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Lot 525
Superman, a rare autograph presentation relating to Superman (1978) and Superman II (1980), to include a 24 x 19cm colour photograph of Christopher Reeve as the iconic superhero, signed in black marker lower left, a 24 x 19cm Superman II promotion flyer signed by Terence Stamp (General Zod), Sarah Douglas (Ursa) and Jack O'Halloran (Non) and three colour images from the films, framed and glazed, 58 x 84cm.
Lot 540
A Roger Taylor of Queen on Tour poster, 74 x 50cm, together with a Roger Taylor Sheffield Leadmill poster, 51 x 37cm, a Rolling Stones You Can't Lick 'Em poster, 75 x 51cm, a We Will Rock You The Musical poster, 51 x 32cm, Freddie Mercury stamp album post cards, a We Will Rock You novelty toothbrush, a Freddie Mercury 2006 60th anniversary badge and a signed Chris Cleverley CD. (8)
Lot 119
HARDY, Thomas (1840-1928). The Mayor of Casterbridge: The Life and Death of a Man of Character. London: Smith, Elder & Co., 1886. 2 volumes, 8vo (182 x 117 mm). Half-titles; 2-page publisher's advertisements bound at the end of Vol. I, 4-page ads bound at the end of Vol. II. 20th century green crushed levant gilt, edges gilt, STAMP SIGNED BY BAYNTUN-RIVIERE; original blue cloth bound in. FIRST EDITION IN BOOK FORM. The Mayor of Casterbridge was originally published in weekly installments in the Graphic and Harper's Weekly from 2 January to 15 May 1886. The first edition in book form was issued on 10 May 1886 in a small print run of 758 copies (of which only 650 were bound). Purdy, p.50-54; Sadleir 1111. For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
Lot 120
HARDY, Thomas (1840-1928). Tess of the D'Urbervilles. A Faithful Woman. London: James R. Osgood, McIlvaine and Co., 1891-1892.3 volumes, 8vo (174 x 114 mm). Half-titles. 20th century green crushed levant gilt, edges gilt, STAMP SIGNED BY BAYNTUN-RIVIERE; cloth slipcase. FIRST EDITION, FIRST ISSUE, with text points present as follows: Volume I: p.[iv] "1891" present, p.[v] "have it said" (later "have said"), p.45 "her skin is | as sumple" (later "her skin is as | sumple"), p.[264] final full-stop present; Volume II: p.[iv] "1891" present, p.58 "Valasquez" (later "Velasquez"), p.155 "seampstress" (later "sempstress"), p.199 "XXV" (later "XXXV"), and p.234 "it's husband's" (later "its husband's"); Volume III: p.[vi] "1891" present, p.14 line endings comprise "towards", "but", "On", "al-", "hitherto" and "a", and p.112 "are ye doing" (later "are you doing"), p.160 line endings comprise "than", "deviations", "domesticity,", "vale", "curve.", "light" and "was", p.198 "summit of the road" (later "summit of the load"), p.252 line endings comprise "and", "foul", "bear" and "And", p.270 "sisters-in-law" (later "sister-laws"), p.275 "piteously" (later "pitilessly"), p.277 no page number present, and p.[278] no final full-stop. Purdy, pp.67-78; Sadleir 1114. For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
Lot 123
HARDY, Thomas (1840-1928). Jude the Obscure. London: James R. Osgood, McIlvaine and Co.,1896. 8vo (192 x 124 mm). Half-title; etched frontispiece, engraved map. 20th century green crushed levant gilt, edges gilt, STAMP SIGNED BY BAYNTUN-RIVIERE. FIRST EDITION IN BOOK FORM, published as Volume VIII of The Wessex Novels. Purdy, pp. 86-91.For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
Lot 124
HARDY, Thomas (1840-1928). Wessex Poems and Other Verses. London and New York: Harper& Brothers, 1898.8vo (188 x 124 mm). Half-title. 20th century green crushed levant gilt, edges gilt, STAMP SIGNED BY BAYNTUN-RIVIERE. FIRST EDITION, one of 500 copies. "Of the 51 titles exactly one-third were written in the 60's, for the most part in London lodgings in 1866... Only 4 of the collection had been published previously" (Purdy p.105). Purdy pp.96-106.For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
