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Fourteen assorted Mauchline Tartan ware, including:-Prince Charlie tartan purseCircular tartan ware broochPrince Charlie tartan ware ring boxMacFarlane tartan book case with the smallest bible in theworld with BurnsTartan ware scoreboardMcPherson tartan scissor caseRob Roy tartan circular stamp boxStuart tartan stamp caseStuart tartan notebookMcPherson tartan and Gordon tartan ware letter openerTartan ware eggLouise tartan needle case and coverColquhoun tartan pin case and cover (14)
Nine assorted Mauchline Tartan Ware, including:McKenzie tartan book coversMcIroy tartan needle jar and coverMcBeth tartan ware pin cushion in the form of a bucketMackenzie tartan napkin ring and anotherMacDuff tartan pin cushionTartan ware ink blotterTartan ware stamp boxTartan ware ink well (9)
Pair of Coalport vases and covers, baluster form , raised on square bases, gilt handles, decorated in cobalt blue, hand painted panels of fancy birds and flowers and gilt enrichments, Coalport Factory Stamp Height 37cmCONDITION REPORTGood overall condition; very minor crazing in places and minor rubbing to the gilding
MIXED LOT OF COLLECTABLESincluding a shaped Tartan ware metal planter, a Bank Of Scotland £1 note dated 1st June 1966, small stamp album bearing stamps of the Commonwealth of The Queen and The Duke of Edinburgh, two Victorian pottery pot lids transfer decorated and tilted On Guard and Peace, glass measuring glass in a floral decorated wood holder and a carved teak goose wall hook
Studio Pottery Slipware Dish. 33cm diameter, two small vases, Art Nouveau Sherwin's paten tiles (10).Lot 1167 - Bottom - 1) severed in two - reglued back together, crazing. 2) Crazing. 2nd from bottom - 1) chip to base, crazing. 2) Crazing. Middle - 1) crack to back, crazing. 2) Crazing. 2nd from top - 1) Crazing. 2) Chip to back, crazing, 0.4 x 0.2cm chip to rim. Top 1) Severed in two - reglued, 2.0cm x 1.5cm chip to rim, crazing. 2) 2.0 x 1.0cm chip to corner, crazing. All 15cm square, with makers stamp to back.
XIX Century Cup-Saucers, XIX Century Meissen figure group of a girl playing a mandolin (damaged), large glass, Sylvac spaniel, Doulton style figure group of a fruit seller, possibly by Filstono? Elizabethan China tea service:- One Tray.Lot 1171 - Mintons puce stamp, also OA 1134. 1) one finial absent, two severed bit reglued, the other possibly so. 2) two finials severed but reglued.
Richard & Cie, Paris, a French brass cased repeating and striking carriage clock, the enamel dial with blued steel hands, the 8-day duration timepiece mechanism, signed to the back plate with R & Ce stamp, striking on two gongs, lacking door handle, 13.5 x 9.5 x 8cm.Richard & Co started life in Paris in 1848 under a different name but then added a London branch at 24 Cannon Street in 1867 which became Richard & Co. They were mainly carriage clock makers, producing clocks in different English and French styles for the respective markets. The London business lasted until 1881 with the Paris workshop based at Rue Bondy continuing on until the beginning of the 20th Century.
Richard & Cie, Paris, a French brass cased striking carriage clock, the enamel dial with blued steel hands, the 8-day duration timepiece mechanism, signed to the back plate with R & Ce Made in Paris stamp, striking the half hours, 13.5 x 9 x 8cm.Richard & Co started life in Paris in 1848 under a different name but then added a London branch at 24 Cannon Street in 1867 which became Richard & Co. They were mainly carriage clock makers, producing clocks in different English and French styles for the respective markets. The London business lasted until 1881 with the Paris workshop based at Rue Bondy continuing on until the beginning of the 20th Century.
