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Lot 48
Keith Vaughan (British, 1912-1977)Portrait dated 'Aug 49.' (upper right), stamped with estate stamp 'K.V.' (on sheet verso)pencil on paper28 x 22cm (11 x 8 11/16in).Footnotes:ProvenanceThe Estate of the ArtistWith Anthony Hepworth, Bath, from whom acquired by the present owner in 2012Private Collection, U.K.At the end of the 1940s, Vaughan adopted a serrated, jagged outline for capturing the human form in life-classes and used it widely in his drawings. This female nude torso was probably made while he was teaching a life class at the Central School of Art. The monumental figure all but fills the picture plane. We are grateful to Gerard Hastings, whose forthcoming book on Keith Vaughan's graphic work will be published by Pagham Press, for compiling this catalogue note.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 359
A silver money clip in the form of an abacus, with engraved cyphered initials, stamped ‘sterling’ and engraved ‘Sammy’ together with a silver envelope-style twin division stamp holder, with suspensory loop, stamped ‘STERLING SILVER’, a silver plated sovereign and half sovereign case with scroll decoration, and another of similar design, money clip length 5.5cm, stamp holder length 4.1cm, sovereign cases lengths 6.3cm and 5.2cm. (4) £40-£50
Lot 361
An Edwardian silver combined Lantz Patent stamp dispenser and moistener, the screw-top reservoir above a vertical shaft and rectangular-shaped dispenser below enclosing a star-shaped plunger, by William Hornby, London 1902, stamped ‘PATENT’ and retailed by Asprey, height 8.0cm. £280-£320 --- The design was patented in the United States on 5 August 1890 by Benjamin Lantz (Ref US433734A), and described as a ‘Device for Carrying and Affixing Stamps’, Patent Reference No. 433734. The sprung plunger dispenses the stamp from within the rectangular base, after it has been moistened by the sprinkler at the top of shaft.
Lot 248
Jamini Prokash GANGOOLY (1876-1953) also known as J.P. GANGULY“Sunset Kanchenjunga”Oil on artist / student board (PREVIOUSLY DESCRIBED AS PANEL)Stamp to the back of the board: "PREPARED STUDENT ACADEMY BOARD WINSOR & NEWTON […] LONDON"Signed to the lower leftTitled and signed to the back22 x 29 cmNotes:1. J. P. Gangooly belonged to the extended Tagore family in Calcutta. Like many of his class of affluent gentlemen artists, Gangooly didn’t go to art school but was a product of private art training at home, initiated later into art by Abanindranath Tagore. Gangooly painted at the time of rise of new nationalist and modernist art movements. The skills he commanded in illusionist oil painting, realist portraiture and landscapes were all part of the essential training that marked the formation of the new professional artist in colonial India. Over the first decades of the 20th century, the artist demonstrated his flair in various genres, ranging from portraiture to neo-classical and mythological paintings. However, landscapes and riverscapes became his chosen genre where he developed his special style of densely mist-laden atmospheric effects of sunrise and sunsets on bathing ghats, river banks and mountain ranges. Gangooly especially surpassed himself in the picturesque views of the Himalayas, and in the village and river scenes of Bengal. He painted nearly a hundred oils of the sun setting on the river Padma, which earned him the sobriquet ‘Painter of Padma’. In 1905, he was elected the joint chairperson of the Bangiya Kala Samsad, Calcutta, and founded the Indian Society of Oriental Art, Calcutta, in 1907. In 1936, he was elected joint director of the Academy of Fine Arts, Calcutta. Gangooly became vice-principal of the Government College of Art & Craft, Calcutta, in 1916, a position he held till his retirement in 1928.2. Kangchenjunga, also spelled Kanchenjunga, is the third highest mountain in the world. It rises with an elevation of 8,586 m (28,169 ft) in a section of the Himalayas called Kangchenjunga Himaldelimited in the west by the Tamur River, in the north by the Lhonak Chu and Jongsang La, and in the east by the Teesta River. It lies between India and Nepal.3. Compare with a very close painting offered at Christie’s London, United Kingdom, 2016/06/25, lot 24, sold for €11.831 BP incl.[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report: - UV / black light checked;- unframed to see how it is;- NEW DESCRIPTION: OIL ON STUDENT / ARTIST BOARD with a stamp to the back of the board: "PREPARED STUDENT ACADEMY BOARD WINSOR & NEWTON […] LONDON"- frictions and dust along the margins (not visible but when framed):- also few losses of painting along the margins (not visible when framed).
