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Lot 423
Uk 1970's mint in stock book, and 1980's in another stock book, with over a dozen early QV New Zealand fiscal's, a little stock with a heavily mounted and toned mint stamp duty denny 1882 s.g.f2, a stock book with KE7 and KG5 officials, mint, used, blocks, etc, mint 1960 and 1967 offing including high values up to $2m.m some Australia high value nicer mixed 10 albums
Lot 156
FOUR CLARICE CLIFF SIDE PLATES comprising A FANTASQUE BIZARRE MELON PATTERN SIDE PLATE, 20cm diameter; AN ORANGE BROTH PATTERN SIDE PLATE, with Lawley's Pottery retail stamp, 17cm diameter; A CAPRI PATTERN SIDE PLATE, 17.5cm diameter; and A NASTURTIUM SIDE PLATE, 20cm diameter, with Newport pottery and Wilkinson Ltd backstamps. (4)Melon plate with fairly heavy surface scratching to the paint. Orange broth paint with fairly heavy surface scratching and fading. Capri with light surface scratching. Nasturtium with light surface scratching.
Lot 198
Hornsea pottery ashtrays by John Clappison, in the form of stylised birds, blue & brown glaze with black transfer printing, together with a Hornsea ashtray modelled as a fish. (4) Only one blue ashtray has the Hornsea stamp, the fish has an impressed mark. There is a very small chip to one blue ashtray and to the fish, see images
Lot 903
Two partially filled large Ideal stamp albums with varied World content, including Australian Commonwealth, Canada, Ceylon, Abyssinia, Belgium, Germany, Hungary, North Mongolia, China, Russia, Japan, France etc. Also with an additional album including Great Britain (1d reds, to 20thc) and World content. (3). *CR: Reasonable condition. *BP 22.5% (18.75% plus VAT) plus a lot fee of £8 inc. VAT on each lot.
Lot 909
An interesting group of stamp albums, stock books and unused sheets of German stamps, including an album from 1872-1930's with used and mint stamps, another album with used stamps and stamps cut from envelopes, unused stamps etc, two albums with a large qty of unused sheets of stamps (and other sheets of unused stamps), and two other large albums. *CR: Mixed condition. *BP 22.5% (18.75% plus VAT) plus a lot fee of £8 inc. VAT on each lot.
Lot 921
Eight albums of first day covers, including Ireland (Wolfe Tone, Air Mail Definitive 1965, Easter Rising 1916-1966 etc), Isle of Man (including stamp booklets), Railway (Golden Arrow, Liverpool & Manchester Railway etc), Air Mail (USA, New Zealand), Kiribati, Falkland Islands, etc. Also with some mint stamp sets etc. (8). *CR: Generally good. *BP 22.5% (18.75% plus VAT) plus a lot fee of £8 inc. VAT on each lot.
Lot 923
Nine albums with various first day covers, including The Australian Bicentenary, Jersey D-Day, USA (Military), Seychelles (including stamp sets), Isle of Man (covers and stamp booklets), Hong Kong, Ireland, Gibraltar (covers and stamp sets) etc. (9). *CR: Generally good. *BP 22.5% (18.75% plus VAT) plus a lot fee of £8 inc. VAT on each lot.
Lot 924
Various albums of first day covers, including Cyprus, Turkey, Papua New Guinea, Pitcairn Islands, Fiji, Kiribati, Gibraltar (including 1966 World Cup), Germany, Isle of Man (two albums with stamp sets), USA, Early Air Mail, and various other covers etc. *CR: Generally good. *BP 22.5% (18.75% plus VAT) plus a lot fee of £8 inc. VAT on each lot.
Lot 925
A mixed lot including First Day Covers, including Gibraltar (with stamp booklets), Military, Guernsey and Jersey, Kiribati, Apollo manned flight (various Apollo covers), Antarctic etc. Also with some miniature sheets, stamp booklets, Meteor Stamp Album etc. *CR: Mixed condition. *BP 22.5% (18.75% plus VAT) plus a lot fee of £8 inc. VAT on each lot.
