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Lot 461
A blue stamp album containing mostly Elizabeth II unused stamps, to include 1948 Olympic Games, Revenue Postage, Christmas editions, Penny Black commemorative, etc and an album of used stamps and first day covers to include Battle of Britain anniversary, 'Interesting Rural Oxted' and many stamped envelopes, etc (2).
Lot 294
Two Royal Doulton Kingsware pattern flagons to include a whisky flagon depicting a 'Merry Monk', height 21cm and a flagon depicting a tavern scene, height 21cm, both with maker's stamp to base (2). CONDITION REPORT Tavern scene flagon: chip to foot, chip to rim, repaired handle, large blemish in glaze on reverse. Merry Monk flagon: Lots of chips to the foot, several large scratches to glaze.
Lot 317
A Royal Brierley studio iridescent red bulbous vase, etched factory stamp to base, height 16cm, three pairs of Victorian splatter/multicoloured hand blown glass vases, height of largest 21cm and a Victorian green opaque glass vase of baluster form, hand painted with enamelled garden flowers, height 29cm (8).
Lot 158
A golden ticket and set of five Wonka bars from Tim Burton's family comedy Charlie and The Chocolate Factory. Five lucky children were given a tour of Willy Wonka's (Johnny Depp) factory after they won a global competition to find elusive golden tickets hidden in Wonka bar wrappers.Printed on gold-coloured foil paper, the ticket displays an embossed stamp and text printed in black. Four of the Wonka bars are covered in silver foil and colourful wrappers, which feature printed seals and nutritional information. The unwrapped bar is made of brown plastic with a "Wonka" logo imprinted on each segment. Light creasing is present on the wrappers, and the ticket and bar display minor surface scratches from production use. Dimensions (ticket): 8 cm x 18 cm (3 1/4" x 7"); (each wrapped bar): 9.5 cm x 18.5 cm x 1 cm (3 3/4" x 7 1/4" x 1/2")Estimate: £2,000 - 3,000 †Δ
Lot 803
Three Daily Planet newspapers from Richard Lester's superhero sequels Superman II and Superman III. Papers with the "White House Surrenders" headline were printed after General Zod (Terence Stamp) and his Kryptonian cronies took the White House by force in Superman II. The two newspapers from Superman III were seen in newsstands and in the background.Printed on newspaper stock, the three newspapers feature a Daily Planet masthead, and each headline is printed in bold letters. Images of the US President (E.G. Marshall) and Zod adorn the front of the "White House Surrenders" paper. The cover sits over a copy of The Windsor Express, a British newspaper local to Pinewood Studios, where Superman II was filmed. All three papers feature minor edge wear, creasing and a horizontal fold line from storage, and have become discoloured over time. Dimensions (largest newspaper): 60 cm x 44 cm x 0.3 cm (23 1/2" x 17 1/4" x 1/4")Estimate: £1,000 - 1,500 M
Lot 814
Call sheets, an early press pack design, production ephemera and a hand stamp from the production and promotion of James Cameron's sci-fi action film The Terminator. The lot consists of eight call sheets (several with attached location maps), memos and shooting schedules, plus an early design for a press pack featuring rare artwork and an unused film logo. The lot additionally includes six "staff and crew" lists, three invitations to cast-and-crew screenings, a flyer for the wrap party, 32 pages of budget paperwork and 11 pages of copied handwritten notes detailing pre-production meetings on locations, financing, distribution, casting and more. The casting notes reveal an interesting list of actors who were approached for the movie, including Kurt Russell, Mel Gibson, Rosanna Arquette, Christopher Reeve and Bruce Springsteen. A wooden hand stamp which reads ":TERMINATOR: ROLL #:" is also included.The paperwork has some wear from production use and age, including some creasing. The production notes come in a Manila file. Dimensions (press pack): 36 cm x 25.5 cm (14 1/4" x 10"); (call sheet): 35.5 cm x 21.5 cm (14" x 8 1/2")Estimate: £400 - 600 †Δ
