We found 165598 price guide item(s) matching your search
There are 165598 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
165598 item(s)/page
Lot 231
AR * Birch (Samuel John 'Lamorna', 1869-1955). Lamorna Cove, oil on canvas, signed lower left, canvas size 15.2 x 20.5 cm (6 x 8 1/8 ins), Winsor & Newton stamp to verso of canvas, framed (27.2 x 32.5 cm), together with a letter of provenance from The Moonraker Gallery, Fowey, Cornwall confirming authentication from Sotheby'sQTY: (1)NOTE:Provenance: Private Collection, Cumbria. Purchased by the father of the current owner from The Moonraker Gallery in Fowey, Cornwall.Apart from a brief period of study at the Atelier Colarossi, Paris in 1895, Birch was largely self-taught. Birch first visited West Cornwall in the late 1880s and settled in the Lamorna Valley in 1892.
Lot 258
AR * Stokes (Adrian, 1902-1972). Still Life with Bottles, 1965, oil on canvas (with manufacturers stamp to verso: Herga prepared by Windsor & Newton Ltd.), signed with initials to verso to edge of canvas verso, and dated '65, painted initials ADS to edge of canvas, Marlborough Fine Art label to verso bearing the stock number XLOL 3977, and title Still-life (16), 59.5 x 72.5 cm (23 1/4 x 28 1/2 ins), wood frameQTY: (1)NOTE:Provenance: Collection of Sir Lawrence Gowing (1918-1991).
Lot 28
* Alberti (Cherubino, 1553-1615). The Israelites fleeing Egypt, after Polidoro da Caravaggio, 1576, engraving, a fine proof impression before the dedication and the Coat of Arms of Adriano, with a thread margin at top and right, trimmed on the platemark at left and bottom, with the collector's stamps of Theodor Falkeisen and Johann Friedrich Huber (Lugt 1008) and Jules Michelin (Lugt 1490) to verso, very good condition, sheet size 237 x 425 mm (9 3/8 x 16 3/4 ins)QTY: (1)NOTE:Provenance: Theodor Falkeisen (1768-1814) and Johann Friedrich Huber (1766-1832), their stamp to verso (Lugt 1008); Jules Michelin (circa 1815-1870), painter and watercolourist, his stamp to verso (Lugt 1490).The engravers Falkeisen and Huber ran a print shop in Basel around 1810 trading in prints and drawings.Bartsch 5.
Lot 286
* Soper (George, 1870-1942). Seagulls, wood engraving on japon, artist's stamp to verso, image size 17.8 x 14 cm (7 x 5 1/2 ins), sheet size 23 x 16.8 cm (9 x 6 5/8 ins), mounted, together withEichenberg (Fritz, 1901-1990). The Shepherdess, woodcut, titled, signed and numbered '6/50', image size 25.1 x 14.3 cm (9 7/8 x5 5/8 ins), sheet size 39.4 x 27.4 cm (15 1/2 x 10 3/4 ins), mounted, plusRice (Bernard, 1900-1998). The Descent from the Cross, circa 1935, woodcut on thick paper, titled, signed and numbered '4/35' to margins, image size 23.2 x 30.2 cm (9 1/8 x 11 7/8 ins), mounted, together with 14 other woodcuts and engravings by Mills, Wade, Farleigh, E.H.G. Craig, etc., including a reprint of a Reynold Stone, a reproduction of Rockwell Kent's Angel and two woodcuts by Edward Craig of Ellen Terry and Sir Henry Irving, mounted and framed togetherQTY: (17)
![* Attributed to Francis Place (1647-1728). View of West Gate [Canterbury?], 'Part of ye Laday Wistons Palis', and A View of R](https://cdn.globalauctionplatform.com/4976d438-d50f-401c-92df-afaf00db1752/ad8c0205-e12f-4ea0-be85-afb200d9e19a/468x382.jpg)
Lot 69
* Attributed to Francis Place (1647-1728). View of West Gate [Canterbury?], 'Part of ye Laday Wistons Palis', and A View of Rustic Cottages, probably early 18th century, pencil on laid paper, the first with a partial Strasbourg Bend watermark, the first and third with a borderline drawn in pen and grey ink, the first with Sandby’s monogram stamp lower left (Lugt 2112), inscribed upper left 'Westgatte' in pencil, sheet size 219 x 120 mm (8 5/8 x 4 3/4 ins), the second titled in pencil at upper edge, sheet size 22 x 12 cm (8 5/8 x 4 ¾ ins), the third inscribed in pencil verso 'Sir Bruce Ingram' verso, a short tear lower right corner, adhered to the mount at the remaining corners, sheet size 225 x 142 mm (8 3/4 x 5 5/8 ins), loosely contained in a folded paper sleeve bearing notes on provenanceQTY: (3)NOTE:Provenance: View of West Gate, Canterbury: Paul Sandby (1731-1809), his collector's mark lower left (Lugt 2112); View of Rustic Cottages: Sir Bruce Ingram (1877-1963, see Lugt 1405a), according to a pencil inscription verso. The paper folder containing the drawings is inscribed in pencil '? by / Francis Place./ Ex colln Paul Sandby / Ex colln Sir Bruce Ingram'.