Lot 417
A BOXED HORNBY DUBLO CLASS N2 TANK LOCOMOTIVE, No.69567, B.R. lined matt black livery (EDL17), version without coal, appears largely complete with only very minor paint loss marking and wear, complete with oil bottle, Instructions and Guarantee slip, box complete with packing pieces and cover strip for locomotive and 'Matt Finish' label to base and is in fairly good condition with only minor damage and wear, retailers stamp to one end of lid
Lot 339
A Minton St James pattern porcelain dinner and tea service, comprising a teapot, two cream jugs, a sugar bowl and cover, ten teacups and saucers, three tureens and covers, two oval dishes, a large oval serving dish, a sauceboat and stand, eight soup bowls, eight dinner plates, ten side plates and eight cake plates (qty.)Condition report: One teacup with a chip to the foot. Otherwise appears to be in generally good order, with general wear to the decoration.Quite a few pieces have a gilt line mark in addition to the back stamp.
Lot 1186
A group of treen objects, comprising an ornamental turned boxwood wide based jar and cover, early 19th c, a goblet, a coconut bowl on turned mahogany foot with bone band, a Palestinian olivewood carving of St George and the Dragon and a Victorian spring operated brass and turned boxwood stamp, PINCHES’ PATENT LONDON, etc (7) Seal damaged, cover of boxwood jar with shrinkage crack, coconut goblet and other items in good condition
Lot 1008
CLASSICAL - HMV UK STEREO LPs. A wonderful selection of 8 classical LPs. All stereo pressings on His Master's Voice. Performers/composers include Solomon inc Beethoven: Piano Concerto (BSD751, white/ gold label 10". Side 1 VG+/ side 2 VG. Sleeve VG+), Grieg And Schumann: Piano Concertos (ASD 272, white/ gold label. Ex/ Ex). Kurtz - Peter And The Wolf (ASD 299, white/ gold HMV. VG/ VG+), Gerald Moore - Schubert: Schwanengesang (ASD 544, white/ gold. Ex/ Ex), Beecham - Rimsky-Korsakov: Scheherazade (ASD 251, white/ gold. Ex/ Ex), Barbirolli - Purcell: Dido & Aeneas (SAN 169, gold label. Ex/ Ex), Menuhin/ Klemperer - Beethoven: Violin Concerto (ASD 2285, half-moon label. Ex/ Ex) & Beethoven Triple Concerto (ASD 2582, colour postage stamp label. Ex/ Ex).
Lot 1031
60s PSYCH 7" RARITIES - CHOCOLATE FROG/ FLEUR-DE-LYS. Here we have a superb pack of 2 60s psych 7" rarities. Artists/ titles include Chocolate Frog - Butchers And Bakers/ I Forgive You (584207, UK 1968 press on Atlantic. 3-prong centre labels. Record is Ex/ comes in Atlantic company sleeve) & Fleur-De-Lys - I Can See A Light (56200, UK 1967 pressing on Polydor. 3-prong centre. The B-side label has a Sample Record Not For Sal stamp on it. The record is Ex/ comes in a Polydor company sleeve).
Lot 3
Collectables - including silver cigarette case mm LCB Co Ltd, 19th century Chinese lacquer trinket box, bone sewing kit, Fauntleroy Patience cards, monogram stamp VW, teak card case, two vintage talcum powder tins, prayer book with olive wood covers and a brass compass, camphor wood trinket box and an alligator-skin purse.
