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Lot 813
MOUNTAINEERING INTEREST; six books comprising 'Edward Whymper' by F. S. Smythe, published by Hodder & Stoughton, with Blackburn Public Library stamp, 'The Everest-Lhotse Adventure' by Albert Eggler, translated by Hugh Merrick, 'Camp Six' by Frank S. Smythe, 'with foreword by Brigadier Sir John Hunt, illustrated, 'South Col: One Man's Adventure on the Ascent of Everest 1953' by Wilfred Noyce, first edition 1954, 'The Mount Everest Reconnaissance Expedition 1951' by Eric Shipton and 'Everest 1952' (6).
Lot 827
A Stanley Gibbons red folder containing various British stamps, the majority of the completed pages appear to be Queen Elizabeth II, with the occasional earlier stamp, a quantity of mostly British loose stamps, a thin blue album of Queen Elizabeth II stamps and a blue album containing various first day covers to include 'International Year of Disabled People 1981', folklore, sports, Christmas, Conductors, birds, dogs, etc (4).
Lot 828
Three albums of mostly modern Queen Elizabeth II period stamps, one filled, one nearly filled and one partially filled with loose stamp packs inside, also a 'Norman Rockwell Classic and Historic American Stamps' a limited collection of one hundred philatelic covers bearing Norman Rockwell paintings related US postage stamps and important anniversary postmarks (4).
Lot 833
Various albums of stamp packs to include pictorial postage stamps, mostly Isle of Man, Guernsey related stamps to include goats, police, Peter LeLivre paintings, butterflies of the Balliwick, Europa 1981, Royal Wedding, Jersey related stamps and a schoolboy 'The Royal Illustrated Stamp Album', various loose stamps and postal ephemera, also an unused stock book (7).
Lot 1046A
Various items of contemporary silver jewellery to include a Georg Jensen Danish silver oval link necklace, length approx 88cm, with a link panel with factory stamp and 925, a Scottish silver brooch pendant by Ola Gorie (Orkney Island), of circular form with Celtic naturalistic pattern, diameter 4cm, a bright cut ship's sail brooch with full decoration, stamped silver to reverse, a pair of silver (925) coil/swirl clip-on earrings, a silver box link necklace, length 41cm, and a brushed steel brooch, combined weighable silver approx 1.2ozt (6).
Lot 1398
ROLEX; a ladies' 9ct gold Precision wristwatch, the circular dial set with raised baton increments and Rolex emblem at 12 o'clock, crown wind movement, in a 9ct gold Tudor case, on a Rolex 9ct gold bracelet strap, hallmarked for 9ct gold, with maker's stamp 'R.W. Co Ltd', in a Rolex green clam-style case. CONDITION REPORT Approx 25.3g. Tiny scratches to the face. The watch was wound at the time of cataloguing and appears to be in going order, however this is no guarantee of working order. It has been worn, so there are expected signs of wear to the watch head. The strap appears to be in good order, with no obvious signs of damage. The case has some nicks and areas of wear and damage and the back of the case where the hinge is has a section of the green cover missing. The top part of the box comes away from the hinge.
Lot 200
A collectors' lot comprising a schoolboy part complete Lincoln stamp album, various loose stamps, and one other stamp album, a quantity of coins including Norwegian, British, commemorative etc, a pair of opera glasses, and various silver plated ware to include salad servers with cut glass handles, Indian souvenir spoons stamped 'silver', etc.
Lot 293
Various 19th and early 20th century floral decorated collectible porcelain, to include two Dresden cups and saucers, one teacup with right fluted body and hand painted Dresden sprays and a matching saucer, height of cup 4.5cm, diameter 8cm, diameter of saucer 12cm, the other a fluted cup with hand painted Dresden sprays, with fluted saucer, height of cup 7cm, diameter 7cm, diameter of saucer 14.5cm, a Copeland & Garrett felspar porcelain embossed ivory-coloured saucer with hand painted floral panels and a central panel depicting a butterfly on flowers, diameter 14.6cm, with red factory stamp to underside, a Royal Worcester small blush ivory hand painted floral bud vase of onion shape, height 12cm, a similar Continental blush ivory small ewer with hand painted flowers, height 14.5cm, also an opaque glass trinket box in the form of an egg, with hinged lid, the body decorated with bright floral enamels, held in a brass cage, height 13.5cm and a Coalport small daffodil ornament (7).