Lot 295
WW2 Royal Artillery 1st Division Battledress Blouse Uniform and Beret. A good originally badged 1940 pattern blouse, to each arm Royal Artillery 1st Division cloth badges. Also tailored with brass RA collar badges and shoulder titles. The interior with name 19106391 Dyer 75 Bty. Issue label washed out and with WD issue stamp. GC Accompanied by a 1945 GS beret with Royal Artillery flaming grenade badge, mounted on RA backing cloth. GC (2 items) The 75th (Middlesex) LAA Battery Royal Artillery is confirmed as serving with the 1st Division.
Lot 300
WW1 Suffolk Regiment Other Ranks 1902 Pattern Tunic. A good and rare example of the Great War pattern tunic, tailored with two pleats to the collar and no facings to the collar and interior pocket flaps. Retaining original insignia of Suffolk shoulder titles, Blue cloth triangles, Lewis Gunner badge, Brass wound stripe, Good Conduct chevron and three blue overseas chevrons. The interior with fragments of paper issue label and the correct combination WD ink stamp. Some service wear, good clean condition.
Lot 403
German Third Reich Afrika Korps M41 Officer Field Cap. Good rare ribbed cotton example bearing wire embroidered eagle and swastika as well as roundel. Aluminium wire braid round the edge of the crown and to top of faux curtain. A black sartouche indicates the Officer as belonging to an Engineer unit. Standard red cotton lining dated 1941 and with faint oval maker stamp. Some staining and service wear but generally GC.
Lot 463
Napoleonic War Period 1796 / 1811 Light Cavalry Trooper Sword. A good example closely following the British 1796 light cavalry pattern, with regimental stamps to the cross guard 9TP 4.72, indicating possibly the 1811 Prussian Light Cavalry model. Heavy single edged curved blade, with inspection stamp 831 to the back of the blade. The hilt with single bar guard and leather covered wood grip. Housed in with original steel scabbard fitted with two loose rings and with matching issue stamps. Overall GC, some age and service wear. It is interesting to note that a large number of the Prussian Model 1811 sword were supplied by the British from stocks of the 1796 Light Cavalry sword in 1807 and later in 1813. It was carried by Troopers of the Dragoon and Hussars Regiments and saw action at the Battle of Waterloo.
Lot 474
American M3 Combat Trench Knife by Imperial with M6 Scabbard Scarce example, the 17cm, single edged blade with back edge sharpened point and with details US M3 Imperial. Grey steel crossguard and oval pommel, this with flaming grenade stamp. Leather washer ribbed grip. Housed in its leather M6 pattern scabbard. The lower end with protective steel plates.