Lot 836
A cutting continuity domestic theatrical script from the production of Steven Lisberger''s sci-fi adventure TRON. Bound by a metal clip at the top, the card cover features various technical details, several handwritten annotations and a reception stamp dated "28 July 1982". The script is labelled "Revised 7/82" and comprises 95 pages printed single-sided on white US Legal paper. Each page features the scene start time; scene length; scene numbers; a detailed description of the scene with camera angles, dialogue and sound effects; the reel number; and the page number. The script exhibits signs of wear, including corrosion near the clip, light edge wear, black ink dots in the bottom-right corner of some pages, and discolouration, notably on the card cover. Dimensions: 35.5 cm x 22 cm x 1.5 cm (14" x 8 3/4" x 3/4")Estimate: £200 - 300 M
Lot 875
A two-page Universal Studios contract detailing Clint Eastwood's employment with the company in 1954. The contract features several typed paragraphs referring to Eastwood's weekly rates at the beginning of his career. He first starred in Revenge of the Creature as an uncredited extra, and struggled to find success until 1958, when he was cast as Rowdy Yates in Western television series Rawhide. Dated "9/21/54", this contract is signed by Eastwood at the bottom of the second page in black ink, along with two witness signatures in blue ink, labelled "assistant secretary" and "assistant treasurer", respectively. There is a red "approved" stamp at the bottom of the last page, featuring the date "Apr 29 1955". Some sentences are faded and the contract exhibits minor wear, including small staple holes along the top and light edge wear. Eastwood's signature has smudged slightly, and brown marks are present on the front page. Dimensions: 28 cm x 21.5 cm (11" x 8 1/2")Estimate: £1,000 - 1,500 M
Lot 886
A script, a set of storyboards, two black-and-white stills and a crew screening ticket from the production of Robert Zemeckis' Oscar®-winning detective comedy Who Framed Roger Rabbit.The fourth-draft script features the original working title "Who Shot Roger Rabbit", is dated "October 15, 1986" and comprises 137 pages. A red stamp reading "Lapin, UK, 4 126" adorns each page. The script is accompanied by 30 printed storyboards for several Acme Factory scenes, including the moment a ton of bricks fell on Roger Rabbit's head. Also included in the lot is a still showing Jessica Rabbit and Marvin Acme (Stubby Kaye) playing "Patty Cake" a still of Judge Doom (Christopher Lloyd), and a ticket for a cast-and-crew screening. The lot displays light wear and minor marks from use, while the back page of the script displays a notable fold line and is torn under the clip. Dimensions (script): 28 cm x 21.5 cm x 2 cm (11" x 8 1/2" x 3/4"); (each storyboard): 21 cm x 30 cm (8 1/4" x 11 3/4"); (each still): 20.5 cm x 25.5 cm (8" x 10"); (ticket): 9 cm x 14 cm (3 1/2" x 5 1/2")Sold without copyright; see copyright notice in the Buyer's Guide. Estimate: £600 - 800 M
Lot 282
A .22” Webley Premier “E” series air pistol with blued finish, batch number 168, date stamp “6 71” beneath the left grip, stamped “THE WEBLEY PREMIER, MADE IN ENGLAND” on the left side, and “WEBLEY & SCOTT LTD. BIRMINGHAM” ON THE RIGHT. gWO & near VGC, retaining virtually all original blued finish (small area rubbed bright on the front of the air chamber, small chips to right grip). From the Collection of Gordon Bruce, author of “Webley Air Pistols and Their History”. £120-150 Purchasers please note: any air gun manufactured after 1939 must either be collected from our premises or posted to an RFD for face to face transaction.
