NEROSLOW, Alexander(1891 St. Petersburg - 1971 Leipzig) Gehöfte im Winter am WaldrandAquarell. Rechts unten signiert, verso Nachlass-Stempel des Künstlers. (19)44. Passepartoutausschnitt 47,5 x 37 cm. Gerahmt & hinter Glas : 72 x 62 cm. Verschneite Straßenbiegung vor Häusern unter dunklem Himmel. Deutsch-russischer Maler, studierte Architektur in Dresden, später Werkstudent bei Arthur Lewin-Funcke, dort unter anderem auch unter Lovis Corinth. Danach Schüler von Edmund Kesting. Engagierte sich gegen die Nationalsozialisten und kam von 1942 bis 1945 als politischer Gefangener ins Zuchthaus Waldheim. Nach 1945 als freischaffender Künstler tätig, daneben auch in Leipzig als Lehrer an der Hochschule für Grafik und Buchkunst tätig. Literatur : Vollmer. Aufrufzeit 28. | Okt 2023 | voraussichtlich 15:46 Uhr (CET) NEROSLOW, Alexander(1891 St. Petersburg - 1971 Leipzig) Farmsteads in winter at the edge of the forestWatercolor. Signed lower right, verso estate stamp of the artist. (19)44. Passepartout cutout 47.5 x 37 cm. Framed & behind glass : 72 x 62 cm. Snowy street bend in front of houses under dark sky. German-Russian painter, studied architecture in Dresden, later working student of Arthur Lewin-Funcke, there among others also under Lovis Corinth. Afterwards student of Edmund Kesting. Committed himself against the National Socialists and was a political prisoner in the Waldheim penitentiary from 1942 to 1945. After 1945, active as a freelance artist, besides also in Leipzig as a teacher at the Academy of Visual Arts. Literature : Vollmer. Call time 28 | Oct 2023 | expected 15:46 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
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NEROSLOW, Alexander(1891 St. Petersburg - 1971 Leipzig) Ostseeküste mit BootAquarell/Tempera. Unsigniert, verso Nachlass-Stempel des Künstlers. Passepartoutausschnitt 37 x 52 cm. Gerahmt : 62 x 82 cm. Verlassener Kahn am Sandstrand unter wolkigem Himmel. Leichte Knicke. Deutsch-russischer Maler, studierte Architektur in Dresden, später Werkstudent bei Arthur Lewin-Funcke, dort unter anderem auch unter Lovis Corinth. Danach Schüler von Edmund Kesting. Engagierte sich gegen die Nationalsozialisten und kam von 1942 bis 1945 als politischer Gefangener ins Zuchthaus Waldheim. Nach 1945 als freischaffender Künstler tätig, daneben auch in Leipzig als Lehrer an der Hochschule für Grafik und Buchkunst tätig. Literatur : Vollmer. Aufrufzeit 28. | Okt 2023 | voraussichtlich 15:46 Uhr (CET) NEROSLOW, Alexander(1891 St. Petersburg - 1971 Leipzig) Baltic Coast with BoatWatercolor/Tempera. Unsigned, verso estate stamp of the artist. Passepartout cutout 37 x 52 cm. Framed : 62 x 82 cm. Deserted barge on a sandy beach under cloudy sky. Slight creases. German-Russian painter, studied architecture in Dresden, later working student of Arthur Lewin-Funcke, there among others also under Lovis Corinth. Afterwards student of Edmund Kesting. Was active against the National Socialists and was a political prisoner in the Waldheim penitentiary from 1942 to 1945. After 1945, active as a freelance artist, besides also in Leipzig as a teacher at the Academy of Visual Arts. Literature : Vollmer. Call time 28 | Oct 2023 | expected 15:46 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
NEROSLOW, Alexander(1891 St. Petersburg - 1971 Leipzig) Gehöft im WinterPastell. Rechts unten monogrammiert, verso Nachlass-Stempel des Künstlers. Passepartoutausschnitt. Gerahmt & hinter Glas : 62 x 82 cm. Bauer mit Pferd auf dem Weg zum Hof an einem Winterabend. Deutsch-russischer Maler, studierte Architektur in Dresden, später Werkstudent bei Arthur Lewin-Funcke, dort unter anderem auch unter Lovis Corinth. Danach Schüler von Edmund Kesting. Engagierte sich gegen die Nationalsozialisten und kam von 1942 bis 1945 als politischer Gefangener ins Zuchthaus Waldheim. Nach 1945 als freischaffender Künstler tätig, daneben auch in Leipzig als Lehrer an der Hochschule für Grafik und Buchkunst tätig. Literatur : Vollmer. Aufrufzeit 28. | Okt 2023 | voraussichtlich 15:47 Uhr (CET) NEROSLOW, Alexander(1891 St. Petersburg - 1971 Leipzig) Farmstead in WinterPastel. Monogrammed lower right, verso estate stamp of the artist. Passepartout cutout. Framed & behind glass : 62 x 82 cm. Farmer with horse on the way to the farm on a winter evening. German-Russian painter, studied architecture in Dresden, later working student of Arthur Lewin-Funcke, there among others also under Lovis Corinth. Afterwards student of Edmund Kesting. Was active against the National Socialists and was a political prisoner in the Waldheim penitentiary from 1942 to 1945. After 1945, active as a freelance artist, besides also in Leipzig as a teacher at the Academy of Visual Arts. Literature : Vollmer. Call time 28 | Oct 2023 | expected 15:47 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