Lot 475
American M3 Combat Trench Knife by Camillus with M6 1943 Scabbard. Scarce example, the 17cm, single edged blade with back edge sharpened point and with details US M3 Camillus. Grey steel crossguard and oval pommel, this with flaming grenade stamp. Leather washer ribbed grip. Housed in its leather M6 pattern scabbard. The lower end with protective steel plates and blind tooled with the details US M6 SBL CO 1943. GC
Lot 476
American M3 Combat Trench Knife by Utica with M6 1943 Scabbard Scarce example, the 17cm, single edged blade with back edge sharpened point and with details US M3 Utica. Grey steel crossguard and oval pommel, this with flaming grenade stamp. Leather washer ribbed grip. Housed in its leather M6 pattern scabbard. The lower end with protective steel plates and blind tooled with the details US M6 Viner Bros 1943. GC
Lot 479
American M3 Combat Knife by Camillus with M8 Scabbard A good example, the 17cm, single edged blade with back edge sharpened point and with details US M3 Cammillus. Grey steel crossguard and oval pommel, this with flaming grenade stamp. Leather washer ribbed grip. Housed in fibre M8 pattern scabbard, with the details US M8 BM CO. GC
Lot 13
* Franco (Battista, 1510-1561). Allegorical Figure of Chastity, circa 1550, black chalk heightened with white on grey paper backed with laid paper, shaped at the top, inscribed verso in pen and ink 'Primaticcio 3 3', with counterfeit collector's stamp of Sir Peter Lely (see Lugt 2092), and an unidentified initial 'B' in pen and ink lower right, sheet size 15.5 x 12.8 cm (8 1/8 x 5 ins), modern wooden frame (49.5 x 35 cm) QTY: (1)NOTE:Provenance: Collection of Sir Lawrence Gowing (1918-1991).The verso of the frame is annotated with notes by Gowing on attribution and iconography obtained from fellow art historians: 'Popham (from the grave) / Pouncey (after a re-think) and Gere (upside down) now agree that this drawing is by Battista Franco / ? Virtues etc in Hall of Libreria / Giuseppe Porta called Salviati (J.A.G.) / Salviati (better than) / Felicity S.W. / Parmesan School A.E. / Giambattista Zelotti / RBH'.Previously identified as an allegorical figure of Abundance. However this drawing lacks the main attributes associated with virtue: the presence of rabbits at the Virgin Mary's feet symbolise the overcoming of lust through chastity, while the veil also symbolises chastity.Around 1554, Battista Franco was in Venice where he was commissioned to make the ceiling tondi of allegorical subjects and wall panels for the now famous Libreria Marciana, designed by the architect Jacopo Sansovino, and constructed between 1537 and 1588.
Lot 199
AR * Burra (Edward, 1905-1976). Head of a Woman, brown ink on paper, with additional study of a male nude to verso, in pencil, with E. J Burra red studio stamp to lower right, 35 x 21 cm (13 3/4 x 8 1/4 ins), framed and double-glazed (64.2 x 48.2 cm), with Lefevre Gallery label to versoQTY: (1)NOTE:Provenance: Edward Burra estate; Lefevre Fine Art, London.
Lot 886
National Art Training School (Royal College of Arts) A Victorian 19th Century architectural pencil drawing of St Paul's cathedral, one of the west towers. From actual measurements. With impressed Science & Art department certificate stamp 16690. National bronze medal honorary award. Framed and glazed. Measures approx. 80cm x 57cm
Lot 66
A THIRTY-HOUR LONGCASE CLOCK MOVEMENT AND AN ELEVEN-INCH DIALTHE DIAL INSCRIBED FOR DAVID BOWEN, SWANSEA, FIRST HALF OF THE 18th CENTURYThe posted countwheel bell striking two-handed movement with rectangular section uprights rivetted to both the top and bottom plates and anchor escapement for regulation by a seconds pendulum, now fitted with an eleven inch square brass dial with matted centre within applied Roman numeral chapter ring with fleur-de-lys half hour markers and engraved David, Bowen, SWAN,SEA to lower margin, with a pierced steel hour hand and applied with cast Indian mask and scroll pattern spandrels to angles, (lacking minute hand, pendulum and weight); together with a ten-and-a quarter inch longcase clock dial, with ringed calendar aperture to the matted centre within applied Roman numeral chapter ring with generous foliate engraved half hour markers and signed Hindley, Wigan to lower margin, the angles applied with twin cherub and crown cast spandrels within a line scribed border, (2).The clock movement and dial 30.5cm (12ins) high, 28cm (1ins) wide, 15cm (6ins) deep. The dial included in the current lot is a rare survivor from Henry Hindley's time in Wigan. Henry Hindley was born in Great Harwood, near Blackburn, Lancashire 1699, little is known about his early life, however by the mid 1720's he was making clocks in Wigan where he repaired the church clock in 1726. Hindley moved with his young family (including his son, Joseph born 1728) to the prosperous city of York where, after making clocks for the Mansion House and Guildhall, he gained his Freedom of the city in 1732. By the 1760's Hindley's health had deteriorated to the extent that an ever-increasing proportion of the business was handled by his son Joseph. Henry died in 1771 with his son and successor Joseph unfortunately dying just three years later in 1774, before he had had the opportunity to stamp his own mark on the family firm.