Lot 295
Various antique and vintage collectible pottery to include a Poole Pottery bowl decorated with a border of brightly coloured flowers, factory stamp to the base, diameter approx 22.5cm, an F & R Pratt & Co Fenton (Manufacturer to HRH Prince Albert) twin-handled fruit bowl with central polychrome pattern of a family picking grape vines, within a lustre border of acorns and leaves, with twin handles to the sides, raised on a pedestal foot rim, width from handle to handle approx 29cm, a hand painted windmill plate with a blue and gilt border, diameter 19cm, a Royal Worcester blush ivory ornamental basket, height approx 9cm, length handle to handle approx 19cm, a Copeland Spode chintz decorated square bowl, an Imperial Karara ware brown mottled lustre trumpet vase, height approx 25cm and a pair of Losol ware octagonal straight-sided vase with flared lips, with matching Imari design (8). CONDITION REPORT The twin-handled fruit bowl has repairs to both handles, a lot of craquelure to the body, only really visible on the white areas. The picture and decoration have good definition.
Lot 374
ROYAL DOULTON; a pair of 'Blue Children' campana-style vases, both decorated with scenes of children playing and picnicking in rural setting, on blue and white ground vases with flared rim and gilt-heightened, height approx 12cm, together with a small toothpick vase, also decorated with scenes of children with umbrella and basket, in blue and gilt-heightened, 7.5 x 12cm, all marked with Royal Doulton stamp to base (3).
Lot 375
ROYAL DOULTON; an early porcelain figurine, HN644 'Pierette', female harlequin on base, factory stamp and handwritten title and company to base, height approx 18cm. CONDITION REPORT No obvious damage or repairs, some grazing commensurate with age black stump base possibly may have been touched up
Lot 376
ROYAL DOULTON; an early 20th century porcelain figure of a seated puppy, HN128, with factory stamp to the underside, handwritten model number, height approx 10cm. CONDITION REPORT No obvious signs of damage or repair, tiny areas of pin head paint/glaze loss, tiny scratches all commensurate with age
Lot 438
Snaffles print, Indian Cavalry BEF, Blind stamp, 29 x 23, framed and glazed; condition: some foxing, flies and browning; and a pair Snaffles Prints, Blood and Quality & Hogany Tops, 112 & 109 Copywright, Lawrence & Jellicoe Ltd, London and Brussels; both 31 x 26 cm approx.; both framed and glazed, condition, both with flies, and browning
Lot 335
Two trays of oriental items to include: a fabric cased painting set (complete) including five brushes, brush rest, water pot, stamp, etc. 20th century Japanese plate, another oriental plate, square shaped shallow with markings to the base and large wooden lidded dish with seven internal China dishes (2) (B.P. 21% + VAT)
Lot 95
A Framed Abbey Road Record & Stamp Display & A Framed Yellow Submarine Record & Stamp Display Yellow Submarine Number 86/250 Abbey Road Number 175/ 250 Both Limited Edition Stamps Release Date For Yellow Submarine 17th September 1999 Abbey Road 9th January 2007 Measurements 65 Cm Width X 48Cm Height Condition: Two Small Cracks To Abbey Road Perspex. Overall Good Condition
Lot 96
A Framed Abbey Road Record And Stamp Release & A Yellow Submarine Framed Record And Stamp Release Abbey Road Number 92/250Yellow Submarine Number 88/250Stamp Release Date Of Abbey Road Stamps 9th January 2007 Stamp Release Date Of Yellow Submarine 17th September 1999 Both Measure 65Cm Width X 48 Cm Height Good Overall Condition With Scuffs To Frames
Lot 255