Lot 79
An Arretine Ware bowl and a Roman Red-Slip Ware jug Circa 1st-3rd Century A.D.The footed bowl exterior decorated in moulded relief with four seated winged Sirens, playing flutes and lyres, interspersed by columns, with a small maker's mark panel: 'TIGRAN', circa 10 B.C.-10 A.D.; the body of the jug decorated with a gladiator, three vertical palm branches, a lozenge motif and two foliate arches, probably representing victor's wreaths, moulded foliate detail on the handle, bowl 11.5cm high, 15cm diam.; jug 20cm high (2)Footnotes:Provenance:Private collection, UK.There is an Arretine bowl fragment by M. Perennius Tigranus in the British Museum that similarly depicts a Siren playing the double flute with a himation twisted round her lower limbs, acc. no. 1893,0524.5; see also a fragmentary bowl mould with a Tigran stamp in the British Museum, acc. no. 1900,0726.7. For another example of a footed bowl by M. Perennius Tigranus depicting dancers and musicians with pan pipes see the Metropolitan Museum of Art, acc. no. 10.210.37.For further information on this lot please visit Bonhams.com
Lot 282
Quantity of Vintage Asterix comics and books, including game books 1-3 by Hodder and Stoughton, five Ompa-pa albums of comics 1977-1978, 1969 Hodder dargaud Asterix omnibus, plus 30 + mixed aged paper back and hard back comics from 1971-2001, three 1980s adventure game kits, plus annuals, dairies, find Asterix book, merchandise guide, guide to Asterix, 1992 stamp album, 1987 panini sticker album, a box 1996 metal figure chess set boxed with certificate of authenticity ,(a lot)
Lot 146
Edwardian silver stamp box, William Comyns, London 1909, oblong shape, hinge lid with engine-turned decoration and engraved monogram, ebony lined, width 10.5cm; silver cigarette box, M M Henderson Limited, Chester 1935, engine-turned decoration, cedarwood lined; and two presentation cigarette boxes. (4)
Lot 466
Five bottles of Australian wine, consisting of two bottles of 2011 McGuigan Estate Shiraz Grenache Mourvedre BIN 528, a bottle of 2010 McGuigan Estate Shiraz, a bottle of 2014 Hardy's Stamp of Australia, Cabernet Merlot and a bottle of 2006 Banrock Station Cabernet Sauvignon Shiraz, The Reserve (5)
Lot 49
A pair of Newton's terrestrial and celestial globes on turned stands dated 1851, with brass bracket on turned mahogany pedestals, on circular bases, both marked with globe maker's printed stamp to gores 'Newtons new and improved celestial and terrestrial globe Newton & Sons Chancery Lane London' height 27cm, approximately 15cm diameter,
Lot 703
A late George II silver inverted pear shaped cream jug, Stamp & Baker, London, 1759, 10cm and one other similar cream jug, marks rubbed, gross 3.5oz, (a.f.).CONDITION: Baker & Stamp- Tiny repair to the rim and the foot rim is badly dented.Other jug has a large split and repair to the top rim by handle and the bottom of the handle also. Numerous small dents and a probable repair to the base.
Lot 790
FOUR BOXES AND LOOSE SUNDRY ITEMS, to include a Nao figurine 'The Flower Girl' with box, P.Szeiter horse sculpture - ear chipped, dog sculptures, Indian brass table top, childs wooden rocking chair, metal Chad Valley globe, Kundo anniversary clock, Smiths quartz carriage clock, Royal Royalite 120 typewriter, Liberty loose leaf stamp album, handbags, occasional table, etc
Lot 399
A GEORGE III AND LATER EBONISED AND GILT METAL MUSICAL STRIKING AND QUARTER CHIMING BRACKET CLOCK, the bell shaped top with central flaming vase finial and four urn finials, above a pediment with fret brass and red fabric sound fret, the arched glazed door enclosing a repainted cream dial with strike/silent, chime/silent and musical dial listing 'Evening Hymn, Loves Ritonello, Rule Britannia, Swiss Boy, Huntsman Chorus, God Save the King, Tancredia', above the main dial with Roman numerals, four train mechanism, eight day movement, striking and chiming on a total of twelve bells, musical cylinder below bells, the backplate engraved 'John Williams, 55 Goodge Street, London, the arched rear door with brass and fabric sound fret, two brass side handles, the whole case on four gilt foliate scroll feet, height 73cm, with pendulum, key and bag of bits of wood and metal, with the clock carries a typed card which details 'On the front plate of the movement behind the dial plate is impressed the name of J Thwaites 35 43 337', on the top of the clock is scratched into the wood F and S with arrows Condition Report Three measurements of movement 1) Plate top to bottom = 25.7cm. (2 Left right = 25.7cm at widest point to 21.8cm below cylinder (3 Measurement of distance of back to front of two plates of movement = 6cm (4 Diameter of spring barrels is approximately 8cm. We do not have a photograph of the J Thwaites stamp and numbers, only the piece of card with the typed mention of it. We believe the dial may be a replacement, but is certainly repainted and it is possible it was seen at this time. We have not dismantled the movement to see if the name exists. The clock does