Vinyl - Two Led Zeppelin LP's to include Two (K 40037) green and orange Atlantic labels, white inner with record shop stamp, and 4 Symbols (K 5008) green and orange labels with name to both sides 'hop / top' error. Both inner and outer sleeves subject to heavy tape reinforcements. Sleeves & Vinyl Vg other than stated
SPEEDWAY PHOTOS Twenty four original postcard size b/w photos: Belle Vue X 4, Frank Charles 1930's with Press stamp on the reverse, Dent Oliver 1940's with stamp on the reverse, Jack Parker 1940's and Louis Lawson 1940's. Odsal X 4, Ron Clark, Eddie Rigg and Oliver Hart X 2 different. Harringay X 6 , Vic Duggan X 2 different, Ray Duggan, Lloyd Gough, Ron Howe and Norman Parker. Four have pin holes at the top in the centre. New Cross X 10, Jack Milne and Tom Farndon both 1930's with Press stamps on the reverse, Split Waterman 1940's with stamp on the reverse, Jeff Lloyd signed on the reverse in 1954, Ron Johnson, Lionel Van Praag, Bert & Cyril Rogers and George Newton and Bill Longley and Ron Johnson from the 1940's. Generally good
SPEEDWAY PHOTOS Seventeen original postcard size b/w photos from the late 1940's: West Ham X 13, 3 of which have Press stamps on the reverse, including Bluey Wilkinson, Ron Johnson, Eric Chitty, Fred Curtis, Cliff Watson, Jimmy Gibb, Aub Lawson, Tiger Steverson and Reg Fearman. Plus 4 with Vic Huxley Press stamp on the reverse, Alec Statham of Wimbledon, Jim Coy of Oxford, trimmed at the bottom and Graham Warren of Birmingham. Generally good
Nigel Hemming (b.1957) A pencil signed and numbered limited-edition print 218/500 of two black Labrador gun dogs entitled 'Work', plus a pencil signed and numbered limited-edition print 56/250 with (Fine art trade guild blind stamp) of a working Springer Spaniel by M.J. Taylor. Frame sizes approx 26 ½ x 20 ½ inches and 21 ½ x 17 ½ inches. (Glazed) (2) COLLECT ONLY.
A Victorian music box, a/f. COLLECT ONLY.The number under the box and on the back right is 45757. Back left stamp reads Nicole Freres. Spring is ok and movement plays. Many teeth missing, missing finger lever to change barrel tune (as photo) barrel changes tune.Glass panel, 36cm x 16.5cm.Lid, 49.5cm x 21.5cm.Box, 47.5cm x 20cm, total height 14.5cm.The lid sits fairly flat with no visible warping. Old worm in the box.
Maggy Clarysee. Mimosa de Provence. Two signed, limited edition silkscreen prints, 6/80 and 13/80, with impressed MC stamp. 20 x 26cm. Together with another, Winters Delight, signed, limited edition 13/50. 23 x 18cm. (3)PROVENANCE; The residual studio collection of the artist. Maggy Clarysse (1931-2011), hidden away for the past decade, will come to auction in this sale.Consigned by her family, the art displays an extraordinary range, from pointillist studies of ponds, via Cézanne-inspired landscapes to Impressionist and post-Impressionist still lifes. In all, the auction will offer over 450 works by a woman who was obsessed with art and would rise early each day to get to her easel, completing 12 hours of painting, sketching, sculpting and drawing before turning her hand to crafts in the evening.BIOGRAPHY; The art came before and after a successful career as a model from the 1940s to 60s with the glamour that it brought with it.Born in Belgium, Maggy studied at art college in Brussels with the aim of becoming a Paris fashion designer. To that end, she eventually approached a leading couture house to show them her designs.To her delight, they agreed to take her on immediately. However, they did not want her as a designer, but as a model!This led to work in Paris, London and around Europe, with Maggy basing herself first in Germany and then in Paris as a couture house model and then a model for Vogue.She was photographed by Terence Donovan and David Bailey, with one shoot ending up with her pushing the then leading film star, Norman Wisdom, into a swimming pool her reasons for doing so remain shrouded in mystery!It was while on holiday in the south of France in the late 1950s that she met her future husband, an English businessman, and they then married and moved to Barnes in south-west London.She gave up modelling when her son was born, and the glamour days of chic long dresses were over, and she then turned her exceptional work ethic towards art.Maggy painted from dusk to dawn for many decades up until her death in 2011 and enjoyed considerable success commercially.She would divide her time between London and their apartment in the South of France, and she hosted several exhibitions a year between the early 1970s and the late 2000s in both London and Antibes. Works sold for up to £6,000-8,000 but are much more reasonably estimated here. Few of her works come on to the market and this sale provides a unique opportunity for collectors. In all, the auction will offer over 450 works by the artist.
