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A WORLD WAR II GERMAN ARMY OFFICERS DAGGER having a tapering circular pommel with foliate detail, spirally fluted ivorine handle and scrolling hilt with the German Army emblems, the tapering double edge blade with maker’s stamp; sold with the white metal scabbard moulded with a shagreen type finish. 39.5cm(L)*** Please note that all potential bidders must satisfy themselves as to condition and authenticity.
A PAIR OF DANISH WHITE METAL CANDLESTICKS in the art nouveau style, having a central flared sconce surrounded by an asymmetric lobed circular drip tray with pierced and moulded foliate design, all raised on three slender down-sweeping legs, marked ‘Made in Denmark 90’ over a figural stamp and letter B. 7.6cm(w) 75grams
After ‘Snaffles’ (Charles Johnston Payne) (British 1884-1967) FOX CATCHER, FOR THE LOVE OF IT’ for the ride out and the ride home’ signed artist’s proof, printed in colours with monochrome remarque below, signed in pencil with bit blind stamp, within a modern frame under glass. 42cm(h) x 36cm(w)
AN IMPRESSIVE 20TH CENTURY OAK REFECTORY TABLE by Bates & Lambourne, Milton Common, Oxfordshire, the four-planked top with cleated ends supported by substantial square section baluster uprights with trestle type feet and uniting plain stretcher, manufactures stamp to one upright. 76cm(h) x 198cm(L) x 100cm(d)
Ephemera – Victorian Receipt a particularly fine example of a Victorian headed receipt issued by Day & Martin proprietors of the real Japan Blacking dated 1876 and featuring a large engraved view of their premises sent as a letter (penny red stamp) to Mr John Hill of Monmouth. Seal tears but otherwise unblemished.
AN UNUSUAL, EARLY 20TH CENTURY AMERICAN STAMP BOX of bevelled oblong form with bead borders, & four internal compartments, the hinged cover inset with four printed, glazed pottery tablets each imitating a British stamp of the period, by Hamilton & Diesinger, Philadelphia, PA. c.1905; 4.75" (12 cms) long; 5.8 oz gross
Framed photograph, "Serina Matsas at Home, Ioannina" 2004, by Morrie Camhi (Californian, Contemporary), 1980, bears artist`s stamp verso, overall: 20"h x 16"w. Provenance: From the estate of Rebecca and Seymour Fromer (founder of the Judah Magnes Museum, Berkeley, California) Start Price $20
Unframed lithograph, "7me Exposition Du Salon Des 100," 1896, by Frederic Auguste Cazals (French, 1865-1941), published by Imprimerie Chaix for Les Maitres de l`Affiche art publication, Pl. 15, publication line lower left, publishers blind stamp lower right, paper: 15.25"h x 10.75"w Start Price $20
* Lewis Morley (b.1925) `Christine Keeler`, a black and white photographic card of an iconic image, of Miss Keeler seated naked on an ant chair. Signed in silver Morley `94 with further hand written dedication by the photographer `for Juliet to be placed in a hidden place` with studio blind stamp, height 18 cm x 11.5 cm wide.
A large Continental Art Deco-style plaster female figure, laying down, her weight supported on one arm with hand touching a bow following the line of her body, with other arm outstretched over her knee and supporting a dove in her hand, on carved wooden base, bearing impressed number and maker`s stamp to body, length 72 cm.
AFTER ARTHUR WARDLE (1864-1949) "England`s Pride-Champion Press Gang", black and white engraving, bearing presentation inscription "To Captain G.A. Armitage, with the Publishers regards, F. Mansell, 14/5/03", published by F. Mansell, 1 Orleston Road, Holloway, London, February 1903, image size 50 cm x 58 cm, AFTER LILIAN CHEVIOT (Fl. 1894-1930) "Study of Bulldog with two Short Haired Terriers seated in a landscape beside a Union Jack", coloured print bearing embossed blind stamp and signed in pencil in margin, and a similar study, both published by Arthur Akerman & Son Ltd., 1915/16, image size 59 cm x 67 cm
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