Daniel Halpin – ‘TOX’ (British, b. 1985)Tox09 (pink), 2009Screen printSigned and dated in pencil, with gallery blind stamp (Souled Out Studios)Professionally framed and glazed76 x 56 cm (30 x 22 in)Daniel Halpin, also known as Tox, is a British graffiti writer. He has found fame for adding his tag, always simply the word Tox followed by a number indicating the year, in a very large number of locations across the London Underground network and walls around London and Glasgow. The notorious graffiti vandal hit the headlines in 2011 when he was convicted of a string of spray paint attacks across England between 2007 and 2010. His TOX 'tag' covered trains, buses, bridges, walls and even a funeral home. At his trial, the prosecution mocked him for being 'no Banksy' because he lacked the necessary artistic skills. In a deliberate reference to his plight, Banksy created a London as work depicting a young boy creating bubbles in TOX's name on a wall. The piece, that was situated on the corner of Jeffrey’s Street and Kentish Town Road, Camden, was within walking distance of where self-styled 'King of the Taggers' Halpin lived. Some believe the hitherto unmasked Bristol-based Banksy, who has never been convicted for his 'art', was making light of the 'amateur' efforts of the convicted criminal. Others think the piece was a tribute to the TOX tagger, who at the time was detained in prison.This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
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James Cauty (British, b. 1956)4th, 5th & 6th Class Stamp of Mass DestructionGiclee printsSigned and numbered 48/150 in black penWith gallery Certificate of Authenticity 70 x 61 cm (27.5 x 24 in) each oneThe 4th, 5th and 6th Stamps of Mass Destruction were issued in 2004 to mark the continuation of the “War on Terror”, and also withdrawn from sale after threat of legal action by the Royal Mail.Over a diverse and productive career Cauty has distinguished himself as a musician, record producer, artist and cultural provocateur through fusions of high art, low art and popularist mediums to spectacular effect. As a teenager Cauty drew the intricate multi-million selling Lord of the Rings poster for British retailer Athena. With Alex Patterson as The Orb and with Bill Drummond as The KLF and the Justified Ancients of Mu Mu, Cauty co-wrote and produced a string of global top ten hits. As The K-Foundation, Cauty and Drummond staged a series of seminal actions including the 1994 K Foundation Art Award for Worst Artist of the Year and the K Foundation Burn A Million Quid. From experimental sonic weapons (the Advanced Acoustic Armaments), to anti-Iraq war postage stamps (Stamps of Mass Destruction), and model making (Riot In A Jam Jar and the Aftermath Dislocation Principle) Cauty’s work combines dissent, cultural subversion and gleeful level of high humour. His roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, sampling it and selling it back as recoded realities. In 2013 Cauty completed The Aftermath Dislocation Principle (ADP), a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been completely looted, destroyed, burnt and is devoid of life apart from 3000 or so model police that attend this apocalyptic aftermath. In 2015 the ADP was installed in Banksy’s Dismaland in Weston Super Mare.This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Shepard Fairey (American, b. 1970) Obedience Problems / Obey 99', 2006 Screen Print on cotton rag archival paper Signed and numbered 6/89 in pencil with blind stamp 106 x 73 cm (41 x 28 in) Frank Shepard Fairey (born February 15, 1970) is an American contemporary artist, activist and founder of OBEY Clothing who emerged from the skateboarding scene. In 1989 he designed the "Andre the Giant Has a Posse" (...OBEY...) sticker campaign while attending the Rhode Island School of Design (RISD). Fairey designed the Barack Obama "Hope" poster for the 2008 U.S. presidential election. The Institute of Contemporary Art, Boston has described him as one of the best known and most influential street artists. His work is included in the collections at The Smithsonian, the Los Angeles County Museum of Art, the Museum of Modern Art in New York City, the Museum of Contemporary Art San Diego, the National Portrait Gallery in Washington, D.C., the Virginia Museum of Fine Arts in Richmond, and the Victoria and Albert Museum in London. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Inkie (British, b.1969) On a Wing & a Prayer Limited edition print on tintoretto paper Signed and numbered 37/100 in pencil Embossed stamp Framed and glazed 54 x 45 cm (21 x 17 in) Inkie is a London based painter and street artist, originally from Clifton, Bristol. Inkie began working as part of Crime Incorporated Crew (CIC)or the Crime inc.crew in 1983, along with Felix and Joe Braun. He was the head of the many artists arrested in 1989 during "Operation Anderson", the UK's largest ever graffiti bust. He arranged 1998's Walls on Fire event with Banksy, on the site of the future At-Bristol centre. He has subsequently worked in the video game industry, including some time as head of creative design at Sega. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Inkie (British, b.1969) Ooh La La... Limited edition giclée print on 280gm paper Signed and numbered 45/50 in pencil with embossed stamp Framed and glazed 74 x 54 cm (29 x 21 in) Inkie is a London based painter and street artist, originally from Clifton, Bristol. Inkie began working as part of Crime Incorporated Crew (CIC)or the Crime inc.crew in 1983, along with Felix and Joe Braun. He was the head of the many artists arrested in 1989 during "Operation Anderson", the UK's largest ever graffiti bust. He arranged 1998's Walls on Fire event with Banksy, on the site of the future At-Bristol centre. He has subsequently worked in the video game industry, including some time as head of creative design at Sega. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Inkie (British, b.1969) Nouveau Blue Print on tintoretto paper Signed in pencil Embossed stamp Framed and glazed 54 x 44 cm (21 x 17 in) Inkie is a London based painter and street artist, originally from Clifton, Bristol. Inkie began working as part of Crime Incorporated Crew (CIC)or the Crime inc.crew in 1983, along with Felix and Joe Braun. He was the head of the many artists arrested in 1989 during "Operation Anderson", the UK's largest ever graffiti bust. He arranged 1998's Walls on Fire event with Banksy, on the site of the future At-Bristol centre. He has subsequently worked in the video game industry, including some time as head of creative design at Sega. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Arno Breker (1900 Elberfeld - 1991 Düsseldorf) (F)'Junge Venus', Bronze, braun patiniert, 20 cm x 16 cm x 27 cm, im Guss signiert, Gießerstempel, 224/300 nummeriert, partiell leichter Grünspan Arno Breker (1900 Elberfeld - 1991 Düsseldorf) (F)'Junge Venus', bronze, brown patinated, 20 cm x 16 cm x 27 cm, signed in cast, foundry stamp, 224/300 numbered, partially verdigris
Franz Marc (1880 München - 1916 Verdun)'Versöhnung', Holzschnitt auf gelblichem Japanbütten, 1912, 20 cm x 25,5 cm Plattenmaß, 24,5 cm x 31,5 cm Blattmaß, verso mit voilettem Stempel 'Handdruck vom Originalholzstock bestätigt:' (Lugt 1782 b), von Maria Marc signiert, betitelt, an den oberen Kanten montiert, partiell stockfleckig, partiell minimal knickfaltig, lichtrandig, Literatur: WVZ. Lankheit 837, Hoberg/Jansen 25, Illustration zu dem Gedicht Versöhnung von Else Lasker-Schüler, erschienen in 'Der Sturm', September 1912, Nr. 125/226, S. 133 Franz Marc (1880 Munich - 1916 Verdun)'Versöhnung', woodcut on yellowish Japanese handmade paper, 1912, 20 cm x 25.5 cm panel dimension, 24.5 cm x 31.5 cm sheet dimension, verso with voilette stamp 'Hand print confirmed from the original wooden stick:' (Lugt 1782 b), signed by Maria Marc, titled, mounted on the upper edges, partially stain.spotted, partially minimally kinked, light-edged, literature: WVZ. Lankheit 837, Hoberg/Jansen 25, illustration of the poem Reconciliation by Else Lasker-Schüler, published in 'Der Sturm', September 1912, No. 125/226, p. 133
Bruno Bruni (1935 Gradera/Italien)'Zärtlichkeit', Bronze, 76 cm x 40 cm x 1,7 cm, im Guss signiert, Gießerstempel, 35/250 nummeriert, partiell leichter Grünspan, oberflächlich Spuren von Luftpolsterfolie Bruni (1935 Gradera/Italy)'Zärtlichkeit', bronze, 76 cm x 40 cm x 1.7 cm, signed in cast, foundry stamp, 35/250 numbered, partially light verdigris, traces of bubble wrap on surface
Dietrich Klinge (1954 Heilbad Heiligenstadt)'Hand 022', 2005, Bronze, grünbraun patiniert, Höhe 31 cm, im Guss signiert, 4/9 nummeriert, 22 betitelt, Gießerstempel, Literatur: WVZ-P-2005-0012Dietrich Klinge (1954 Heilbad Heiligenstadt)'Hand 022', 2005, bronze, green-brown patinated, height 31 cm, signed in the casting, numbered 4/9, 22 titled, foundry stamp, literature: WVZ-P-2005-0012
Shen Fan (1952 Shanghai, China)'92-014', Öl auf Reispapier auf Leinwand, 78 cm x 144 cm, Stempelsignatur, Titel gestempelt, partiell stockfleckig, partiell leicht gewellt, Provenienz: Galerie Jochen Höltje (verso Galerieetikett) Shen Fan (1952 Shanghai, China)'92-014', oil on rice paper on canvas, 78 cm x 144 cm, stamp signature, title stamped, partially stain-spotted, partially slightly wavy, provenance: Galerie Jochen Höltje (verso gallery label)
