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Lot 244
Y A LOUIS XVI TULIPWOOD AND PARQUETRY COMMODEBY ANDRÉ-ANTOINE LARDIN, CIRCA 1780Stamped twice 'LARDIN' and 'JME'88.5cm high, 128cm wide, 61cm deepAndré-Antoine Lardin 1724-1790, became a master in 1750.The stamp 'JME' denotes the Parisian guild to which Lardin belonged, the 'Jurande Menuisiers Ébenistes'. French furniture by guild members of this period was often the collaborative effort of craftsmen with various skills working according to strict guild regulations.Condition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses, there is a piece of veneer banding lifting to one side, this protrudes at time of reportOverall solid and stableThe middle drawer has both handles present but detached - these need re-affixing in place before use, the loops to secure are shorter than they should be. The locks all appear to be original, there are no keys, all are unlocked at time of report - the middle drawer needs a key to pull it open due to the lack of key or handles - a house key will surface in the immediate termThe marble with the usual knocks, chips, losses to the edges and extremities, there are some areas of scratching where an object has been stood and impacted over time Some looseness to the gilt metal mountsThe linings with some old split and cracks, also some later supporting blocks to the interior to secure Please refer to additional images for visual reference to conditionCondition Report Disclaimer
Lot 568
ISIDORE JULES BONHEUR (FRENCH 1827-1901), AN EQUESTRIAN BRONZE OF HORSE AND JOCKEY LATE 19TH CENTURY Probably depicting the champion racehorse Kinksem with jockey Elijah Madden up, signed to the cast 'I Bonheur' and foundry stamp for Peyrol27cm high, base 26cm wide, 9cm deep Condition Report: There are some mild marks, scratches, knocks, and wear to patinated surface (notably reverse of jockey) consistent with age and use. SIgns of old tape to front of plinth Base now has later cork fitment, whip is loose but present, reins slightly disarrayedPeyrol mark is VERY small and difficult to photographFrom a London collectionPlease refer to additional images for visual references to condition which forms part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 602
LOUIS-ERNEST BARRIAS (FRENCH 1841-1905) A SILVERED, GILDED AND PATINATED BRONZE 'NATURE REVEALING ITSELF TO SCIENCE' LATE 19TH/EARLY 20TH CENTURY Signed to the cast and with Susse Freres foundry stamp over 'P'42cm high, the base 15cm wideCondition Report: With marks, knocks, scratches, abrasions consistent with age, handling, cleaning and everyday useThe surface looks to be largely untouched- but tarnished with surface dirt and oxidization concealing colours underneath. We have elected not to try and clean this- to allow the potential purchaser either to leave it as it is- or effect remedial cleaning to their own preference.Rubbing to extremities such as the plinth raised edges, mild scuffing along her left arm, scarab looks to be silvered, small polish stains to reverse of base, base with plaster loading and later tired baizePlease refer to additional images for visual references to condition which forms part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Lot 604
A DOULTON STONEWARE TWIN HANDLED URN ON STANDEARLY 20TH CENTURYOf volute krater form, pedestal with impressed marks to urn and base 138cm high overall, the base 36.5cm wideCondition Report: With marks, knocks, scratches, abrasions consistent with age, handling, cleaning and everyday useWeathering, moss and colour variance in colour from garden use- the body with several patches of what looks to be salt egress- the tops of the bird moulded sections under each handle with crusting- not sure what this is- possibly dirt deposit or it may be surface deteriorationThe plain cylindrical section between floral moulded stem with area of loss- losses also to name stamp on urn and to exposed edgesPlease see additional images for visual references to condition which forms part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 7
A SET OF TEN GEORGE IV MAHOGANY DINING CHAIRSATTRIBUTED TO GILLOWS, CIRCA 1825To include a pair of armchairs, bearing Journeyman's stamp AP, one chair possibly matchedeach approximately 86cm high, 50cm wide, 52cm deep overall Provenance: The collection of Standish Robert Vereker, 7th Viscount Gort (1888- 1975) at Hamsterley Hall, Co. DurhamInherited by The Hon. Catherine Mary 'Kate' Wass, OBE (1942-2021) upon the death of her great-uncle, the 7th Viscount Gort, in 1975Illustrated: C. Hussey, 'Hamsterley Hall, Durham: The Seat of the Hon. S.R. Vereker, M.C.', Country Life, 21 October 1939, p. 421, fig. 9; R.E.Four chairs from the set were photographed in 'Henry Swinburne's Gothic Dining Room' at Hamsterley Hall by Country Life in 1939; one chair from the set, p. 420, fig. 7.The journeyman initials 'AP' appear eleven times on a set of twenty-four dining chairs made by Gillows for William, 2nd Baron Bolton (1782-1850) for Hackwood House in 1813, sold 'Hackwood', Christie's, 20-22 