11 love letters (complete with envelopes) addressed to Miss Beatrice Bourne at Cowarne Court, Ledbury, Herefordshire, and at Grafton Manor, Bromsgrove, Worcestershire, from Horace Dugmore ('your very loving H'), postmarked Poole between 22nd July and 18th August, 1883 (leading up to the couple's wedding), each envelope bearing a Penny Lilac stamp. 'I have just got home from rather a long excursion with the 13th Archaeological Club to see Wells & Glastonbury - and have found on my return your letter which I have been looking forward to all the way back - oh the pleasure it is to me to read over & over again how truly you have given me your heart!...I am counting the bachelor days & hours that remain to me, but I am afraid it is with increasing satisfaction as they become fewer - my own dearest - I do so long for the remaining 13 days to be over - and to have you entirely for my own...My own dearest, sweetheart love - only 5 1/2 days & 132 hours more of waiting'. Together with a letter addressed to Miss Fanny Baldwin, 1883, from 'Ellie', on headed paper (Landsdown Court, Cheltenham), and a letter addressed to Mrs Fothergill of Hyde Park, 1895. Victorian Romance / Valentine Interest (13)
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CARLTON WARE. Three Carlton Ware flat back figures, after Mabel Lucie Attwell, each with back stamp & each painted 'Trial'. Height 21.5cm. Three Carlton Ware Boo-Boo figures, two numbered 10/100 & 19/100 & one painted 'Trial.' Also, two Carlton Ware Mabel Lucie Attwell point of sale stands, one a trial piece. WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.
CARLTON WARE. A Carlton Ware oval baby's plate, With blue W&R back stamp. Width 23cm. WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.
CHARLOTTE RHEAD. A Charlotte Rhead tube lined charger for Crown Ducal. Crown Ducal back stamp. Diameter 32cm. WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.
KERRY GLASS. Three pieces of Irish Kerry glass hand crafted by Terence MacSweeney. With seal stamp. Largest 9cm. WE CANNOT SHIP THIS LOT due to fragility, size or weight. Our recommended carrier is MBE Plymouth on +44 (0) 1752 257224 or info@mbeplymouth.co.uk. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.
*Bruno Lucchi (Italian, b.1952),'Sogno' (Dream), a lost-wax bronze sculpture, with a foundry stamp, 19.8cm high, on a metal plinth,109cm high, together with a book by Maurizio Vanni 'Bruno Lucchi Dialgo con L'Invisibile',a catalogue and a certificate (4)*Artist's Resale Right may apply to this lot.Condition report: Overall 130cm high
A rare 'LCW' chair,c.1948, designed by Charles Eames, with an early 'Evans' manufacturer's stamp to underside, 57cm wide60cm deep68cm highCondition report: See additional images.Some minor scuffs to the seat and back. Discolouration to the seat back, underside and the front legs. Shock mounts appear OK. Part of the back leg has been restored - laminate appears to have been repaired. Label darkened and part lost. Further images uploaded.
Postcards, P3, relating to Mrs Adlington of The Bell pub, Homerton - World War One - RP five Army Service Corps men leaning on Wolseley CR-Type 3 Ton lorry, G (1), Sportsman's Batallion at Hornchurch November 1914 (1), naval gunner leaning on gun, caption recto 'Taken at the foremost gun on board HMTBD Narborough', (1916 - ship lost in 1918) F (1), playing cards on deck HMS Natal, 1912 (1), destroyer Wakeful after collision with Vendetta, 'Not to be taken out of ship' stamp (1), embroidered silks (4), soldiers and sailors in studios, including wounded (16), P4, RP from HM Submarine H-48 at Helensburgh with details of voyage, 1920 (1), F-G (26)
![Attributed to Charles Joseph Natoire [1700-1777]-Half-length female figure study, hands and back view,:-red chalk and pencil](https://cdn.globalauctionplatform.com/baae710a-b0d6-4f46-a517-ac1a00cef8e8/a06adcc3-8272-4d1d-883a-ac3d00f352d5/468x382.jpg)
Attributed to Charles Joseph Natoire [1700-1777]-Half-length female figure study, hands and back view,:-red chalk and pencil drawing heightened with white on buff papercollection stamp 'R' in ink bottom right27.5 x 42cm.*Notes The collection stamp is attributed to Jonathan Richards [1694-1771]*Notes There are additional images of this lot at www.bhandl.co.uk
A retro vintage 1960s Danish afromosia teak corner cabinet by Skovby of Denmark. The cabinet having a flared pediment top above a twin door cabinet with a shelved interior above a single drawer and a twin door cupboard below raised on an inset base. Makers stamp to the back. Measures 182 cm high x 90 cm wide x 45 cm deep.
