We found 165598 price guide item(s) matching your search
There are 165598 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
165598 item(s)/page
Lot 1048
§ Salvador Dali ( Spanish, 1904-1989), Inferno 28, from the Divine Comedy series, coloured engraving, signed, with embossed stamp, 30 x 23 cmPlease note that Artists Resale Right maybe additionally payable on top of the hammer price for this lot, where above the threshold, up to a maximum of 4% of the hammer price, visit www.dacs.org for more information.Condition Report: § No provenance available. Viewed behind perspex the image appears to be in good condition. Minor scratching to perspex.
Lot 1049
§ Salvador Dali ( Spanish, 1904-1989), Inferno 7, from the Divine Comedy series, coloured engraving, signed, with embossed stamp, 30 x 23 cms.Please note that Artists Resale Right maybe additionally payable on top of the hammer price for this lot, where above the threshold, up to a maximum of 4% of the hammer price, visit www.dacs.org for more information.
Lot 1050
§ Salvador Dali ( Spanish, 1904-1989), Inferno 5, from the Divine Comedy series, coloured engraving, signed, with embossed stamp, 30 x 23 cmsPlease note that Artists Resale Right maybe additionally payable on top of the hammer price for this lot, where above the threshold, up to a maximum of 4% of the hammer price, visit www.dacs.org for more information.
Lot 1187
Francois Roux (South African, b. 1927). Cederberg, mountainous landscape. Oil on canvas, signed and dated lower left, artists label and stamp verso. 60 x 90 cm, framed.Condition Report: Painting in very good condition (frame size 69 x 100cm), with small signs of wear to the edges. Scratches and chipping to the frame.
![Erotica.- [Hayn (H.)], "H. Nay". Bibliotheca Germanorum Erotica, ink stamp to title, light browning, original cloth-backed bo](https://cdn.globalauctionplatform.com/d1e4c605-fa49-49bb-ae32-ad6300d0a697/36c97f8f-f3f3-4fc1-a648-ad6300fc5b4c/468x382.jpg)
Lot 124
Erotica.- [Hayn (H.)], "H. Nay". Bibliotheca Germanorum Erotica, ink stamp to title, light browning, original cloth-backed boards, light browning, spine ends and corners bumped and worn, Leipzig, [Privately printed], 1875.⁂ The rare first edition or this important catalogue, published pseudonymously.
Lot 154
NO RESERVE Wycherley (William) Love in a Wood, or, St.James's Park. A Comedy, browned, H2 & 3 frayed at foot (paper flaw) with loss of a few words, slight worming to inner margin, later half morocco, a little worn, [Wing W3748], by T.Warren for Henry Herringman..., 1694 § [Havard (William)] King Charles the First: An Historical Tragedy, engraved frontispiece, title in red & black, with 2 advertisement leaves at end, title with old ink signature at head and lightly soiled, ex-Harvard College Library copy with embossed stamp to title and ink stamp to verso, modern cloth, for J.Watts, 1737 § Prior (Matthew) The Poetical Works, edited by Thomas Evans, 2 vol., engraved frontispiece (lightly browned) and small portrait to first leaf, later bookplates of Edward Dewitt Taylor, later half morocco, spines gilt, t.e.g., spines faded, for W.Strahan [& others], 1779, 4to & 8vo (4)⁂ The first was first published in 1672; the second is mistakenly identified by a contemporary hand on the title as being by Alexander Fyfe.
Lot 179
Valor Ecclesiasticus, 6 vol., 15 folding hand-coloured engraved maps, 1 folding engraved plate, half-titles, slight spotting, occasional small tears to margins, City of York Public Library bookplate, library stamp on verso of titles, 2 vol. modern quarter morocco, the remaining 4 contemporary half calf, worn, all rebacked in modern cloth, folio, Record Commission, 1810-1834.
Lot 181
NO RESERVE Execution chap-book.- Cooke (Percival) The Confession of Percival Cooke and James Tomlinson, who were executed ... on a drop newly erected in front of Derby Gaol, woodcut of coffin to final leaf, small library blind-stamp to title, a little rubbed and creased at edges, folio leaf folded, Nottingham, C. Sutton, [1812].
