'from the 'Hom'mére IV Point d'Appui' series, 1983, etching and aquatint in colours, printed by l'Atelier Dupont-Visat, signed with artist's motif in pencil l.r., and numbered '96/100' with blind stampsheet 67 x 51cmCondition ReportFramed: 83 x 64.5cm
Roberto Matta (Chilean-Italian, 1911-2002)'L'essence de l'essentiel'from the 'Hom'mére IV Point d'Appui' series, 1983, etching and aquatint in colours, printed by l'Atelier Dupont-Visat, signed with artist's motif in pencil l.r., and numbered '96/100' with blind stampsheet 67 x 51cmCondition ReportFramed: 83 x 64.5cm
â–´ After Pablo PicassoImaginary Portraitlithograph in colours, signed and dated '69' in the plate, inscribed 'A' and numbered '20/250' in pencil l.l., with printer's blind stamp, from the portfolio 'Imaginary Portraits' (American edition)sheet 64 x 49cmCondition ReportFramed: 81 x 67cmNot viewed out of glazed frame but appears to be in good condition and in our opinion the colours are strong. The work has deckled edges and appears to have been stuck down to a sheet of card behind to give the impression that it is slightly floating in the frame. It has come away from the card it is mounted on at the bottom, and the sheet has a slight curve. Overall the work presents well and ready to hang.
â–´ Lucian Freud OM CH (1922-2011)'A Couple'etching, 1982, signed with initials in pencil l.r., and numbered '25/25' l.l., printed on wove paper by Terry Wilson at Palm Tree Studios and with printer's blind stampplate 11.4 x 11.4cmProvenance: With Heffers Gallery, Cambridge; Mr Evan & Mrs Patricia Steadman - Mr Steadman was the former organiser of The Grosvenor House Antiques Fair.Condition ReportFramed: 39.5 x 34cmNot viewed out of the glazed frame. The work has been framed with an acidic mount. There is a small brown dot to the upper right quarter, please see images, but this does not affect overall enjoyment of the work. Some tiny black speckles to the background within the plate marks which appear to be ink rather than an issue with condition.
Roberto Matta (Chilean-Italian, 1911-2002)'Carré-four'from the 'Hom'mére IV Point d'Appui' series, 1983, etching and aquatint in colours, printed by l'Atelier Dupont-Visat, signed with artist's motif in pencil l.r., and numbered '96/100' with blind stampsheet 67 x 51cmCondition ReportFramed: 85.5 x 68.5cm
â–´ John Nash RA (1893-1977)'Turk's Cap Lily, Lillium henryi', c.1929watercolour over pencil inscribed with pencil notes l.r., with studio stamp on the backboard verso44.5 x 34.5cmComplete with New Grafton Gallery exhibition catalogue. Provenance: Leonard Manasseh Esq. RA, London.Exhibited: New Grafton Gallery, London, 'Work From the Artist's Studio', 7 February - 2 March 2002, cat. no. 31.Condition ReportFramed: 57 x 44.5cmTiime staining with some light discolouration to the left edge and bottom right corner. Handling creases and rippling to the paper. Not viewed out of glazed frame.
Roberto Matta (Chilean-Italian, 1911-2002)'La paix est une idée neuve'from the 'Hom'mére IV Point d'Appui' series, 1983, etching and aquatint in colours, printed by l'Atelier Dupont-Visat, signed with artist's motif in pencil l.r., and numbered '96/100' with blind stampsheet 67 x 51cmCondition ReportFramed: 85.5 x 68.5cm
Roberto Matta (Chilean-Italian, 1911-2002)'L'infra-rouge de la pensée brûlante'from the 'Hom'mére IV Point d'Appui' series, 1983, etching and aquatint in colours, printed by l'Atelier Dupont-Visat, signed with artist's motif in pencil l.r., and numbered '96/100' with blind stampsheet 67 x 51cmCondition ReportFramed: 85.5 x 68.5cm
â–´ Robert Sadler (1909-2001)Figure studywith stamp from the artist's estate verso, acrylic on board76 x 63cmProvenance: With Artspace, Woodbridge, Suffolk.Condition ReportFramed: 77.5 x 65cmLight surface dirt. A 3cm vertical mark to the centre of the right edge, please see images. Not viewed under UV light, for a full report please contact the department.