run but the musical mechanism needs some attention to the bells as at least one is slounding dull when struck. The strike is current one hour ahead of itself. We don't know the musical tunes but 'God Save The King' is recognisable in places and is playing this as per the tune selector. The dial is possibly a replacement but has most certainly been repaited, areas of paint can be seen on the back of the dial. The clock runs, strikes on the quarters, but strikes an hour ahead of itself. Both the repeat pull cords operate the mechanism but both are very brittle and need replacing. The Interior of the case is not Original and much may have been replacesd during the 20th Century. The very top of the case is not original and the loose finial does not match the other four on the corners. The fabri in the sound frets is worn red velvet. The scrolled frets on the sides are a little mishapen. No woodworm damage has been spotted. Not all the parts in the bag appear to belong to the clock. We are unsure what relevance they have to this item. There is additional information and a short video on the-saleroom.com for this lot which may be of assistance to you. The 'and later' refers to a repainted or replacement dial, changes to the innards of the case, alterations to the very top of the clock, it certainly isn't as it started, the casem and movement may have been made to fit each other. I am afraid I cannot comment on the orginality of the pendulum rise/fall mechanism as I cannot see inside the plates due to all the bells,cylinders, strikers, etc. All I can say is that the post holding the pendulum is fastened to the interior roof of the 'chimney'
Lot 804
THREE BOXES OF LATE 19TH AND 20TH CENTURY CERAMICS, GLASS ETC, including an Okimono Shisha assessed as Aventurine quartz porcelain candlesticks, pale yellow Wedgwood Jasperware vase and trinket box, resin and other small ornaments, a three division stamp box, stamped 800 and white metal pill box, opaque glass vases, etc (three boxes)
Lot 923
An Early 20th Century "Tudric" Hammered Pewter Four-Piece Tea Service, with circular bulbous bodies, comprising - tea pot and hot water jug, both with cane bound handles, two-handled sugar basin and milk jug, Marked No. 01221 to base and with Tudric stamp, and a ditto circular muffin dish and domed cover, 7.5ins diameter, Marked No. 01449 and with Tudric stamp
Lot 85
Maritime Interest, a collection of postcards of ships and maritime scenes, postcards and stamps, together with a collection of British and World postcards, dating from the 1930s to 1960s/70s, a photograph album of a skiing holiday, 1948-51, together with a small schoolboy's stamp collection (a lot)
Lot 538
Ivo Hauptmann (Erkner 1886 - Hamburg 1973) Badende Aquarell, 33 x 50 cm, r. u. stempelsign. Ivo Hauptmann, ungerahmt. - Landschafts-, Stilleben- und Figurenmaler, Sohn des Nobelpreisträgers Gerhart Hauptmann. H. begann sein Studium 1903 an der Académie Julian in Paris, wo er auch die Ateliers von Maillol, Bonnard, Denis und Vuillard besuchte. Er setzte seinen Unterricht an der Kunstschule Lewin-Funcke in Berlin fort, sein Lehrer dort war L. Corinth. 1904-08 folgte ein Studium an der Weimarer Akademie bei H. Olde sowie als Meisterschüler von L. von Hofmann. Dort schloß er Freundschaft mit H. Arp, H. van de Velde und E. Munch; O. Mueller kannte er bereits aus Dresden. 1909-12 war er wiederum in Paris und freundete sich mit P. Signac an, mit dem zusammen er 1911 auch beim Salon des Indépendants ausstellte. H. lebte in der Folge abwechselnd in Hamburg, Dresden und Berlin, wo er zu den Gründungsmitgliedern der Freien Sezession gehörte. Nachdem er sich endgültig in Hamburg niedergelassen hatte, trat er 1927 auch der dortigen Sezession bei. Nach dem Zweiten Weltkrieg war H. Dozent an der Landeskunstschule in Hamburg, zudem bis 1965 Vizepräsident der Freien Akademie der Künste. Er wurde 1961 mit dem Bundesverdienstkreuz und 1964 mit dem Edwin-Scharff-Preis geehrt, die Stadt Hamburg verlieh ihm 1973 außerdem den Professorentitel. H. gehörte zu den Hauptmeistern der Avantgarde in Deutschland, dem es wie wenigen anderen gelungen ist, die Leichtigkeit von Licht und Farbe in der Landschaft ins Bild zu setzen. Mus.: Paris (Louvre), Hamburg (Kunsthalle, Altonaer Mus.), Schleswig (SHLM) u.a. Lit.: Thieme-Becker, Vollmer, Bénézit, Der Neue Rump, I. H., der Poet der Farbe, 2007 u.a. Hauptmann, Ivo (Erkner 1886 - Hamburg 1973) Bathers Watercolour, 33 x 50 cm, lo. ri. stamp signed Ivo Hauptmann, unframed. - Landscape and figure painter, eldest son of the Nobel prize winner Gerhart Hauptmann. H. studied in Paris, under L. Corinth in Berlin and at the Weimar Academy. Among his friends were O. Müller, P. Signac and R. M. Rilke. H. was co-founder of the Freie Sezession Berlin. In 1925 he settled in Hamburg and became head of the Hamburg secession. Mus.: Paris (Louvre), Hamburg (Kunsthalle, Altonaer Museum), Schleswig (SHLM) a. others. Lit.: Thieme-Becker, Bénézit, Vollmer, Der Neue Rump, I. H., der Poet der Farbe, 2007 a. others.