![Napoleonic Wars.- [Southey (Robert)] A Summary of the Life of Arthur Duke of Wellington ... to his Invasion of France, and th](https://cdn.globalauctionplatform.com/d1e4c605-fa49-49bb-ae32-ad6300d0a697/9b9666dd-92ce-41ef-8271-ad6300fc956f/468x382.jpg)
Lot 184
Napoleonic Wars.- [Southey (Robert)] A Summary of the Life of Arthur Duke of Wellington ... to his Invasion of France, and the Decisive Battle of Waterloo, June 18, 1815, linen-backed folding map frontispiece, abrasion mark to B1 where ?label removed, ex-library with occasional ink- and blind-stamps, occasional spotting and soiling, abrasion mark to front pastedown where label removed, later morocco-backed boards, blind-stamp to upper cover, a little rubbed, Dublin, George Mullens, 1816; and a cast-iron embossed portrait of Wellington, and a defective copy of 'The Battle of Waterloo', 8vo & c.335 x 300 mm (3)
Lot 19
London.- Survey of London. The Parish of St.Paul Covent Garden, original cloth, dust-jacket, with the original publisher's box, 1970; Spitalfields and Mile End New Town, original cloth, dust-jacket, 1957; Charing Cross (The Parish of St.Martin-in-the-Fields, Part I), original wrappers, 1935; The Strand (The Parish of St.Martin-in-the-Fields, Part II), original cloth, dust-jacket, 1937; The Parish of St.Giles-in-the-Fields (Part II), original wrappers, 1914 § Pepys (Walter C.) The Church of St.Dunstan, Stepney, Monograph No.6, etched frontispiece, original wrappers, covers frayed and detached, 1905 § Norman (Philip) Crosby Place, Monograph No.9, ex-library copy with stamp to verso of title, cloth, n.d. § Godfrey (Walter H.) The Church of Saint Bride, Fleet St., Monograph No.15, typed errata slip loosely inserted, original wrappers, 1944, maps, plates and illustrations, all but the first and fourth rubbed, 4to (8)
Lot 193
Koran; commonly called The Alcoran of Mahomet (The), engraved portrait frontispiece, bookplate of Drayton-Grimké family to pastedown with ex-libris stamp to endpapers, lightly browned throughout, later cloth, faded, 8vo, 1824.⁂ Interesting provenance from the library of the Magnolia Plantation in South Carolina, USA. Upon his death in 1825, Thomas Drayton, the great grandson of Magnolia's first Drayton, willed the estate successively to his daughter's sons, Thomas and John Grimké. As he had no male heirs to leave it to, he made the condition in the will that they assume their mother's maiden name of Drayton. A stamp on the front endpaper reads "This book is part of the old Grimke and Drayton library at South Bay House So. Ca. which was sent over to Golborne Hall, Lancashire, England in Autumn 1889."
Lot 2
London.- Arnold (Richard) The Customs of London, otherwise called Arnold's Chronicle: containing...The Nut-Brown Maid, third edition, ex-Lincoln Cathedral Library with bookplate, contemporary half calf, 1811 § [Tyrrell (Edward, editor)] A Chronicle of London, from 1089 to 1483, one of 250 copies signed by the editor at end of Preface, presentation copy from the editor with accompanying A.L.s. mounted on front free endpaper, facsimile frontispiece, some spotting, ex-library copy with stamp and labels, original boards, uncut, rebacked in sheep, 1827 § [Thomson (R.)] Chronicles of London Bridge: by an Antiquary, wood-engraved frontispieces and illustrations on india paper and mounted, modern half calf, 1827 § Norman (Philip) London Signs and Inscriptions, frontispiece and illustrations, light staining to a few leaves, modern panelled calf, t.e.g., others uncut, for the Camden Library, 1893, a little rubbed, 4to & 8vo (4)⁂ The first is a collection of early documents relating to England and London; the first edition of 1503 included the first printing in English of Magna Carta (pp.213-223 in this edition).
Lot 233
Bindings.- Dickens (Charles) Christmas Stories, frontispiece and plates, some foxing to first few pp., contemporary half morocco, spine gilt in 2 compartments with floral decorations, very lightly rubbed and faded, 1906 § Besant (Walter) London, new edition, illustrations, manuscript prize inscription to front free endpapers, very occasional light foxing, contemporary tree calf, gilt prize blind-stamp to upper cover, edged with floral border, spine gilt in compartments with brown morocco spine label, very lightly scuffed to raised bands but overall sharp and bright, 1904; and 2 others, bindings, 8vo (4)
Lot 43
Bewick (Thomas).- Hugo (Thomas) The Bewick Collector. A Descriptive Catalogue of the Works of Thomas and John Bewick, 2 vol. including supplement, a few pencil annotations 1866-68 § Robinson (Robert) Bewick Memento. Catalogue with Purchasers' Names and Prices Realised of the Scarce and Curious Collection..., title in red & black, plates, ex-library copy with stamp to verso of title, cuttings mounted on front pastedown, Leadenhall Press, 1884 § Dobson (Austin) Thomas Bewick and his pupils, 1889 § Isaac (P.) William Davison's New Specimen of Cast-Metal Ornaments and Wood Types..., 1990, plates and illustrations, original cloth, rubbed, the first with spines faded and frayed at ends (vol.1 rebacked preserving original backstrip), the last with dust-jacket; and 9 others on Bewick, 8vo & 4to (14)
Lot 45
Crawhall (Joseph) A Jubilee Thought, one of 50 large paper copies with woodcut illustrations hand-coloured, presentation copy from the author inscribed "Georgina Henderson with the Author's love..." at head of title, browned, leaves brittle and a few slightly chipped at edges, original half vellum over printed boards with woodcuts, rubbed, rebacked, Newcastle upon Tyne, Mawson, Swan, & Morgan, 1887; Old Aunt Elspa's ABC, hand-coloured illustrations, 3pp. advertisements at end, upper edge of title frayed, original hand-coloured pictorial wrappers, lower cover with 1858 1d red postage stamp pasted onto easel, slightly creased at edges, Leadenhall Press, [1884], first editions; and 2 others by or relating to Crawhall, 4to (4)⁂ "Aunt Elspa" was a family term of endearment for Crawhall's daughter Elspeth. Crawhall himself is pictured at letter R for Rumpus, Rage, Racket & Riot, being chased by a termagant queen.