Lot 926
A large qty of stamp covers, mostly loose and some in albums, including Jorvik (1984), British Forces, USA, Royalty, Military, Aviation, and many more. Also with some mint stamp sets, and other items. *CR: Generally good. *BP 22.5% (18.75% plus VAT) plus a lot fee of £8 inc. VAT on each lot.
Lot 935
A large qty of approx 361 Stamp Presentation Packs, with approx £1070 face value. Including Christmas Angels, Post Offices, The Lord of the Rings, National Trust, Pictorial Postcards, Enid Blyton, Architects of the Air, and many more. *CR: Good. *BP 22.5% (18.75% plus VAT) plus a lot fee of £8 inc. VAT on each lot.
Lot 938
7 albums, including 2 albums with various Royal Wedding 1986 Stamp Booklets, album of mint Commonwealth Stamps (Montserrat, Nevis, Union Island, Barbados etc), First Day Covers (Grenada, Sierre Leone, The Gambia, and many more). All connected to the Royal Wedding of Prince Andrew and Sarah Ferguson in 1986. (7). *CR: Generally good. *BP 22.5% (18.75% plus VAT) plus a lot fee of £8 inc. VAT on each lot.
Lot 1580
An Art Deco George V silver-mounted travelling writing set, shell satinwood inlaid sloped case, containing silver desk set with ceramic engagements panel, pen rest, inkwells and postage stamp container, travelling silver-mounted ivorine perpetual calendar and 2 propelling pencils (1 ivory), by Charles Edwin Turner, hallmarks Birmingham 1912, desk panel width 12cm, calendar width 12.5cm, case width 18cm. This item has been registered as exempt from the UK Ivory Act 2018 on account of it being made before 3rd March 1947 with less than 10% ivory by volume. Ivory declaration submission reference FVATLJX3No obvious damage or repair, case hinge and catch working, ceramic panel has light crazing, lid hinges working, numerals on calendar are slightly faded with right section of backing panel broken and missing, hallmarks clear
Lot 617
1952 FA CUP FINAL Original 10" X 8" b/w action Press photo with stamp and paper notation on the back of Robledo scoring the only goal for Newcastle United v Arsenal, slightly creased and minor paper loss on the corners and writing on the front and a 6" X 3.5" b/w Press photo with a stamp on the back of Jack Milburn, slightly creased. Fair
Lot 113
ANTONIO PEYRO (Castellón 1881-1954)."Fallera".Ceramic.It has faults in the nose area.Provenance: Private Collection of Luis García Berlanga.With the artist's stamp and sticker on the base.Measurements: 18 x 11 x 10 cm.Antonio Peyró Mezquita was a painter, sculptor, ceramist and goldsmith. He was born in Onda (Castellón) in 1881. He began working in his father's forge when he was just a child, his first approach to the fire of the forge. After his time at the forge, he became an apprentice in the workshop of the master Viciano, coinciding with the sculptor Francisco Paredes. At the age of fourteen Peyró was awarded a scholarship to study at the Academy of Fine Arts of San Carlos (Valencia). In 1926 he went to Madrid to continue his studies at the San Fernando Academy, where he met teachers such as Emilio Sala and Muñoz Degrain. He became interested in painting, ceramics, design, sculpture and goldsmithing; thanks to his diversity of themes, his dynamism and fantasy placed him among the most important painters of his generation from Castellón. His most outstanding works include his series of large group paintings, such as "Valencianos a caballo en día de gala" (Valencians on horseback on a gala day). Thanks to Peyró's artistic work, he ended up discovering the typical ceramics of Castellón. His production included ceramic figurines, especially those dedicated to Valencian female figures, such as: "Valencianas", "Juegos Florales" (Floral Games) and "Danza Valenciana" (Valencian Dance). The figures were finished to perfection, the forms were solid and simplified. Peyró's works were very popular in his time, such was their success that he opened two houses selling his figures in Valencia and Madrid. He was a professor at the School of Ceramics in Madrid, the city where he lived for most of his life. He died in Valencia in 1954.
