Mel Crawford (Canadian, B. 1925) "Spain" Signed lower right. Original Mixed Media on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Cover of the U.N. 25c Spain Flags of the U.N. Series stamp issued September 14, 1988. A country of thirty-three million people, Spain is as diverse as its populace. A peninsula divided by many mountain ranges, Spain has always been home to a variety of cultures and regions. Once a great empire, this land has also served as a crossroad to conquest and to trade routes leading to riches. Thus, through history, Spain has been the scene of many wars, invasions and conflicts. Still, her people have developed a strong pride in their traditions. Today, they are proud of their common Spanish heritage, despite the regional differences. In remote villages of Catalonia along the Balearic Sea, in the three Basque Provinces, in the mountain country of Navarre, in northwestern Galicia and indeed throughout all Spain, the people share a sense of personal dignity and hold the qualities of honor and courage in highest esteem. The culture reflects it. Spanish art is often strong and bold, its native dances like the flamenco -- are fiery and determined. And, of course, the pastime for which Spain is known the world over -- the bull fight -- is a mirror of the passion and romance of the Spanish soul. Even in its architecture, Spain reflects centuries of pride. Its castles are so beautiful that daydreamers around the world are accused of "building castles in Spain." Today, Spanish cities are accented by the glories of the past as magnificent museums and fabulous monuments stand beside modern skyscrapers and industrial complexes. Image Size: 14.25 x 12.25 in. Overall Size: 17.25 x 14.75 in. Unframed. (B11392)
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Shannon Stirnweis (Arizona, New York, New Hampshire Oregon, B. 1931) "Fort William" Original First Day Cover illustration painting. Signed lower right. Original Oil painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Fleetwood First Day Cover for the Canada 32c Fort William stamp issue June 30, 1983. As early trappers and traders began to realize the natural bounty the New World had to offer them, they built fur trading posts and trading centers on the frontier. Many of these were located along the seacoast, rivers and lakes so that the trappers and traders could use the waterways to transport their wares. One such trading center was Fort William, located at Thunder Bay, an inlet on Lake Superior. The first white settlement at the site of Fort William was probably Dulhut's fur-trading post built in 1678. However, a more substantial French fort, Kaministikwia, was erected in 1717 and later abandoned after the Seven Years' War. After the war, Montreal traders used the Grand Portage-Pigeon River route south of Fort William to transport their wares. However, when the American border was set along the Pigeon River, the British traders rediscovered the French route to the west. Between 1801 and 1805, the English built a fort on Thunder Bay, naming it Fort William after William McGillivray, principal director of the North West Company. Fort William soon became the inland headquarters of the North West Company and served as a major trading depot for trading expeditions into the West. From 1802 until 1821, when the North West Company merged with the Hudson Bay Company, and the Nor'Westers, as the traders were called, met annually at Fort William. After 1821, the main trade route for the merged company was switched to Hudson Bay and Fort William became an obscure post. Image Size: 19.5 x 17 in. Overall Size: 23 x 19.75 in. Unframed. (B08178)
Steve Ferguson (American, B. 1946) "B-52D Stratofortress" Signed lower right. Original oil painting on Cold Press Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Republic of the Marshall Islands 32c B-52 Stratofortress stamp issued July 19, 1997. The B-52 Stratofortress entered service in 1952 and quickly became the backbone of the Strategic Air Command. Armed with nuclear weapons, B-52s maintained 24-hour alerts throughout most of the Cold War. During the Vietnam War, Stratofortresses flew more than 126,000 sorties and were used as recently as the 1991 Persian Gulf War. Image Size: 16.5 x 14 in. Overall Size: 20.25 x 15 in. Unframed. (B14199)
Steve Ferguson (American, B. 1946) "A-3 Skywarrior" Signed lower right. Original Acrylic painting on Cold Press Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Republic of the Marshall Islands 33c A-3 Skywarrior stamp issued June 1, 1999. In October 1952, the Douglas A-3 Skywarrior made its first flight. Weighing 60,000 pounds, the U.S. Navy bomber was the largest and heaviest aircraft ever designed for carrier use. Skywarriors played key roles in many U.S. Navy attacks during the Vietnam War. Image Size: 16.5 x 14 in. Overall Size: 20.25 x 15 in. Unframed. (B14201)