Lot 47
NO RESERVE Africa.- Big Game.- Stigand (Capt. C.H.) & D. D. Lyell, Central African Games and its Spoor, first edition, half-title, plates, 2 folding, one with short tear, occasional spotting, previous owner's ink signature, original decorative cloth, faint spotting, rubbed and worn, [Hosken p.191], 1906 § Roosevelt (Theodore) The Wilderness Hunter, first edition, frontispiece, plates, ex-library with ink-stamp to title verso, small holes to front free endpaper where label removed, original pictorial cloth, gilt, spotting, shelf-mark to spine foot, bumping to corners and extremities, 1893; and another, big game, 8vo (3).
Lot 63
India.- Rousselet (Louis) India and its Native Princes: Travels in Central India, half-title, frontispiece, plates and illustrations, maps, ex-library with small ink-stamp to most plates, short tear to title with old repair, occasional chipping and short marginal tears to edges, occasional finger-soiling, abrasion mark to front pastedown where label removed, original pictorial cloth, gilt, rebacked, a little rubbed, bumping to corners and spine extremities, large 4to., 1876.
Lot 68
NO RESERVE Middle East.- Dickson (H. R. P.) The Arab of the Desert, first edition, portrait frontispiece, plates and illustrations, 11 folding maps and plans at end, chipping to edges, ex-library with ink-stamp to title verso, modern cloth, 1949 § Martineau (Harriet) Eastern Life, Present and Past., 3 vol., presentation inscription from author to vol. 1., half-titles, ex-library with occasional ink-stamps, abrasion mark to front free endpaper where labels removed, later morocco-backed boards, blind-stamp to upper covers, rubbed, bumping to corners and extremities, 1848, 8vo (4)
![London.- [Henry (David)] An Historical Account of the Curiosities of London and Westminster, 3 parts in 1, half-title, contem](https://cdn.globalauctionplatform.com/d1e4c605-fa49-49bb-ae32-ad6300d0a697/4635c897-7a2a-4bd1-be7e-ad6300fc061c/468x382.jpg)
Lot 8
London.- [Henry (David)] An Historical Account of the Curiosities of London and Westminster, 3 parts in 1, half-title, contemporary vellum-backed boards, corners worn, splits to joints,Thomas Carnan, 1785 § Peter Parley's Visit to London, during the Coronation of Queen Victoria, 6 hand-coloured lithographed plates, frontispiece detached, original pictorial cloth, gilt, 1838 § Visit (A) to Uncle William in Town..., first edition, engraved plates with multiple views, 4pp. publisher's catalogue at end, old ink library stamp to front free endpaper, original roan-backed pictorial boards, J.Harris, 1818 § Abbott (J.W.) A History of London...with some account...of its most important buildings, engraved portrait, original boards, uncut, worn, lacking spine, 1821, some spotting or soiling, rubbed; and 6 others on London, 8vo et infra (10)
Lot 132
A resin Giuseppe Armani Florence figural lamp base, titled Nicole, depicting a Jazz singer standing next to a Benin bronze bust, stamped 1994 Florence, with Naples blue stamp and brass light fitting, with associated shade, height to fitting 68cm. Together with a figure by Jeffrey Jaysan Ltd, some minor chips to figurine, 66cm high (2)
Lot 101A
Laurence Stephen Lowry (1887-1976), 'Woman with Beard', a signed lithographic print, 58 cm x 48 cm with margins, loose in coloured mount. This print was obtained by the vendor (see provenance below) along with numbered examples of the same edition; signed by Lowry, but not forwarded for FATG stamp and limited edition numbering. Published by 'Adam Collection Ltd, from a limited collection of 750 copies, Printed in England by Chorley & Pickersgill Ltd'.Footnote: Provenance: From the collection of Monty Bloom (See Dawsons website articles for more details) Extract from 'A COLLECTOR’S LIFE' Monty Bloom and L.S. Lowry © Martin Bloom, 2020' :One particular painting in that 1957 documentary was purchased by my father, together with the original drawing upon which it is based, and a signed numbered print of it is for sale within Dawsons December sale. Woman with a Beard was based on a bearded woman Lowry met on a train journey to Paddington. Mervyn Levy in his book, The Paintings of L.S. Lowry, sees it as “a succinct example of the artist’s power to express the terrible isolation of the individual soul, an isolation unquestioned and blithely accepted. Everything is concentrated in the face itself, the setting from which we can extricate ourselves only by renunciation of self. Lowry’s imagery is the measure of a common destiny.”
Loading...-
165598 item(s)/page