Number 236 of 500, fresh to market after 12 years of single ownership.The original Ford Sierra RS Cosworth was the first Ford to wear the Cosworth badge and was presented to the public at the Geneva Motor Show in March 1985. It was introduced as a means of homologating the Sierra for 'Group A' Touring Car racing, with a requirement that 5,000 cars were built and sold. Launched for sale in July 1986, and based on the three-door Sierra body-shell, it was designed by Ford's Special Vehicle Engineering (SVE) and was powered by a Cosworth-designed 2.0-litre turbo engine of now-legendary repute. At this time, the Sierra Cosworth was a new kind of performance car - a 'blue-collar hero' able to humble true sports cars!In total 5,545 cars were produced - of which 500 were sent to Aston Martin Tickford for conversion to the Sierra 'RS500 Cosworth'. If the RS Cosworth was a homologation car, the RS500 was an evolution special. Once Ford had built the requisite 5,000 RS Cosworths, 'Group A' rules allowed an upgraded 'evolution' model to be launched. This could carry changes focused on improving its racing potential, provided Ford sold 10% of the original number as road cars, hence the 500. The RS500 was announced in July 1987 and had a mechanically uprated Cosworth engine (more similar to the one to be used in competition), with power boosted to 224 bhp, upgraded brakes, modified bodywork and the cachet of being hand-assembled - the RS500 really is the ultimate 1980s Fast Ford!A500 EVO was first registered as OC 9198 on 1st September 1987 and supplied by Gordon Ford of Colwyn Bay to a Mr O. Cerefice from Rhyl. Chassis 236/500 retains its original engine and gearbox and remains finished in black, one of the only three colours available. Since 2010, it has been professionally stored by our vendor during his ownership and has seldom been used. The history file, with service and maintenance records, invoices and MOTs confirms the indicated mileage of 60,002 as genuine. The car has spent several lengthy periods off the road but regularly maintained as corroborated by the 10 main dealer service stamps in the record, with the last stamp at 54,996 by John Grose Ford Centre and the most recent maintenance was completed at 58,044 by David Coe of Auto Engineering Centre Performance & Tuning Specialists in Swansea.The car's overall condition is wholly commensurate with its age and indicated mileage, and with recent careful ownership and sympathetic recommissioning, including a full detail and ceramic coating, all of which is documented online. Chassis 236/500 is supplied with its original service book, handbook, audio book, UK V5C, spare keys and, pleasingly, Cherished Registration, A500 EVO, is included within the sale. An early inspection is welcomed and encouraged to acquaint yourself with this super Cosworth. SpecificationMake: FORDModel: SIERRA COSWORTHYear: 1987Chassis Number: WF0EXXGBBEGG38644Registration Number: A500 EVOTransmission: ManualEngine Number: GG38644 Drive Side: Right-hand DriveOdometer Reading: 60002 MilesMake: RHDInterior Colour: Grey FabricClick here for more details and images
Assorted Ladies Utility Costume and Accessories, comprising a pale pink and black floral patterned sleeveless evening dress, with lace modesty panel and long skirt bearing the 'II Lines Label'; a green gingham short-sleeved cotton shirt dress with collar; Laura Lee Model London linen dress printed with purple and pink tulip heads, short sleeves, pleated skirt and collar; red strappy cocktail dress with a multi gathered bodice and sweetheart neckline; Ritchware white linen tennis dress with short sleeves split to the top, buttons to the waist and pleated shorts; ElYacht purple wool cardigan with buttons to the front patch pockets, bearing the red 'II Lines Label'; five items of ladies lingerie in pale pink and peach; a white cotton night dress labelled Fair Maid; various stockings in wool and silk bearing the CC41 stamp; two cotton aprons and a sleeveless wrap housecoat printed in floral cottons; floral long sleeved robe with buttons down the front; cream fitted long sleeved shirt; pair of floral sprigged pyjamas; a Vita Knit young girls cream night dress with embroidered pink panel to the neck; and an Lec Elfin green cot blanket with stitched label (box and part rail)Pink and black dress - a little staining to the shoulders and slight wear. Green gingham dress - lacking belt and slight wear. Tulip printed dress - wear to the back of the collar, stitched repair and wear under the arms, fading etc. Red dress - slight wear. Ritchware dress - some discolouration and wear. ElYacht cardigan - a number of tiny holes overall and slight wear. Fair Maid night shirt - very worn and bobbled. Floral long robe - several holes, colours have bled, wear to the buttonholes, some discolouration. Cream shirt - some wear. Floral pjs' - slight wear. Vitaknit - good condition. Elfin blanket - some wear and discolouration.
