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Lot 2770
HUGO UNGEWITTER 1869 near Wiedenbrueck - 1902 Duesseldorf Feldartillerie unter Beschuss FIELD ARTILLERY UNDER ATTACK OEl auf Leinwand. 127,5 x 180 cm (R. 142 x 195 cm). Signiert und datiert unten links Oil on canvas. 127.5 x 180 cm (F. 142 x 195 cm). Signed and dated lower left 'Ungewitter Berlin 1922'. Verso: stretcher with manufacturer`s stamp, Berlin. Min. soiled, very min. damaged, min. restored, framed.HUGO UNGEWITTER 1869 nahe Wiedenbrueck - 1902 Duesseldorf Feldartillerie unter Beschuss OEl auf Leinwand. 127,5 x 180 cm (R. 142 x 195 cm). Signiert und datiert unten links 'Ungewitter Berlin 1922'. Keilrahmen mit Herstellerstempel, Berlin. Verso: Min. verschmutzt, sehr min. besch., min. rest. Rahmen.
Lot 3652
PROBABLY WORKSHOP ANDREA SOLARIO 1460 Milan - 1524 Ibid ECCE HOMO Oil on canvas (old relined). 65 x 54 cm (F. 84,5 x 73,5 cm). Verso: On the stretcher with old wax seal (Royal Collection of France) and collector's stamp 'John Brandon, Glasgow'. Part. slightly old, min. old retouching. Frame. Solario created the theme of 'The Man of Sorrows' by himself in several versions, many works were also created in cooperation with his workshop. Cf: Brown, David Alan: Andrea Solario, Milan 1986, p. 184ff.). Provenance: Rhenish private collection. ANDREA SOLARIO (WAHRSCHEINLICH WERKSTATT) 1460 Mailand - 1524 Ebenda ECCE HOMO Öl auf Leinwand (altdoubl.). 65 x 54 cm (R. 84,5 x 73,5 cm). Verso: Auf dem Keilrahmen mit altem Wachsiegel (Königliche Sammlung Frankreich) sowie Sammlerstempel 'John Brandon, Glasgow'. Part. leicht altrest., min. Altretuschen. Rahmen. Das Thema des Schmerzenmanns schuf Solario eigenhändig in mehreren Fassungen, eine Vielzahl von Arbeiten entstand zudem in Zusammenarbeit mit seiner Werkstatt. Vgl. hierzu: Brown, David Alan: Andrea Solario, Mailand 1986, S. 184ff.). Provenienz: Rheinische Privatsammlung.
Lot 2874
HANS DEITERS 1868 Duesseldorf - 1922 Munich Cloud study Oil on canvas. Visible size 32,5 x 17,5 cm (F. 24 x 39 cm). Verso: estate stamp. Soiled, abraded. Framed behind glass.HANS DEITERS 1868 Duesseldorf - 1922 Muenchen Wolkenstudie OEl auf Leinwand. SM 32,5 x 17,5 cm (R. 24 x 39 cm). Verso: Nachlassstempel. Verschmutzt, ber. Hinter Glas gerahmt.
Lot 2755
SVEN ALFRED THOERNE 1850 OEstergoetland - 1916 Stockholm Swedish farm in a summery river landscape Oil on canvas. 28 x 45 cm (F. 40 x 57 x 5 cm). Signed lower right 'Alfr. Thoerne'. Verso: on the stretcher stamp of Galerie Paffrath, Duesseldorf. Framed. Provenance: Rhenish private collection.SVEN ALFRED THOERNE 1850 OEstergoetland - 1916 Stockholm Schwedischer Bauernhof in sommerlicher Flusslandschaft OEl auf Leinwand. 28 x 45 cm (R. 40 x 57 cm). Signiert unten rechts 'Alfr. Thoerne'. Verso: auf dem Keilrahmen Stempel der Galerie Paffrath, Duesseldorf. Rahmen. Provenienz: Rheinische Privatsammlung.
Lot 2794
MAX FRIEDRICH RABES 1868 Samter/Poznan - 1944 Vienna Pair of paintings: High society in a pleasure garden, Serenade in the park Each Oil on canvas. Each 57.5 x 41 cm (R. 69.5 x 53 cm). Each signed 'Max Rabes' lower right. Verso: each stretcher with manufacturer stamp 'Otto Ebeling Berlin'. Each rest. Each framed.MAX FRIEDRICH RABES 1868 Samter/Posen - 1944 Wien Gemaeldepaar: Gesellschaft im Lustgarten, Staendchen im Park Jew. OEl auf Leinwand. Jew. 57,5 x 41 cm (R. 69,5 x 53 cm). Jew. signiert 'Max Rabes' unten rechts. Verso: Keilrahmen jew. mit Herstellerstempel 'Otto Ebeling Berlin'. Jew. rest.. Jew. gerahmt.