Fran Giffard Goldfinch and Bellflower, 2022 Unique Archival Print Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Fran Giffard paints colourful and bold birds over her personal Moleskine diary pages. Inspired by ornithological natural illustrations, Giffard uses watercolour, ink, gouache, and pencil to depict beautiful, poised, and characterful birds in her unique style. The diary entries detailing her day-to-day life serve as an interesting and informal background to her paintings. Giffard paints species from all over the world, with particular attention to South America, Australia, and Europe. Giffard studied Fine Art Drawing at Camberwell College of Art, graduating in 2010. Since then she has exhibited internationally, as well as throughout the UK. She has had a number of solo exhibitions, most notably: A Valediction, Northcote Gallery, London, 2021 My Valiant, Northcote Gallery, London, 2019 After Audubon, The Zig Zag Building, London, 2018 Treasure, Northcote Gallery, London, 2018 A Devotion, Someth1ng Gallery, London, 2018 Her Nest is Beautiful, Someth1ng Gallery, London, 2016 All My Beautiful Boys, Northcote Gallery Chelsea, 2015 A Myriad of Birds, Masterworks Museum of Art, Bermuda, 2014 A Parliament of Drawings, Northcote Gallery Chelsea, 2013 Sixty-Four Birds, Foyles Book Shop, Charing Cross, 2012 O for Ornithology, Mayfair, 2012 Education BA (hons) Fine Art Drawing, Camberwell College of Art (2010) Foundation Art and Design, Maidstone College of Art (2006) Select Exhibitions/Awards Giffard has exhibited throughout the UK and internationally. Her most notable solo exhibitions are: A Valediction, Northcote Gallery, London, 2021 My Valiant, Northcote Gallery, London, 2019 A Devotion, Someth1ng Gallery, London, 2018 Nest, Someth1ng Gallery, London, 2016 All My Beautiful Boys, Northcote Gallery Chelsea, 2015 A Myriad of Birds, Masterworks Museum of Art, Bermuda, 2014 A Parliament of Drawings, Northcote Gallery Chelsea, 2013 Giffard's paintings are in various private and public collections including that of Sir David Attenborough, The Duchy of Cornwall, The Imperial Healthcare Charity, Fidelity Investments Limited, Jardines Matheson, Masterworks Museum of Art, The Pensions Investment Corporation, Jupiter Asset Management, and Moleskine. Giffard has had artist residencies in Bermuda, and Reunion Island, and shortlisted for The Threadneedle Art Prize, The Discerning Eye, BBC Wildlife Artist of the Year, and the David Shepherd Wildlife Artist of the Year. Gallery Representation Northcote Gallery, London TAG Fine Art, London Statement about AOAP Submitted Artwork These pieces are smaller versions of prints inspired by my Grandfather's stamp collection. His stamps would feature a delicate painting of a fish against a vibrant flat-coloured background, and so I have taken the same idea, but combined it with my paintings of birds. I want each "stamp" print to be a small yet powerful burst of colour and life. Each bird is painted how I "see" them: poised, elegant, and characterful. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Lot 256
Fran Giffard Blackbird and Clematis, 2022 Unique Archival Print Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Fran Giffard paints colourful and bold birds over her personal Moleskine diary pages. Inspired by ornithological natural illustrations, Giffard uses watercolour, ink, gouache, and pencil to depict beautiful, poised, and characterful birds in her unique style. The diary entries detailing her day-to-day life serve as an interesting and informal background to her paintings. Giffard paints species from all over the world, with particular attention to South America, Australia, and Europe. Giffard studied Fine Art Drawing at Camberwell College of Art, graduating in 2010. Since then she has exhibited internationally, as well as throughout the UK. She has had a number of solo exhibitions, most notably: A Valediction, Northcote Gallery, London, 2021 My Valiant, Northcote Gallery, London, 2019 After Audubon, The Zig Zag Building, London, 2018 Treasure, Northcote Gallery, London, 2018 A Devotion, Someth1ng Gallery, London, 2018 Her Nest is Beautiful, Someth1ng Gallery, London, 2016 All My Beautiful Boys, Northcote Gallery Chelsea, 2015 A Myriad of Birds, Masterworks Museum of Art, Bermuda, 2014 A Parliament of Drawings, Northcote Gallery Chelsea, 2013 Sixty-Four Birds, Foyles Book Shop, Charing Cross, 2012 O for Ornithology, Mayfair, 2012 Education BA (hons) Fine Art Drawing, Camberwell College of Art (2010) Foundation Art and