Royal Munster Fusiliers tropical tunic. Great War Royal Munster Fusiliers cotton khaki tunic, as issued to troops serving in Gallipoli and Mesopotamia. Shoulder boards with RMF unit title and flaming grenade insignia, general service buttons. Ink stamp in black to interior, 'RMF 3247 2'; together with an officer's service tunic. (2)
1919 (April 15-27) Extremely rare "Limerick Soviet" One Shilling Note. "April LIMERICK 1919 - GENERAL STRIKE - AGAINST BRITISH MILITARISM - The Workers of Limerick - Promise to Pay the bearer - 1/- ONE SHILLINGS 1/- - The Limerick Trades and Labour Council". Numbered 375 and signed in ink by George Cronin, Chairman, and James Casey, Treasurer, with stamp in violet 'MECHANICS INSITUTE - LIMERICK', 3½" x 1½" (9 x 4cm). Folded, 15mm tear on left edge, three 5mm tears on each other edge, F+. The first currency used by an independent revolutionary movement in Ireland.
Adolf Hacker, 1873 Schwarzenbach/Saale-1943 Heidelberg, Junger Matrose der kaiserl. Marine, Öl/Malkarton, rechts oben signiert, datiert 1916 und bez.: Marinelazarett Hamburg, links oben bez.: bei Wasser und Brot, rückseitig Nachlaßstempel mit Nummer 149, ca. 55x49cm, R. ca. 67x62cmAdolf Hacker, 1873 Schwarzenbach/Saale-1943 Heidelberg, young sailor the imperial Marine, oil/painting cardboard, signed upper right, dated 1916 and inscribed: Marinelazarett Hamburg, upper left inscribed: bei Wasser und Brot, on the back estate stamp with number 149, approx. 55x49cm, frame approx. 67x62cm
A diamond brooch, first quarter of 20th century, the openwork scroll motif set throughout with rose cut diamonds, in white claw settings, within a rectangular frame, total estimated diamond weight 0.50 carat approximately, measures 3.6cm by 1.8cmNB: one diamond deficient.The brooch is in fair condition commensurate with age, there is one stone missing. The panel has been adapted possibly from a bracelet. It fastens with a double pin. It bears no hallmark nor stamp but in our opinion would test as gold and silver. The approximate qualities of the diamonds are; colour J/K/L, clarity SI1/SI2/I1. Gross weight 9.5 grams. CR made 07.03.22.
A synthetic ruby and split pearl pendant, circa 1900, the circular frame set throughout with synthetic round cut rubies alternating with split pearls, in yellow claw and channel settings, suspended from a similarly set bale, measures 3.6cm by 2.8cmNB: one split pearl deficient.The pendant is in poor condition with a split pearl lacking. Originally believed to be a portrait miniature frame. It bears no hallmark nor stamp but in our opinion would test as gold. Gross weight 4.6 grams. CR made 17.02.22.
An Edwardian diamond and pearl bar brooch, three pearls spaced by an old cut diamond set bar, the central pearl flanked by two further similarly set bars, in white millegrain settings, total estimated diamond weight 0.35 carat approximately, length 4.4cmNB: the pearls have not been laboratory tested.The brooch was valued for insurance purposes in 2013 at £850. The brooch is in fair condition, the catch is lacking but the pin is present, the bar is also slightly misshapen. It bears no hallmark nor stamp but in our opinion would test as platinum. The approximate qualities of the diamonds are; colour I/J/K, clarity SI2/I1/I2. Gross weight 3.8 grams. CR made 17.02.22.