Lot 613
Gerhard Richter (Dresden 1932) Schweizer Alpen Farbsiebdruck, 69,5 x 69,5 cm, r. u. mit Bleistift sign. Richter, verso Stempel 'Gerhard Richter (1969) Schweizer Alpen Motiv B1', ungerahmt. - Richter ist einer der höchstgehandelten Künstler der Gegenwart. Nach einer Ausbildung zum Werbemaler studierte er ab 1951 an der Dresdener Kunstakademie und schuf, schon als Student, etliche Wandbilder. 1961 siedelte er in den Westen über und studierte bis 1964 erneut. An der Düsseldorfer Akademie lernte er dabei u.a. S. Polke, G. Uecker und G. Graubner kennen. 1971 bis 1993 war er selbst Professor der Düsseldorfer Akademie. R. ist ein sehr vielseitiger Künstler, der sich in unterschiedlichen Stilen probiert hat. Am bekanntesten sind seine präzis gemalten, absichtlich verwaschen historischen Motive, seine farbstarken mit einem Rakel geschaffenen riesigen abstrakten Formate und die nur scheinbar beliebigen Kombinationen von Farbfeldern. Richter, Gerhard (Dresden 1932) Schweizer Alpen - Swiss Alps Silk screen in colours, 69,5 x 65,5 cm, lo. ri. autographed Richter, on the reverse stamp, 'Gerhard Richter (1969) Schweizer Alpen Motiv B1', unframed. - One of the most important contemporary artist, studied at the Dresden and the Düsseldorf academy, his works are in major collections of the world.
Lot 614
Andy Warhol (Pittsburgh 1928 - New York 1987) Mao Farbsiebdruck, 91,4 x 91,4 cm, verso handsign. Andy Warhol und num. A. P. 8/50 sowie Copyright-Stempel 'Copyright © Andy Warhol 1972 printed at Styria Studio Inc.', unter Glas gerahmt. - Aus der auf 50 Exemplare beschränkten Auflage von Artist's Proofs. - Auf Anregung seines Galeristen Bruno Bischofberger begann Warhol mit einer Portraitserie berühmter Persönlichkeiten des 20. Jhs. Die Vorlage des Mao-Portraits stammt vom Titel des seinerzeit auch im Westen weitverbreiteten "Kleinen Roten Buches". Während die Serie den Autokraten einerseits zu einem Helden der auch von Warhol so sehr geprägten Popkultur erhebt führt der Künstler durch dramatische Farbkombinationen des wie geschminkt wirken Parteiführers den Pathos der maoistischen Ideologie ad absurdum. - Literatur: WVZ: Feldman-Schellmann, II, 98. - Provenienz: Seit den frühen 1980er Jahren Privatsammlung Hamburg - Maler, Graphiker, Filmemacher und Verleger, einer der bedeutendsten Vetreter der Pop Art. Seine seriellen Werke mit der Darstellung von Konsumgütern und Prominenten gehören noch immer zu den Ikonen der Gegenwart. Warhol, Andy (Pittsburgh 1928 - New York 1987) Mao Silk screen in colours, 91,4 x 91,4 cm, on the reverse autographed Andy Warhol and num. A. P. 8/50 as well as copyright stamp 'Copyright © Andy Warhol 1972 printed at Styria Studio Inc.', framed under glass. - From the edition of 50 artist's proofs. - Following a suggestion of his dealer Bruno Bischofberger Warhol began creating a series of famous personalities of the 20th century. Warhol found the model of his Mao portrait on a cover of the 'Little Red Book', at that time widespread also in the West. The series nobilitates the autocrate as a hero of pop culture, on the other hand it mocks maoist ideology by dramatic combinations of colour and showing the party leader looking as if he wore make-up. - Literature: Feldman-Schellmann, II, 98. - Provenance: Private collection Hamburg since the early 1980s - Painter, graphic artist, film-maker and editor, one of the most important exponents of pop art. His serial works depicting consumer goods and celebrities are still among the icons of contemporary art.