A fine Royal Crown Derby cup and a scalloped saucer from the Judge Elbert Henry Gary service. Painted by Albert Gregory with panels of flowers framed within elaborately moulded gilt borders incorporating a G. monogram for Gary by George Darlington on gros bleu and turquoise grounds. Signed by both artists, printed mark in gilt with Royal Warrant and Tiffany & Co retailers stamp, date code for 1910 on the cup and 1911 on the saucer, saucer 13.2cm wide. In fine condition. No chips, cracks or repair. Gilding, glaze and enamels free from wear and scratches.
The Lincoln Stamp album containing an all-world collection, 19th/20th century, including British Commonwealth, 1d black and 1d reds and a collection of Queen Victoria Foreign Bill, another, The Lincoln Stamp album, The World Postage Stamp album, a small loose leaf album, a note book containing Queen Victoria and other stamps and a large collection of unsorted stamps 'on paper' (qty).
(See English version below)„Kunst = Kapital“. Ca. 1975Bleistift und Stempel auf Briefpapier der Free International University Verona. 29,9 × 21,9 cm ( 11 ¾ × 8 ⅝ in.). Signiert.Nicht bei Schellmann.–[3237]Zustandsbericht: Schöner harmonischer Gesamteindruck. Die Blattkanten ohne Einrisse oder Fehlstellen. Unter UV-Licht sind keine Restaurierungen erkennbar. Das Papier minimal gewellt. Entlang der Blattkanten vereinzelt mit leichten Bereibungen. An der Unterkante links Klebereste ehemaliger Montierung. Rückseitig entlang der Blattkanten Montierungsreste sowie vereinzelte kleine ausgedünnte Stellen. In den oberen Ecken Reste weißen PapierklebestreifensWir berechnen auf den Hammerpreis 30% Aufgeld.”Kunst = Kapital”. Approx. 1975Pencil and stamp on letterhead paper the Free international University Verona. 29,9 × 21,9 cm ( 11 ¾ × 8 ⅝ in.). Signed.Not in the catalogue raisonné by Schellmann.–[3237]Condition report: Fine harmonious overall appearance. The sheet edges without tears or losses. There are no repairs visible under ultraviolet light. The paper minimally warped. Along the sheet's edges isolated slight scuff marks. At the left lower edge remains of former glue mounting. Remains of former mounting along the sheet's edges on the reverse, as well as isolated small areas of paper thinning. Remains of white paper mounting at the upper cornersWe charge 30% premium on the hammerprice.
(See English version below)„Octav“ / Ohne Titel. 19792 Bronzen, jeweils mit goldbrauner Patina. 9 × 10,5 × 7,4 cm bzw. 4,8 × 5,6 × 5,1 cm ( 3 ½ × 4 ⅛ × 2 ⅞ in. bzw. 1 ⅞ × 2 ¼ × 2 in.). Jeweils mit dem Stempel: FEHRENBACH. Eine Bronze auf der Standfläche mit dem Gießerstempel: GUSS ZIMMER. Die andere Bronze monogrammiert: GF.Nicht bei Pavel/Rathgeber bzw. vgl. Pavel/Rathgeber 209.–Eine Bronze eines von 20 nummerierten Exemplaren. [3339]Zustandsbericht: Ex. 9/20 bzw. ohne Nummerierung. Beide Exemplare in gutem Zustand. Keine Fehlstellen oder Substanzverluste. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 30% Aufgeld.”Octav” / Untitled. 19792 bronzes, each with golden brown patina. 9 × 10,5 × 7,4 cm, 4,8 × 5,6 × 5,1 cm ( 3 ½ × 4 ⅛ × 2 ⅞ in. and 1 ⅞ × 2 ¼ × 2 in.). Each with the stamp: FEHRENBACH. One bronze with the foundry mark on the base: GUSS ZIMMER. The other bronze monogrammed: GF.Not in the catalogue raisonné by Pavel/Rathgeber / See Pavel/Rathgeber 209.–One bronze one of 20 numbered copies. [3339]Condition report: No. 9/20 and resp. without numbering. Both copies in good condition. No losses or flaws. Fine harmonious overall appearanceWe charge 30% premium on the hammerprice.
