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Lot 19
A 24ct gold and jade ring, with oblong green jade to the top with etched detail to both gold shoulders, stamped '9999 4' to underside, ring size V/W, 13.5g CONDITION REPORT: Lot 19 - cannot test the gold carat however '9999' stamp to underside would indicate its 24ct, rings size v/w, 2.5cm wide, jade size 2.2cm x 1.1cm, ring is scratched allover, slightly misshapen band, jade has been worn - especially more worn down to one side, does not stand as prominently, stone is abrased and dull in appearance.
Lot 537
1. Goodison (J W) Reynolds Stone, one of 200 copies bound in a cloth spine with patterned paper covered boards. Engravings included. Foxing to page edges. Cambridge University Press, 1947 2. Franklin (Colin) Emery Walker, one of 500 copies. Blue leather spine with patterned paper boards, some signs of wear at edges. 3 examples included in pocket at end. Cambridge University Press, 1973 3. Crutchley (Brooke) Two men, Christmas Book for 1968, Slipcase, slight wear, Cambridge University Press, 1968 4. Barker (Nicolas) The printer and the poet, Cambridge University Press. 1970 5. Walker (Thomas) Aristology or the art of dining one of 500 copies bound in cloth. Owner's stamp, Cambridge University Press. 1965 6. Rastell (John) The four elements. Cambridge University Press. 1971 7. Whatman (Susannnah) Her housekeeping book one of 250 copies on special Whatman hand-made paper. Dark grey cloth with maroon label, bright gilt titling on the upper cover. Very slightly rubbed to spine edges & corners. Bookplate John Sparrow, Cambridge University Press. 1952 8. Scurfield (George) A stickful of nonpareil, one of 500, green cloth boards with gilt titles on spine and upper board, Cambridge University Press, 1956 9. Rylands (George) A distraction of wits, one of five hundred copies with decorated paper over boards, gilt spine label. Drawings by Michael Ayrton. Cover slightly worn. Cambridge University Press. 1958 10. Lister (Raymond) Hammer and hand, one of 500 copies, bound in green boards depicting iron railings, red leather spine. Cambridge University Press, 1969 11. Gentleman (David) Bridges on the Backs, one of 500 copies in a green case showing light wear. A series of drawings by David Gentleman. 8 X 11 ins. 40 pp. Slipcase, Cambridge University Press, 1961 12. Voltaire, Voltaire's essay on Milton, one of 400 copies gilt bound in blue cloth over marbled card boards. A Cambridge Christmas book. Cambridge University Press, 1954
Lot 511
1.Wilson (Enid) A Lakeland diary, copy no. 278 of 300 out of a total of 325 bound in Whittington marbled boards over cloth boards. With 10 wood-engravings by Kathleen Lindsley and 10 by Edward Stamp printed in black. Fleece Press, 1985 2.Bacon (Francis) Of gardens: with Perspex engravings by Betty Pennell, one of 220 copies bound in floral paper covered boards and cloth spine; contains Francis Bacon's essay Of Gardens published in 1625,and six engravings by Betty Pennell. Fleece Press 1993 3.Donne (John) Mud walls: excerpts from the sermons of John Donne with 5 wood engravings by Jane Lydbury, one of 200 copies of 2007, bound in dull purple paper covered boards. Fleece Press, 19864.Knowles (Richard) & Routh (Pauline) The Harewood alabasters: with six drawings by H. Pritchett, and a wood engraving by Chris Bayley one of 100 copies bound in pink paper covered boards with paper label to front. Inscription written at the front 'from Simon'. Fleece Press, 1983 5.Bain (Iain) ed. Thomas Bewick: his last autobiographical notes, one of 200 copies, bound in quarter cloth and boards covered in marbled paper made by Antonio Velez Celemin. Fleece, 2015 (Includes pre-publication booklet) 6.Woolnough (C W) A pretty mysterious art: a lecture by C W Woolnough to the Royal Society of Arts, one of 270, of a total of 300, quarter bound in yellow cloth with marbled paper (by Anne Muir) covered boards. 11 tipped-in samples also by Ann Muir. Solander case, Fleece, 1996 7.Boulton (Janet) Dear Mercia: Paul Nash letters to Mercia Oakley, 1909-1918, one of 300 copies bound in quarter cloth with patterned paste paper boards by Clare Maziarcyk. The illustrations include facsimile reproductions of drawings in the letters, as well as a colour plate in a pocket at the rear. Slip-case, Fleece Press, 1991
Lot 290
