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Lot 1
John Lennon John Lennon's childhood stamp album, circa 1950, the album with green cloth covers titled Mercury Stamp Album on upper cover, the fly leaf inscribed in Lennon's young hand with his name and address John Lennon, 251 Menlove Avenue, Woolton, Liverpool, signed again by Lennon in blue ballpoint pen on the lower half of the page and on the top left corner with three 'practice' signatures in pencil - his Christian name written once and his surname twice as he appears to work out the formation of his signature, the page additionally annotated by Lennon in blue ink and ballpoint with the number of stamps in the album, these figures crossed out and amended as the size of the collection fluctuated; the fly leaf additionally annotated with an almost indistinct inscription in Lennon's cousin, Stanley Parkes' hand in black ink, with his name and address in Fleetwood, this inscription, similarly in a young hand, appears to have been largely erased to suggest that perhaps Stanley, the elder of the two cousins, started the album off before it became Lennon's own collection - other inscriptions in black crayon in an unknown hand; accompanied by a reproduction of a black and white photograph of Lennon aged 7 -- 10x8in. (25.4x20.3cm.) (2)
Lot 1
A PAIR OF ENGLISH COADE STONE ROUNDELS BY COADE, LAMBETH, DATED 1791 Each modelled with a youth, one personifying industry, the other astride a dolphin holding a trident, each with impressed stamp COADE, LONDON, 1791 33sin. (85cm.) diameter (2) The production of 'medallions' and 'tablets' by the Coade factory was extensive, the list shows some forty-four types of medallions and plaques and fifty-eight varieties of tablets or panels. As with most of Mrs Coade's production, considerable variation was possible, surviving examples show how she was able to produce similar designs on a common theme. The 1784 Descriptive Catalogue of Coade's Artificial Stone Manufactory lists on page 16 various models which in part are the prototypes for this lot, notably No.s 314-317, sized at 2ft. 11ins. diameter and available for just over 4 guineas. Four variations on the dolphin design were supplied to Hooton Hall in Cheshire (architect Samuel Wyatt, 1778, now demolished), Henry Clay in Connoisseur, October 1928, pages 79-87, shows photographs of the putti on dolphins.
Lot 1
AN ENGLISH CAST IRON CHIMNEYPIECE BY THE COALBROOKDALE COMPANY, SHROPSHIRE, AFTER A DESIGN BY ALFRED STEVENS, CIRCA 1860 The frieze and jambs with classical recumbent figure amidst festoons and birds, with cast stamp to the reverse COALBROOKDALE 52in. (132cm.) high, 64sin. (164.5cm.) wide, 8sin. (22cm.) deep; the opening 38sin. (98cm.) high, 39sin. (101cm.) wide
Lot 1
AN ENGLISH COADE STONE FIGURE OF FLORA BY COADE, LAMBETH, LATE 18TH CENTRY Shown standing, classicaly draped, the circular base with impressed stamp COADE, LONDON 59sin. (151cm.) high Coade produced various models entitled 'Flora', including the Antique Farnese Flora and one to John Bacon's design. This lot conforms to No.14 in the Etchings Catalogue book of circa 1785. A Flora to the same model as the present lot is at Heveningham Hall, Suffolk, paired with a figure of Pomona, in niches of the Orangery by James Wyatt.
Lot 1
AN ENGLISH COADE STONE FIGURE OF URANEA BY COADE, LAMBETH, LATE 18TH CENTURY The base with impressed stamp COADE LONDON 52sin. (123.5cm.) high In 1771 Coade started working with the sculptor John Bacon (1740-1799), whom she later attributed various works from her catalogue, including the model for this figure of Urania. The figure is listed in the 1784 'Descriptive Catalogue' on the opening page as No.7, size 4 ft. 6 ins. and is illustrated in the Coade etchings paired with the figure of Clio.