Lot 159
JOYCE, James. Ulysses. London: Egoist Press, 1922. 4to. 8pp. errata. Contemporary brown morocco gilt, stamp-signed by Morrell (lower hinge starting); original wrappers bound in. Provenance: W. & G. Foyle & Ltd. (bookseller's label on lower pastedown). FIRST ENGLISH EDITION, number 260 of 2,000 copies, printed in Dijon from the original plates for Joyce's patron, Harriet Weaver, who was unable to find a printer in London, and distributed by Rodker and Ezra Pound. Of the 2,000 copies printed, 500 copies were sent to America and were subsequently reported seized and burned by the United States government authorities; recent evidence suggests that not all of the copies sent to America were destroyed. According to Harriet Shaw Weaver, 'a good number of copies sent by ordinary book post to the U.S.A got through to their various destinations, but some time between October 1922 (when the Egoist edition as published) and December, the U.S.A censorship authorities evidently became suspicious€¦until finally 400-500 copies were confiscated and burnt' (qtd. in Slocum and Cahoon). Slocum and Cahoon A18.For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
Lot 170
KING, Stephen (b.1947). Carrie. Garden City: Doubleday & Company, Inc., 19748vo. Original maroon cloth, spine gilt-lettered (leaned, hinges starting); original pictorial dust jacket (a few minor abrasions, 1-inch tear repaired rear flap, some slight creasing or chipping). Provenance: Ex-library copy, stamp on dedication page and library card pocket removed rear free end paper. FIRST EDITION, FIRST PRINTING with code "P6" in gutter of p.199 of King's first published novel.For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
![[MAILER, Norman (1923-2007)]. A group of 5 FIRST EDITIONS, comprising: Barbary Shore. London: Jonathan Cape. 1952. FIRST](https://cdn.globalauctionplatform.com/2e77d25c-5288-4641-aeee-acd20120a026/2b39962e-5298-46f2-9bbb-acd3011eb87d/468x382.jpg)
Lot 194
[MAILER, Norman (1923-2007)]. A group of 5 FIRST EDITIONS, comprising: Barbary Shore. London: Jonathan Cape. 1952. FIRST ENGLISH EDITION, SIGNED BY MAILER. -- Marilyn: A Biography. [New York]: Grosset & Dunlap Inc., 1973. (Blind stamp.) FIRST EDITION, FIRST PRINTING. Provenance: Library blind stamp(blind stamp). -- Ancient Evenings. Boston: Little, Brown and Company, 1983. FIRST EDITION, SIGNED BY MAILER. -- Harlot's Ghost. New York: Random House, 1991. FIRST EDITION, SIGNED BY MAILER. -- The Time of Our Time. New York: Random House, 1998. FIRST EDITION, SIGNED BY MAILER. -- Together, 5 works in 5 volumes, most FIRST EDITIONS SIGNED BY MAILER where indicated, all in original cloth, cloth-backed boards, or boards, all in original dust jackets, condition generally fine.For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
Lot 236
STEINBECK, John (1902-1968). Cup of Gold. New York: McBride, 1929.8vo. Original yellow cloth lettered in black (endpapers renewed, spine slightly soiled, bottom edge rubbed); original pictorial dust jacket with corners clipped as issued and "$2.50" price present (verso lined with Japanese tissue, repairs verso to flap folds and edges, restored with portions recolored and some work in facsimile). Provenance: Popular Fiction Lending Library (stamp on top edge partially effaced). FIRST EDITION, FIRST ISSUE OF STEINBECK'S FIRST BOOK, with the McBride imprint and "First Published, August 1929" on copyright page. In binding variant 1 with the unstained top edge and retaining the final blank. One of only approximately 2,500 copies of Steinbeck's scarce first novel, published right before the stock market crash, which tells the story of the life of pirate Henry Morgan. Goldstone & Payne A1a. For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