Steve Ferguson (American, B. 1946) "B-18 Bolo" Signed lower right. Original Mixed Media painting on Cold Press Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Republic of the Marshall Islands 33c B-18 Bolo stamp issued June 1, 1999. The Douglas B-18 Bolo was patterned after the company's DC-2 airliner, but with enlarged tail surfaces and a deepened fuselage. During World War II, the Bolo was used for anti-submarine patrols along the coasts of the United States, Panama and Caribbean Islands. Image Size: 16.5 x 14 in. Overall Size: 20.25 x 15 in. Unframed. (B14358)
Steve Ferguson (American, B. 1946) "Douglas O-2H" Signed lower left. Original Acrylic painting on Cold Press Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Republic of the Marshall Islands 32c Douglas O-2H stamp issued November 1, 1996. Produced in the 1920s and early 1930s, aircraft in the Douglas O-2 series were stout two-seat biplanes designed for reconnaissance, training and general utility roles. Almost 900 of these planes were built for the U.S. Army -- an enormous number for the times -- in a variety of different models. Image Size: 16.5 x 14 in. Overall Size: 20.25 x 15 in. Unframed. (B13856)
Tom McNeely (Canadian, B. 1935) "Monaco" Signed lower right. Original Watercolor. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was published on the Fleetwood Monaco Mint Stamp of the World Panel in 1986. The symbols of Monaco go back for hundreds of years, although there have been many variations depending in part on the prevailing artistic canons of the era. The central shield is a distinctive pattern of white and red lozenges, unique among national coats of arms. It is surrounded by the collar of the Order of St. Charles, the country's highest award. The background of the design features an ermine mantle or pavilion, fringed in gold and backed by red velvet, which is capped at the top by the princely crown. The two monks who act as supporters of the shield and the Latin motto Deo Juvante, meaning, "With God's Help," refer to the traditional story that the progenitors of the ruling Grimaldi family seized the fortress of Monaco by entering disguised as monks. The flag of the ruling prince is white with the coat of arms in the center; this flag is also used on government buildings and by the Monegasque diplomatic service. According to an old European heraldic practice, the national flag of Monaco contains stripes of the principal colors found on the shield. Elegantly simple, the flag of Monaco was officially adopted on April 4, 1881. Image Size: 24 x 15.75 in. Overall Size: 27.5 x 22 in. Unframed. (B10483)
Tom McNeely (Canadian, B. 1935) "U.S. Olympic Team with Flag" Signed lower left. Original Watercolor painting on Paper. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Fleetwood First Day Cover for the U.S. 29c Flag and Olympic Rings stamp issued April 21, 1991. In 1875 a group of German archeologists discovered the ruins of the Stadium of Olympia -- site of the ancient Greek Olympic games -- which had been buried by landslide many centuries earlier. Inspired by the discovery, French educator Pierre de Coubertin campaigned to organize modern Olympic games for the promotion of international goodwill and brotherhood. In 1894 members of an international symposium on amateur sports listened to de Courbertin's passionate plea and voted to form the first International Olympic Committee (IOC). Two years later Athens, Greece, hosted the first modern Olympic Games, which by 1924 included winter competition. Held every four years and interrupted only for World Wars I and II, the Olympic Games allow international amateur athletes to compete for the gold, silver and bronze medals which proclaim them the world's best. Five interlocking rings -- originally representing five continents -- comprise the Olympic symbol. The rings now stand for international friendship, and their colors incorporate at least one shade from the flags of every competing nation. The artwork salutes American participation in the games as a U.S. Olympic team member proudly carries Old Glory onto the playing field during the ceremonial parade of athletes. Image Size: 16.5 x 17.25 in. Overall Size: 19.25 x 25.25 in. Unframed. (B12897)
