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Click here to subscribeCharles Johnson Payne 'Snaffles' (1884-1967) West of Gib and North across the Bay; Whoop!; and Gentlemen Unafraid all signed in pencil 'Snaffles' (lower left), the first inscribed 'Blimy! Wot a life!' (in the title area) photo-lithographs, with blind stamp, the first and second with touches of white bodycolour S. 19½ x 29½in. (495 x 755mm.) and smaller (3) View on Christie's.com
Camille Pissarro (1830-1903) Crepuscule (avec Meules) (Delteil 23) etching and aquatint, 1879, on J Whatman watermarked laid paper, a very good impression of the third, final state, from the posthumous edition of 50 printed in 1920, with the artist's monogram stamp (Lugt 613) and numbered 36/50, with wide margins, in very good condition P. 104 x 177 mm., S. 462 x 291 mm. View on Christie's.com
Camille Pissarro (1830-1903) Sente de Pouilleux, à Pontoise (grande planche) (Delteil 32) drypoint, 1880, on laid paper, an impression of the second, final state, with the monogram stamp, numbered 25/30, from the posthumous edition, with wide margins, some scattered foxing, predominately on the reverse, time staining and small tear to the lower right extreme sheet edge, backboard staining verso P. 270 x 215 mm., S. 375 x 280 mm. View on Christie's.com
Camille Pissarro (1830-1903) Cours Boiëldieu à Rouen (Delteil 46) etching, 1884, on laid paper, with the blue artist's stamp, numbered 15, from the edition of 30, bearing signature and title in pencil, with wide margins, light and backboard staining, remains of adhesive tape along the sheet edges verso, a few scattered foxmarks and soiling in the margins, a small moisture stain to the right lower corner, framed P. 150 x 195 mm., S. 275 x 360 mm. View on Christie's.com
Camille Pissarro (1830-1903) La Vache (Delteil 58) etching and aquatint, 1885, on laid paper, third, final state, from the posthumous edition with the artist's stamp, numbered 5/7 (there were also 12 lifetime impressions), with margins, in generally good condition P. 110 x 116 mm., S. 137 x 223 mm. View on Christie's.com
Andy Warhol (1928-1987) Committee 2000 (Feldman & Schellmann II.289) screenprint in colours, 1982, on Lenox Museum Board, signed in pencil, numbered 1065/2000 (there were also 200 artist's proofs), published by Committee 2000, Munich, Germany, the full sheet, with the printer's blindstamp and the Andy Warhol copyright red stamp on the reverse, in very good condition, framed S. 762 x 510 mm. View on Christie's.com
* Harry Bush ROI 1883-1957- Study of a cart, tree studies; pencil with touches of coloured crayon, three drawings, shared mount, two inscribed, one signed with initials, two bear studio sale stamp on the reverse, 15x13, 16x11 and 11.5x16cm: together with nineteen further drawings in pencil, some with touches of coloured crayon, all by the same hand, many with studio stamp verso, (22) (in a total of 9 separate mounts) (unframed)
British School, late 20th century- Rural landscape in winter; oil on canvas, bears label for the Rowley Gallery, London, 51x76cm: Meldrum, mid-late 20th century- "White Winged Black Terns"; pencil and watercolour, signed and dated 85, titled and dated 12.3.85 in pencil, 59x76cm: British School, late 20th century- Axiometric view of the V&A Museum; lithograph, numbered 24/200, bears blind stamp for `Artist`s Proof, Victoria & Albert Museum 5 April 1979`. 57x59.5cm., (3) (may be subject to Droit de Suite)
A Dutch silver tea caddy, late 19th/early 20th century, Schoonhoven, of ovoid form, the hinged cover with everted ends and central finial, embossed throughout with figures fishing and tending to the harvest, with c & s scrolls, stamped with lion passant for 833 standard silver, perseus duty mark, makers stamp MP, retail mark V.D.B.2. & date letter possibly 1912, height 10 cm, approximate gross weight 3.46 oz.
A SYCAMORE, AMBOYNA AND SANTOS ROSEWOOD MARQUETRY MIRROR BY DAVID LINLEY, LATE 20TH CENTURY The frame inlaid with architectural designs including lancet arches around a bevelled rectangular plate, bearing the stamp 'DAVID LINLEY 1993' 40 in. (101.5 cm.) high; 32½ in. (82.5 cm.) wide View on Christie's.com
Julius Mendes Price (1857-1924) Thirty-five illustrations from the Italian Front, 1915-1916 for the Illustrated London News the majority signed 'Julius M. Price', inscribed with location and dated '1915-1916'; most inscribed with explanations of the events occuring (some on attached sheets), and stamped with official Italian censors stamp pencil, pen and black ink and grey wash, some heightened with white, on tracing paper, unframed 17¼ x 23¼ in. (43.8 x 59 cm.) (35) View on Christie's.com
Stamps Latvia and Russia comprehensive collection, mostly identified in well documented and illustrated albums, folders and stockbooks, including mint and used sets, both perfect and imperfect, various papers identified, perfect varieties, watermarks, postal history including pre-stamp, railway, military etc (qty)
A 19th Century British .450 cal. two band Martini Henry MKII military carbine, decommissioned and cut through near breach, the 21in. barrel with wooden fore stock below, the lock plate with crown above `Enfield 1872 II` , the stock with impressed government `Enfield` stamp, and metal butt cap, 38in. overall.
An uncommon Victorian Oak metamorphic coaching/campaign table bureau having scissor-action folding base and top with clam-shell action revealing a black leather fitted writing desk interior with fold-down stationery stand, stamp box, calendar recess, blotter, pen loops and tassel-like nib cleaner.
Sasha (Alexander Stewart 1892 - 1953) Four fashion photos, 1930s, Four vintage gelatin silver prints, all with photographer’s stamp and various annotations verso, one signed in red crayon recto, 29.5 x 25cm (115/8 x 93/4in.); 24.3 x 19cm (41/2 x 71/2in.); 24 x 18.7cm (91/2 x 73/8in.); 24 x 18.5cm ( 93/8 x 71/4in.)
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