Lot 76
GUSTAVE VIOLET (Thuir, 1873 - Perpignan, 1952)."Fruit pickers" 1920.Vase.In terracotta.Stamp on the base.Work catalogued in "Gustave Violet" pg 159.Measurements: 24 x 14 x 14 cm.French sculptor. Gustave Violet moved to Prades at the age of 30, where he opened his workshop. This was a period of high productivity in which he was inspired by the life of the Catalan peasant for the terracotta sculptures. He carried out several commissions, such as the bas-relief of the portal of the Collège Jean Moulin in Perpignan or the monument to the engineer Jules Lax, one of the architects of the Yellow Train. Sculptures: Monuments to the Dead of Prades, Thuir, Perpignan, Collioure, Estagel, Tautavel and Saint Laurent de Cerdans, Statue in homage to the construction of the Ceret irrigation canal. "To those who died for France in the First World War', Montjuic cemetery, Barcelona (1925).
Lot 88
JOAN GARCÍA RIPOLLÉS, (Castellón, 1932)."Woman", 1971.Mixed media on canvas.Presents the stamp of the Porcar Gallery (Castellón).Provenance: Luis de García Berlanga Private Collection.Signed and dated in the upper left corner.Measurements: 12 x 22 cm; 13,5 x 20 cm (frame).At the beginning of the 70's, Ripollés created this type of paintings with female protagonists much more stylised and with a symbolist character, as can be seen in his painting "Menina 2" from the year 70, where a similar aesthetic treatment to the one in the present work can be appreciated. Known by his second surname or as "the Blessed Ripo", Joan García Ripollés discovered his passion for painting when, while still very young and in the middle of the post-war period, he began to work in an industrial painting workshop. From then on he devoted himself to painting at night, and later took drawing classes at the Ribalta secondary school in Castellón. After his debut in a group exhibition held in 1951 at the Caja de Ahorros de Castellón, 1954 was a turning point in his career, as a result of a trip to Paris where he made contact with the city's artistic circles. However, he was unable to give up industrial painting until 1958, when he joined the Drouand David gallery in Paris, one of the most prestigious in the world. He organised his first major solo exhibition at MACBA in 1962, and in 1967 he travelled to New York, where he exhibited and sold his entire collection to The William Haber Art Collection. That same year, the New York dealer Leon Amiel, of the Larrouse gallery, acquired all his work, something which was repeated on his trip to Japan. From that moment on, he embarked on a dazzling international career that has taken his work all over the world. He has organised solo exhibitions not only in Spain, Paris and New York, but also in Mexico, Holland, Belgium, Italy, Switzerland, Sweden, various American cities, Germany and Japan. He is currently the exclusive artist of The William Haber Art in New York and the Galerie Drouand in Paris. In 2000 he was awarded the Premio de las Artes de la Comunidad Valenciana. Ripollés defines himself as an "immature adult" and, above all, "light-hearted, a little mischievous and with some naivety", words that reflect his exuberant creative spirit, his simple and extroverted character and his childlike soul. Ripollés is, today, one of the most international Spanish artists, and also one of the most complete, as he has worked brilliantly in painting, sculpture and engraving. He is represented in the IVAM, the MOMA in New York, the Museum of the University of Alicante, the Museum of Fine Arts in Seville and the MACBA.
Lot 589
CHARLES AND RAY EAMES FOR HERMAN MILLERLounge chair and ottoman, model nos. 670 and 671, designed 1956Santos palisander plywood frame with laminate rosewood veneer, black buttoned leather upholstery, aluminium baseFoil Strip to ottoman base, Charles Eames Design Herman Miller Zeeland Michigan, 671/B stamp to mount; 650/A stamp to chair base, 670/B to mount Chair: 78.5cm high, 82cm wide, 80cm deep Ottoman: 42cm high, 65cm wide, 53cm deep
Lot 199
Pair of Prince of Wales 1969 Investiture chairs Pair Prince of Wales 1969 investiture chairs by Remploy designed by Anthony Charles Robert Armstrong-Jones, 1st Earl of Snowdon, constructed from laminated olive ash stained vermillion red, the backs bearing gilt Prince of Wales feathers and his motto ICH DIEN (I serve) with red pad seats, the underside of each seat bears a Prince of Wales feathers stamp and 1969, 78cm high. Signs of wear, please see images. Some loss to the gilt prince of wales feathers on one seatback.