Lot 767
A Gottschalk blue roof dolls' house circa 1902, the exterior with heavily geometric patterned paper, the front door and wrap around veranda to the right, steps, glazed windows, front opening to reveal two rooms and original interior papers, 3582 pencil numbers to underside and Geselzlich Geschutz ink stamp and later added castors --17¾in. (45cm.) wide x 23in. (58.5cm.) high x 14¼in. (36.5cm.) deep (missing small part of roof and two veranda columns, paint loss, some retouching and replaced chimneys)
Lot 835
An interesting group of dolls' house furniture, probably well-homemade or cottage industry, a 19th century sofa with ornate back and scrolling ends, upholstered in button pink silk --4½in. (11.5cm.) wide; a matching chair and foot stool (chair repaired and stool re-covered); a set of small scale oak furniture including sideboard, tilt-top table and extending table; a red leather stamp box and tortoise shell box (some loss)
Lot 918
A Jumeau bébé No 10, with fixed brown glass eyes, heavy brows, open mouth with row of top teeth, pierced ears, original blonde hair wig on cork pate, jointed papier-mâché body with Jumeau MEDAILLE D'OR PARIS blue ink stamp on lower back, blue dress with lace trim, underclothes, bonnet and black oil-cloth shoes --22¾in. (58cm.) high (factory warp to back of head rim causing a slight gap, hairline crack down back of head heading toward left ear, factory white glaze trips to forehead and some restoration to body)
Lot 921
A Tete Jumeau bébé No 7, with fixed blue striated eyes, heavy brow, open mouth with top row of teeth, pierced ears, blonde mohair wig on cardboard pate, red ink stamp on back of head, jointed papier-mâché and wood body with bébé JUMEAU Diplome d' Honneur label on lower back, purple silk brocaded dress with lace trim, underclothes, black leather shoes and brooch of two children --17¾in. (45cm.) high (retouching to fingers and clothes need some attention)
Lot 922
A Tete Jumeau bébé No 10, with fixed blue striated eyes, heavy brow, open mouth with top row of teeth, pierced ears, brown hair wig on cork pate, red ink stamp on back of head, jointed papier-mâché and wooden body with bébé JUMEAU Diplome d' Honneur label on lower back, original Jumeau cotton dress printed with flower sprigs, underclothes and Eugéne Alart brown leather boots impressed with a girl in chemise --22in. (56cm.) high
Lot 957
A Deposé Tete Jumeau bébé No 9, with fixed brown glass eyes, closed mouth with darker red outline, brown feathered brows, pierced ears, red ink stamp DÉPOSÉ TETE JUMEAU 9, blonde hair wig on cork pate, jointed papier-mâché and wood body, blue ink stamp on lower body, white silk dress with lace trim, matching cape, bonnet, underclothes and recent white shoes --21in. (53.5cm.) high (slight ear piercing chips and lower legs probably well repainted)
Lot 1052
Important Announcement- there is a firing crack to the rim behind the right ear, about 1 cm. long A May Freres Mascotte bébé, with fixed brown glass eyes, closed cupid bows mouth, heavy brows, pimpled chin, pierced ears, impressed MASCOTTE G, original blonde mohair wig on cork pate, jointed papier-mâché and wood body, Mascotte blue ink stamp on lower body, white cotton dress with lace trim, bonnet and white kid shoes --17½in. (44.5cm.) high
Lot 1308
An early Berchtesgaden carved and painted wooden horse drawn carriage dated 1815, brightly painted carriage with driver and two black painted wooden horses, in original floral painted split-wooden box, the inside lid ink inscription 'September 1 the 1815' and ink stamp to base of box 'CHRISTL AND RASP' --8½in. (21.5cm.) long (horse missing one leg)
Lot 1365
A boxed set of B P Grimaud (Paris) Piquet No 90 cards, complete set of thirty-two cards --3¼in. (8.5cm.) high; a set of thirty-two Grimaud playing cards with double Paris pattern by Nicholas Gatteax, the Ace of Clubs with tax stamp 'Republique Francaise Decret Du 12 Avril 1890; and forty-four spare cards
Lot 312
A Minton John Bell parrianware marble figure of Dorethea, stamped with Victorian registration kite mark for 1947, with stamp for John Bell, impressed Minton to the base, 17cm wide x 16cm deep x 34cm highCondition report: Crack to one hand of figure, slight scratches and imperfections all over
Lot 461
A Regency hinge lidded sewing basket, decorated with painted red flowers, 8cm x 7cm x 4.5cm, together with a brass mounted horn spoon, a collection of metal and wooden bowls, the largest 58cm diameter and a wooden pastry stampCondition report: Paint faded to sewing basket, metal tarnished and wood with dents and scratches.