Lot 239
STEINBECK, John (1902-1968). Tortilla Flat. New York: Covici-Friede, 1935. 8vo. Illustrated by Ruth Gannett. Original pictorial wrappers by Ruth Gannett (a few short chips or tears); cloth folding case. Provenance: Jacques Levy (offered his sale, Sotheby's, 20 April 2012, Sale 8852, Lot 318).FIRST EDITION, issue in wrappers. ADVANCE REVIEW COPY with "Advance Complimentary Copy" stamp on front flyleaf. Approximately 500 copies were bound in wrappers; according to Goldstone and Payne, no evidence has been found that copies bound in wrappers preceded the cloth-bound copies. Goldstone & Payne A3a. For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
Lot 252
THACKERAY, William (1811-1863). Vanity Fair. London: Bradbury and Evans, 1848.8vo (208 x 132 mm). Engraved frontispiece, title and 38 plates, wood-engraved illustrations (some minor spotting to a few leaves). 20th-century half tan calf gilt stamp-signed by Morrell (darkening to spine and edges, hinges starting, some losses to spine with old repairs); slipcase. FIRST EDITION IN BOOK FORM, later issue with 'Mr. Pitt" for "Sir Pitt" on p.453 but without the heading on p.1 in rustic type or the suppressed woodcut of Lord Steyne on p. 336. Grolier English 87; Van Duzer 231.For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
Lot 34
CLEMENS, Samuel ("Mark Twain") (1835-1910). A Connecticut Yankee in King Arthur's Court. New York: Charles L. Webster & Company, 1889.8vo (205 x 162 mm). 44 wood-engraved plates and numerous illustrations in text by Dan Beard, 2 pp. publisher's advertisements at end. 20th-century green calf gilt, edges gilt, stamp-signed by Bayntun-Riviere (spine sunned); original cloth bound in; cloth slipcase. FIRST EDITION, later state, without the S-like ornament between the two words in the caption on p.[59]. BAL 3429; Johnson, High Spots pp.50-52.For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
Lot 43
DICKENS, Charles (1812-1870). The Life and Adventures of Nicholas Nickleby. London: Chapman & Hall, 1839.8vo (210 x 130 mm). Engraved portrait frontispiece, 39 engraved plates. (Lacking half-title, plates browned, some minor spotting.) Later half maroon morocco gilt stamp-signed by Speakman, top edge gilt (slightly rubbed). FIRST EDITION IN BOOK FORM, including plates 1 and 2 in the earliest states with publisher's imprint, with "vister" for "sister" on p. 123, and "latter" for "letter" on p. 160. Hatton & Cleaver pp.131-160; Smith I:5; Gimbel A41.For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
Lot 48
DICKENS, Charles (1812-1870). Bleak House. London: Bradbury & Evans, 1853.8vo (210 x 134 mm). Engraved frontispiece, vignette title-page and 38 illustrations by J.K. Browne ('Phiz'), with the 10 'dark' plates. (Some minor browning primarily to plate margins, some very minor spotting.) Later half green morocco gilt, edges marbled (spine darkened, some light wear). Provenance: Hovingham Hall Library (library stamp). FIRST EDITION IN BOOK FORM published on 12 September 1853. Eckel, pp.64-66; Gimbel A154; Smith I:10.For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
Lot 50
DICKENS, Charles (1812-1870). Little Dorrit. London: Bradbury & Evans, 1857.8vo (218 x 140 mm). Engraved frontispiece, vignette title, and 38 plates by Hablot K. Browne "Phiz", including 8 'dark' plates. (Some minor marginal darkening to a few plates, some light spotting.) Later half red calf gilt stamp-signed by Henry Young & Sons, top edge gilt (spine faded, some light rubbing); original front wrapper of part No.II bound in at end. Provenance: Samuel Field (bookplate). FIRST EDITION bound from the original parts (with sewing holes present), with "Rigaud" for "Blandois" on pp. 469-474, but without the additional 9-line errata slip at p.481 of Part 16, Book II. Eckel, p. 82; Gimbel A140; Hatton & Cleaver 305-330; Sadler 691; Smith I: 12.For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