Tom McNeely (Canadian, B. 1935) "U.S. Soldier" Signed lower right. Original Watercolor on Paper. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood Commerative Cover for the U.S. 37+8c Heroes 2001 stamp issued June 7, 2002. The first regular fighting force of the United States was the Continental Army, established by the Second Continental Congress on June 14, 1775, to supplement local militias during the American Revolution. More thoroughly trained and enlisted for longer terms than their minuteman counterparts, the "Continentals" formed the primary force behind the American war effort and were the begining of a regular United States army. Today, the U.S. Army serves as the backbone of the world's most powerful and advanced military force, responsible for the security and defense of the United States. Yet it also performs many other important public services which safeguard and improve the quality of life in America, from assisting in the cleanup of dangerous toxic waste to furnishing helicopters and paramedics for communities lacking adequate funds to maintain their own proper emergency services. The Army also administers numerous federal programs of environmental protection and development and often lends military support to a variety of federal, state and local governmental agencies. In addition , the Army provides lifesaving assistance during the times of natural or man-made disaster, swiftly conducting rescue operations and supplying crucial emergency services to devastated areas with the utmost efficiency and reliability. From California to Kurdistan, the U.S. Military has saved the lives of countless Americans and non-Americans alike with its quick and compassionate responses to catastrophes. Image Size: 12 x 8.5 in. Overall Size: 15 x 11 in. Unframed. (B16996)
A-Rembrandt van Rijn; after (Dutch 1606-1669) Flight into Egypt, 1633Etching on laid paperSize 3.5 x 2 3/8 in.B-Christian Wilhelm Ernst Dietrich (German 1712-1774)Portrait EtchingC-Reinier Vinkeles (Dutch 1741-1816)The Daughter of Pharaoh Finding MosesD-Androcles and the LionBy a Renaissance master16th/17th century etching with pen and ink accentsOn laid paper with watermarkSize 10 x 7.5 in.E-Anthonie Waterloo (Dutch 1609-1690)The Departure of the Two FishermenEtching on laid paper with collector's stamp: Lugt 2933bSheet size 4 x 5 in.F- Johann Sadeler I (Flemish 1550 - 1600-8)Marten de Vos (Flemish 1532-1603)David and NathanEngraving on laid paper with watermarkSigned and inscribed in the plateSheet size 8 x 10 in.G- David Teniers; after (Flemish 1610-1690)"Le Goust"Etching on laid paperPrinted by Jacques Philippe Le Bas (French 1707-1783)Size 7.5 x 4.5 in.H- Adriaen Pietersz van de Venne (Dutch 1589 -1662)Harvest LandscapeEtching on laid paperSigned lower rightSheet size 5 x 6.5 in.I-Jan de Leeuw (Dutch 1660-?)St. John's VisionEngraving on laid paper with watermarkSheet size-5.75 x 8 in.J-Gerard Bouttats (Flemish 1630-1668)Devotional WorkEtching on laid paperSheet size -7.75 x 5.5 in.
Gentle Giant ? Gentle Giant. UK 1st press Record LP Vertigo Swirl. 6360020 1Y-1 and 2Y-1 EX The vinyl is in excellent condition condition with a high glossy sheen, the labels are very good with no signs of wear around the spindle hole but with a company stamp on side 2. The gatefold sleeve is in very good plus condition with just light spots of rubbing wear. The inner sleeve is in excellent condition with no issues Estimate
Colosseum ? Valentyne Suite UK 1st press record LP VO1 847900 VTY 1Y-1 and 2Y-1 NM The vinyl is in near mint condition and has a nice glossy sheen The labels are excellent with the number 82 lightly in pen on side 2 label. The gatefold sleeve is in very good plus condition with no creases and clear writing on the spine There are a few spots of edge rubbings and shop company stamp on the reverse. The inner sleeve is in excellent condition
A Louis XV style etageré, early 20th century, by Edwards & Roberts, the kidney shaped marble top with pierced brass gallery, over a single drawer and on four reeded and brass mounted supports united by a conforming platform, drawer stamped, 75cm high, 53cm wide.Edwards & Roberts were a well known London furniture makers and retailers, primarily producing revival 18th & 19th century French furniture & also fine Sheraton, Hepplewhite & Chippendale reproductions.Condition reportThe mounts are essentially complete, however the top has a retaining border mount that requires realignment to ensure it fits true.Also note that the front left leg has been broken in the past at the top and while the table is currently stable, this could be improved with the help of a good restorer.The drawer fits well and the Edwards & Roberts stamp is clearly visible on the drawer edge.
A Royal Crown Derby English Imari pattern comport, numbered 1128, 20th century, the square dish set on a base with gilt Rococo dolphin corners, 14cm high, 27cm wideCondition reportThe piece is in good condition. No breaks or areas of real concern. The top is bolted securely to the base. There is a single scratch on the underside of the base running through the stamp.