Lot 146
A Boxed Unikum Ear Trumpet and Two Auricles, theHorrohr Unikum German, early 20th century, in celluloid, card case with illustrated label, original packing, retailer's stamp ' F Kortecamp Electr-med Apparate Koln - Nippes Niehler-Kirchweg 145', with two celluloid auricles, late 19th/early 20th century, a single and a double, both with sprung steel headbands
Lot 220
Lancashire County Council, A Very Fine Set of Standard Apothecaries Weights, 1890 English, earliest stamp 1914, the case with a label for 'DEGRAVE SHORT & CO LONDON', the case with an engraved plaque to the lid for 'LANCASHIRE COUNTY COUNCIL WIGAN DEVISION', each weight stamped with the set number 2763 and profusely marked with Exchequer and verification marks, the case 25cm wide
Lot 315
The London, Edinburgh, and Dublin Philosophical Magazine and Journal of Science, vol. X - Fourth Series, July - December 1855, London, Taylor and Francis, Red Lion Court, Fleet Street, Library stamp to title-page , half calf, spine worn , boards with cream marbling, bookblock firmly attached. Internally fine and clean, First Edition First Impression of Darwin's paper, XII. On the power of icebergs to make rectilinear, uniformly directed groves across a submarine Undulatory Surface. By C. Darwin, Esq., Vice-Pres. R.R., F.G.S. [p.96], With this 1855 paper, Darwin sought to hypothesise as to why or how “long, rectilinear scratches, running in one given direction across an undulatory surface, could have been thus formed” (p.96). In other words, how is it possible for icebergs to have left scratches in the topography of a valley, which run at right angles to the direction of the valley itself. Darwin’s question about the ability of an iceberg to perform such a feat is due to the mechanical differences between icebergs and glaciers. Glaciers tend to be rather plastic, being able to change form as they move over the terrain. Icebergs, in contrast, tend to be smaller and are considered to merely be pieces of a glacier that have broken off. Due to their smaller size, icebergs lose plasticity and the ability to impact the terrain in the above-mentioned manner. In closing, Darwin posits that it is the interaction between the iceberg and the flow of water that creates the scratches on the surface of the valley. Icebergs can theoretically float through a large body of water at a depth of 1,500 feet, and be carried by the current. The sheer mass of the iceberg, coupled with the speed of the water flow, leads to the shaping of the terrain. Charles Darwin, (b.1809 - d.1882) is most famous for his work On The Origin of Species, where he described the theory of evolution by natural selection. Although Darwin’s father wanted his aimless son to make his career with the church, Darwin had other ideas. Pursuing a career as a naturalist his body of work ranges from earthworms and finches to icebergs and geology. Footnote: we have been unable to find a copy of this article sold at auction within the last 10 years.
Lot 327
1- The London, Edinburgh and Dublin Philosophical Magazine and Journal of Science, Sixth Series No.217 January 1919, Ernst Rutherford's paper in 4 parts: Collision of alpha Particles with Light Atoms I. Hydrogen. II. Velocity of the Hydrogen Atom. III. Nitrogen and Oxygen Atoms. IV. An Anomalous Effect in Nitrogen Ernest Rutherford's announcement of the splitting of the atom and the discovery of the proton, which is considered by many to be one of the most significant scientific papers of 20th-century science 2 - Nature, A Weekly Illustrated Journal of Science, Volume CVII March 1921 to August 1921, half faux calf with marbled boards, library stamp for 'Kaiser Wilhelm-Institut fur Chemie' Ernst Rutherford and J. Chadwick's paper: Desintegration of elements by α-particles [p.41] and The atomic volume of isotopes by Frederick Soddy, and, Atomic Structure by Niels Bohr 3 - Nature, A Weekly Illustrated Journal of Science, Volume CIX January 1922 to June 1922, Ernst Rutherford's paper: artificial disintegration of the elements [p.584 - p.586] and p.614 - p.617] and, President of the Science Masters Association. and, Identification of a missing element. and, To be