Lot 3793
RAFFAELLO SANZIO DA URBINO (RAFFAEL) FOLLOWER OF THE 19TH CENTURY 1483 Urbino - 1520 Rome MADONNA DELLA SEGGIOLA (SEDIA ) (HIGH OVAL) Oil on canvas. 90 x 74 cm (f. 112 x 97 cm). Verso: On the canvas old Hungarian customs stamp 'kivitelre engedel yezve' (authorised for export). Part. slightly dam., min. old restored, remains of coloured gold at the edges. Framed in an oval. Provenance: Rhenish private collection.RAFFAELLO SANZIO DA URBINO (RAFFAEL) (NACHFOLGER DES 19. JH.) 1483 Urbino - 1520 Rom MADONNA DELLA SEGGIOLA (SEDIA ) (HOCHOVAL) Öl auf Leinwand. 90 x 74 cm (R. 112 x 97 cm). Verso: Auf der Leinwand alter ungarischer Zollstempel 'kivitelre engedel yezve' (autorisiert für den Export). Part. leicht besch., min. altrest., Farbgoldreste am Randbereich. Im Oval gerahmt. Provenienz: Rheinische Privatsammlung.
Lot 3029
PIERRE ERNEST KOHL 1897 Munich - 1985 Neuchatel/Switzerland NUDE OF AN ANDROGYNOUS YOUNG BEAUTY, 1927 Oil on canvas. 73,5 x 50 cm (F. 92 x 69 cm). Signed lower right: 'Pierre Ernest Kohl', dated lower left: (19) '27'. Verso: Canvas stamp: 'BLANCHET 38 RUE .... PARIS'. Gallery frame of the 20th century. Provenance: German private collection.PIERRE ERNEST KOHL 1897 Muenchen - 1985 Neuchatel/Schweiz AKT EINER ANDROGYNEN JUNGEN SCHOENHEIT, 1927 OEl auf Leinwand. 73,5 x 50 cm (R. 92 x 69 cm). Rechts unten signiert: 'Pierre Ernest Kohl', links unten datiert: (19) '27'. Verso: Leinwandstempel: 'BLANCHET 38 RUE .... PARIS'. Galerierahmung des 20. Jh. Provenienz: Deutsche Privatsammlung.
Lot 2825
WERNER WILHELM GUSTAV SCHUCH 1843 Hildesheim - 1918 Berlin Cavalryman in the Thirty Years War Oil on canvas. 56 x 46 cm (F. 81 x 71 cm). Signed lower left 'W. Schuch'. Verso: canvas with manufacturer stamp. Min. soiled, min. rest. Frame.WERNER WILHELM GUSTAV SCHUCH 1843 Hildesheim - 1918 Berlin Kavallerist im Dreissigjaehrigen Krieg OEl auf Leinwand. 56 x 46 cm (R. 81 x 71 cm). Signiert unten links 'W. Schuch'. Verso: Leinwand mit Herstellerstempel. Min. verschmutzt, min. rest. Rahmen.
Lot 2689
BENJAMIN-EUGÈNE FICHEL 1826 - 1895 The Art Connoisseurs (1871) Oil on wood. 22 x 16 cm (F. 35 x 28 cm). Signed and dated lower left 'E. Fichel 1871'. Verso: with artist's requisition stamp. Marginal areas ber. Framed.BENJAMIN-EUGÈNE FICHEL 1826 - 1895 Die Kunstkenner (1871) OEl auf Holz. 22 x 16 cm (R. 35 x 28 cm). Signiert und datiert unten links 'E. Fichel 1871'. Verso: mit Kuenstlerbedarf-Stempel. Randbereiche ber. Rahmen.