William Walker (1791-1867) - After James Doyle - Engraving - The Literary Party of Sir Joshua Reynolds, with facsimile signatures to lower margin, and blind stamp for The Print Seller's Association, 16ins x 22.5ins, in gilt moulded frame and glazedCondition ReportThis work has not been inspected out of its frame. There is some overall light discolouration, and some evidence of earlier foxing. There is no obvious damage or loss to the print.
A Frechen Salt-glazed Stoneware Bartmannkrug, 17th Century, with applied bearded mask, oval panel to body with "HD" over a griddle, 8.25ins high, (circa 1625-1675) Note: The Museum of London hold a very similar example under ID No. CATA24025. The mask and stamp appear to have been taken from the same mould.Condition ReportThere is some typical light chipping to the edge of the base. Although obscured, there is some very slight evidence of this vessel having been cut from the wheel using a wire. One scar to the body. Very small fault to left of stamp. No obvious damage/loss/restoration.
After Guillaume Coustou (1677-1746) - Partial silver and gilt bronze figure of Marie Leczinska as Juno, late 19th Century, with foundry stamp, 19ins high Note: Marie Leczinska was Queen Consort of France from 1725-1768 by marriage to Louis XVCondition ReportThis bronze appears to be in good condition with obvious damage/loss/restoration. The silvered surface has been worn particularly to the highlights.
A Heals limed oak six-piece Bedroom Suite, circa 1930's, comprising two Heals limed oak Wardrobes, each with chequered design door panels, one a gentleman's wardrobe with fitted interior and circular Heals plaque, the other, shorter, with utility stamp and marked in pencil Heals 2755 with impressed mark 103 on back, together with a Heals limed oak duchess dressing-table with Heals plaque, a tallboy, the back marked in pen Heals 2504, badly woodworm damaged, a dressing-table stool and a chair. Wardrobes W 91cm x H 178cm x D 52cm and W 91cm x H 174cm x D 52cm, dressing-table W 105cm x H 155cm x D 47cm, tallboy W 76cm x H 122cm x D 48cm (6) Provenance: from a house on the south Devon coast, the family bought the house in 1936 and furnished it mainly from Heals, the house has been in the same family until now, and this is the first time that the furniture from that house has come to market.
A Heals limed oak Bedside Cabinet, with utility furniture stamp and marked F211, W 35cm x H 65cm x D 37cm, together with another oak bedside cabinet similar (2) Provenance: from a house on the south Devon coast, the family bought the house in 1936 and furnished it mainly from Heals, the house has been in the same family until now, and this is the first time that the furniture from that house has come to market.
A pair of Heals limed oak open Bookshelves, each with utility stamp and one marked 406 F271, the other 408 F271, each measuring W 91cm x H 91cm x D 23cm (2) Provenance: from a house on the south Devon coast, the family bought the house in 1936 and furnished it mainly from Heals, the house has been in the same family until now, and this is the first time that the furniture from that house has come to market.
A selection of various watches to include a gentleman's cased Sekonda wristwatch with instruction and booklets, a lady's Tissot dress wristwatch within original case, a Links of London heavy, silver-plated two clock desk example (stamp to reverse) an Ingersoll pocket watch, together with a selection various of dress wristwatches to include Michel Herbelin (selection)
A tri-coloured pheasant brooch, unmarked, length 5.6cmCondition report: The brooch is in good condition with slight surface scratching commensurate with age and wear. It bears no hallmark nor stamp but in our opinion would test as mixed metals. Measures 5.6cm by 4.6cm approximately. Gross weight 8.9 grams.
A collection of assorted silver, comprisng: a tea-caddy; a George III silver cream-jug; a pair of ashtrays; a pair of pierced dishes with openwork spatulate handles; a pair of part-pierced shell-shaped dishes; a pierced circular dish; five various napkin-rings; a vesta-case; a stamp-case and a bottle mount, weight of silver 21oz 3dwt, 658gr (qty)
ASSORTED SILVER COLLECTIBLES, including ringstand, cigarette box with presentation inscription dated 1924, pair sterling coffee spoons, 4 vesta cases, envelope stamp case, 5 thimbles, locket, two watch fobs, 19th Century Sheffield steel knife by Hunter & Son, with etched polished blade decorated with etched lion and 'Fuerte' to a lobed horn handle, and a cased set of 12 Walker and Hall plated fish knives and forks
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