(See English version below)Raumentwurf Haus Schön in Preetz. Um 1928Collage und Tempera auf Karton. 62,5 × 64,8 cm ( 24 ⅝ × 25 ½ in.). Unten rechts mit dem Stempel in Hellbraun: ENTWURF PETER KELER. Rückseitig mit Bleistift bezeichnet: HAUS SCHÖN PREETZ i. / HOLS.[tein].[3168]Zustandsbericht: Harmonischer Gesamteindruck. Die Arbeit ist aufgrund ihrer Materialmischung Spannungen ausgesetzt, die durch Temperatur- und Luftfeuchtigkeitsschwankungen bedingt werden. Dadurch und durch die Montage mit unelastischen Klebstoffen ist im mittleren Bereich eine leichte Welligkeit entstanden. Einige Randeinrisse: am linken Bodenfenster neben der Eingangstür, oben (ca. 2 cm) am rechten Bodenfenster oben (ca. 3 cm) im Deckenbereich in der linken Hälfte 2 Risse (bis zu 29 cm) rückseitig hinterfasert. Das stellenweise verwendete Textilklebeband mit StockfleckenWir berechnen auf den Hammerpreis pauschal 30% Aufgeld und 7% verauslagte Einfuhrumsatzsteuer.Room design Haus Schön in Preetz. Circa 1928Collage and tempera on cardboard. 62,5 × 64,8 cm ( 24 ⅝ × 25 ½ in.). With a light brown stamp on the lower right: ENTWURF PETER KELER. Inscribed with pencil on the reverse: HAUS SCHÖN PREETZ i. / HOLS.[tein].[3168]Condition report: Harmonious overall appearance. The work is due to it's mix of materials Spannungen slightly strained, due to fluctuation in temperature and humidity. Slightly warped. Occasional tears at the sheet edges (approx. 2-3 cm and up to 29 cm), backed on the reverse. In places used textile adhesive tape with foxing marksWe charge 30% premium and 7% import tax on the hammerprice.
(See English version below)„Ohne Titel „mit Komma““. 1971Farbserigrafie auf Papier. 33,3 × 55,6 cm (48 × 70,5 cm) ( 13 ⅛ × 21 ⅞ in. (18 ⅞ × 27 ¾ in.)). Signiert und datiert.Jahn 18.–Einer von 100 nummerierten Abzügen. Heidelberg, Klaus Staeck Editon Tangente, 1971 (rückseitig mit dem Editionsstempel). [3285]Zustandsbericht: Ex. 64/100. In gutem Zustand. Die Blattkanten ohne Einrisse oder Fehlstellen. Unter UV-Licht sind keine Restaurierungen erkennbar. Rückseitig in den oberen Ecken mit Papierklebestreifen auf den Unterlagekarton montiert. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 25% Aufgeld und auf Hammerpreis und Aufgeld die zum Auktionszeitpunkt geltende Umsatzsteuer.”Ohne Titel ”mit Komma””. 1971Colour silkscreen on paper. 33,3 × 55,6 cm (48 × 70,5 cm) ( 13 ⅛ × 21 ⅞ in. (18 ⅞ × 27 ¾ in.)). Signed and dated.Jahn 18.–One of 100 numbered prints. Heidelberg, Klaus Staeck Editon Tangente, 1971 (with the edition stamp on the reverse). [3285]Condition report: No. 64/100. In good condition. The sheet edges without tears or losses. There are no repairs visible under ultraviolet light. On the reverse in the upper corners mounted using paper tape on cardboard. Fine harmonious overall appearanceWe charge 25% premium on the Hammerprice and VAT applies to hammerprice and premium.
(See English version below)„Obelisk (Hieroglyphen)“. 1973Farboffset auf marmoriertem Buntpapier. 62,7 × 45,4 cm ( 24 ⅝ × 17 ⅞ in.). Signiert.Becker/von der Osten 28.–Einer von 598 Abzügen. Hamburg, Griffelkunst, 1973 (mit dem rückseitigem Stempel). [3171]Zustandsbericht: In gutem Zustand. Die Blattkanten ohne Einrisse oder Fehlstellen. Rückseitig etwas unfrisch. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 30% Aufgeld.”Obelisk (Hieroglyphen)”. 1973Colour offset on marbled coloured paper. 62,7 × 45,4 cm ( 24 ⅝ × 17 ⅞ in.). Signed.Becker/von der Osten 28.–One of 598 prints. Hamburg, Griffelkunst, 1973 (with the stamp on the reverse). [3171]Condition report: In good condition. The sheet edges without tears or losses. On the reverse somewhat lightly soiled. Fine harmonious overall appearanceWe charge 30% premium on the hammerprice.