Lot 51
DICKENS, Charles (1812-1870), editor. All the Year Round. A Weekly Journal. London: C. Whiting for No.26 Wellington Street, Volumes I-II, 30 April 1859 - 7 April 1860; Volumes IV-VIII, 13 October 1860 -21 February 1863.7 volumes, 8vo (234 x 154 mm). Vol.I-II, Nos.1-50 and Vol.IV-VIII, Nos.77-200 (lacking Vol.III, Nos.51-76). (Title-page lacking in Vol.IV.) Volumes I-II: 20th century half maroon morocco gilt stamp-signed by G.S., edges marbled; Volumes IV-VIII: contemporary half black calf gilt (some overall wear to all volumes).FIRST APPEARANCES of A Tale of Two Cities (nos.1-31) and Great Expectations (nos.84-119) in serialized form. A Tale of Two Cities had first appeared in the weekly journal All the Year Round from 30 April to 26 November 1859. All the Year Round was considered a replacement or continuation of Household Words, which had ceased publication in 1857. Vol.I-II and IV-VIII of All the Year Round contain many other pieces by Dickens including several sketches which afterwards appeared in book form as The Uncommercial Traveller. Eckel, pp. 194-195; Gimbel E9-21.For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
Lot 52
DICKENS, Charles (1812-1870). Our Mutual Friend. London: Chapman & Hall, 1865.2 volumes, 8vo (220 x 140 mm). Half-titles, engraved frontispieces, engraved title-page to vol.I, and 38 engraved plates. (Lacking the 36- and 24-page catalogues at end of each volume, as often, scant spotting.) "To the Reader" slip tipped in at first text leaf. 20th-century half red morocco gilt stamp-signed by Bumpus (very slight rubbing along bottom edge of boards). FIRST EDITION IN BOOK FORM bound from the original parts (with sewing holes present), with the very scarce "To the Reader" slip concerning the meaning of the title. Gimbel A150; Hatton & Cleaver pp. 343-370; Smith I:15.For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
Lot 64
DREISER, Theodore (1871-19415). Sister Carrie. New York: Boni & Liveright, 1917.8vo. 20th century half green morocco gilt, stamp-signed by Whitman Bennett (hinges starting, some minor wear to extremities). Provenance: Barrett H. Clark (1890-1953), American writer, editor and translator (presentation inscription, see below). Later edition, PRESENTATION COPY, INSCRIBED BY DREISER: "For Barrett H. Clark With pleasure. the signature of Theodore Dreiser Los Angeles 1921." Barrett H. Clark, a prominent figure in the American theatre for nearly four decades whose correspondence is held by the Yale University archives, corresponded with several important early 20th-century authors, including Sherwood Anderson, Stephen Vincent Benet, DuBose Heyward, Sinclair Lewis, Upton Sinclair, and Thornton Wilder. His biography about Eugene O'Neill, Eugene O'Neill: The Man and His Plays, was published in 1929. For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
Lot 253
Laurence Stephen Lowry (1887-1976) - Sailing Boats, offset lithograph printed in colours, signed in pencil lower right, published by Venture Prints Ltd, Bristol, 1975, visible sheet dimensions 32 x 36cmCondition report: Fine Arts Guild stamp to lower left hand corner.Framed, mounted and glazed.We cannot tell if stuck down.Colours good, bold and original.Overall very good condition, no apparent damage or foxing.
Lot 4155
Early 20th century Cuno and Otto Dressel wax shoulder head doll with applied hair and fixed glass eyes, soft body with jointed composition lower limbs, maker's stamp to right thigh, clothing and box H38cm in original boxClick here to view further images, condition reports, sale times & delivery costs for this lot.