RUZICKA, Othmar(1877 Wien - 1962) Spätsommerliche LandschaftÖl/Leinwand. Rechts unten schwach signiert, verso Nachlass-Stempel des Künstlers. 40 x 65 cm. Kornhocken im Sonnenschein auf einem Hügel unter leicht bedecktem Himmel. Ein kleiner Defekt. Österreichischer Genre- und Bildnismaler, Schüler der Wiener Akademie unter Berger, Eisenmenger, Griepenkerl und Pochwalski. Literatur : Thieme/Becker. Aufrufzeit 28. | Okt 2023 | voraussichtlich 15:51 Uhr (CET) RUZICKA, Othmar(1877 Vienna - 1962) Late summer landscapeOil / canvas. Faintly signed lower right, artist's estate stamp on verso. 40 x 65 cm. Corn squatting in the sunshine on a hill under slightly overcast sky. A small defect. Austrian genre and portrait painter, student of the Vienna Academy under Berger, Eisenmenger, Griepenkerl and Pochwalski. Literature : Thieme/Becker. Call time 28 | Oct 2023 | probably 15:51 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
DAHLEN, Paul(1881 Karlsruhe - 1954 Wiesbaden) "Stiefmütterchen"Öl/Leinwand. Rechts unten signiert, verso auf Keilrahmen wohl vom Künstler signiert/betitelt sowie Künstlerstempel. 43 x 43 cm. Gerahmt : 55 x 54,5 cm. Die verschiedenfarbigen Blumen in drei Töpfen auf einem Tisch im hellen Licht. Deutscher Maler, studierte an der Akademie Karlsruhe, Meisterschüler von Wilhelm Trübner, tätig in Wiesbaden. Literatur : Thieme/Becker. Aufrufzeit 28. | Okt 2023 | voraussichtlich 19:23 Uhr (CET) DAHLEN, Paul(1881 Karlsruhe - 1954 Wiesbaden) "Pansies"Oil/canvas. Signed lower right, verso on stretcher probably signed/titled by the artist as well as artist's stamp. 43 x 43 cm. Framed : 55 x 54.5 cm. The different colored flowers in three pots on a table in the bright light. German painter, studied at the Academy of Karlsruhe, master student of Wilhelm Trübner, active in Wiesbaden. Literature : Thieme/Becker. Call time 28 | Oct 2023 | probably 19:23 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
MUTTERLOSE, Heinz(1927 Schkeuditz - 1995 ebd.) Ostsee mit weißem BootAquarell. Rechts unten signiert, verso Künstlerstempel sowie Nr. "Osee-017". (19)75. Passepartoutausschnitt 41,5 x 58,5 cm. Gerahmt & hinter Glas : 63 x 83 cm. Deutscher Maler, Zeichner und Grafiker, studierte an der Kunstgewerbeschule Leipzig sowie an der Burg Giebichenstein in Halle, ab 1951 freiberuflich in Schkeuditz und Leipzig. Aufrufzeit 28. | Okt 2023 | voraussichtlich 19:55 Uhr (CET) MOTHERLESS, Heinz(1927 Schkeuditz - 1995 ibid.) Baltic Sea with White BoatWatercolor. Signed lower right, verso artist's stamp and no. "Osee-017". (19)75. Passepartout cutout 41.5 x 58.5 cm. Framed & behind glass : 63 x 83 cm. German painter, draftsman and graphic artist, studied at the Leipzig School of Arts and Crafts as well as at Burg Giebichenstein in Halle, from 1951 freelance in Schkeuditz and Leipzig. Call time 28. | Oct 2023 | probably 19:55 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Russischer Maler: Fünf ArbeitenJe Öl/Malkarton. Je links oder rechts unten monogrammiert, verso einmal russischer Stempel. 20. Jh. Von 22 x 56 cm bis 79 x 50 cm. An den Rändern Knicke, Risse oder Fehlstellen. Aufrufzeit 28. | Okt 2023 | voraussichtlich 20:28 Uhr (CET) Russian painter: Five worksEach oil / painting cardboard. Each monogrammed lower left or right, Russian stamp on verso once. 20th c. From 22 x 56 cm to 79 x 50 cm. At the edges creases, tears or missing parts. Call time 28th | Oct 2023 | probably 20:28 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Russische Silberschale. Grachev, St. Petersburg. Meisterstempel/84 Zolotniki/Stadtmarke. Um 1880. 10 x 20,5 x 10,5 cm. 385 g. Ovaler, teilgerippter Korpus mit Holzhenkeln und bekrönter Monogrammgravur "JV". Henkel minimal gelockert, mit Trockenrissen. Aufrufzeit 25. | Okt 2023 | voraussichtlich 16:23 Uhr (CET)Russian silver bowl. Grachev, St. Petersburg. Master stamp/84 Zolotniki/city mark. Circa 1880. 10 x 20.5 x 10.5 cm. 385 g. Oval, partially ribbed body with wooden handles and crowned monogram engraving "JV". Handle minimally loosened, with drying cracks. Call time 25 | Oct 2023 | expected 16:23 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Klassizistische Zuckerdose. Breslau. Beschauzeichen/verschlagenes Meisterzeichen IOS?/Jahresbuchstabe M/preussischer Steuerstempel FW gepunzt. 1809-1812. 7,5 x 12,5 x 8,5 cm. 382 g. Verschließbare, rechteckige Silberdose mit Reliefband und Blütenmedaillons. 1 Schlüssel. Kleine Dellen, Lötspuren an den Füßchen. Aufrufzeit 25. | Okt 2023 | voraussichtlich 16:25 Uhr (CET)Classical sugar bowl. Breslau. Mark of inspection/shuttered master's mark IOS?/year letter M/Prussian tax stamp FW punched. 1809-1812. 7.5 x 12.5 x 8.5 cm. 382 g. Lockable rectangular silver box with relief band and floral medallions. 1 key. Small dents, solder marks on the feet. Call time 25 | Oct 2023 | expected 16:25 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Biedermeier-Milchkännchen. 12 Lot/undeutlicher Meisterstempel gepunzt. 