April 1998, Lot 158 (S.E. Stuart, Gillows of Lancaster and London 1730-1840, Woodbridge, 2008, vol. II, p. 211). Related scroll arms can be found on a set of twelve brass-inlaid rosewood dining chairs for which a design dated 1810 exists in the Gillows' Estimate Sketch Books, see ibid., vol. I, p. 314, pl. 191. Another rosewood model with buhl-inlay, circa 1813, is at Tatton Park, Cheshire (ibid., pp. 220, pl. 203, 202). Condition Report: Marks, scratches and abrasions commensurate with age and useOld chips and splits, some old repairs, some old losses. The appearance of some of the repairs would improve significantly by restoration. Several of the joins of the seat rails of the chairs have some movement and require 'tightening' this is likely to need to involve removing seat upholstery in order to carry out successfully.The cresting rail of the back of one chair has historically become detached and there is some adjacent damage and loss to the positioning where the rail connects.Some old worm damage, most noticeably to underlying seat rails however this does not immediately appear to weaken the structure of the affected elements. We cannot guarantee the condition of elements that are not visible at this stage. Having the chairs restored well by an experienced restorer would improve the appearance and practicality of the chairs considerably. Condition Report Disclaimer
Lot 476
1920s West Ham Football Press Photos: All but one having a press stamp to rear of the postcard size photos. Potentially cut from larger photo for entry into a publication like the programme or newspaper. 6 are of a different West Ham player and 1 is match action v Southampton. Players include Williams Moore Henderson and Jackson. (7)
Lot 79
Everton 1905/1906 Football Team Postcard: Excellent condition with message and address to rear. Halfpenny stamp date stamped 24 4 1906. Superb postcard has a team group with players names underneath plus a small picture of the Crystal Palace football ground where they were due to play the Cup Final which they won.
Lot 863
Football Memorabilia Boxes: Includes 69/70 FKS sticker album with a couple missing, Colchester Utd 1992 Trophy Final and Inter Milan flag. Many boxes of Paul Merson Testimonial safety matches, early 80s large Barcelona pennant, Sun early 70s Soccer Stamp albums, Wycombe related memorabilia, photos with some signed, few old magazines and papers, rosettes, a box of framed items and much more. Worth a look. (2 boxes)
![Journey Into Mystery 107 (1964). Cents copy. Light owner name stamp to splash page lower margin, light tan pages [fn+]. No Re](https://cdn.globalauctionplatform.com/1d51047d-b754-44c6-8281-ae9200b129a1/cda768ff-0468-4859-bd47-ae9200b60c51/468x382.jpg)
Lot 9
Skipper (1932-40) Special issues and issues with free gifts. No 75: wfg Foreign Stamp Album, 107: wfg Foreign Stamp Album and packet of stamps, 225 Xmas 1934, 291: wfg Punishment Through the Ages Picture Album, 313: wfgs Album of Pirates & Who's Who of Pirates, 341: wfg Slip-Flip Album and Badges of the Fighting Flyers, 343, 344: wfg large format The King's Air Force, 419: wfg Thundering Guns, 440: wfg Index Album of 24 Motor Cars complete, 455: Cricket Secrets, and (1939-40) 482, 489, 514, 527 propaganda WWII Nazi covers [vg-/fn-] (14)
Lot 110
Andy Warhol (American, b. 1928-1987) Apple Macintosh, 1986 Lithograph heavy paper poster Signed in plate and numbered 368/2400 Published by the Carnegie Museum Of Art with C.M.O.A back stamp 60 x 60 cm (23 x 23 in) Andy Warhol born Andrew Warhola Jr.; August 6, 1928 – February 22, 1987 was an American artist, film director, and producer who was a leading figure in the visual art movement known as pop art. His works explore the relationship between artistic expression, advertising, and celebrity culture that flourished by the 1960s, and span a variety of media, including painting, silkscreening, photography, film, and sculpture. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 15
Static (British, b.1983) Mexican Standoff, 2009 Screen print on 300gsm Fabriano paper Signed, titled and numbered 23/75 in pen, with the artist’s blind stamp 70 x 82 cm (27 x 32 in) STATIC is the creative output of East London based artists Tom and Craig, who have been working as one since 2006. The combination of their backgrounds in Graphics and Fine Art allows for their collaborations to create an award-winning aesthetic that fuses elements of urban art with fine art, merging a clean graphic style with stencils, spray paint, screen printing and paint brushes to create unique pieces which have been exhibited on the streets of London as well as a number of international gallery spaces. STATIC established their studio in 2006 and have been printing, painting and pasting all their own work to maintain a consistency of output and directly influence the decision-making processes that go into each idea, original artwork and edition they produce. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
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165558 item(s)/page