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Lot 912
Collector's coins, comprising commemorative 50p pieces, Sherlock Holmes, Benjamin Bunny, Tales of Peter Rabbit, Paddington Bear, and others, approx 30, half crowns, shillings, 5p and 10p pieces, farthings, pennies, halfpennies, etc, all enclosed in a presentation aluminium case, together with a Queen's 80th Birthday stamp and cover album coin collection, in presentation case. (2)
Lot 1395
GEORGE JONES & SONS; a majolica strawberry bowl, with moulded floral decoration on a turquoise and brown ground, impressed marks and registration stamp to the underside, height 20cm. Additional InformationCrazing to the glaze, an area of glaze loss to one side, minor chipping to the feet and to the raised part.
Lot 2005A
SMITHS OF LONDON; a brass cased ship's clock, the circular dial set with Roman numerals and subsidiary dial, bears stamp dated 1940, diameter 18.5cm.Additional InformationThe face with numerous chips and staining, the case/back is worn with numerous dents. We cannot confirm if the clock is in working order.
Lot 314
LAURENCE STEPHEN LOWRY RBA RA (1887-1976); pencil signed print, 'The Beach at Deal', published in 1973 by Venture Print Ltd, with Fine Art Trade Guild blind stamp DFA4351, approx 29.5 x 53cm, framed and glazed. (D)Additional InformationThe print appears to be in good condition. The frame scuffed and marked. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 316
LAURENCE STEPHEN LOWRY RBA RA (1887-1976); pencil signed limited edition print, 'Lonely House', with impressed Fine Art Trade Guild blind stamp BEB,142, approx 29 x 51cm, framed and glazed. (D)Additional InformationThe image is in good condition. Scuffs and marks to frame. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 317
LAURENCE STEPHEN LOWRY RBA RA (1887-1976); pencil signed limited edition print of sailing boats, published in 1975 by Venture Prints Ltd, Bristol, England, with impressed Artist Guild stamp HJJ4678, 32 x 36cm, framed and glazed. (D)Additional InformationThe print appears in good condition. Light wear and scuffs to the frame. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 318
LAURENCE STEPHEN LOWRY RBA RA (1887-1976); pencil signed limited edition print, 'Street Scene', Fine Art Trade Guild stamp EHH467, 29 x 22cm, framed and glazed. (D)Additional InformationThe image is good with strong colours. The frame with the usual scuffs and marks. No foxing, creases or folds, (a although we cannot comment on the paper behind the mount. Colours appear good. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 319
LAURENCE STEPHEN LOWRY RBA RA (1887-1976); ink signed limited edition lithograph print, 'Deal', with Artist Blind Stamp CEB 242, 16.5 x 24cm, framed and glazed. (D)Additional InformationThe image is good. Light wear to frame. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 44
A Contemptible Little Flying Corps by I McInnes and J V Webb 1991 First Edition Softback Book with 518 pages published by The London Stamp Exchange Ltd some ageing good condition. All lots sold on behalf of the Michael Sobell Cancer Charity. UK shipping from £4.99, 20kg box £14.99, Europe from £6.99, ROW at cost from £9.99.
Lot 321
JOHN PIPER (1903-1992); limited edition colour print, 'Llangoloffan', signed in pencil and with Fine Art Trade Guild blind stamp, limited edition to a number of 750, published by Cavendish collection circa 1980, 51 x 68cm, framed and glazed. (D)Additional InformationFoxing throught the border of the image. The frame with slight wear. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 322
DAME ELISABETH JEAN FRINK CH DBE RA (1930-1993); a signed limited edition coloured lithograph, 'Osprey', 109/150, bearing blind stamp and with Christie's certificate of authenticity verso, 65 x 47.5cm, framed and glazed. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 330
ANDY WARHOL (1928-1987); screen print on paper, untitled self portrait, signed in silver pen and with 'Factory Proof Edition' stamp, 38 x 29cm, framed and glazed. PROVENANCE: purchased from McTears, June 2022.Additional InformationImage generally clean and bright. Frame with minor wear. The back of the frame stamped 'Leonard Villa Framemakers & Gilders'
Lot 338A
BANKSY; giclée print on 308GSM museum quality Hahnemuhle Fine Art paper, 'Post Modern Vandal/Girl with Heart-Shaped Float (Blue) (2021)', published by Post Modern Vandal (USA), embossed stamp signature and hand numbered 47/85, sheet size 43 x 33cm, with certificate of authenticity, unframed. (D) Provenance: from a private Cheshire collector.Additional InformationVery light wear but overall in good condition. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 339A
BANKSY; double sided poster, 'Forgive Us Our Trespassing (2010)', reverse has 'Banksy Exit Through The Gift Shop' film advert, published by Don't Panic London, limited edition only distributed in Don't Panic packs in London and Bristol, artist stamp bottom right, overall sheet 59.5 x 42cm, unframed. (D) Provenance: from a private Cheshire collector.Additional InformationFolded, minor creases, obvious fold lines, corners are slightly folded over. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 352A
DAVID SHEPHERD CBE FRSA FGRA (1931-2017); pencil signed print, ‘In the Thick Stuff’, with artist blind stamp FHE 565, 50 x 87cm, framed and glazed. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 353