president of the Liverpool Meeting of the British Association 4- Proceedings of The Royal Society, Series A Vol.129 No. A 809, September 1930, Ernst Rutherford's paper: A new method of analysis of groups of alpha rays. The alpha rays from radium C, Thorium C and Actinium C [p.211 - p.234] 5 - Proceedings of The Royal Society, Series A Vol. CL July 1935, Ernst Rutherford, A. E. Kempton and M. L. E. Oliphant's paper: some nuclear transformations of beryllium and boron, and the masses of the light elements [p.241 - p.258] 6 - Proceedings of The Royal Society, Series A Vol. 132, No.A819, July 2 1931, Ernst Rutherford and C. D. Ellis' paper: The origin of the gamma rays [p.667 - p.688] 7 - Proceedings of The Royal Society, Series A Vol. 139, No.A837, January 2 1933, Ernst Rutherford's paper: analysis of alpha rays by an annular magnetic field [p.617 - p.637] "Another major advance at the Cavendish, the significance of which is not sufficiently appreciated, was the application by C. E. Wynn-Williams of Heinrich Greinacher's ideas for electronic amplification of ionization. With the Geiger-Müller tube, which was based on a different principle, and especially with Wynn-Williams' tubes and associated electronics, research workers in the laboratory were able to count particles at much higher rates than with scintillations and with other benefits" (DSB). 8 - Proceedings of The Royal Society, Series A Vol. 97, No.A681, March 1 1920, Ernst Rutherford's paper: Bakerian lecture: Nuclear constitution of Atoms [p.375 - p.400] the first appearance of this famous lecture in which Rutherford predicted the existence of a new constituent of the atomic nucleus and its likely properties. 9 - Proceedings of The Royal Society, Series A Vol. 142, No.A846, October 2 1933, Ernst Rutherford's paper: Analysis of the long range alpha particles from radium C by the magnetic focussing method [p.347 - p.361] 10 - Proceedings of The Royal Society, Series A Vol. 141, No.A843, July 3 1933, Ernst Rutherford's paper: Experiments on the transmutation of elements by protons [p.259 - p.281] and, The transmutation of lithium by protons and by ions of the heavy isotope of hydrogen [p.722 - p742] 11 - Proceedings of The Royal Society, Series A Vol. 131, No.A816, April 2 1931, Ernst Rutherford's paper: analysis of the long range alpha particles from radium C [p.684 - p.703] 12 - The London, Edinburgh and Dublin Philosophical Magazine and Journal of Science, Sixth Series No.199 July 1917, Ernst Rutherford's paper: the Penetrating Power of the X Radiation from a Coolidge Tube [p.153 - p.162] Oliver Lodge: An Astronomical Consequences of the Electrical Theory of Matter [p.81 - p.94] and [p.517 - p.521] (see "The Expanding Worlds of General Relativity" ed Hubert and "Masters of Theory: Cambridge and the Rise of Mathematical Physics); Arthur Eddington: On Astronomical Consequences of the Electrical Theory of Matter. Note on Sir Oliver Lodge's Suggestion, [p.163 - 168] and [p.321 - p.327]; C.V. Raman and Ashutoah Day: On the Maintenance of Vibration by a Periodic Field of Force", [p.129 - p.138] ; J. Prescott, "On the Motion of a Spinning Projectile [p.332 - p.381]; H.S. Allen: Electronic Frequency and Atomic Number [p.488-496] and many others 13 - Nature, A Weekly Illustrated Journal of Science, Volume LXXIX November 1908 to Febuary 1909, half calf with marbled boards, library stamp for 'Physikat Institut Univ. Berlin' , Ernst Rutherfords paper: The nature and charge of the alpha particles from radioactive substances [p.12 - p.15] and, Some properties of the radium emanations, and, The boiling point of radium emanation [p.457 - p.458] 14 - The London, Edinburgh and Dublin Philosophical Magazine and Journal of Science, Sixth Series No.241 January 1921, Ernst Rutherford's paper: On the collision of alpha particles with hydrogen atoms [p.570 - p.574 ] and, The mass of the long range particles from thorium C 15 - The London, Edinburgh and Dublin Philosophical Magazine and Journal of Science, Sixth Series No.247 July 1921, Ernst Rutherford's paper: The artificial disintegrations of light elements [p.809 - p.825]
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