Lot 155
Full title: A Chinese Shoushan soapstone stamp with a rat, 20th C.Description: H 5,3 cmCondition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Lot 750
Full title: A pair of Boch Keramis Art Deco crackle glazed vases by Charles Catteau (1880-1966), ca. 1925Description: H 41 cmThe base marked 'D1065' and with the 'Boch' stamp. One with the impressed number 267 (?).Condition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Lot 974
Full title: Salvador Dali (1904-1989): 'Neptune' & 'Le cheval de baleur', lithographs in colours, dated 1983Description: Work: ca. 40,5 x 30 cmÊ Frame: 59,7 x 40,3 cmThe paper with the'Georges Israel editeur' dry stamp and with the S.P.A.D.E.M copyright symbol.Condition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Lot 2
GEORGE GROSZ (1893-1959)Clown und Partner inscribed extensively (lower right); stamped with the artist's atelier stamp (on the reverse)watercolour, pen and India ink and collage on card37.8 x 27.9cm (14 7/8 x 11in).Executed circa 1922Footnotes:The authenticity of this work has been confirmed by Dr. Ralph Jentsch. This work will be included in the forthcoming volume of the George Grosz catalogue raisonné of works on paper, currently being prepared.ProvenanceGalleria Schwarz, Milan, no. C 2601 (by 1958).Anon. sale, Parke-Bernet, New York, 19 November 1969, lot 15a.Jay C. Leff Collection, New York.Anon. sale, Sotheby's, New York, 22 October 1975, lot 219.Anon. sale, Sotheby's, London, 4 December 1985, lot 37.Anon. sale, Sotheby's, Munich, 31 May 1990, lot 109.Private collection, UK (acquired at the above sale).ExhibitedDusseldorf, Kunsthalle Dusseldorf, Dada: Dokumente einer Bewegung, 5 September - 19 October 1958, no. 21.Hanover, Kestner-Gesellschaft, Dada, Photographie und Photocollage, 6 June - 5 August 1979, no. 52.Caracas, Museo de Arte Contemporáneo de Caracas, El Espiritu Dada 1915/1925, 14 November 1980 - 15 January 1981.Realised circa 1922 in Berlin, Clown und Partner is a rare Dadaist collage by George Grosz. In typical Dadaist fashion Grosz here sets up a visual dialectic contrasting the somewhat tragic figure of the clown in outsized clothes with a photomontage element depicting a portly member of the bourgeoise in evening dress smoking a cigar. By contrasting these two opposing subjects yet simultaneously making visual comparisons between the two, most notably with the wild hair and formal dress, Grosz serves to evoke the Dada spirit of illogical coherence and thus underscore the satirical tone of the composition: Germany's elitist class has become a laughing stock.In 1919 George Grosz and John Heartfield joined the newly formed Communist party and, in accordance with Dadaism, set about expressing anti-bourgeois protest and a solidarity with the proletariat. Writing in 1925, George Grosz and Wieland Herzfelde set out their aims for the function of contemporary art: 'the artist cannot withdraw himself from the laws of social development – today the class struggle. A detached stance, above or on the side lines, still means taking sides. Such indifference and otherworldliness supports automatically the class in power – in Germany its bourgeoisie... The artist today, can only choose between technical construction and propaganda in the class struggle. In either case he will have to give up on pure art' (Grosz and Herzfelde quoted in H. Hess, George Grosz, London, 1985, p. 85). Grosz first turned to collage in 1919 when, together with John Heartfield, he produced a series of drawings and photomontages to deconstruct traditional bourgeois art and to imbue it with fresh impact and democratic value.Grosz was enchanted with the circus and its cast of performers from an early age. Writing in his autobiography he described his formative attraction to the bohemian, anti-establishment characters of the travelling circuses that frequented his childhood town of Stolp, 'Ah what boy has not been fascinated by circus life and activity? What I wouldn't have given to have gone out into the world with the rope dancers and jugglers and lived in a white wagon so richly decorated and gilded. Naturally not as the boy I was, but as a world-famous jumper or trapeze artist' (Grosz quoted in A Little Yes and a Big No, New York, 1946). After moving to Berlin in 1912, Grosz was able to fully immerse himself in circus, cabarets, and theatres of the metropolis, and it was in these places that Grosz could observe the interactions between the bourgeoisie and those at the fringes of society. His work from this key Berlin period is filled with acerbic observations and social commentary cementing his reputation as one of Germany's most celebrated satirists.The creative anarchy of Dada was to provide the fertile ground upon which André Breton would grow the Surrealist movement. Though Grosz himself did not join the Surrealists, the emphasis on nonsense and irrationality that had characterised Dada formed the foundations of Surrealism, with many artists who had been proponents of the earlier movement joining Surrealist ranks after the dissolution of Dada in the mid-1920s.For further information on this lot please visit Bonhams.com