DAVID SHEPHERD (1931-2007); pencil signed print, 'The Scavengers', with Fine Art Trade Guild stamp, 760, signed lower right, 51 x 87cm, framed and glazed. (D)Additional InformationThe image is good. The frame with minor knocks and scuffs. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 357
ANTONY MICALLEF (born 1957); limited edition monochrome print, 'Bethlehem', signed in pencil lower right, 107/150 within the blind stamp lower left, 'P.O.W Printmaking', 97 x 74cm, framed and glazed. (D)Additional InformationSome dirt specks visible under the glass along the bottom edge but lesser so elsewhere. The glass is somewhat grubby. Frame with minor wear. frame is open slightly on the right side. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 369
ANTONY MICALLEF (born 1957); limited edition monochrome print, 'Lovemaker', signed in pencil lower right, numbered 98/150 within the blind stamp lower left, 'P.O.W. Print Making', 87 x 74.5cm, framed and glazed. (D)Additional InformationImage appears fairly clean. The glass has some marks to the surface, some of which may clean off, and a few minor scuffs. Frame with minor wear. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 796
A MAHOGANY AND SATINWOOD BANDED BUREAU by Edwards & Roberts, with chequer stringing, the fallfront inlaid with an urn and corner paterae opening to central inlaid cupboard flanked by drawers and pigeon holes, four drawers below with brass drop handles, on bracket feet, manufacturer's stamp and label, 38 1/2" x 21" x 41 1/2" (Est. plus 21% premium inc. VAT)Generally good condition, small loss to rail over fallfront lock, fallfront originally stained darker colour, and now fading in same area resulting in a mottled look, handles replaced
Lot 809
A GEORGIAN MAHOGANY PEMBROKE TABLE, early 19th century, the rounded oblong reeded edged top over panelled frieze with drawer with turned wood handles, raised on reeded baluster turned supports with brass toes and castors, stamped Henry Walker, Lancaster, 36" x 24 1/4" x 28 1/2" Provenance: Tenants Aske Hall Sale Lot 1064 March 15 2013 (Est. plus 21% premium inc. VAT)Some scratching/staining to top, high finish to polish, old handles/castors original, no warping/splits, very clear stamp
Lot 478
A DEACTIVATED LONG BRANCH NO.4 MK.I* .303 RIFLE, with 25 1/2" barrel, two position rear peep sight, moving bolt, moving safety and full wood stock, 1943 date stamp, serial 32L554443 3/4" long, EU certificate 169540 (Est. plus 21% premium inc. VAT)Good general condition, bolt though moving does not cock the firearm as per modern deactivation rules. Safety also though moving does not impact the trigger. trigger does move.
Lot 149
An album of 23 carat gold with 12 carat white gold overlay faux stamps by Heirloom Investments, "The Kings And Queens Of Great Britain" each depicting a monarch from Edgar through to the House Of Windsor, each in plastic wallet with biographical card, with an Heirloom Investments Charles & Diana Royal Wedding 23 carat gold stamp in presentation folder, and a further commemorative stamp depicting Lady Elizabeth Bowers-Lyon Aged 7, stamped '22K' (Qty)
Lot 400
A Heinrich & Co German porcelain part tea service, mid-20th century, comprising eleven teacups, 11cm diameter, twelve saucers, 15.5cm diameter, five coffee cups, 8cm diameter, seven saucers, 11.5cm diameter, a sucrier and cover, 14cm diameter, a milk jug, 14.5cm long, and a teapot, 29cm long, each of compressed globular form with gilt borders and handles against a cream ground, each piece with green stamp mark to base (38)
Lot 78
A TIGER’S EYE AND GOLD NECKLACE, BY GEORGES LENFANT, CIRCA 1970The long chain formed as a series of alternating ropetwist and polished links, interspersed with woven knot-shaped motifs and polished tiger’s eye beads, in 18K gold, maker’s mark 'GL' for Georges Lenfant, French assay marks, length 91cmGeorges Lenfant was born into the world of French jewellery design, and he quickly became a master of his trade. Growing up, he undertook several apprenticeships before studying jewellery in Paris and abroad. In 1900, Georges set up his own workshop at 47 rue des Petits-Champs, minutes away from his patrons at the Place Vendome and Rue de la Paix. He was well established by 1903 and was listed in a publication of the Revue de la Bijouterie, Joaillerie, Orfevrerie of that year. His creative designs and flawless execution put him in demand with the larger jewellery houses and, in a bid not to be forgotten behind famous names such as Cartier, Mellerio dits Meller and Van Cleef & Arpels, Georges established a maker’s mark in 1909 and proceeded to stamp each piece before it left his workshop.In 1915, Georges was joined in the firm by his son Jacques who, at the age of just eleven, was eager to learn the art of jewellery. His keen interest would stand by him as, in time, Jacques would take over the business and create some of Georges Lenfant’s most memorable designs.Neither Georges nor Jacques shied away from collaboration and the Georges Lenfant company had been working with Sandoz for many years when, in 1927, Gustave-Roger Sandoz sold his business to Georges under the condition that his son, Gerard Sandoz, remained as artistic director. Between them, they created striking examples of Art Moderne jewellery, their work infused with bold lines, bright colours and contrasting shapes.Following the end of WWII, Lenfant took over Verger Freres. This heralded a new collaboration