19. Jh. Silber, innen vergoldet. H 11,5 cm. 186 g. Gebauchte Form, ebonisierter Holzhenkel und Steckdeckel mit Kugelknauf. Henkel etwas berieben. Aufrufzeit 25. | Okt 2023 | voraussichtlich 16:31 Uhr (CET)Biedermeier milk jug. 12 lot/undeuterated master stamp punched. 19th c. Silver, gilded inside. H 11,5 cm. 186 g. Built form, ebonized wooden handle and plug-in lid with ball knob. handle somewhat rubbed. Call time 25 | Oct 2023 | expected 16:31 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Prunkvolle 4-teilige Silbergarnitur und schweres Tablett. Daniel & Charles Houle, London. Alle Teile mit vollständiger Punzierung, mit Steuerstempel Queen Victoria. 1880. Sterlingsilber. H 14,5 - 26,5 cm. 8387 g. Schweres, reich reliefiertes Kernstück mit Figuren-Szenen: 2 Kannen, Zuckerdose und Sahnegießer. Dazu ergänztes Ovaltablett von 1871 mit Wappengravur und Motto: "Fidus ad Finem", L 74 cm. Gebrauchsspuren. Aufrufzeit 25. | Okt 2023 | voraussichtlich 17:43 Uhr (CET)Ostentatious 4-piece silver set and heavy tray. Daniel & Charles Houle, London. All pieces with full hallmark, with tax stamp Queen Victoria. 1880. Sterling silver. H 14,5 - 26,5 cm. 8387 g. Heavy, richly relieved core piece with figure scenes: 2 jugs, sugar bowl and cream jug. In addition ergänztes oval tray from 1871 with coat of arms engraving and motto: "Fidus ad Finem", L 74 cm. Traces of use. Call time 25 | Oct 2023 | expected 17:43 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Silbernes Milchkännchen. Firmenstempel P.S. Co/Sterling gepunzt. 20. Jh. USA. Sterlingsilber. H 9 cm. 131 g. Facettierte Form auf Rundfuß, mit Monogrammgravur "LWR". Aufrufzeit 25. | Okt 2023 | voraussichtlich 17:50 Uhr (CET)Silver milk jug. Company stamp P.S. Co/Sterling hallmarked. 20th c. USA. Sterling silver. H 9 cm. 131 g. Faceted form on round base, with monogram engraving "LWR". Call time 25 | Oct 2023 | expected 17:50 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
6 Silberbecher. Zarampella, Padua. Beschauzeichen/Firmenstempel/925 gepunzt. Ab 1968. Italien. Sterlingsilber. H 6 cm. 308 g. Schlichte kleine Becher mit Profilrand und Innenvergoldung. Aufrufzeit 25. | Okt 2023 | voraussichtlich 17:59 Uhr (CET)6 silver cups. Zarampella, Padua. Show mark/company stamp/925 hallmarked. From 1968. italy. Sterling silver. H 6 cm. 308 g. Simple small cup with profile rim and interior gilding. Call time 25 | Oct 2023 | expected 17:59 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Goldene Damensavonette. Um 1910. Gehäusenr. 42025.Ungemarktes Werk mit Zylinderhemmung, Reifenunruh, Steinen, Kronenaufzug. Läuft kurz an, revisionsbedürftig. Weißes Emailzifferblatt mit arabischen Zahlen, Minutenkranz und floralen Zeigern.585 gepunzt, Schweizer Beschauzeichen, Feingehaltsstempel, Firmenmarke, Staubdeckel aus Metall. Ø 2,9 cm. 19 g. Glattes Sprungdeckelgehäuse. Aufrufzeit 25. | Okt 2023 | voraussichtlich 18:20 Uhr (CET) Golden lady's pavonette. Around 1910. case no. 42025.Unmarket movement with cylinder escapement, tire balance, jewels, crown winding. Runs short, in need of revision. White enamel dial with Arabic numerals, minute ring and floral hands.585 hallmarked, Swiss hallmark, fineness stamp, company mark, metal dust cover. Ø 2,9 cm. 19 g. Smooth jump cover case. Call time 25 | Oct 2023 | expected 18:20 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Goldene Savonette. A. LANGE & SÖHNE. Um 1905. Qualität 1a. Werknr. 46933, Gehäusenr. 46933.Gemarktes, gekörnt vergoldetes Dreiviertelplatinenwerk mit Glashütter Ankerhemmung, Schraubenkompensationsunruh, gebläuter Breguet-Spirale, Schwanenhalsfeinregulierung, Diamantdeckstein, verschraubten Chatons, Steinen, Kronenaufzug. Läuft. Weißes Emailzifferblatt mit arabischen Zahlen, Minutenkranz, kleiner Sekunde und Louis XV-Zeigern, gemarkt "A. Lange & Söhne Glashütte b/Dresden".750 gepunzt, Feingehaltsstempel, Firmenmarke, Staubdeckel aus Gold. Ø 5,2 cm. 107 g. Glattes Sprungdeckelgehäuse. Minimalste Gebrauchsspuren.In braunem Etui "G. Wolter [...] Dessau", kleiner Lederbeutel.Aufrufzeit 25. | Okt 2023 | voraussichtlich 18:24 Uhr (CET) Golden Savonette. A. LANGE & SÖHNE. About 1905. quality 1a. Movement no. 46933, case no. 46933.Market grained gilt three-quarter plate movement with Glashütte lever escapement, screw compensation balance, blued Breguet hairspring, swan neck fine adjustment, diamond cap jewel, screwed chatons, jewels, crown winding. Runs. White enamel dial with Arabic numerals, minute circle, small seconds and Louis XV hands, marked "A. Lange & Söhne Glashütte b/Dresden".750 hallmarked, fineness stamp, company mark, gold dust cover. Ø 5,2 cm. 107 g.Smooth spring lid handle. Minimal signs of use.In brown case "G. Wolter [...] Dessau", small leather pouch.Call time 25 | Oct 2023 | expected 18:24 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Große Jugendstil-Pendule mit Figurengruppe "L`Immortalité" nach Louis Auguste und Hippolyte François Moreau. Frankreich. Um 1900. Am Sockel eine Plakette "L`immortalité par L. & F. Moreau", seitlich geprägt "L. & F. Moreau", Gießerstempel."F. Marti" gemarktes Werk mit Halbstundenschlag auf Glocke, Werknr. 