An enamel and split pearl cameo brooch, last quarter of 19th century, the conch shell cameo depicting the bust of a Bacchante, within a black enamel frame set throughout with split pearls, to a yellow rope twist border, measures 4.5cm by 3.8cmThe brooch is in fair condition with slight enamel loss. It fastens with a pin and C-hook and features a pendant loop. It bears no hallmark nor stamp but in our opinion would test as gold. Gross weight 16.1 grams. CR made 17.02.22.
A cameo mourning pendant, circa 1900, the hardstone cameo depicting an urn and weeping willow, within a double split pearl border, in yellow rubbed over and millegrain settings, with a hair work locket to the reverse, length 3.4cmThe pendant is in fair condition, the cameo has a fracture running through it, there are scratch marks to the glass and slight scuffing to the reverse. The bale fastens with a figure-of-eight safety catch which is detached. It bears no hallmark nor stamp. Gross weight 8.0 grams. CR made 07.03.22.
An emerald, split pearl and diamond brooch, the central floral motif composed of a split pearl within a border of cushion cut emeralds alternating with rose cut diamonds, to a bar set throughout with rose cut diamonds terminating to split pearls, in yellow claw settings, total estimated diamond weight 0.15 carat approximately, length 4.3cmThe brooch is in fair condition with slight wear throughout. It fastens with a pin and C-hook catch. It bears no hallmark nor stamp but in our opinion would test as gold. The approximate qualities of the diamonds are; colour J/K/L, clarity SI1/SI2/I1. Gross weight 5.3 grams. CR made 17.02.22.
A pair of diamond cluster earrings, with hook fittingsThe earrings are in fair condition with slight damages throughout and lead solder repairs to the reverse. The clips are secure and hinges are operating. The clusters measure 13.84mm approximately. They bear no hallmark nor stamp. The approximate qualities of the diamonds are; caratweight 0.60, colour J/K/L/M, clarity SI2/I1/I2. Gross weight 3.9 grams.
SCHOBER, PETER JAKOB (1897-1983), "Bleiberg I", Landschaft, u.re. signiert 'Schober', Öl/Leinwand, HxB: ca. 54x65 cm. Part. Alters- und Beriebspuren. VERSO Nachlassstempel mit Nr. und Titel und Ausstellungsetikett. LITERATUR: Ehrenfried Kluckert, Peter Jakob Schober, Monographie mit Werkverzeichnis, Theiss 1990, WVZ-Nr. 1982, 907.| SCHOBER, PETER JAKOB (1897-1983), "Bleiberg I", landscape, signed 'Schober', oil/canvas, HxW: approx. 54x65 cm. Partial signs of age and wear. VERSO estate stamp with number and title. LITERATURE: Ehrenfried Kluckert, Peter Jakob Schober, monograph with catalog raisonné, Theiss 1990, WVZ no. 1982, 907.
ZSOLNAY großer Durchbruchteller, 19./20. Jh. Großer Teller mit Voluten-, Rocaillen- und Gitterdekor, mittig mit üppigem Blumendekor, blaue Stempelmarke, Nr. 4026, D. ca. 46,5cm. Krakeliert, Altersspuren. | ZSOLNAY large breakthrough plate, 19th/20th c. Large plate with volute, rocaille and lattice decoration, lush floral decoration in the centre, blue stamp mark, no. 4026, d. approx. 46.5cm. Crackled, signs of age.
HUNDERTWASSER, FRIEDENSREICH (1928-2000), "Good Morning City - Bleeding Town", Farbserigraphie mit Metallfolien/Papier, in der Platte bezeichnet und datiert '686, Giudecca 1969', bezeichnet 'Serie K' und num. 2018/10.000, Trockenstempel und rote Signaturstempel, mit Tusche von Hand signiert, datiert und bezeichnet 'Friedensreich, 19. Feb. 1971 Regentag bei...', HxB: Blatt ca. 84x56 cm, Außenmaße Rahmen ca. 100x70 cm. Altersspuren, gebräunt, Knickspuren am unteren Rand. Mit verglastem Rahmen (Unterlagenkarton gebräunt und fleckig). | HUNDERTWASSER, FRIEDENSREICH (1928-2000), "Good Morning City - Bleeding Town", Color serigraph with metal foil/paper, inscribed and dated '686, Giudecca 1969' in the plate, inscribed 'Serie K' and num. 2018/10,000, dry stamp and red signature stamp, signed by hand in ink, dated and inscribed 'Friedensreich, 19. Feb. 1971 Regentag bei...', HxW: sheet approx. 84x56 cm, external dimensions of frame approx. 100x70 cm. Signs of age, browned, creases at the lower edge. With glazed frame (backing cardboard browned and stained).