with Vacheron Constantin, who had been working with Verger Freres for some time. Constantin and Lenfant busied themselves with watch design and, together, they created pieces for Hermes.The 1960s and 70s saw Jacques at the helm of Georges Lenfant and his passion for goldsmithing led to beautiful textured pieces that celebrated the versatility of the metal.Jacques’ captivation by the different shapes and textures that could be wrought with gold led to his signature chain pieces as he was fascinated by how the interlocking links could be arranged into a myriad of patterns. Over three thousand pieces were inspired by the chain motif and are now some of Georges Lenfant’s most notable creations.In 2003, Georges Lenfant was bought by Bouder and ceased to operate. However, pieces bearing the Lenfant mark continue to prove popular, their numerous collaborations meaning that there is a design to suit everyone.Condition Report: Tiger’s eye: Well matched and with typical internal featuresMaker’s park ‘GL’ partially rubbed/ identifiable. Additionally stamped 750 for 18K gold.Light surface wear, overall good conditionTotal gross weight approx. 114.7g
Lot 84
A GOLD BRACELET, BY GEORGES LENFANT, CIRCA 1965Composed of slightly concave woven gold links, in 18K gold, with maker's mark 'GL' for Georges Lenfant, French assay marks, length 18cmGeorges Lenfant was born into the world of French jewellery design, and he quickly became a master of his trade. Growing up, he undertook several apprenticeships before studying jewellery in Paris and abroad. In 1900, Georges set up his own workshop at 47 rue des Petits-Champs, minutes away from his patrons at the Place Vendome and Rue de la Paix. He was well established by 1903 and was listed in a publication of the Revue de la Bijouterie, Joaillerie, Orfevrerie of that year. His creative designs and flawless execution put him in demand with the larger jewellery houses and, in a bid not to be forgotten behind famous names such as Cartier, Mellerio dits Meller and Van Cleef & Arpels, Georges established a maker’s mark in 1909 and proceeded to stamp each piece before it left his workshop.In 1915, Georges was joined in the firm by his son Jacques who, at the age of just eleven, was eager to learn the art of jewellery. His keen interest would stand by him as, in time, Jacques would take over the business and create some of Georges Lenfant’s most memorable designs.Neither Georges nor Jacques shied away from collaboration and the Georges Lenfant company had been working with Sandoz for many years when, in 1927, Gustave-Roger Sandoz sold his business to Georges under the condition that his son, Gerard Sandoz, remained as artistic director. Between them, they created striking examples of Art Moderne jewellery, their work infused with bold lines, bright colours and contrasting shapes.Following the end of WWII, Lenfant took over Verger Freres. This heralded a new collaboration with Vacheron Constantin, who had been working with Verger Freres for some time. Constantin and Lenfant busied themselves with watch design and, together, they created pieces for Hermes.The 1960s and 70s saw Jacques at the helm of Georges Lenfant and his passion for goldsmithing led to beautiful textured pieces that celebrated the versatility of the metal.Jacques’ captivation by the different shapes and textures that could be wrought with gold led to his signature chain pieces as he was fascinated by how the interlocking links could be arranged into a myriad of patterns. Over three thousand pieces were inspired by the chain motif and are now some of Georges Lenfant’s most notable creations.In 2003, Georges Lenfant was bought by Bouder and ceased to operate. However, pieces bearing the Lenfant mark continue to prove popular, their numerous collaborations meaning that there is a design to suit everyone.Condition Report: Minor signs of wear, overall in good conditionMaker's mark and French assay marks located on the tongue of the claspTotal gross weight approx. 111.60g
Lot 66
Music box; 19th century.Gilt bronze and gilt silver.Measurements: 4.5 x 3 cm.Music box in the shape of a stamp with a Louis XV coin motif, located on the base. This type of objects were very appreciated from the 19th century, with a great variety of models, factories, materials, etc., normally trying to hide the mechanism that moves them for a greater surprise in the spectator and often accompanied by a musical mechanism. However, they were always intended for the upper classes, since their construction and design required high quality and mastery due to the delicate machinery and materials chosen.
Lot 358
A small collection of coral jewellery, comprising a Corallium rubrum cabochon ring and ear clip suite, the ear clips stamped ‘750’, a similarly set three stone ring with bifurcated band, partial ‘750’ stamp, together with a multi-strand necklace with beaded spacers and carved mask bead to the front, clasp stamped ‘18K’, ring sizes N and P respectively. (4) £400-£600
Lot 37
A collection of modern silver to include, a pair of sauce boats, Adie Bros, Birmingham 1929, each of traditional form with a stylised border, S-scroll handles, each raised on three hoof feet; together with two sets of cased condiments and various other condiments, a vesta case, a stamp case and two plated cauldron saltsDimensions:Weighable silver: 38.5oz
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165558 item(s)/page