679. Läuft, Revision empfohlen. Weißes Emailzifferblatt mit farbiger Blumenmalerei, arabischen Zahlen, Minutenkranz und Romaines-Zeigern.Rötlicher Marmor, bronzierter Metallguss, Bronze. Ca. 82 x 46,5 x 20,5 cm. 18 kg. Elegantes Stufengehäuse, bekrönt von zwei allegorischen Jugendstil-Mädchen mit einer Tafel "Le génie a pour son domaine l`immortalité" (sinngemäße Übersetzung: Dem Genie gehört die Unsterblichkeit.). Alters- und Gebrauchsspuren, Zifferglas und Figurenattribute fehlen, partiell leichte Defekte, Aufsatz leicht gelockert.Mit Pendel, ohne Schlüssel.Versand nicht verfügbar.Aufrufzeit 25. | Okt 2023 | voraussichtlich 18:55 Uhr (CET) Large Art Nouveau pendule with group of figures "L`Immortalité" after Louis Auguste and Hippolyte François Moreau. France. Circa 1900. on the base a plaque "L`immortalité par L. & F. Moreau", stamped on the side "L. & F. Moreau", foundry stamp."F. Marti" marked movement with half hour strike on bell, movement no. 679. Running, revision recommended. White enamel dial with colored floral painting, Arabic numerals, minute ring and Romaines hands.Reddish marble, bronzed metal casting, bronze. Approx. 82 x 46.5 x 20.5 cm. 18 kg.Elegant stepped case, crowned by two allegorical Art Nouveau girls with a plaque "Le génie a pour son domaine l`immortalité" (Meaning translation: To the genius belongs immortality.). Signs of age and use, dial glass and figure attributes missing, partial slight defects, top slightly loosened.With pendulum, without key.Shipping not available.Call time 25 | Oct 2023 | expected 18:55 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Zierliche Französin "Celine". Jules Steiner, Paris. Kopfmarke: J. Steiner B te SGDG Paris F A 8, mit rotem Stempel "Le Parisien" und Körperstempel Bébé "Le Parisien". Ab 1892. Biskuitporzellan, Masse. L 37 cm. Kurbelkopf, feste blaue Paperweight-Augen, Ohrringe, blonde Mohairperücke. 11-teiliger Gliederkörper. Weißes Kleid mit rosa Schleifen, rosa Stoffhut, alte braune Schuhe. Kopf durchleuchtet: ohne Defekte, lediglich winzige Chips an den Ohrlöchern und 1 Brandriss hinter dem linken Ohr. Aufrufzeit 26. | Okt 2023 | voraussichtlich 10:01 Uhr (CET)Delicate French "Celine". Jules Steiner, Paris. Head mark: J. Steiner B te SGDG Paris F A 8, with red stamp "Le Parisien" and body stamp Bébé "Le Parisien". From 1892. Biscuit porcelain, mass. L 37 cm. Crank head, fixed blue paperweight eyes, earrings, blond mohair wig. 11-piece articulated body. White dress with pink bows, pink cloth hat, old brown shoes. Head x-rayed: without defects, only tiny chips on the ear holes and 1 burn crack behind the left ear. Call time 26th | Oct 2023 | expected 10:01 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Französisches Porzellankopfmädchen. Jumeau. Rot gestempelte Kopfmarke: Déposé Tête Jumeau 6. Körper mit verblasstem Stempel "Bébé Jumeau". Biskuitporzellan, Masse. L 38 cm. Kurbelkopf, feste braune Glasaugen, Ohrringe, blonde Mohairperücke. 11-teiliger Gliederkörper. Grünes Kleid mit Puffärmeln, alte Unterwäsche. Kopf an der Stirn restauriert, Körper mit Übermalungen und kleinen Farbdefekten. Aufrufzeit 26. | Okt 2023 | voraussichtlich 10:02 Uhr (CET)French porcelain head girl. Jumeau. Red stamped head mark: Déposé Tête Jumeau 6. body with faded stamp "Bébé Jumeau". Biscuit porcelain, mass. L 38 cm. Crank head, fixed brown glass eyes, earrings, blond mohair wig. 11-piece articulated body. Green dress with puff sleeves, old underwear. Head restored at the forehead, body with overpaintings and small paint defects. Call time 26 | Oct 2023 | expected 10:02 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Zierliche Mädchenpuppe "Nora". Simon & Halbig. S & H 1039 3 DEP gemarkt, mit rotem Stempel. Ab 1891. Biskuitporzellan, Masse. L 32 cm. Kurbelkopf, blaue Augen, blonde Echthaarwimpern, Ohrringe, blonde Mohairperücke. 9-teiliger Gliederkörper mit langen Oberschenkeln. Weißes Seidenkleid mit Spitzen in alter Art, passender Hut, weiße Schuhe. Kopf durchleuchtet: ohne Defekte. Aufrufzeit 26. | Okt 2023 | voraussichtlich 10:23 Uhr (CET)Delicate girl doll "Nora". Simon & Halbig. S & H 1039 3 DEP marked, with red stamp. From 1891. Biscuit porcelain, mass. L 32 cm. Crank head, blue eyes, blond human hair eyelashes, earrings, blond mohair wig. 9-piece articulated body with long thighs. White silk dress with lace in old style, matching hat, white shoes. Head x-rayed: without defects. Call time 26 | Oct 2023 | expected 10:23 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Puppenmädchen "Amelie". Kopfmarke: 9. Körper mit rotem Stempel: Made in Germany 47. Um 1900. Biskuitporzellan, Masse. L 49 cm. Kurbelkopf, grau-blaue Glasaugen, Ohrringe, jünger ergänzte rotbraune Echthaarperücke. 