Lot 102
After Andy Warhol,American 1928-1987,Campbell Tomato Beef Noodle Soup;screenprint in colours on wove,numbered 55/100 in pencil, and stamped with artist's signature,stamped Leo Castelli, New York, stamped 530 West 25th Street New York on the reverse,published by Leo Castelli Gallery, New York, in collaboration with George Israel Editeur, bearing their blind stamp,sheet: 57.5 x 38.4 cm,(unframed)
Lot 103
After Andy Warhol,American 1928-1987,Marilyn (blue);screenprint in colours on wove,numbered 18/100 in pencil, and stamped with artist's signature,stamped Leo Castelli, New York, stamped 530 West 25th Street New York on the reverse,published by Leo Castelli Gallery, New York, in collaboration with George Israel Editeur, bearing their blind stamp,sheet: 57 x 38.5 cm,(unframed)
Lot 104
After Andy Warhol,American 1928-1987,Mickey Mouse (black);screenprint in colours on wove,numbered 31/100 in pencil, and stamped with artist's signature,stamped Leo Castelli, New York, stamped 530 West 25th Street New York on the reverse,published by Leo Castelli Gallery, New York, in collaboration with George Israel Editeur, bearing their blind stamp,sheet: 57 x 38 cm,(unframed)
Lot 105
After Andy Warhol,American 1928-1987,Mickey Mouse (yellow);screenprint in colours on wove,numbered 67/100 in pencil, and stamped with artist's signature,stamped Leo Castelli, New York, stamped 530 West 25th Street New York on the reverse,published by Leo Castelli Gallery, New York, in collaboration with George Israel Editeur, bearing their blind stamp,sheet: 57 x 38.2 cm,(unframed)
Lot 106
After Andy Warhol,American 1928-1987,Moon;screenprint in colours on wove,numbered 85/100 in pencil, and stamped with artist's signature,stamped Leo Castelli, New York, stamped 530 West 25th Street New York on the reverse,published by Leo Castelli Gallery, New York, in collaboration with George Israel Editeur, bearing their blind stamp,sheet: 57 x 37.7 cm,(unframed)
Lot 107
After Andy Warhol,American 1928-1987,Muhammad Ali;screenprint in colours on wove,numbered 17/100 in pencil, and stamped with artist's signature,stamped Leo Castelli, New York, stamped 530 West 25th Street New York on the reverse,published by Leo Castelli Gallery, New York, in collaboration with George Israel Editeur, bearing their blind stamp,sheet: 57 x 38.4 cm,(unframed)
Lot 108
After Andy Warhol,American 1928-1987,Self portrait;screenprint in colours on wove, and stamped with artist's signature, numbered 19/100 in pencil,stamped Leo Castelli, New York, stamped 530 West 25th Street New York on the reverse,published by Leo Castelli Gallery, New York, in collaboration with George Israel Editeur, bearing their blind stamp,sheet: 57 x 37.7 cm,(unframed)
Lot 123
Brice Marden,American b.1938-Distant Muses, 2000;screenprint in colours on wove, signed, dated and numbered 250/300 in pencil,published by Gemini G.E.L., Los Angeles, with a blind stamp recto, ink stamp verso,sheet 48.5 x 59.6cm(unframed) Note: together with a book 'Brice Marden: Works of the 1990s - Paintings, Drawings and Prints' by Charles Wylie, published by Art Data, 1999; and 'Brice Marden' edited by Lisa G. Corrin, prepared and published by the Serpentine Gallery, London 2000.
Lot 2
Laurence Stephen Lowry RBA RA,British 1887-1976,Britain at play, 1943;offset lithograph on wove,signed in pencil,edition of 850,printed by Beric Press,published by Mainstone publications,courtesy of the Usher Gallery Lincoln,bearing the Fine Art Trade Guild blind stamp,image: 44.8 x 60 cm,(framed)(ARR)
Lot 224
David Hockney OM CH RA,British b. 1937-Vide Poche No. 33, 2020;hand cast Fine Bone China dish in colours,stamp numbered 33/200 to base,published by The Royal Academy of Arts,contained within original card box,overall 20 x 16 x 4cm(ARR)Note: this lot is accompanied by the RA Editions pamphlet, numbered 33/200 in pen.
Lot 314
Victor Pasmore CH CBE, British 1908-1998,The Pulse, 1985;etching and aquatint in colours on Fabriano wove,signed, dated and numbered 36/90 in pencil,printed by Vigna Antoniniana, Rome, with their blind stampco-published by 2RC Edizioni dArte, Rome, with their blind stamp, and Marlborough Fine Art Ltd., London,image: 80 x 186 cm,(framed)(ARR)Literature: Lynton G. 37
Loading...-
165598 item(s)/page