â–´ John Nash RA (1893-1977)Reclining nudeswith a stamp from the artist's estate verso, pencil, pen and ink24.5 x 45.5cmCondition ReportFramed: 43 x 64cmTime staining with some faint smudging and light dirty marks. Light creasing, there is a 6cm crease to the upper left and a further 10cm crease underneath the study in pen. Not viewed out of glazed frame but is well presented and ready to hang.
â–´ Ceri Richards (1903-1971)'Blossom'lithograph in colours,1965, signed 'Ceri Richards' in pencil l.r., with Curwen studio proof stamps l.c. and l.l.sheet 59 x 81.5cm, unframed;together with,'The Force that Drives the Water through the Rocks'lithograph in colours,1965, signed 'Ceri Richards' in pencil l.r., with Curwen studio proof stamp versosheet 59.5 x 81.5cm, unframed (2)Provenance: Acquired by the present owner directly from the Curwen Studio.Condition Report'Blossom': handling creases with small rips and tears to the edges. Registration crosses in the centre of the left and right margins. 'The Force that Drives the Water through the Rocks': Dirty marks and smudges to the margins, with light foxing startign to emege in places, please see images. The corners of the sheet are dog-eared and there is a small 1.5cm tear to the centre of the bottom edge. Registration crosses in the centre of the left and right margins.
Roberto Matta (Chilean-Italian, 1911-2002)'Mater Nostrum'bronze, signed with artist's motif, inscribed with title and 'cera persa' (lost wax) and numbered '7/8', also with foundry stamp 'Fondera Art Fili Bonvicini Somma Campangna, Italia' 'Archivio S 93/10' on base150cm high overallCondition ReportThe sculpture has been housed outside for a number of years and as a result is weathered and very dirty in places. The patination is blue-green and yellow-gold. Surface dirt with dust and dirt to the crevices. Some raised areas are rubbed and highly polished. Please see additional condition and detail images.
Roberto Matta (Chilean-Italian, 1911-2002)'Ombre femelle'from the 'Hom'mére IV Point d'Appui' series, 1983, etching and aquatint in colours, printed by l'Atelier Dupont-Visat, signed with artist's motif in pencil l.r., and numbered '96/100' with blind stampsheet 67 x 51cmCondition ReportFramed: 85.5 x 68.5cm
Michael Ayrton, British, 1921-1975 and D. Graves British, 20th Century, Mirror Monsters, Narcissus; and an Italian farm house and a Smithy;all etchings, the Ayrton stamp signed and numbered 5/75; the two Graves signed in pencil and numbered 72/100 and 'Artist's proof' respectively, images 17.5 x 13.5 cm; and 23.7 x 14.7 cm and 15 x 21.5 cm (all unframed) (ARR) (3)
After Andy Warhol, American 1962-1987,Marilyn (grey); offset lithograph in colours on Arches paper,with printed artist's signature,numbered 49/100 in pencil,stamped Leo Castelli, New York, and 530 West 25th Street New York on the reverse,published by Leo Castelli Gallery, New York, in collaboration with George Israel Editeur, bearing their blind stamp,sheet: 57 x 38.5 cm,(unframed)
Cliff Holden FCSD, British 1919-2020 - Ships, 1982; ink on board, signed and dated lower right 'Cliff Holden '82', with artist's studio stamp on the reverse 'Marstrand Designers Cliff Holden', 61.5 x 43.5 cm: together with an unframed work by same artist of similar size, medium and subject matter (2) (ARR) Note: In 1956, Holden set up a design studio in Gothenburg with Swedish artists Lisa Grönwall and Maj Nilsson. In 1959 the studio moved to Marstrand, where they became known internationally as Marstrand Designers.
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