Design, Maidstone College of Art (2006) Select Exhibitions/Awards Giffard has exhibited throughout the UK and internationally. Her most notable solo exhibitions are: A Valediction, Northcote Gallery, London, 2021 My Valiant, Northcote Gallery, London, 2019 A Devotion, Someth1ng Gallery, London, 2018 Nest, Someth1ng Gallery, London, 2016 All My Beautiful Boys, Northcote Gallery Chelsea, 2015 A Myriad of Birds, Masterworks Museum of Art, Bermuda, 2014 A Parliament of Drawings, Northcote Gallery Chelsea, 2013 Giffard's paintings are in various private and public collections including that of Sir David Attenborough, The Duchy of Cornwall, The Imperial Healthcare Charity, Fidelity Investments Limited, Jardines Matheson, Masterworks Museum of Art, The Pensions Investment Corporation, Jupiter Asset Management, and Moleskine. Giffard has had artist residencies in Bermuda, and Reunion Island, and shortlisted for The Threadneedle Art Prize, The Discerning Eye, BBC Wildlife Artist of the Year, and the David Shepherd Wildlife Artist of the Year. Gallery Representation Northcote Gallery, London TAG Fine Art, London Statement about AOAP Submitted Artwork These pieces are smaller versions of prints inspired by my Grandfather's stamp collection. His stamps would feature a delicate painting of a fish against a vibrant flat-coloured background, and so I have taken the same idea, but combined it with my paintings of birds. I want each "stamp" print to be a small yet powerful burst of colour and life. Each bird is painted how I "see" them: poised, elegant, and characterful. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Lot 257
Fran Giffard Long Tailed Tit and Clematis, 2022 Unique Archival Print Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Fran Giffard paints colourful and bold birds over her personal Moleskine diary pages. Inspired by ornithological natural illustrations, Giffard uses watercolour, ink, gouache, and pencil to depict beautiful, poised, and characterful birds in her unique style. The diary entries detailing her day-to-day life serve as an interesting and informal background to her paintings. Giffard paints species from all over the world, with particular attention to South America, Australia, and Europe. Giffard studied Fine Art Drawing at Camberwell College of Art, graduating in 2010. Since then she has exhibited internationally, as well as throughout the UK. She has had a number of solo exhibitions, most notably: A Valediction, Northcote Gallery, London, 2021 My Valiant, Northcote Gallery, London, 2019 After Audubon, The Zig Zag Building, London, 2018 Treasure, Northcote Gallery, London, 2018 A Devotion, Someth1ng Gallery, London, 2018 Her Nest is Beautiful, Someth1ng Gallery, London, 2016 All My Beautiful Boys, Northcote Gallery Chelsea, 2015 A Myriad of Birds, Masterworks Museum of Art, Bermuda, 2014 A Parliament of Drawings, Northcote Gallery Chelsea, 2013 Sixty-Four Birds, Foyles Book Shop, Charing Cross, 2012 O for Ornithology, Mayfair, 2012 Education BA (hons) Fine Art Drawing, Camberwell College of Art (2010) Foundation Art and Design, Maidstone College of Art (2006) Select Exhibitions/Awards Giffard has exhibited throughout the UK and internationally. Her most notable solo exhibitions are: A Valediction, Northcote Gallery, London, 2021 My Valiant, Northcote Gallery, London, 2019 A Devotion, Someth1ng Gallery, London, 2018 Nest, Someth1ng Gallery, London, 2016 All My Beautiful Boys, Northcote Gallery Chelsea, 2015 A Myriad of Birds, Masterworks Museum of Art, Bermuda, 2014 A Parliament of Drawings, Northcote Gallery Chelsea, 2013 Giffard's paintings are in various private and public collections including that of Sir David Attenborough, The Duchy of Cornwall, The Imperial Healthcare Charity, Fidelity Investments Limited, Jardines Matheson, Masterworks Museum of Art, The Pensions Investment Corporation, Jupiter Asset Management, and Moleskine. Giffard has had artist residencies in Bermuda, and Reunion Island, and shortlisted for The Threadneedle Art Prize, The Discerning Eye, BBC Wildlife Artist of the Year, and the David Shepherd Wildlife Artist of the Year. Gallery Representation Northcote Gallery, London TAG Fine Art, London Statement about AOAP Submitted Artwork These pieces are smaller versions of prints inspired by my Grandfather's stamp collection. His stamps would feature a delicate painting of a fish against a vibrant flat-coloured background, and so I have taken the same idea, but combined it with my paintings of birds. I want each "stamp" print to be a small yet powerful burst of colour and life. Each bird is painted how I "see" them: poised, elegant, and characterful. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Lot 258
Fran Giffard Hoopoe and Forsythia, 2022 Unique Archival Print Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Fran Giffard paints colourful and bold birds over her personal Moleskine diary pages. Inspired by ornithological natural illustrations, Giffard uses watercolour, ink, gouache, and pencil to depict beautiful, poised, and characterful birds in her unique style. The diary entries detailing her day-to-day life serve as an interesting and informal background to her paintings. Giffard paints species from all over the world, with particular attention to South America, Australia, and Europe. Giffard studied Fine Art Drawing at Camberwell College of Art, graduating in 2010. Since then she has exhibited internationally, as well as throughout the UK. She has had a number of solo exhibitions, most notably: A Valediction, Northcote Gallery, London, 2021 My Valiant, Northcote Gallery, London, 2019 After Audubon, The Zig Zag Building, London, 2018 Treasure, Northcote Gallery, London, 2018 A Devotion, Someth1ng Gallery, London, 2018 Her Nest is Beautiful, Someth1ng Gallery, London, 2016 All My Beautiful Boys, Northcote Gallery Chelsea, 2015 A Myriad of Birds, Masterworks Museum of Art, Bermuda, 2014 A Parliament of Drawings, Northcote Gallery Chelsea, 2013 Sixty-Four Birds, Foyles Book Shop, Charing Cross, 2012 O for Ornithology, Mayfair, 2012 Education BA (hons) Fine Art Drawing, Camberwell College of Art (2010) Foundation Art and Design, Maidstone College of Art (2006) Select Exhibitions/Awards Giffard has exhibited throughout the UK and internationally. Her most notable solo exhibitions are: A Valediction, Northcote Gallery, London, 2021 My Valiant, Northcote Gallery, London, 2019 A Devotion, Someth1ng Gallery, London, 2018 Nest, Someth1ng Gallery, London, 2016 All My Beautiful Boys, Northcote Gallery Chelsea, 2015 A Myriad of Birds, Masterworks Museum of Art, Bermuda, 2014 A Parliament of Drawings, Northcote Gallery Chelsea, 2013 Giffard's paintings are in various private and public collections including that of Sir David Attenborough, The Duchy of Cornwall, The Imperial Healthcare Charity, Fidelity Investments Limited, Jardines Matheson, Masterworks Museum of Art, The Pensions Investment Corporation, Jupiter Asset Management, and Moleskine. Giffard has had artist residencies in Bermuda, and Reunion Island, and shortlisted for The Threadneedle Art Prize, The Discerning Eye, BBC Wildlife Artist of the Year, and the David Shepherd Wildlife Artist of the Year. Gallery Representation Northcote Gallery, London TAG Fine Art, London Statement about AOAP Submitted Artwork These pieces are smaller versions of prints inspired by my Grandfather's stamp collection. His stamps would feature a delicate painting of a fish against a vibrant flat-coloured background, and so I have taken the same idea, but combined it with my paintings of birds. I want each "stamp" print to be a small yet powerful burst of colour and life. Each bird is painted how I "see" them: poised, elegant, and characterful. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Lot 217
A George IV figured mahogany cheval mirror In the manner of Gillows and bearing the stamp of WILLSON GREAT QUEEN STREET, the rectangular plate hung between reeded uprights with gadrooned finials and similar adjusting knobs, the shaped platform base with gadrooned feet, 104cm wide, 57cm deep, 169cm high.