Lot 187
WILLIAM ROBERTSON (ED): FRIENDS OF A HALF CENTURY FIFTY MEMORIALS WITH PORTRAITS OF MEMBERS OF THE SOCIETY OF FRIENDS 1840-1890, London, Edward Hicks, Ashford Kent, HD & B Headley, 1891, 1st edition, 4to, original cloth gilt + JOSIAH FORSTER: PIETY PROMOTED IN BRIEF BIOGRAPHICAL MEMORIALS OF SOME OF THE RELIGIOUS SOCIETY OF FRIENDS COMMONLY CALLED QUAKERS, London, Harvey & Darton, 1829, 1st edition, 12mo, later cloth, rubber stamp and inscription for Woodhouse Sheffield Friends Library on ffep, (2)
Lot 141
~ A Victorian Mourning Pendant, a circular blue enamel plaque overlaid with the initials 'HW' in seed pearls within a plaited hairwork frame, to a further yellow plain polished border, and a lock of hair to the reverse, length 6.3cm. The pendant is in fair condition. Some of the seed pearl detailing has become loose. It bears no hallmark nor stamp. Gross weight 37.2 grams. CR made 08.02.21.
Lot 146
~ A Diamond Stickpin/Button, the old cut diamond in white claw settings, estimated diamond weight 1.20 carat approximately . The item is in good condition. It bears no hallmark nor stamp, it has an interchangeable fitting for a button or stickpin. The diamond measures 6.71mm x 6.69mm, depth unobtainable. The approximate qualities of the diamond are; colour I/J, clarity SI1/SI2. Gross weight 3.2 grams. CR made 08.02.21.
Lot 149
~ Three Mother-of-Pearl and Pearl Dress Studs, cased by Goldsmiths & Silversmiths, Gardner & Gardner, 48&49 Burlington Arcade; Two Pearl Dress Studs, cased by Carrington & Co Ltd, 130, Regent Street; and Four Pearl Stickpins NB: The pearls have not been laboratory tested . The items are in fair condition, the stickpins are bent and require attention with slight nacre damage. They all bear no hallmark nor stamp. Two pearl dress studs cased by Carrington & Co - 4.71mm - 4.90mm diameter approximately. The largest stickpin measures - 6.36mm x 7.71mm approximately. Gross weight 7.8 grams. CR made 11.02.21.
Lot 152
~ A Pearl and Diamond Stickpin, the pearl with a rose cut diamond collar in white millegrain settings, cased by Carrington & Co Ltd, 130, Regent Street; and Two Further Pearl Stickpins, cased NB: The pearls have not been laboratory tested . The stickpins are in good condition. They bear no hallmark nor stamp. Stickpin with diamond collar, Carrington box - 6.36mm x 7.18mm approximately. Stickpin with note in the box - 8.40mmx 7.08mm approximately. Stickpin in Collingwood box - 6.37mm x 5.32mm approximately. Gross weight 5.9 grams. CR made 11.02.21.
Lot 156
~ A Bloodstone Signet Ring, the oval intaglio seal engraved with initials, inset into a yellow tapered shank, finger size K1/2. The ring is in fair condition, the bloodstone is nibbled around the edges. It bears no hallmark nor stamp but in our opinion would test as gold. Gross weight 8.5 grams. CR made 08.02.21.
Lot 157
~ A Pair of Rock Crystal Cufflinks, the round cabochon rock crystal in yellow rubbed over settings, joined by clip links, cased by Goldsmiths & Silversmiths Company Ltd, 112 Regent St, London. The cufflinks are in fair condition, the clips require attention and one is very loose. They bear no hallmark nor stamp but in our opinion would test as gold. Gross weight 7.4 grams. CR made 08.02.21.