u.a. MEISSEN 6-tlg Konvolut Teller und Tassen, 18.-20. Jh. MEISSEN: kleiner, gemuldeter Teller, eine zentrale Kartusche mit Blumenmalerei und zwei äußere Kartuschen mit Figurenstaffage, Flechtrelief im gesamten Innenfeld, Schwertermarke mit zwei Punkten (um 1800?), Rand besch., berieben, Altersspuren, D 18, 5 cm; kleine, ovale Schale mit Blumenmalereien, Innenfeld geflochten, L 14, 5 cm, berieben, Rand min. best.; Unterschale 'Schwanendessin', 20. Jh., L 15 cm, dazu vierpassige Tasse/UT mit umlaufendem Relief von Wasservögeln und -pflanzen, goldfarbene Stempelmarke (Herend?), tlw. berieben, Altersspuren, min. best.. sowie wohl BOCK-WALLENDORF Teller mit Figuren- und Landschaftsstaffage, Rand mit Flechtrelief und Blumenmalereien, rs. goldfarbene Radmarke mit Kreuz, D 25, 5 cm, Altersspuren, berieben.| a.o. MEISSEN 6 pieces lot of plates and bowls, 18th- 20th century, MEISSEN: small, concave plate, a central cartouche with flower painting and two outer cartouches with figures, braided relief throughout the inner field, crossed swords mark with two dots (around 1800?), rim dam., rubbed, signs of age, D 18.5 cm; small, oval bowl with floral paintings, braided inner field, L 14.5 cm, rubbed, rim slightly damaged; Saucer 'Swan Dessin', 20th century, L 15 cm, four-part cup and saucer with surrounding relief of waterfowl and plants, gold-coloured stamp mark (Herend?), partly rubbed, signs of age, slightly dam., and probably BOCK- WALLENDORF plate with figure and landscape staffage, edge with braided relief and flower paintings, gold colored wheel mark with cross on the backside, D 25.5 cm, signs of age, rubbed.
AMBROSIUS LAMM DRESDEN Kaffee Tete-á Tete, 1887-1915, Polychrome Malerei von Vögeln und Insekten mit reichhaltiger Vergoldung, bestehend aus zwei Tassen (1x Sprung am Rand, restauriert) mit Untertassen, Kaffeekanne, Milchgießer, Zuckerdose (Deckelrose min. besch.) und Tablett, L 46 cm (seitliche Sprünge, restauriert), blaue Marke "Lamm" mit dem schriftzug "Dresden Saxony". Die Porzellan-Dekorationswerkstatt von 'Ambrosius Lamm' bemalte ausschließlich Artikel namhafter Hersteller, wie z.B. Meissen.| AMBROSIUS LAMM DRESDEN coffee tête-á-tête, 1887-1915, Polychrome painting of birds and insects with rich gilding, consisting of two cups (1x crack on the edge, restored) with saucers, coffee pot, milk jug, sugar bowl (lid slightly damaged) and tray, L 46 cm (cracks on the sides, restored), Blue stamp "Lamm" with the writing "Dresden Saxony". The porcelain decoration workshop of 'Ambrosius Lamm' only painted items from well-known manufacturers such as Meissen.
SCHOBER, PETER JAKOB (1897-1983), "Grüne Bäume", und Häuser, unsigniert, Öl/Leinwand, HxB: ca. 54x65 cm. Alters- und Beriebspuren. VERSO Nachlassstempel mit Nr. und Titel. LITERATUR: Ehrenfried Kluckert, Peter Jakob Schober, Monographie mit Werkverzeichnis, Theiss 1990, WVZ-Nr. 1982, 923.| SCHOBER, PETER JAKOB (1897-1983), "Green Trees", and houses, unsigned, oil/canvas, HxW: approx. 54x65 cm. Signs of age and use. VERSO estate stamp with number and title. LITERATURE: Ehrenfried Kluckert, Peter Jakob Schober, monograph with catalog raisonné, Theiss 1990, WVZ-Nr. 1982, 923.