Lot 1
A COADE STONE KEYSTONE BY COADE, LAMBETH, EARLY 19TH CENTURY Modelled with female mask, impressed stamp to base COADE, LONDON, and indistinctly dated 181* 13in. (33cm.) high Eleanor Coade was able to benefit from the vogue for the neo-classical, her ornaments and architectural decorations were used in great quantity by the most notabel architects; Robert Adam, James and Samuel Wyatt, Sir Jeffrey Wyatville, Sir John Soane, John Nash and Humphry Repton. The production of keystones was immense and the many survivors on buildings today is a testament to the strength of the Coade compound.
Lot 1
A COADE STONE KEYSTONE BY CROGGAN, LAMBETH, DATED 1824 Modelled with amask of a smiling monk, impressed stamp CROGGAN, LONDON, 1824 10sin. (27cm.) high During William Croggon's tenure at the Coade business (1821-1833), pieces were both stamped with his name and that of Coade. His most prominent commission was his work at Buckingham Palace between 1826-28.
Lot 1
A LARGE COADE STONE URN BY COADE, LAMBETH, DATED 1799 The ovoid body with waisted top and knop finial, with a band of vitruvian scroll between two lion masks, the lobed underside above a waisted socle and rectangular base with impressed stamp COADE LAMBETH 1799 30in. (76cm.) high, 36in. (91.5cm.) wide, 24sin. (62.2cm.) deep This model, and its many variants, features in the catalogue of Coade etchings, of circa 1785, as No.105. They have been used diversly, from adorning gateways (Audley End) to memorials (Admiral Bligh) and also as garden ornaments.
Lot 1
A LARGE SECTION OF 'PULHAMITE' STONEWARE BALUSTRADE BY JAMES PULHAM & SON, BROXBOURNE, LATE 19TH CENTURY Comprising seven stepped rectangular piers, two mounted with urn finials, the ovolo pierced frieze with angled 'capstones' and chamfered rectangular plinth, all in sections, one urn with impressed oval stamp PULHAMITE 48in. (122cm.) high to top of urns, 26in. (66cm.) high to top of rail, 10in. (25.4cm.) wide This design of balustrade is illustrated in a 1920's Pulham catalogue of Garden Ornament, Section VII, page 58, No.463, the 'Uckfield Balustrade'.
Lot 1
AN ENGLISH TERRACOTTA PEDESTAL BY LIBERTY & CO., LONDON, EARLY 20TH CENTURY In the manner of Archibald Knox, the bowl of spreading octagonal form, the base with impressed stamp DESIGNED AND MANUFACTURED BY LIBERTY & CO. REGD NO 422733 31in. (79cm.) highThis pedestal shows the Celtic design influence popular in Knox's work.
Lot 1
A PAIR OF ENGLISH TERRACOTTA URNS BY DOULTON & CO., LAMBETH, LATE 19TH CENTURY With leaf-clasped undersides, on of the square section bases with imprssed oval stamp DOULTON & CO. LTD LAMBETH 42, on limestone pedestals The urns 29sin. (75cm.) high 21sin. (55.2cm.) wide; the pedestals 19sin. (49.5cm.) high; the bases 13in. (33cm.) square (4)
Lot 1
A LARGE ENGLISH TERRACOTTA TAZZA OR FOUNTAIN BASIN BY JOHN MARRIOT BLASHFIELD, STAMFORD, CIRCA 1865 The bowl on a spreading foot with single knopped band above a square section plinth, with impressed stamp to interior of bowl J.M. BLASHFIELD NO. 711, the stamp repeated on the side of the plinth 47sin. (121.5cm.) high, 57in. (145cm.) diameter
Lot 1
A set of eight Danish Fritz Hansen leather covered swivel chairs, 1960's, each with a shaped single panel back and seat raised on an aluminium swivel stem and five bar foot, Fritz Hansen labels and Danish Furniture Maker's Stamp, No.1166, some tears to leather with later loose cream and green brocade covers, 49" high.
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164719 item(s)/page