15-teiliger Gliederkörper. Weißes Kleid, braune Lederschuhe, Strohhut, weinrote Tasche mit Perlstickerei. Kopf durchleuchtet: einige Chips an der Halskurbel, Brandriss hinter dem linken Ohr. Körper mit Farbunterschieden. Aufrufzeit 26. | Okt 2023 | voraussichtlich 10:24 Uhr (CET)Doll girl "Amelie". Head mark: 9. body with red stamp: Made in Germany 47. c. 1900. Biscuit porcelain, mass. L 49 cm. Crank head, gray-blue glass eyes, earrings, younger supplemented reddish-brown human hair wig. 15-piece articulated body. White dress, brown leather shoes, straw hat, burgundy bag with beaded embroidery. Head x-rayed: some chips on the neck crank, burn crack behind the left ear. Body with color differences. Call time 26th | Oct 2023 | expected 10:24 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
7 Holzfiguren, darunter 3 Räuchermännchen. Meist Erzgebirge. 1x mit Stempel PBO gemarkt. Wohl Vorkrieg. Holz, farbig gefasst. H 13,5 - 27 cm. Bergmann als Leuchterfigur, Jäger, Feuerwehrmann und Frau als Räuchermännchen. Dazu 1 geschnitzte Flachfigur und Bergmann in weißer Uniform. Altersspuren, Trockenrisse, kleine Defekte. Aufrufzeit 26. | Okt 2023 | voraussichtlich 11:06 Uhr (CET)7 wooden figures, including 3 Räuchermännchen. Mostly Erzgebirge. 1x marked with stamp PBO. Probably pre-war. Wood, colored. H 13,5 - 27 cm. Miner as a candelabra figure, hunter, fireman and woman as a smoking man. In addition, 1 carved flat figure and miner in white uniform. Traces of age, dry cracks, small defects. Call time 26th | Oct 2023 | probably 11:06 clock (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
λ ERTÉ (FRENCH 1892-1990) HOME JOURNAL - COAT Ink Signed (lower right); stamped with studio stamp (verso) 28.5 x 21cm (11 x 8¼ in.) UnframedProvenance: Acquired directly from the artist and by descentExhibited: New York, Sonnabend GalleryThe proceeds from this collection of works by Erte will be donated to:Southbank Sinfonia, Grange Park Opera and Little Angel Theatre, Islington. Please visit our website for more information on these charities. Erté, a name synonymous with beauty, elegance, and innovation, stands as an icon in the world of 20th Century design, theatre, and fashion. Born Romain de Tirtoff in 1892 in St Petersburg, Russia, he moved to Paris in 1910 to pursue his dream of becoming an artist. His father, an Admiral in the Imperial fleet had wanted his only son to follow the family's naval tradition. In order to avoid the perceived shame to the family name he became known by his nickname, Erté, which was derived from the French pronunciation of his initials.Once in Paris he quickly found employment with the highly respected Parisian Couturier Paul Poiret and in 1915 Erté started supplying the fashion magazine Harper's Bazaar with illustrations and designs. This relationship would continue for the next twenty years and included an incredible 240 illustrated covers.His work for Harper's Bazaar brought him international acclaim and in 1925 he started working with many Hollywood producers, designing the sets and costumes. He is however most revered for his work with Parisian theatres, including the FoliesBergère, Bal Tabarin and Le Lido. Through his iconic fashion designs, illustrations, and theatrical costumes, Erté's legacy continues to inspire and captivate a century on, bringing timeless glamour and elegance to the present day. Condition Report: Unframed. Stuck down at left and right edge. Light fading to sheet throughout. Two black dots/marks to lower right corner possibly at point of conception. Also blue crayon to upper right corner. Please note there is collage where artist has removed a shape from the upper layer of the sheet and stuck this down below sitter's hand. Light surface dirt throughout. Condition Report Disclaimer
λ  ERTÉ (FRENCH 1892-1990) GENIE DU FEU Gouache Signed (lower left), stamped with studio stamp, inscribed and dated Aladin/Folies Bergere 1927/Genie du Feu (verso) 39 x 28.5cm (15¼ x 11 in.) UnframedProvenance: Acquired directly from the artist and by descentThe proceeds from this collection of works by Erte will be donated to:Southbank Sinfonia, Grange Park Opera and Little Angel Theatre, Islington. Please visit our website for more information on these charities. Erté, a name synonymous with beauty, elegance, and innovation, stands as an icon in the world of 20th Century design, theatre, and fashion. Born Romain de Tirtoff in 1892 in St Petersburg, Russia, he moved to Paris in 1910 to pursue his dream of becoming an artist. His father, an Admiral in the Imperial fleet had wanted his only son to follow the family's naval tradition. In order to avoid the perceived shame to the family name he became known by his nickname, Erté, which was derived from the French pronunciation of his initials.Once in Paris he quickly found employment with the highly respected Parisian Couturier Paul Poiret and in 1915 Erté started supplying the fashion magazine Harper's Bazaar with illustrations and designs. This relationship would continue for the next twenty years and included an incredible 240 illustrated covers.His work for Harper's Bazaar brought him international acclaim and in 1925 he started working with many Hollywood producers, designing the sets and costumes. He is however most revered for his work with Parisian theatres, including the FoliesBergère, Bal Tabarin and Le Lido. Through his iconic fashion designs, illustrations, and theatrical costumes, Erté's legacy continues to inspire and captivate a century on, bringing timeless glamour and elegance to the present day.