Lot 128
NO RESERVE Wild (Charles) Select Examples of Architectural Grandeur in Belgium, Germany, and France, 24 etched plates, occasional marginal childs scribble, cracked hinges, previous owner's ink-stamp, original cloth, rubbed and worn, loss to spine, chipping and bumping to corners and extremities, 1843 § Cook (SirTheodore Andrea) Twenty-Five Great Houses of France, tipped-in frontispiece, illustrations, contemporary half-morocco, a little rubbed, bumping to corners and extremities, n.d.; and others, architecture, v.s. (23)
Lot 144
Playing cards.- Broadside.- Extrait du registre des séances de l'administration centrale du Département de Calvados, c.430 x 350mm., woodcut republican emblems at centre, red ink date and pencil note verso, folds, spotted, uncut, Caen, Boullay-Malassis, [1798].⁂ Rare. New regulations for makers of playing cards. Cards must be be printed on 'papier filigrané', supplied by the authorities, but paid for by the makers. Makers and card sellers must also present the wraparound bands used on packs of cards to the authorities in order to receive an official red stamp. Includes penalties for failure to comply.
Lot 220
Dickens (Charles) The Mystery of Edwin Drood, first edition in book form, engraved frontispiece, additional title and 12 plates by Luke Fildes, 1f. list of Dickens' works and 32pp. advertisements dated Aug. 31, 1870 at rear, embossed W. H. Smith stamp to front free endpapers, light foxing and marking, heavier to first few pp. and frontispiece, small tear and loss to margin p.102, some cracking to gutter, original green decorative cloth with design in black and gilt (Carter variant B), spine a little dulled, spine ends and corners a little bumped, light rubbing, [Carter, Binding Variants, pp.108-9; Eckel pp.96-8; Smith I, 16], 8vo, Chapman and Hall, 1870.
![[Dodgson (Charles Lutwidge)] "Lewis Carroll". Sylvie and Bruno [and] Sylvie and Bruno Concluded, 2 vol., frontispieces and il](https://cdn.globalauctionplatform.com/7d0c0d75-5429-47f4-8a8a-aebd0102a7ad/ccda801f-de05-4012-b7bd-aebd010f8feb/468x382.jpg)
Lot 232
[Dodgson (Charles Lutwidge)] "Lewis Carroll". Sylvie and Bruno [and] Sylvie and Bruno Concluded, 2 vol., frontispieces and illustrations by Harry Furniss, previous owner's address label to front free endpaper of the first, cracked hinges, original pictorial cloth, bumping to corners and extremities, rubbed, 1898-99 § Coridon's Song And other Verses, frontispiece and illustrations by Hugh Thomson, previous owner's ink signature, booksellers blind-stamp to front free endpaper, scattered spotting, original pictorial cloth, gilt, a little rubbed, slight bumping to corners and extremities,1894 § Collins (Wilkie) The Woman in White, 2 vol. bound in 1, previous owner's ink signature to titles, later half-cloth, a little rubbed, slight bumping to corners and extremities, Leipzig, 1860 § Fougasse and McCullough. You Have Been Warned: a complete guide to the road, third edition, illustrations, scattered spotting, original cloth, slight bumping to spine extremities, dust-jacket, small chip to spine foot, slight creasing to edges, 1935; and others, 8vo (c.210)
Lot 247
NO RESERVE Gordon (Roderick) & Brian Williams. The Highfield Mole, signed by authors, plates, original paper wrappers, slight chipping to corners, Mathew & Son, 2005 § Pratchett (Terry) Equal Rites, first edition, original cloth, slight bumping to spine extremities, dust-jacket, slight creasing to edges, 1987 § Murakami (Haruki) IQ84, signed by author with ink name-stamp below, original cloth, slight bumping to spine extremities, dust-jacket, slight creasing to edges, 2011 § Kureishi (Hanif) The Black Album, first edition, signed by author, original cloth, slight bumping to spine extremities, dust-jacket, slight creasing to edges, 1995 § Pullman (Philip) The Amber Spyglass, first edition, original cloth, slight bumping to spine extremities, dust-jacket, slight creasing to edges, 2000 § Greene (Graham) Monsignor Quixote: a novel, first edition, previous owner's ink signature, original cloth, dust-jacket, slight creasing to edges, faint spotting to flaps, 1982; and others, most first editions, 8vo (c.80)
Lot 257
Appleby printed Americana.- Dalton (William) Travels in the United States of America, and part of Upper Canada, first edition, half-title, errata slip tipped-in at start, marginal water-staining, occasional spotting, lightly browned, endpapers renewed, Sion College copy with ink stamp to verso of title and foot of verso of final text f., later boards, corners little worn, rubbed, [Sabin 18352; Howes D.40; Staton-Tremaine 1161], 8vo, Appleby (Cumbria), Printed for the author, by R. Bateman, 1821.⁂ Rare copy in commerce of this provincially printed account of travels from New York to Philadelphia, Lake Ontario, and the Niagra Falls.