(See English version below)Studie. 1961/62Farbige Tuschen und Gouache auf Papier. 15,6 × 14 cm ( 6 ⅛ × 5 ½ in.). Unten rechts mit Bleistift signiert: Stahl. Rückseitig mit dem Nachlassstempel in Schwarz und der Registriernummer: 371.[3412]Zustandsbericht: In gutem Zustand. Die Farben frisch und leuchtend. Die Blattkanten unregelmäßig, ohne Einrisse oder Fehlstellen. Unter UV-Licht sind keine Retuschen oder Restaurierungen erkennbar. Rückseitig in den oberen Ecken mit Japanpapier am Unterkarton montiert. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 25% Aufgeld und auf Hammerpreis und Aufgeld die zum Auktionszeitpunkt geltende Umsatzsteuer.Study. 1961/62Coloured India inks and gouache on paper. 15,6 × 14 cm ( 6 ⅛ × 5 ½ in.). Signed in pencil lower right: Stahl. With the estate stamp in black and the registry number on the reverse: 371.[3412]Condition report: In good condition. The colours fresh and luminous. The sheet edges unevenly, without tears or losses. Ultraviolet light reveals no retouchings or repairs. On the reverse in the upper corners mounted to the cardboard using Japan fibre. Fine harmonious overall appearanceWe charge 25% premium on the Hammerprice and VAT applies to hammerprice and premium.
(See English version below)„Vostell auf Corregio“. 1979Assemblage mit Fotoapparat, Ceresitmasse und Acryl auf Fotoleinwand, in Künstlerrahmen. 53,8 × 43,6 × 15 cm ( 21 ⅛ × 17 ⅛ × 5 ⅞ in.). Rückseitig auf dem Spannrahmen mit Tusche in Schwarz betitelt, nummeriert und datiert: 2 Vostell auf Corregio[!] 79. Ebenda mit einem Brandstempel: Vostell. Auf der Leinwand signiert und datiert: Vostell 79.Aus dem Zyklus der Jesus-Variationen. [3388]Zustandsbericht: Schöner harmonischer Gesamteindruck. Die Leinwand ist nicht doubliert und befindet sich auf dem originalen Keilrahmen (originale Aufspannung). Mit Flüssigklebstoffresten in der Betonmasse. Unter UV-Licht sind keine Retuschen oder Restaurierungen erkennbar. Insgesamt etwas angestaubtWir berechnen auf den Hammerpreis 30% Aufgeld.”Vostell auf Corregio”. 1979Assemblage with camera apparatus, Ceresit mass and acrylic on photographic canvas, in artist's frame. 53,8 × 43,6 × 15 cm ( 21 ⅛ × 17 ⅛ × 5 ⅞ in.). Titled, numbered and dated in black Inda ink on the reverse on the stretcher: 2 Vostell auf Corregio[!] 79. Branding stamp placed there, too: Vostell. Signed and dated on the canvas: Vostell 79.From the Jesus-Variations series. [3388]Condition report: Fine harmonious overall appearance. The canvas is not relined and mounted on the original stretcher (original tacking). With remains of liquid glue in the concrete compound. Ultraviolet light reveals no retouchings or repairs. Overall slightly dustyWe charge 30% premium on the hammerprice.
An original club photograph taken by A.Wilkes and Son in the 1950's . England International Don Howe who represeted West Brom on 342 occasions between 1952 and 1964. He returned to the club as manager for four years in 1971. The photograph was originally mounted and framed and on display at the Albion Throstle club until closure and was then stored. It is now unframed to enable sight of the Wilkes copyright stamp Size 6.5 x 8.5 inchs
An original Albert Wilkes photograph of West Bromwich Albion Striker. W.G Richardson who made 320 apperances between 1929 and 1945 scoring 202 goals and scored 39 goals in 35/36 the highest by any Albion player in top division football. This is a great piece of Albion Football memorabilia that was displayed at a Throstle club until closure and has since been stored. It is now unframed to enable sight of the Wilkes copyright stamp Size 6.5 x 8.5 inch's
An original Squad and officials photograph of West Bromwich Albion Division 2 Champions. The photograph is mounted,, the picture was on display at an Albion Throstle club until it closed and has been in storgae since. The photograph has been unframed to allow sight of the back of the photograph that shows the Wilkes Copyright Stamp Size 11 x 9 inch's
An original Alber Wilkes photograph of the opening ceremony of the Hawthorns on Sept 3rd 1900. The photo captures players and officials on the Hawthorns pitch with supporters in the stands behind. This is a great piece of football and Social history, the mounted and framed picture was on display at an Albion Throstle Club until closure and has since then be kept in storage. It is now unframed to enable sight of the Wilkes copyright stamp Size approx 11.5 x 8.7 inch's
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