λ BERNARD BUFFET (FRENCH 1928-1999) NATURE MORTE AU VIOLON Oil on canvas Signed and dated 56 (upper right) 100 x 81cm (39¼ x 31¾ in.) Provenance: Sale, Aguttes, Lyon, 21 February 2013, lot 84 Acquired from the above sale by the present ownerThis work is recorded in the Bernard Buffet Archives at the Galerie Maurice Garnier.The present lot evokes a sense of stillness and isolation. The violin rests precariously on the edge of the chair, leaning over the open crimson red case. The chair itself appears unsteady, tilting towards the left and set slightly off centre, a compositional approach that Buffet often employed to create a sense of unease in his works.Bernard Buffet's deliberate and oversized signature is a prominent feature that fills the canvas, serving as his mark and stamp of approval incorporated directly into the painting rather than an afterthought. Unlike some artists who place their signatures neatly in the corner, Buffet's signature becomes an integral element of the composition. In an archival video of Buffet working in his studio, he can be seen reaching for a handful of brushes with his left hand. With a single long thin brush, he applies jet black paint to the canvas, pulling quickly downwards to create the first line of his initial 'B'. Suddenly, he switches to the other side of the canvas, still using the same brush, and adds erratic short sharp brushstrokes to an already heavily painted area. He then puts the brush down and uses his finger and a palette knife to merge and smooth a section of impasto. His shirt splattered in paint, Buffet eventually returns to complete the signature. Bernard Buffet was born in Paris in 1928. He enrolled at the Ecole des Beaux Arts in 1943 and quickly gained recognition, showcasing his first solo exhibition in 1947. He received substantial support from art critic Pierre Descargues, which propelled his career. By the early 1950s, Buffet's distinctive style was not only recognized in Paris but also on the international art scene. In 1971, he was awarded the Légion d'honneur and was elected as a member of the Académie des Beaux-Arts in 1974. Buffet's works are exhibited in national collections worldwide, including the Tate in London, the Museum of Modern Art in New York, and a dedicated museum in Japan that holds over 2,000 of his works. Condition Report: The canvas is not relined. There is no evidence of retouching visible under ultraviolet light. In good original condition.Condition Report Disclaimer
λ  ERTÉ (FRENCH 1892-1990) LA PRINCESSE LOINTAINE: LE FRERE TROPHIME; LE PATRON DE LA NEF; NICHOLOSE Goauche All signed (lower right), stamped with studio stamp, titled and dated X-1929 (verso) Each 39 x 28cm (15¼ x 11 in.) Unframed (3)Provenance: Purchased directly from the artist and by descentThe proceeds from this collection of works by Erte will be donated to:Southbank Sinfonia, Grange Park Opera and Little Angel Theatre, Islington. Please visit our website for more information on these charities. Erté, a name synonymous with beauty, elegance, and innovation, stands as an icon in the world of 20th Century design, theatre, and fashion. Born Romain de Tirtoff in 1892 in St Petersburg, Russia, he moved to Paris in 1910 to pursue his dream of becoming an artist. His father, an Admiral in the Imperial fleet had wanted his only son to follow the family's naval tradition. In order to avoid the perceived shame to the family name he became known by his nickname, Erté, which was derived from the French pronunciation of his initials.Once in Paris he quickly found employment with the highly respected Parisian Couturier Paul Poiret and in 1915 Erté started supplying the fashion magazine Harper's Bazaar with illustrations and designs. This relationship would continue for the next twenty years and included an incredible 240 illustrated covers.His work for Harper's Bazaar brought him international acclaim and in 1925 he started working with many Hollywood producers, designing the sets and costumes. He is however most revered for his work with Parisian theatres, including the FoliesBergère, Bal Tabarin and Le Lido. Through his iconic fashion designs, illustrations, and theatrical costumes, Erté's legacy continues to inspire and captivate a century on, bringing timeless glamour and elegance to the present day.