Lot 281
Rudolf Thiele (1856-1930) for GoldscheiderA polychrome painted terracotta bust of a young Arab women, Looking right and with eyes downcast, on a waisted square socle, signed Thiele to the robes and with Goldscheider stamp and impressed numerals 1840 375 6 to the reverse, 49cm high, 32cm wide, 17cm deep.Provenance:The Estate of the Late Cherry Barker
Lot 26
RODOLFO BARRAGÁN (Mexico, 1931-2017)."A House in Monterrey, Mexico. 1960."House of Steel", built by Barragán for the XVIII Drawing of the "Siembra Cultural".Site plans.On printed paper.Official stamp of the UANL Draw.Ring-bound.Measurements: 20 x 37 cm.Rodolfo Barragán Schwarz was a Mexican architect originally from Monterrey, Nuevo León. He studied at the Instituto Tecnológico y de Estudios Superiores de Monterrey, and later at Yale University, where he obtained a master's degree in 1960, later working in Italy with the architect Giovanni Michelucci. He later taught at UNAM's Taller Cinco in Mexico City, directed by Agustín Landa Verdugo and his brother Enrique. In the 1970s he was director of the school of architecture at the Universidad Iberoamericana in Mexico City. His works include the offices of the Fundidora de Monterrey, now occupied by the Nuevo León Public Works Secretariat, and the house for the first Sorteo de la Siembra Cultural, the subject of a monograph entitled Una Casa en Monterrey (A House in Monterrey). The house reveals the influence of the Case Study Houses of California, while the offices combine the purism of Mies van der Rohe and the structural expressionism of Eero Saarinen.
Lot 132
A good Victorian Bowie knife, by Joseph Rodgers for S.W. Silver & Co, spear point blade 8¼", the ricasso marked with crown "VR" and "Joseph Rodgers & Sons, Cutlers to Her Majesty" and Rodgers star and cross mark, also marked on the blade "S W Silver & Co, Cornhill, London", the hilt with GS crossguard and staghorn grips, in its GS mounted leather sheath, the locket having frog button and Silver & Co. embossed plaque, and with spring securing clip, with its leather belt frog also with Silver & Co stamp. GC £300-500
Lot 435
AN EARLY 20TH CENTURY BOUTON PEARL AND DIAMOND BROOCH CIRCA 1920The pierced millegrained rectangular panel set throughout with old brilliant cut and old cut diamonds, approximately 2.55 carats total, with bouton pearl accents, indistinct stamp to the brooch pinSize/dimensions: 6.3cm longGross weight: 13.7 gramsPlease note the pearls are untested and unwarranted as natural pearlCondition Report: The diamonds are all present and correct, bright and lively, colour estimated I-K, clarity mostly VS-SI, largest diamond clarity SI, inclusion under the crown facets. Some general wear commensurate with age and use. Condition Report Disclaimer
Lot 449
GARRARD, A MID 20TH CENTURY RUBY AND DIAMOND DOUBLE CLIP BROOCH CIRCA 1950The open scroll clips set with circular cut rubies and eight cut diamonds, approximately 2.00 carats total, with a removable brooch fitting frame signed Garrard London, in a fitted caseSIZE/DIMENSIONS: 6cm longGROSS WEIGHT: 29.3g Condition Report: Overall light wear commensurate with age and use. All rubies are present and appear original, one has a surface nick. All diamonds are present and appear original, they are bright and lively and mostly VS Clarity. There is a repair to one of the brooch sliding mounts which attaches to the frame, noticeable when the reverse is viewed, a small section of wire setting to the reverse needs re-soldering to the main frame, however the setting is currently stable. The signature panels on the frame are very clear. The brooch is 6cm at it's longest point, and 5cm high at it's highest point.There is a red leather gilt tooled fitted box for the brooch, but there is no retailer's stamp in the box.Condition Report Disclaimer
Lot 232
A PAIR OF SILVER COLOURED CANDLE EXTINGUISHERS INDISTINCT MAKER'S STAMP, .925 STANDARD Curved flat handles with dimpled hanging extinguishers 33cm (13in) long 231g (7.45 oz)Provenance: from the collection of Victoria, Lady de Rothschild Condition Report: Late 20th or early 21st century, maker's mark Barlow? (script stamp), in fine condition, scratches and nicks commensurate with age and useCondition Report Disclaimer
Lot 361
A TRIO OF INTERLOCKING FLORAL RINGSThe rings with rope twist shanks, two with open flowerheads, each set with a brilliant cut diamond, approximately 0.35 carats total, with an additional leaf applied ring; together with a cultured pearl ring, stamped K10Size/dimensions: finger sizes L, M, I and JGross weight: 13.9 gramsProvenance: from the collection of Victoria, Lady de Rothschild Condition Report: Trio of rings: All rings have some wear commensurate with age and use, one has an indistinct stamp, diamonds are bright and lively. The ring with the larger flower head may have been resized.The largest flower ring is approximately I, due to the shank shape.Cultured pearl ring J, some wear commensurate with age and use, resized.Condition Report Disclaimer