Lot 18
*After Cyril Power 'Hockey' giclée print in colours, with Bookroom Art Press blind stamp, numbered 5/950 in pencil 25 x 40cm Provenance: The Lawson Gallery, Cambridge. *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Appears to be in good condition. Modern print.
Lot 201
*HRH Charles Prince of Wales (b.1948) Hilly landscape lithograph in colours, with blind stamp of Prince of Wales crest verso, printer's proof from the Curwen Studio sheet 52 x 70cm, unframed *Artist's Resale Right may apply to this lot.Condition report: Some marks to the left margin, please refer to images, although this could be covered by a mount/frame. Some printing of grey colour on the reverse; however, this does not impact the image from the front. Image 26 x 38.5cm
Lot 223
David Walker (1934-2008) Two costume designs for 'William Tell', Royal Opera House, Stockholm, 1966 the first inscribed 'Peasant women and children/William Tell/Royal Opera House/Stockholm/1966', the second inscribed 'Peasant men and boys/William Tell/Royal Opera House/Stockholm/1966', watercolour 31 x 50cm and similar; together with a further costume study signed indistinctly and dated '5/5/1986', watercolour, with blind stamp 'PL, Palermo Sicilia' 35 x 27cm (3) Provenance: The two costume designs with Wright Hepburn Gallery.
Lot 301
*Susan Aldworth (b.1955) 'Dreaming Voices 5' lithograph in colours, signed and dated 'Susan Aldworth/2012' l.r., inscribed as titled and numbered 1/15 in pencil, with 'The Curwen Studio' blind stamp sheet 75.5 x 52cm, unframed This work is part of a series called 'Reassembling the Self', which was exhibited at the Hatton Gallery, Newcastle, 2012. Aldworth combined her own mark making, anatomical drawings and scans of the body to explore the relationship between the mind and the body. Aldworth writes that she aimed to 'make a series of images where the body is put together in the wrong order to evoke the feeling of a person being at odds with their own body'. Sold on behalf of the Curwen Print Study Centre to raise funds for the expansion of the studio, gallery space and additional equipment. Visit curwenprintstudy.co.uk *Artist's Resale Right may apply to this lot.Condition report: In generally good condition.
Lot 328
After Andy Warhol 'Marilyn' four screenprints in colours, published by Sunday B Morning, with stamp verso each 91.5 x 91.5cm (4)Condition report: Not viewed out of frames. Each with some light scratches to perspex frames, the one with dark pink background has slight scuffs to ink at corners. Generally, each appear to be in good condition. Please contact the department for additional images.
Lot 332
*John Pasche (b.1945) 'The Rolling Stones European Tour 1970' lithograph in colours, signed 'John Pasche' and numbered 'P/P 4/4' in pencil, with blind stamp 'John Pasche Print by Curwen Studio', printer's proof from the Curwen Studio 84 x 60cm, unframed *Artist's Resale Right may apply to this lot.Condition report: Soft creases to the corners, generally in good condition.
Lot 333
*John Pasche (b.1945) 'The Rolling Stones American Tour 1972' lithograph in colours, signed 'John Pasche' l.r. and numbered 'P/P 2/4' l.l. pencil, with blind stamp 'John Pasche Print by Curwen Studio', printer's proof from the Curwen Studio sheet 84 x 60cm, unframed *Artist's Resale Right may apply to this lot.Condition report: A couple of light handling creases, but generally in good condition.
Lot 368
*Banksy (b.1974) 'Visit Historic Palestine' offset lithograph in colours, with 'The Walled Off Hotel' blind stamp l.l., also stamped verso sheet 59.2 x 42cm, unframed *Artist's Resale Right may apply to this lot.Condition report: Light handling creases, a light bend to the sheet in a diagonal across top left corner, but the paper is not creased.
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