Lot 34
Plantin.- Stapleton (Thomas) Promptuarium morale super Evangelia dominica totius anni..., Editio altera...Pars Hyemalis, part 2 only (of 2, lacking Pars Aestivalis), title with woodcut device on title, woodcut initialas, with blank ⁂4, trace of old stamp to title, browned, small ink stains to Ee6 & Nn7, a few minor marginal paper flaw defects, contemporary blind-stamped alum-tawed pigskin with clasps, rubbed and soiled, lacking clasps, [Adams S1659], Antwerp, Widow of Plantin & Johannes Moretus, 1593; and another, Plantin, 8vo (2)⁂ Second Plantin edition (first in 1591) by the English Catholic controversialist who left England in 1559 and became a Professor of theology in Douai and Leuven.
Lot 36
Plantin & Estienne.- Lipsius (Justus) De cruce libri tres..., second edition, title with engraved printer's device, engraved illustrations in text by Peter van der Borcht, one full-page, [Adams L778], Antwerp, Widow of Plantin and Johannes Moretus, 1595 bound after Adrichom (Christian van) Urbis Hierosolymae..., ?lacking folding map, [Adams A189], Cologne, Birckmann for Arnold Mylius, 1588, together 2 works in 1 vol., old ink signature of John Robertson to titles, a little staining towards end, old embossed stamp to first and last leaves, later sheep-backed boards, paper label "W.H.Whinfield" to upper cover, spine worn and defective § [Biblia Hebraea, Chaldaea, Graeca & Latina nomina virorum...], lacking title but with errata leaf at end, text in Latin with side-notes in Greek and Hebrew, index in double column in very small type, first leaf (dedication) with inscription cut away at head and other later ones at foot, some staining, old wrappers, stained and worn, spine defective, [Adams S1824], [Paris, Robert Estienne], [1537], 8vo (2)⁂ The first is a study of crucifixion in antiquity; the second is a list of landmarks in and around Jerusalem at the time of Christ; the third is an extensive index of names in the Bible.
Lot 93
Beardsley (Aubrey) A Portfolio of...Drawings Illustrating "Salome" by Oscar Wilde, title/list of plates and 14 numbered plates by Beardsley only (of 17, lacking 11, 14 & 15), all on Japanese vellum, mixed set with ink manuscript note to list of plates "missing H.Q" by plate 13 but that plate present, small stain to lower corner of plate 5 and edge of a couple of others, ex-library copy with label to pastedown and stamp to list of plates but not to plates themselves, loose as issued in original half parchment portfolio, gilt, lacking ties, flap almost detached, rubbed, spine worn and repaired, 4to, [?1906].⁂ Including one unpublished drawing 'Salome on Settle'.
![[ROSICRUCIANS] WAITE (A. E.) The Real History of the Rosicrucians, 8vo, illus., decorative cloth, 1st Edn., L., 1887; JENNING](https://cdn.globalauctionplatform.com/4335ecf2-664e-4353-a4e1-aebe00a5f029/2fdccf6a-0801-4c89-8f0b-aebe00b1705d/468x382.jpg)
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165558 item(s)/page