λ  ERTÉ (FRENCH 1892-1990) LE MAGICIEN Gouache and gold paint Signed (lower right); stamped with studio stamp (verso) 37.5 x 27.5cm (14¾ x 10¾ in.) UnframedExecuted circa 1955.Provenance: Purchased directly from the artist and by descentThe proceeds from this collection of works by Erté will be donated to:Southbank Sinfonia, Grange Park Opera and Little Angel Theatre, Islington. Please visit our website for more information on these charities. Erté, a name synonymous with beauty, elegance, and innovation, stands as an icon in the world of 20th Century design, theatre, and fashion. Born Romain de Tirtoff in 1892 in St Petersburg, Russia, he moved to Paris in 1910 to pursue his dream of becoming an artist. His father, an Admiral in the Imperial fleet had wanted his only son to follow the family's naval tradition. In order to avoid the perceived shame to the family name he became known by his nickname, Erté, which was derived from the French pronunciation of his initials.Once in Paris he quickly found employment with the highly respected Parisian Couturier Paul Poiret and in 1915 Erté started supplying the fashion magazine Harper's Bazaar with illustrations and designs. This relationship would continue for the next twenty years and included an incredible 240 illustrated covers.His work for Harper's Bazaar brought him international acclaim and in 1925 he started working with many Hollywood producers, designing the sets and costumes. He is however most revered for his work with Parisian theatres, including the FoliesBergère, Bal Tabarin and Le Lido. Through his iconic fashion designs, illustrations, and theatrical costumes, Erté's legacy continues to inspire and captivate a century on, bringing timeless glamour and elegance to the present day.
HENRI GAUDIER-BRZESKA (FRENCH 1891-1915) MALE NUDE CROUCHING Pen and ink Stamped with H.S. Ede Collection stamp (lower left) 36 x 38cm (14 x 14¾ in.)Provenance: Mercury Gallery, London Condition Report: Unexamined out of glazed frame. Sheet appears to be stuck down to card. A couple of handling creases scattered across the extreme edges of the sheet. A couple of nicks and small tears to the extreme edges. Discolouration most notable to the left edge and upper edge. Condition Report Disclaimer
λ  ERTÉ (FRENCH 1892-1990) RHAPSODY IN BLUE: THE ROCKETTS; DANCER GIRLS Gouache Both signed (lower right); stamped with studio stamp and titled (verso) Each 37.5 x 27cm (14¾ x 10½ in.) Unframed (2)Provenance: Purchased directly from the artist and by descentThe proceeds from this collection of works by Erté will be donated to:Southbank Sinfonia, Grange Park Opera and Little Angel Theatre, Islington. Please visit our website for more information on these charities. Erté, a name synonymous with beauty, elegance, and innovation, stands as an icon in the world of 20th Century design, theatre, and fashion. Born Romain de Tirtoff in 1892 in St Petersburg, Russia, he moved to Paris in 1910 to pursue his dream of becoming an artist. His father, an Admiral in the Imperial fleet had wanted his only son to follow the family's naval tradition. In order to avoid the perceived shame to the family name he became known by his nickname, Erté, which was derived from the French pronunciation of his initials.Once in Paris he quickly found employment with the highly respected Parisian Couturier Paul Poiret and in 1915 Erté started supplying the fashion magazine Harper's Bazaar with illustrations and designs. This relationship would continue for the next twenty years and included an incredible 240 illustrated covers.His work for Harper's Bazaar brought him international acclaim and in 1925 he started working with many Hollywood producers, designing the sets and costumes. He is however most revered for his work with Parisian theatres, including the FoliesBergère, Bal Tabarin and Le Lido. Through his iconic fashion designs, illustrations, and theatrical costumes, Erté's legacy continues to inspire and captivate a century on, bringing timeless glamour and elegance to the present day.
λ  ERTÉ (FRENCH 1892-1990) RHAPSODY IN BLUE: GIRL DANCING WITH THE RABBIT; THE DANCER BOYS Gouache Both signed (lower right); stamped with studio stamp and titled (verso) Each 38 x 27.5cm (14¾ x 10¾ in.) Unframed (2)Provenance: Purchased directly from the artist and by descentThe proceeds from this collection of works by Erté will be donated to:Southbank Sinfonia, Grange Park Opera and Little Angel Theatre, Islington. Please visit our website for more information on these charities. Erté, a name synonymous with beauty, elegance, and innovation, stands as an icon in the world of 20th Century design, theatre, and fashion. Born Romain de Tirtoff in 1892 in St Petersburg, Russia, he moved to Paris in 1910 to pursue his dream of becoming an artist. His father, an Admiral in the Imperial fleet had wanted his only son to follow the family's naval tradition. In order to avoid the perceived shame to the family name he became known by his nickname, Erté, which was derived from the French pronunciation of his initials.Once in Paris he quickly found employment with the highly respected Parisian Couturier Paul Poiret and in 1915 Erté started supplying the fashion magazine Harper's Bazaar with illustrations and designs. This relationship would continue for the next twenty years and included an incredible 240 illustrated covers.His work for Harper's Bazaar brought him international acclaim and in 1925 he started working with many Hollywood producers, designing the sets and costumes. He is however most revered for his work with Parisian theatres, including the FoliesBergère, Bal Tabarin and Le Lido. Through his iconic fashion designs, illustrations, and theatrical costumes, Erté's legacy continues to inspire and captivate a century on, bringing timeless glamour and elegance to the present day.