HENRY RYLAND (1856-1925), oil on canvas Judith (gleaning from the field of Boaz), partial signature lower left, titled lower right and with original Cholrodyne advert dated 1895 verso, Goldstein & Co. framers stamp to the back of the mount, Judith pictured here with a sheaf of wheat as she appears in Ryland's later lithograph dated 1903, 20.5 cm x 14.5 cm, framed & glazed
Economics & Law.- Loen (Johann Michael) Der Kaufmanns-Adel..., first edition, lightly browned and spotted, Donaueschingen library copy with ink stamp to title, modern sprinkled board, Frankfurt, J.F.Fleischer, 1742 § Mirabeau (Honoré-Gabriel Riqueti, Comte de) Opinion...sur les Retours de l'Inde, 23pp., first edition, modern wrappers, [Goldsmiths' 14189], Paris, 1790 § Dumas (J.-A.) Éloge de d'Alembert: Discours qui a concouru pour le Prix extraordinaire proposé par l'Académie Françoise, pour l'année 1788, 54pp., first edition, with final blank,some spotting and soiling, stitched, uncut, a little frayed at edges, preserved in modern cloth portfolio, Paris, P.-J.Duplain, 1789 § Durand de Maillane (P.-T.) Suite et Défense du Rapport, sur les empêchemens, les dispenses & la forme des Mariages, 28pp., first edition, spotted, unbound, frayed at edges, Paris, 1790; and 4 other pamphlets, 3 in Swedish (2 on the murder of Malcolm Sinclair by the Russians and one against gin and brandy drinking), 4to & 8vo (8)⁂ The first is a rare work on the merchant nobility and trade.
Binding.- Royal Arms.- Collection (A) of Anthems. As the same are now performed in His Majesty's Chapels Royal, the Robert Walpole-Richard Caulfield copy, ruled in red, bookplates, stamps and inscriptions to endpapers, contemporary mottled calf, bound for the Chapel Royal, Hampton Court, with the interlaced monogram, "G.R." (George II) in gold, on both, covers with the words "Chapel Royal Hampton Court" beneath, crowned fleurons at the corners, spine ends chipped, spine rubbed, upper cover a little rubbed, preserved in custom drop-back box, 8vo, by J. Bettenham for B. Barker at the College Arms near Dean's Yard Westminster, 1736.⁂ A number of copies of this work were bound for the Chapel Royal, this copy with a distinguished provenance.Provenance: Robert Walpole (1676-1745); Richard Caulfield (1823-1887, librarian of Queen's College, Cork); Robert Day (1836-1914, antiquarian and photographer); William Neville; Dorothy Moulton Mayer (1886-1974, author and singer), their bookplates to pastedown and endpapers; Peter Bander van Duren (1930-2004, British writer on heraldry and orders of knighthood, his blind-stamp to endpaper).
Judaica.- [Mears (Abraham)], "Gamaliel ben Pedahzur". The book of religion, ceremonies, and prayers; of the Jews, as practised in their synagogues and families On all Occasions...with the Hebrew Title of each Prayer made English, 2 parts in 1, woodcut head- and tail-pieces and decorative initials, occasional contemporary ink corrections to text and marginalia, later pencil markings, related contemporary folding French engraving bound in before B1 (not called for), library ink stamp to front free endpaper, title with purple library ink stamp recto and small later cutting mounted verso, some spotting or light staining, lightly browned, endpapers renewed, contemporary calf, gilt, rebacked, spine in compartments and with chipped leather label, upper cover detached, spine creased, corners worn, rubbed, [Cecil Roth, Magna Bibliotheca Anglo-Judaica, p. 302, no. 6; The Great Synagogue, (1950), pp. 73-74], 8vo, Printed for J. Wilcox, at Virgil's Head, opposite to the New Church in the Strand, 1738.⁂ The first translation of any part of the Jewish prayer book into English. According to Cecil Roth Mears was 'an apostate member of one of the oldest families of the Ashkenazi community in England', and his 'description of Jewish rites and ceremonies...is of considerable interest, giving as it does a graphic, detailed, and at times not unamusing picture of London Jewish life, in particular, it must be accentuated, the life of the community of the Great Synagogue, in which Mears had been brought up in the first half of the eighteenth century'. Provenance: Edward Nicholas Hurt (engraved armorial bookplate to front pastedown).