Lot 420
GOLD BRACELET. A high purity gold (tested) bracelet set with ruby cabochons, coloured agates & enamelling. Screw clasp. Stamped 21c. & with retailer's stamp. Length 18cm. Approx. 35g. (Purchased by our vendor from a jeweller in the United Arab Emirates). Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
Lot 1012
England 1966 World Cup winners signed Rembrandt FDC with the 4d England Winners stamp franked Harrow And Wembley 18 AUG 1966 First Day Of Issue,autographed by all 11 players who defeated West Germany at Wembley back on 30th July 1966 along with three extra squad players, hand signed in biro by Gordon Banks, Ray Wilson, George Cohen, Bobby Moore (c), Jack Charlton, Alan Ball, Bobby Charlton, Nobby Stiles, Martin Peters, Roger Hunt, Geoff Hurst, Jimmy Greaves, Jimmy Armfield and Ian Callaghan, comes with COA and photo proof
Lot 1057
Swansea Town FC selection of b&w original press photographs, dating from 1947 to 1953,including team photographs pre-season 1949 and 1950, training, match action and socials, majority with back stamp accreditation, includes some relating to the 1948-49 Division Three South Champions, varying sizes, wear to each (33)
Lot 1060
West Bromwich Albion official b&w team-photograph from the 1931 F.A. Cup winning season,featuring the squad and officials in seated and standing pose in the stadium, bearing stamp for publisher A Wilkes & Son, with unglazed frame, photograph 23 by 36cm., mount and photograph bear minor wear West Bromwich Albion defeated Birmingham 2-1 in the 1930-31 FA Cup final at Wembley Stadium on 25th April 1931.
Lot 1062
Two b&w Chelsea FC team-group postcards from the club's first season in Football League Division One, 1907-08,the first featuring the 16 man squad in standing and seated pose in the stadium, inscribed CHELSEA F.C. 1907-08, reverse bears postage stamp and handwritten message, 8.5 by 13.5cm., the second featuring 24 man squad with officials and trainers in standing and seated pose in the stadium, inscribed CHELSEA FOOTBALL CLUB 1907-08 with legend below, reverse bears postage stamp and handwritten message, 9 by 13.5cm., both bearing slight wear, staple holes obvious on the first, (2)
Lot 1067
"In doleful memory of poor old Newcastle United who fell fighting for the cup" printed postcard, postage marked 23rd April 1910,relating to Newcastle United losing the 1910 FA Cup replay final 2-0 to Barnsley on the 28th April 1910 after drawing the first final 1-1 on the 23rd April 1910, with handwritten letter on the reverse in pencil, and postage stamp
Lot 1077
The Football Association Rules of the Association and Laws of the Game handbooks,bound in two season pairs forming five volumes, for 1922 to 1924, 1929 to 1931, 1931 to 1933, 1932-1934 (so therefore with a duplicate for season 1932-33) and 1934 to 1936, all bound in red cloth by R. Riviere & Son, London, for Arsenal FC circa 1948 and pasted with an Arsenal FC library label; sold with original green cloth volumes of the same title for 1937-38 and the aborted 1939-40 season, the latter with Arsenal Football Club company stamp and facsimile signature stamp of George Allison; plus two London Football Association handbooks for seasons 1929-30 and 1934-35, red cloth with gilt titling, both pasted with an Arsenal FC library label; sold together with a collection of football books, including a group of six bound volumes of Athletic News Football Annuals, for 1900-01, 1929-30, 1935-36, 1938-39 and 1963-64 (titled now changed to News of the World and Empire News Annual, all with wrappers removed; together with a double volume with annuals for seasons 1933-34 and 1934-35, covers preserved, the binding by R. Riviere & Son, London, for Arsenal FC circa 1948, pasted with an Arsenal FC library label; the lot also a Riviere-bound for Arsenal volume containing two Topical Times Annuals for 1933-34 and 1934-35, covers preserved; together with 11 other football publications circa 1940s-1960s, including Sunday Chronicle Annuals, Alec Whitcher's "Soccer Calling" with d/j, and other titles (27 vols in total)
Lot 1081
The Football Annual 1871, edited by Charles W. Alcock, published by Virtue & Co., London, third edition, 90-pages with hardcover, featuring hints how to play, Football Association, English clubs, laws of the game, etc, front exterior cover bears stamp for CHARLES F. PARDON CRA, spine bears tape and some pages loose Provenance: Charles Frederick Pardon, Cricket Reporting Agency and Editor of John Wisden's Cricketers' Almanack 1887-1890.