Lot 629
René Magritte (Lessines 1898 - Brüssel 1967) Königin Semiramis Silbergelatineabzug, 30,5 x 40,5 cm, verso Nachlass-Stempel Georgette Magritte sowie Griffelkunst-Stempel 1984, ungerahmt. - Belgischer Maler, einer der Hauptvertrteter des Surrealismus. M. studierte an der Brüsseler Akademie und malte zunächst impressionistisch. Durch einen befreundeten Kunsthändler wurde er in die Dadaistische Bewegung eingeführt, 1927-30 hielt er sich in Paris auf und erfuhrt reiche Anregung von den französischen Surrealisten. Neben der Malerei arbeitete er als Redakteur verschiedner Zeitschriften, drehte Kurzfilme und entwarf Bronzen. In seinen Werken benutzte M. gerne wiederkehrende Objekte (den Apfel, die Pfeife, den Bowler u.a.) und verblüffte den Betrachter mit Gegensätzen und Elementen aus der Traumwelt. Letzten Endes ist sein Schaffen aber darauf gerichtet, die Wirklichkeit zu verdeutlichen. Magritte, René (Lessines 1898 - Brüssel 1967) Queen Semiramis Gelatin silver print, 30,5 x 40,5 cm, estate stamp of Georgette Magritte and stamp of Griffelkunstgesellschaft Hamburg 1984 on the reverse, unframed. - Belgian painter, one of the most important surrealist artists. M. studied at the Brussels Academy and initially paints impressionistically. He was introduced to the Dadaist movement by a friend. 1927 to 1930 he stayed in Paris and was inspired by the French surrealists. Besides his work as a painter he was as an editor of various magazines, produced short films and designed bronzes. In his works, M. likes to use recurrent objects (the apple, the pipe, the bowler, etc.) and amazes the observer with contrasts, and elements of the dream world. Ultimately, his work is focused on clarifying reality.
Lot 630
René Magritte (Lessines 1898 - Brüssel 1967) Vogelfänger Silbergelatineabzug, 40,5 x 30,5 cm, verso Nachlass-Stempel Georgette Magritte sowie Griffelkunst-Stempel 1984, ungerahmt. - Belgischer Maler, einer der Hauptvertrteter des Surrealismus. M. studierte an der Brüsseler Akademie und malte zunächst impressionistisch. Durch einen befreundeten Kunsthändler wurde er in die Dadaistische Bewegung eingeführt, 1927-30 hielt er sich in Paris auf und erfuhrt reiche Anregung von den französischen Surrealisten. Neben der Malerei arbeitete er als Redakteur verschiedner Zeitschriften, drehte Kurzfilme und entwarf Bronzen. In seinen Werken benutzte M. gerne wiederkehrende Objekte (den Apfel, die Pfeife, den Bowler u.a.) und verblüffte den Betrachter mit Gegensätzen und Elementen aus der Traumwelt. Letzten Endes ist sein Schaffen aber darauf gerichtet, die Wirklichkeit zu verdeutlichen. Magritte, René (Lessines 1898 - Brüssel 1967) Bird Catcher Gelatin silver print, 30,5 x 40,5 cm, estate stamp of Georgette Magritte and stamp of Griffelkunstgesellschaft Hamburg 1984 on the reverse, unframed. - Belgian painter, one of the most important surrealist artists. M. studied at the Brussels Academy and initially paints impressionistically. He was introduced to the Dadaist movement by a friend. 1927 to 1930 he stayed in Paris and was inspired by the French surrealists. Besides his work as a painter he was as an editor of various magazines, produced short films and designed bronzes. In his works, M. likes to use recurrent objects (the apple, the pipe, the bowler, etc.) and amazes the observer with contrasts, and elements of the dream world. Ultimately, his work is focused on clarifying reality.
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