MONOGRAMMIST I. N. (Maler/in 2. Hälfte 20. Jh.), "Blühende Wiesenblumen", u.re. monogrammiert und datiert (19)80, Öl/Leinwand, HxB: ca. 40,5x35,5 cm (41x36 cm mit Rahmen). Mit montierten Rahmenleisten. Leichte Altersspuren. VERSO auf der Leinwand undeutlicher Stempel.| MONOGRAM MIST I. N. (painter the 2nd half of the 20th century), "Blooming meadow flowers", monogrammed and dated (19)80, oil/canvas, HxW: approx. 40.5x35.5 cm (41x36 cm with frame). With mounted frame strips. Slight signs of age. VERSO on the canvas indistinct stamp.
SCHOBER, PETER JAKOB (1897-1983), "Sitzgruppe I", u.re. signiert 'Schober', Öl/Malkarton, HxB: ca. 50x60 cm. Alters- und Beriebspuren, Randschäden. VERSO Nachlassstempel mit Nr. und Titel. LITERATUR: Ehrenfried Kluckert, Peter Jakob Schober, Monographie mit Werkverzeichnis, Theiss 1990, WVZ-Nr. 1976, 789.| SCHOBER, PETER JAKOB (1897-1983), "Seating group I", signed 'Schober', oil/painting board, HxW: approx. 50x60 cm. Signs of age and wear, edge damages. VERSO estate stamp with number and title. LITERATURE: Ehrenfried Kluckert, Peter Jakob Schober, monograph with catalog raisonné, Theiss 1990, WVZ no. 1976, 789.
SCHOBER, PETER JAKOB (1897-1983), "Erntestudie", unsigniert, Öl/Malkarton, HxB: ca. 46x61 cm. Alters- und Beriebspuren, Farbabplatzer an den Rändern. VERSO Nachlassstempel mit Nr. und Titel. LITERATUR: Ehrenfried Kluckert, Peter Jakob Schober, Monographie mit Werkverzeichnis, Theiss 1990, WVZ-Nr. 1947, 223.| SCHOBER, PETER JAKOB (1897-1983), "harvest study", unsigned, oil/painting board, HxW: approx. 46x61 cm. Signs of age and wear, chipped paint at the edges. VERSO estate stamp with number and title. LITERATURE: Ehrenfried Kluckert, Peter Jakob Schober, monograph with catalog raisonné, Theiss 1990, WVZ no. 1947, 223.
SHEFFIELD Anbietschale mit Henkel, 925, Jahresbuchstabe von 1838 England, godronierter Stand, ziselierter Weinlaubdekor, D. ca. 31 cm, Marken: MZ (Henry Wilkinson & Co.), Krone, Löwe, Jahresbuchstabe 'S' mit Krone für 1838, Steuerpunze 'King Wiliam IV' (1834-1837), Gw. ca. 1133 g. Alters- und Gebrauchsspuren.| SHEFFIELD serving bowl with handle, 925 silver, date letter from 1838, England, d. approx. 31 cm, maker's mark (Henry Wilkinson & Co.), date letter 'S' with crown for 1838, duty stamp 'King Wiliam IV' (1834-1837 ), weight ca. 1133 g, signs of age and use.
LIMOGES vergoldetes Flakon-Ei, 20. Jh. Deckeldose aus Weißporzellan, der Länge nach aufklappbar, Messingmontur, die Schließe in Form einer Schleife, flächendeckende, ornamentale Reliefvergoldung, bodenseitig gemarkt in schwarzer Schrift: "Peint main Limoges France GR" und der goldfarbene Stempel "incrustation or fin", im Innern ein kleiner, stehender Parfumflakon aus Glas in einem Messing-Ständer, L 6 cm, leichte Altersspuren.| LIMOGES gilded perfume bottle egg, 20th century, lidded box made of white porcelain, can be opened lengthwise, brass fittings, the clasp in the form of a loop, extensive, ornamental relief gilding, marked on the bottom in black letters: "Peint main Limoges France GR" and the gold-colored stamp "incrustation or fin", inside a small one , standing perfume bottle made of glass in a brass stand, L 6 cm, slight signs of age.
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