Elizabeth Parsons (British 1953-): 'Irish Country Interior', oil on board signed, studio stamp dated 1993 and 'The Osborne Studio Gallery' London label verso 48.5cm x 37.5cm DDS - Artist's resale rights may apply to this lot Condition Report Click here for further images, condition, auction times & delivery costs
Lot 295
John McLean (Scottish 1939-): Abstract Forms from the 'Mountjoy Suite, screenprint signed dated '95 and numbered 11/40 in pencil with blind stamp 76cm x 56cmDDS - Artist's resale rights may apply to this lot Condition Report Click here for further images, condition, auction times & delivery costs
Lot 226
LOT OF MIXED COLLECTABLESincluding a 1970's 'Vicks Inhaler' shop counter display bust, hammered brass pen tray, vintage oil can, retro 'Smiths Timecal' bedside table lamp/clock, cigarette cards - Players, Churchman and Wills, vintage publications and adverts - 1950's 'Future Science Fiction' magazine, The Raymond Chandler Omnibus' 1960 with dust jacket, 'Blackie and Son' editions, Vintage 'AA' car badge, retro 'Isovac' thermos flask and 'Aladdin' thermo jar, 'Echo' harmonica with box, stamp album, pair of retro plastic ceiling light shades, vintage tins and other small items, viewing required
Lot 538
Seventeen Beswick Beatrix Potter figures including Tom Kitten, Mrs TiggyWinkle, Benjamin Bunny, Hunca Munca, Little Pig Robinson, Jemima Puddleduck, Lady Mouse from Tailor of Gloucester, Timmie Willie from Johnny Town-Mouse & Mrs Tittlemouse, all with circular gold backstamp together with Tailor of Gloucester, Goody Tiptoes, Mr Benjamin Bunny, Old Mr Brown, Anna Maria, Cousin Ribby, Pigling Bland and Mrs Flopsy Bunny all with gold oval stamp. (17)
Lot 613
Two Alexander Ritchie brooches a pen annular shaped brooch with Celtic knotwork, with standard brooch fitting, stamped A.R. IONA both in rectangular stamp, diameter 43mm, a blue enamel Viking longship brooch stamped A.R IONA diameter 23mm, and a brooch made for the Girls' Association with a Viking Longship on one side and raised lettering GA on the other 24mm
Lot 291
A Victorian mother of pearl card case with lined interior, in fitted case with retailers Thos Ross & Son, Buchanan St, Glasgow stamp, 11 x 7.1/2cm, some mother of pearl loss to hinged side, another with hinged top and decorated with flower sprays, 10 x 8cm, an ivory and inlaid hinged box with mirror interior, 8cm wide and ivory button hook (4)
Lot 242
A HALLMARKED SILVER CASTLE TOP TYPE SNUFF BOX, the lid having a view of Windsor Castle, engine turned base with vacant cartouche, scrolled thumb piece, hallmarks only to the lid, duty stamp of William IV, maker's mark N.M - possibly that of Nathaniel Mills Lion passant, approx weight 53 g, W 7 cm
Lot 323
Seymour Joseph Guy (British/New York City, 1824-1910), "Portrait of a Gentleman in His Study", 1856, oil on canvas, signed and dated lower left, "Masterworks from Private Connecticut Collections, Wadsworth Atheneum, Hartford, CT, 1993-94" exhibition label and "Fine Arts Conversation Inc., Montclair, NJ" stamp en verso, 36 in. x 29 in., period frame. Exh.: Masterworks from Private Connecticut Collections, Wadsworth Atheneum, Hartford, CT, Oct. 1993 - Jan. 1994
Lot 1149
Newton Haydn "Tony" Stubbing (British/American, 1921-1983), "Sea Blue", 1963, oil on canvas, incised signature and date lower right, signed and dated en verso, "WYES-TV Auction" label en verso, "C. Roberson & Co., Ltd." canvas stamp en verso, 29 3/4 in. x 24 3/4 in., framed. Provenance: Property of the New Orleans Museum of Art, sold to benefit the acquisitions fund
Lot 1148
Newton Haydn "Tony" Stubbing (British/New York, 1921-1983), "Handprint Abstraction", 1963, oil on canvas, signed and dated lower right, "S. Roberson & Co., Ltd" canvas stamp en verso, 61 in. x 51 in., framed. Provenance: Property of the New Orleans Museum of Art, sold to benefit the acquisitions fund
Lot 619
American Neo-Grec Gilt, Ebonized and Incised Walnut Sofa, c. 1870, bearing stamp of George Hunzinger, New York, N.Y., patent March 30, 1869, button tufted back with blocked and turned architectonic crest centered by a classical mask, bentwood stiles, blocked uprights with ball finials, upholstered seat with female mask terminals, swagged rail, canted legs, ball feet connected by stretchers, h. 43 1/2 in., w. 65 in., d. 29 in
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