Lot 1083
The Football Annual 1875, edited by Charles W. Alcock, published by Virtue & Co., London,eighth edition, 166-pages with card cover, featuring hints how to play, Football Association, English clubs, laws of the game, etc, front exterior cover bears stamp for CHARLES F. PARDON CRA, spine bears tape Provenance:Charles Frederick Pardon, Cricket Reporting Agency and Editor of John Wisden's Cricketers' Almanack 1887-1890.
Lot 1084
The Football Annual 1877, edited by Charles W. Alcock, published by Ward, Lock & Co., London,second edition, 190-pages with card cover featuring hints how to play, Football Association, English clubs, laws of the game, etc, front exterior cover bears stamp for CHARLES F. PARDON CRA, with hand written address in black ink, spine bears tape and back cover damage cracked on the insideProvenance:Charles Frederick Pardon, Cricket Reporting Agency and Editor of John Wisden's Cricketers' Almanack 1887-1890.
Lot 1085
The Football Annual 1880, edited by Charles W. Alcock, published by The Cricket Press, Ludgate Hill, London,thirteenth year of publication, 166-pages with card cover featuring hints how to play, Football Association, English clubs, laws of the game, etc, front exterior cover bears stamp for CHARLES F. PARDON CRA, spine bears tape and wear throughoutProvenance:Charles Frederick Pardon, Cricket Reporting Agency and Editor of John Wisden's Cricketers' Almanack 1887-1890.
Lot 1086
The Football Annual 1881, edited by Charles W. Alcock, published by The Cricket Press, London,fourteenth year of publication, 206-pages with card cover featuring hints how to play, Football Association, English clubs, laws of the game, etc, front exterior cover bears stamp for CHARLES F. PARDON CRA, spine bears tape and back cover damage on cornersProvenance:Charles Frederick Pardon, Cricket Reporting Agency and Editor of John Wisden's Cricketers' Almanack 1887-1890.
Lot 1087
The Football Annual 1882, edited by Charles W. Alcock, published by The Cricket Press, London,fifteenth year of publication, 230-pages with card cover featuring hints how to play, Football Association, English clubs, laws of the game, etc, front exterior cover bears stamp for CHARLES F. PARDON CRA, spine bears tape and back cover damage cracked on the inside
Lot 160
Race riding equipment belonging to the jockey Stan Mellor MBE,comprising cork shell skull cap with internal webbing and makers stamp for HERBERT JOHNSON NEW BOND STREET LONDON, the exterior bearing MELLOR painted in white; three pairs of white breeches, one bearing makers label for CUSTOM JOCKEY'S APPAREL MRS. BETSY NOBLE USA; leather and red felt weight cloth, fitted with two pouches either side for weights, inscribed S. MELLOR in black marker pen and his foam back protector developed by him with the Lilleshall National Sports Centre, bearing SM in black marker pen, each item bearing some wear, (6)Provenance:The Stan Mellor Collection
Lot 348
Angel Pavement, Priestley, JB., signed and dedicated to American tennis legend Helen Wills Moody,first edition 1931, William Heinemann Ltd, blue hardcover, 613-page, signed in black ink on by the author JB Priestley with dedication to TO HELEN WILLS MOODY WITH J.B. PRIESTLEY'S BEST WISHES, JUNE 1933; sold together with a Christie's Tennis catalogue which included Helen Wills Moody collection, at South Kensington on 15th June 1999 and a selection of books and programmes relating to tennis and cricket, including The Queen's Club story 1886-1986, 50 years of Wimbledon 1877 to 1926 by Wallis Myers, Wimbledon Singles Draws 1877-2012 and Wimbledon Official history signed by John Barrett, a signed copy of Serious by John McEnroe, The West Side tennis club, A Terrible Splender by MJ Fisher, Daily Telegraph The Davis Cup Story, Lawn Tennis for club players by William T. Tilden, The Wimbledon final that never was by Sidney Wood, Wimbledon Ladies a centenary record 1884-1984 by A. Little and L. Tingay, Racket Sports Collectibles by Robert Everitt, 300 years of Mitcham Cricket by