Trollope (Anthony) The Last Chronicle of Barset, 2 vol. first edition in book form, first issue, bound from parts, frontispieces and 30 wood-engraved plates by G. H. Thomas, vignette illustrations, occasional scattered foxing, original decorative cloth, gilt, spines a little darkened, extremities lightly bumped, joints a little rubbed, Smith, Elder and Co., 1867; The Warden, first edition, title lightly browned with small bookseller stamp to top right corner, occasional light finger-soiling or browning, without advertisements, late 19th century half morocco, spine gilt in compartments with morocco spine labels, [Sadleir 4, 26], 1855, 8vo (3)
Trollope (Anthony) The Way We Live Now, 2 vol., first edition in book form, frontispieces and 38 wood-engraved plates by Luck Fildes, bookplates to pastedown and small bookseller's stamp to front free endpaper, vol.1 with remnants of paper laid down to endpaper and foxing to frontispiece, hinge cracked in places but holding firm, original green cloth, spine ends and corners a little bumped and creased, covers lightly marked, but an excellent and bright set overall, [Sadleir 44], Chapman and Hall, 1875; and a first edition of The Vicar of Bullhampton, 8vo (3)
Greene (Graham) England Made Me, first edition, publisher's file copy with their ink stamp with publication date "June 24th. 35" filled in by hand to front free endpaper and autograph note "Publication Date" to front endpaper and pastedown, original cloth, light sunning to spine, spine a little frayed at foot, light marking and soiling to covers, [Wobbe A8a], 8vo, 1935.
Lawrence (D.H.) Rawdon's Roof, endpapers lightly browned, 1928; Pansies, jacket lightly spotted and soiled, 1929; Sons and Lovers, 20pp. advertisements, ink ownership stamp to pastedown, scattered spotting and foxing, ex-library copy with stamp and markings to rear pastedown, 1913, first editions, first two one of 500 copies signed by the author on colophon page, original cloth, first two with dust-jackets, [Roberts A40, A47, A4], 8vo (3)
Canada.- [Maseres (Francis)] Additional papers concerning the Province of Quebeck, first edition, engraved hand-coloured map "Quebec and its Environs" dated 1813 laid onto title verso, 2 other Quebec plates loosely inserted, lacking final blank f., title with some show-through from glue on verso with contemporary ink ownership inscription and ink stamp, occasional light browning, modern morocco-backed boards, [Sabin 45411], 8vo, W. White, 1776.
China.- The Sacred Edict: containing 16 Maxims of the Emperor Kang-He. Amplified by his Son. With a Paraphrase on the whole by a Mandarin. And translated, with Notes, by William Milne, Protestant Missionary at Malacca, first edition in English, half-title, occasional small stain or light marking to margins, ink ownership inscription to head of title verso, paper slip signed "Lieut-General Sir James Outram" laid onto title verso with bookseller's label of Arthur Prosthain, Oriental Bookseller below, faint blind-stamp to title and final f., modern morocco-backed boards, 8vo, 1817.⁂ Rare first English translation of the Sacred Edict of the Kangxi Emperor, we can trace no copy at auction since 1948. The edicts were first issued by the Emperor in 1670, consisting of sixteen maxims, each seven characters long, to instruct the average citizen in the basic principals of Confucian orthodoxy. Also published here is Wang Youpu's interpretation of the maxims.
Agriculture.- America.- Deane (Samuel) The New-England Farmer; or, Georgical Dictionary, first edition, list of subscribers, double column, browned, green glazed bookplate and book-label of Mrs Henry Steele to pastedowns, contemporary sheep, rebacked preserving old red roan label, corners repaired, [Sabin 19056], Worcester, Mass., Isaiah Thomas, 1790 § Birkbeck (Morris) Letters from Illinois, third edition, 6pp. publishers' catalogue at end, contemporary names to rear endpapers including that of the author, rather soiled, a few stains, with contemporary book-label of Kendal Library to front pastedown, contemporary half calf, rebacked, 1818, both ex-Lawes Library, Rothamsted with stamp to front pastedowns, rubbed, 8vo (2)⁂ The first is one of the earliest American dictionaries of agriculture.
Darwin (Charles) The Expression of the Emotions in Man and Animals, first edition, first issue, 7 heliotype plates (3 folding), slightly creased with some finger soiling, numbered in Arabic, engraved illustrations, ink stamp to contents page (touching text) and plate, and a few others, lacking final 5 leaves (all after p.168; index and advertisements), title browned at margins, occasional spotting, some light finger soiling, later half calf, spine a little rubbed, [Freeman 1141; G&M 4975], John Murray, 1872; Journal of Researches into the Natural History and Geology..., engraved illustrations, bookplate to front pastedown, very occasional light foxing, upper hinge cracked but firm, original cloth, spine head chipped, [Freeman 38], John Murray, 1882; and 3 others Darwin, 8vo (5)
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165558 item(s)/page