Lot 210
~ A Split Cane Fishing Rod, contained in a leather case stamped HWLW, 136cm long overall; A Leather and Canvas Satchel; A Lawrence & Mayo ''The Signpost'' Three-Draw Telescope, gilt mark, in leather carrying case; A Leather Cased Camera; and A Leather Cased Glass Flask. Brass reel fitting stamped Ogden Smith. No makers stamp on the rod itself.
Lot 226
Giovanni de Martino (Italian, 1870-1935): A Bronze Bust of a Boy, wearing a hat with a feather, on a marble plinth, signed G MARTINO, stamped DIRITTI D'AUTORE and with foundry stamp, 14cm high; A White Alabaster Bust of a Young Boy, wearing a hat, inscribed PARIS, on a marble plinth, 14cm high; and A Bronze Bust of a Girl, on a marble plinth, indistinctly signed, 7cm high (3). Bronzes with some typical minor surface wear. Alabaster with typical scratching and minor flakes.
Lot 45
Australia.- Geology.- David (Sir Tannatt William Edgeworth) Geological Map of the Commonwealth of Australia, large colour-printed geological map of Australia in 4 sections, each linen-backed, some very light foxing, in original cloth box (rather stained, extremities worn), 1931; Explanatory Notes to accompany a New Geological Map of the Commonwealth of Australia, plates, illustrations and tables, some folding, library blind-stamp to title and ink withdrawn stamps to verso and endpaper, original cloth, rubbed and faded, Sydney, 1932
Lot 170
λ Laurence Stephen Lowry (British 1887-1976)Meeting PointOffset lithograph printed in colours, 1973 Signed in pencil and numbered 529, from the edition of 850, printed by Chorley & Pickersgill Ltd., published by the Adam Collection Ltd., with the Fine Art Trade Guild blindstampImage: 47 x 71cm (18½ x 27¾ in.)Sheet: 61.5 x 82cm (24 1/4 x 32 1/4 in.)UnframedPlease note: The work is unframed and stamp numbered 529 (as opposed to 429) as recorded in the catalogue. Condition Report: Unframed. Light staining to the margins where it has previously been framed. Remnants of old tape to corners and associated yellow staining . Some creasing throughout notably to the upper right quadrant and lower margin. Black smudgy handling marks to the lower right. The corners are softened due to handling. Condition Report Disclaimer
Lot 187
João Carlos Galvão (Brazilian b. 1941)Sem Titulo (Untitled)Paint on wood Signed, titled, inscribed and dated 2001 (verso) together with studio stamp 70 x 70cm (27½ x 27½ in.)Provenance:Purchased direct from the artist in Paris by the present owner in 2002João Carlos Galvão was born in Brazil in 1941. Galvão studied at The National School of Fine Arts at the Univeristy of Brazil between 1964 and 1966. Galvão moved to Paris to continue his studies in art under the tutorage of Jean Cassou (1897-1986), the first director of the Musée national d'Art moderne, Paris. During the late 60s Galvão worked in the atelier workshops of Victor Vasarely, Antonio Asis and Sergio Camargo. Galvão became assoictaed with the MADI cultural movement founded by Carmelo Arden Quin during the 1940s in Buenos Aires. This gave Galvão the confidence to experiment with curved wood, geometric shapes and non-representational art. The present work is made to viewed from all angles in order to experience the full relief of the piece. Between the individual geometric forms, which are sometimes round or sometimes cubes, there are three dimensional cavities, grooves and spaces. The individual pieces of painted wood constructed together create shadows across the relief creating a harmony and dynamism. Curator's Comment I The mastery of this piece is it's relief. Make sure that this piece can be seen from many angles. Lighting is also important, if possible direct a spotlight towards it to pick up on the shadows and enhance the depth of the piece. Hang this piece against a neutral wall to create a minimalist interior or contrast with a dark blue feature wall to make a strong impact.
Lot 115
Stamps & Coins - Quantity of coins, together with four stamp albums Condition: Please see extra images provided. **Due to current lockdown conditions, bidders are unable to view lots in this online-only sale. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
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