A cased Edwardian silver card/stamp case, Sydney & Co, Birmingham 1903, with figural decoration to one side and a garden scene on the reverse, presented within fitted case, 10.5cm wideCondition:Hallmarks clear, clasp in good working order and secure, general wear in keeping with age but no significant visible damage, refer to images, some wear to outer case
A George II silver cream jug, of baluster form with later embossed decoration, together with a George III silver cream jug with later embossed decoration, a bright cut engraved silver vesta case, a silver miniature model of a chair, a miniature white metal purse stamped '925', a silver stamp case in the form of an envelope and a Vulcanite vesta case, total weight of silver approx 7.1oz (7) (some damage)
Fabergé, a nephrite and gold bell push, workmaster Henrik Wigström, late 19th century, composed of polished green nephrite, the circular foot tapering up into a domed button, trimmed in gold with a fringe of acanthus leaf motifs, the foot with a gold band of laurel leaves, supported on three fluted circular feet, the base issuing a wire, measuring 6.1 x 6.1 x 4.5cm, signed Fabergé, Russian assay mark, workmaster's stamp HW, scratched inventory number 14197
A gold, enamel and diamond snuff box, of oval outline, centring on the cipher of Tsar Nicholas II, set with rose-cut diamonds, within a border of larger rose-cut diamonds and surmounted by a crown set with cabochon rubies, to a ground of radiating pale and deep blue guilloché enamel, the box sides with deep blue guilloché enamel, the juncture between box and lid lined with a border of laurel leaves in gold, centring on a cabochon ruby within scrolled borders of rose-cut diamonds, opening to reveal a plain gold interior, measuring 6.2 x 5.1 x 3cm, spurious Russian marks for Fabergé and Henrik Wigström, gross weight 141 grams, fitted wooden case with spurious Fabergé stamp
German. WW2 Luftwaffe Fallschirmjager Paratrooper's Shrapnel Damaged Helmet. A good scarce late WW2 production example with original painted finish and allow screws. To the left side is shrapnel damage. The interior retains leather lining with maker's and size ink stamps. Complete with original leather chinstrap harness, this slightly reduced in length and the loop to the buckle is absent. The inside of the shell with the stamp "CKL66 4883"
German Third Reich Police Double Decal Steel Helmet. A scarce rolled edge example with Police eagle to the left side (75% present) and Swastika shield to the right (90%). Retaining original painted finish to the shell. The interior with alloy band (maker stamped and 1938) supporting leather lining and chinstrap. Also to the crown interior an ink stamp including The interior of the shell stamped with the number E154 and NS66. Some minor service and age wear GC.
RAF Air Officer's Field Service Side Cap by Bates. A good and scarce early EIIR example of the Regulation pattern worn by Air Officers. The side cap with light blue piping to the curtain, peak flash and crown. Complete with Queen's Crown bullion cap badge and mounted gilt buttons. The interior with cotton lining and tailo'rs stamp of Bates London. Some service wear. GC.
Imperial German Prussian Artillery WW1 1915 dated Pickelhaube. A good example, with brass fittings to the helmet plate, ball top, edge trimming and rear spin. The interior with lining and issue stamp 1915 etc. The helmet retains a good shape, but please note heavy restoration to the front peak, fitted with replacement cockades, chin strap original but broken.
WW2 RAMC 11th Armoured Division Battledress Blouse and Cap. Uniform A rare as worn example of the 1940 pattern Battledress Blouse. To each arm RAMC shoulder titles, printed on felt 11th Armoured formation badges and RAMC arm of service. The right cuff with service chevrons and an unusual crimson RAMC band. Medal ribbons indicate service through North West Europe. The interior with issue label and WD stamp indicating 1942. Accompanied by a 1922 pattern Other Ranks cap retaining original RAMC plastic economy cap badge. Overall GC (2 parts)
12th (Prince of Wales's Royal) Lancers lance cap circa 1882-1905. A good example of black patent leather body, peak and crown top with ornate brass foliage bosses to each corner, red cloth upper. Triangular fluted plate bearing Prince of Wales plumes over Royal Arms above Sphinx on Egypt plinth flanked by SOUTH AFRICA 1851.2.3 and CENTRAL INDIA scrolls; across the base a tri-part scroll PENINSULA SEVASTOPOL WATERLOO. Lion head bosses to each side support a brass leather backed chin chain. Woollen blue on yellow boss with regimental Victorian button supports a scarlet horsehair plume in its brass holder. Leather and waxed cotton sweatband to the interior, also a 1902 WD ink issue stamp. Slight age wear GC.
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