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Lot 120
A six-shot .44Cal percussion Remington New Model Army, 8inch sighted octagonal barrel stamped PATENTED SEPT. 14.1858 E. REMINGTON & SONS ILION. NEWYORK. U.S.A. NEW MODEL, stamped with a W, the serial no. 111974 and retaining light traces of original blued finish, the rammer with reasonable blued finish and stamped with the letter G, the cylinder stamped with the letter C and G, the frame with two C stamps and a single W stamp and retaining minor traces of original blued finish, brass trigger guard stamped with a J, wooden grips stamped GP.
Lot 137
An Indian flintlock short musket, 33.5inch barrel with fixed sights and fitted with a bayonet bar to the right side, border engraved bevelled lock stamped TOWER across the tail and with an inspection stamp beneath the pan, full stocked with regulation brass mounts, complete with ramrod and brass hilted bayonet. (2)
Lot 207
A 1908 Pattern Cavalry Trooper's sword, 88.5cm blade stamped P08 on the back edge and with various ordnance and date stamps at the forte, now rubbed but showing marks for 1916 and 1918, regulation steel bowl guard with turned rim, Enfield stamp to the underside, chequered composition grip, contained in its steel scabbard this also with various Ordnance and date stamps.
Lot 253
An 1856 Pattern MKI Drummer's sword, 48.5cm flattened diamond section blade by Reeves of Birmingham, struck with an inspection stamp to the edge of the forte, etched with a maker's panel at the forte for REEVES, regulation brass hilt incorporating a VR cypher stamped with an Inspector's mark, dated 8.1884 and further stamped .11. R.E., contained in its engraved brass mounted black leather scabbard.
Lot 257
An 1856 Pattern Land Transport Corps sword or sidearm, 56.5cm blade bearing an inspectors mark of a crowned 22, sold out of service marks and maker's stamp for WKC, regulation cast brass Roman style hilt. Blade patinated. Together with an Artillery or Infantry sidearm, 59cm curved blade stamped with a retailer's mark of WHITES of LONDON, the regulation cast brass hilt with D-shaped knuckle guard and ribbed brass grip bearing Continental markings. (2)
Lot 39
Gerard Dillon (1916-1971) WEST OF IRELAND COUPLE AND HORSES oil on canvas signed lower right; with partial handwritten label on reverse detailing artist's name and address [26 Lower Clonard Street, Belfast]; also with canvas stamp verso [CH West / 115 Finchley Road / N.W.] 16½ x 21½in. (41.91 x 54.61cm) Collection of Phil Rafferty (friend of the artist);Thence by descent Roundstone and Inishlacken were recurring sources of material and inspiration for Gerard Dillon, who became preoccupied with the 'Western idyll' (1) following his first trip to the west of Ireland in 1939. The present work shows a couple taking a leisurely stroll at the days end. Ahead of them along the narrow road are two horses grazing and, their bodies coupled with the neat stone walls, invite the viewer's eye into the picture and towards the centre of the composition. The peacefulness of the rural setting is echoed in the soft rhythmic brushstrokes and gentle changing of light in the dominant sky. There is an aura of calm surrounding the scene and this is further enhanced by the horses who appear unaffected by the approaching pair. Horses appear in several examples of Dillon's west of Ireland paintings such as The Jockey and Omey Island Ponies; the latter shown at the artist's retrospective exhibition in 1972-1973. In these works the figures are also shown interacting in a very natural way with the animals, riding bareback and with minimal reins. In 1949 Eileen Philomena (Phil) Rafferty (1919-1996) - to whom the present work pertains - and Alice West, both amateur artists, accompanied Dillon to Roundstone. Dillon had met Rafferty in London where he was working on building sites and they became firm friends. Dillon's oeuvre had a significant impact on her work and she would later exhibit at the IELA in 1960. In subsequent years Dillon's pilgrimages west drew others such as artist George Campbell and his wife Madge, author Kate O'Brien, Drogheda artist Nano Reid, Dr Maura McQuaid and artist Oisín Campbell among others.Footnote:1. White, James, Gerard Dillon: An Illustrated Biography, Dublin: Wolfhound Press, 1994, p.60 L
Lot 43
Gerard Dillon (1916-1971) ABSTRACT COMPOSITION oil and sand on board inscribed with title and artist's name on reverse; with Arthur Armstrong Studio stamp on reverse 20 x 19in. (50.80 x 48.26cm) Collection of Arthur Armstrong;His studio sale, de Vere's, 3 February, 1998;Private collection;Garrett O'Connor & Associates, 12 September 2005, lot 163;Private collection;Whyte's, 26 May 2014, lot 74;Private collection P
Lot 198
Marvel Superheroes - an extremely rare collection of Limited Edition Art of iconic Comic Book Covers, Artist's PROOF SET limited edition of 29 ONLY (No 14) signed by Stan Lee with blind stamp, Thor, Wolverine, Spider-Man, Iron Man, Captain America, X-Men, published by Glyn Washington, Washington Green Fine Art, with certificates of authenticity, release date Summer 2015 (A/P14) image sizes 61 cm x 42 cm - Est £2000 - £2500
Lot 199
Marvel Superheroes - an extremely rare collection of Limited Edition Art of iconic Comic Book Covers, Artist's PROOF SET limited edition of 29 ONLY (No 14) signed by Stan Lee with blind stamp, Spider-Man, Iron Man, Avengers, X-Men, The Hulk, Silver Surfers published by Glyn Washington, Washington Green Fine Art, with certificates of authenticity, issue date 2013, (A/P14) image sizes 61 cm x 42 cm - Est £5000 - £6000
Lot 383
AFTER SIR WILLIAM RUSSELL R.A. A set of five limited edition Prints after drawings used to illustrate Pidonsat de Mairoberts "Memoirs of Madame du Barry" they bear "Chelsea Green Editions" stamp and numbered from an edition of 850, 37cm x 23cm, toge ther with a copy of the book, published by "The Folio Society" 1956
Lot 1708
Raoul Dufy, 'Cheveau et Charettes', atelier stamp, circa 1935, pencil, labelled verso, 20.5 x 26.5cm. Provenance: Neffe-Degandt Gallery, 32A St George Street, London, W1R 9RF Condition Report: This pencil sketch comes framed and glazed and appears in good order. However it looks to have been re-framed recently. There is foxing around the edges.
Lot 1709
Raoul Dufy, 'Bord de Mer', atelier stamp, circa 1946, blue crayon, labelled verso, 27 x 21.5cm. Provenance: Neffe-Degandt Gallery, 32A St George Street, London, W1R 9RF Condition Report: This crayon sketch comes framed and glazed and appears in good order. However it looks to have been re-framed recently. There is a fold/crease down the middle and foxing in places.
Lot 132
An early 19th century Canton export 'Mandarin Hundred Faces' folding fan, with brass filigree guards decorated with applied silver embellishment, the sticks with pierced filigree silver wire and green and blue enamel floral motifs, with shaped loop, with a painted battle scene with warriors and horses in a landscape within a painted border, double sided with a domestic figural scene verso, the many figures having painted ivory faces and silk clothing, guard length 28cm, width approx 54cm. CONDITION REPORT: There is a tear through the mount, approx 1 fold is missing although a portion of it is separate but present. The rear guard has been reinforced. The painting is bright, the faces and silk clothing are intact. There is no stamp to the metal.
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