T. Higgs, The complete Who's Who of test cricketers by C. Martin-Jenkins, The best XI by Geoffrey Boycott, Surrey Association of Cricket Club handbook 1949; sold together with a selection of early rugby union match programmes and images, dating from 1950, comprising Royal Navy v The Army at Twickenham on 4th March 1950, four-page, bears vertical fold and annotation in ink; England v The Rest at Twickenham on 3rd January 1953, four-page; Semi-final County Championship Middlesex v Gloucestershire at Twickenham on 13th March 1954, four-page; Australia The Lions at Stadium Australia on 14th July 2001, 108-page, bears slight creasing; two 8 by 10in. b & w press photographs from the rugby fixture commemorating 75 years at Twickenham between England v RFU President's XV, featuring England's John Carleton tackling the RFU President's Avril Williams on the try line at Twickenham on 29th September 1984, each with with press stamp and annotation on reverse, (qty)
Lot 383
Silver-plated salver presented by members of Wentworth GC to the Club Professional Tom Haliburton for setting a World Record in a professional golf tournament by recording a score of 126 strokes over the first 36 holes in the Spalding Tournament at Worthing Golf Club in June 1952,the large salver engraved with the two record scorecards with WORLD RECORD 1952 (IN A MAJOR GOLF TOURNAMENT) 126 STROKES FOR 36 HOLES, PRESENTED TO TOM HALIBURTON BY THE MEMBERS OF WENTWORTH GOLF CLUB, EPNS stamp to reverse, diameter 36cm.; sold together with the two original scorecards with handwritten scores, each bearing some damage and pin holes, silver-plated salver bleeding, (3)
Lot 388
Garrard & Co. Ltd, London, canteen of cutlery presented by Members of Wentworth GC to the club professional golfer Tom Haliburton in November 1963, Regent-plate, the oak cased canteen with hinged lid bearing engraved plaque and two drawer, fitted with a suite of 12-piece place setting of forks, knives, spoons, carving accoutrements, each piece engraved with TH on the handles and bearing Garrard & Co. Ltd stamp., oak box with inset GARRARD & CO. LTD, REGENT'S STREET, LONDON ivorine plaque, 30 by 55 by 37.5cm
Lot 4
Signed W G Grace photogravure portrait after the famous painting by Archibald Stuart Wortley published in 1891,published by Mansen, Ivan & Morgan Newcastle upon Tyne, 1st May 1891, depicting W G Grace in front of the old real tennis courts at Lord's where the Mound Stand is now sited, bears stamp, signed in pencil lower margin by cricketer and artist, mounted, glazed and framed, overall 77 by 63cm.Please be aware all glass will be removed from framed and glazed items prior to posting and may result in delays to shipping your items. (This service is included in the cost of postage and packing). We can also totally remove all framing and mounts upon request to reduce shipping costs. Alternatively lots can be collected in person by prior appointment from NN8 1RT.
Lot 459
Tokyo 1964 Olympic Games participant's medal,designed by T. Okamoto and K. Tanaka, copper, obverse with stylised figures of three runners and a swimmer, inscribed OKAMOTO TANAKA, reverse with Olympic Rings and legend in Japanese and English, inscribed XVIII OLYMPIAD TOKYO 1964, rim bearing mint stamp, diameter 61mm., weight 118gms.
Lot 57
Photograph of the cricket teams in the East v West match in 1892, The b&w photograph of the cricket teams in standing and seated pose in front of the Tonbridge club house, impressed stamp for WEST & SONS SOUTHSEA, laid on card with legend below, mounted, glazed and framed, overall size 54 by 57cm. Please be aware all glass will be removed from framed and glazed items prior to posting and may result in delays to shipping your items. (This service is included in the cost of postage and packing). We can also totally remove all framing and mounts upon request to reduce shipping costs. Alternatively lots can be collected in person by prior appointment from NN8 1RT.
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165558 item(s)/page