7 Holzfiguren, darunter 3 Räuchermännchen. Meist Erzgebirge. 1x mit Stempel PBO gemarkt. Wohl Vorkrieg. Holz, farbig gefasst. H 13,5 - 27 cm. Bergmann als Leuchterfigur, Jäger, Feuerwehrmann und Frau als Räuchermännchen. Dazu 1 geschnitzte Flachfigur und Bergmann in weißer Uniform. Altersspuren, Trockenrisse, kleine Defekte. Aufrufzeit 26. | Okt 2023 | voraussichtlich 11:06 Uhr (CET)7 wooden figures, including 3 Räuchermännchen. Mostly Erzgebirge. 1x marked with stamp PBO. Probably pre-war. Wood, colored. H 13,5 - 27 cm. Miner as a candelabra figure, hunter, fireman and woman as a smoking man. In addition, 1 carved flat figure and miner in white uniform. Traces of age, dry cracks, small defects. Call time 26th | Oct 2023 | probably 11:06 clock (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
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λ ERTÉ (FRENCH 1892-1990) HOME JOURNAL - COAT Ink Signed (lower right); stamped with studio stamp (verso) 28.5 x 21cm (11 x 8¼ in.) UnframedProvenance: Acquired directly from the artist and by descentExhibited: New York, Sonnabend GalleryThe proceeds from this collection of works by Erte will be donated to:Southbank Sinfonia, Grange Park Opera and Little Angel Theatre, Islington. Please visit our website for more information on these charities. Erté, a name synonymous with beauty, elegance, and innovation, stands as an icon in the world of 20th Century design, theatre, and fashion. Born Romain de Tirtoff in 1892 in St Petersburg, Russia, he moved to Paris in 1910 to pursue his dream of becoming an artist. His father, an Admiral in the Imperial fleet had wanted his only son to follow the family's naval tradition. In order to avoid the perceived shame to the family name he became known by his nickname, Erté, which was derived from the French pronunciation of his initials.Once in Paris he quickly found employment with the highly respected Parisian Couturier Paul Poiret and in 1915 Erté started supplying the fashion magazine Harper's Bazaar with illustrations and designs. This relationship would continue for the next twenty years and included an incredible 240 illustrated covers.His work for Harper's Bazaar brought him international acclaim and in 1925 he started working with many Hollywood producers, designing the sets and costumes. He is however most revered for his work with Parisian theatres, including the FoliesBergère, Bal Tabarin and Le Lido. Through his iconic fashion designs, illustrations, and theatrical costumes, Erté's legacy continues to inspire and captivate a century on, bringing timeless glamour and elegance to the present day. Condition Report: Unframed. Stuck down at left and right edge. Light fading to sheet throughout. Two black dots/marks to lower right corner possibly at point of conception. Also blue crayon to upper right corner. Please note there is collage where artist has removed a shape from the upper layer of the sheet and stuck this down below sitter's hand. Light surface dirt throughout. Condition Report Disclaimer
λ  ERTÉ (FRENCH 1892-1990) GENIE DU FEU Gouache Signed (lower left), stamped with studio stamp, inscribed and dated Aladin/Folies Bergere 1927/Genie du Feu (verso) 39 x 28.5cm (15¼ x 11 in.) UnframedProvenance: Acquired directly from the artist and by descentThe proceeds from this collection of works by Erte will be donated to:Southbank Sinfonia, Grange Park Opera and Little Angel Theatre, Islington. Please visit our website for more information on these charities. Erté, a name synonymous with beauty, elegance, and innovation, stands as an icon in the world of 20th Century design, theatre, and fashion. Born Romain de Tirtoff in 1892 in St Petersburg, Russia, he moved to Paris in 1910 to pursue his dream of becoming an artist. His father, an Admiral in the Imperial fleet had wanted his only son to follow the family's naval tradition. In order to avoid the perceived shame to the family name he became known by his nickname, Erté, which was derived from the French pronunciation of his initials.Once in Paris he quickly found employment with the highly respected Parisian Couturier Paul Poiret and in 1915 Erté started supplying the fashion magazine Harper's Bazaar with illustrations and designs. This relationship would continue for the next twenty years and included an incredible 240 illustrated covers.His work for Harper's Bazaar brought him international acclaim and in 1925 he started working with many Hollywood producers, designing the sets and costumes. He is however most revered for his work with Parisian theatres, including the FoliesBergère, Bal Tabarin and Le Lido. Through his iconic fashion designs, illustrations, and theatrical costumes, Erté's legacy continues to inspire and captivate a century on, bringing timeless glamour and elegance to the present day.
λ BERNARD BUFFET (FRENCH 1928-1999) NATURE MORTE AU VIOLON Oil on canvas Signed and dated 56 (upper right) 100 x 81cm (39¼ x 31¾ in.) Provenance: Sale, Aguttes, Lyon, 21 February 2013, lot 84 Acquired from the above sale by the present ownerThis work is recorded in the Bernard Buffet Archives at the Galerie Maurice Garnier.The present lot evokes a sense of stillness and isolation. The violin rests precariously on the edge of the chair, leaning over the open crimson red case. The chair itself appears unsteady, tilting towards the left and set slightly off centre, a compositional approach that Buffet often employed to create a sense of unease in his works.Bernard Buffet's deliberate and oversized signature is a prominent feature that fills the canvas, serving as his mark and stamp of approval incorporated directly into the painting rather than an afterthought. Unlike some artists who place their signatures neatly in the corner, Buffet's signature becomes an integral element of the composition. In an archival video of Buffet working in his studio, he can be seen reaching for a handful of brushes with his left hand. With a single long thin brush, he applies jet black paint to the canvas, pulling quickly downwards to create the first line of his initial 'B'. Suddenly, he switches to the other side of the canvas, still using the same brush, and adds erratic short sharp brushstrokes to an already heavily painted area. He then puts the brush down and uses his finger and a palette knife to merge and smooth a section of impasto. His shirt splattered in paint, Buffet eventually returns to complete the signature. Bernard Buffet was born in Paris in 1928. He enrolled at the Ecole des Beaux Arts in 1943 and quickly gained recognition, showcasing his first solo exhibition in 1947. He received substantial support from art critic Pierre Descargues, which propelled his career. By the early 1950s, Buffet's distinctive style was not only recognized in Paris but also on the international art scene. In 1971, he was awarded the Légion d'honneur and was elected as a member of the Académie des Beaux-Arts in 1974. Buffet's works are exhibited in national collections worldwide, including the Tate in London, the Museum of Modern Art in New York, and a dedicated museum in Japan that holds over 2,000 of his works. Condition Report: The canvas is not relined. There is no evidence of retouching visible under ultraviolet light. In good original condition.Condition Report Disclaimer
λ  ERTÉ (FRENCH 1892-1990) LA PRINCESSE LOINTAINE: LE FRERE TROPHIME; LE PATRON DE LA NEF; NICHOLOSE Goauche All signed (lower right), stamped with studio stamp, titled and dated X-1929 (verso) Each 39 x 28cm (15¼ x 11 in.) Unframed (3)Provenance: Purchased directly from the artist and by descentThe proceeds from this collection of works by Erte will be donated to:Southbank Sinfonia, Grange Park Opera and Little Angel Theatre, Islington. Please visit our website for more information on these charities. Erté, a name synonymous with beauty, elegance, and innovation, stands as an icon in the world of 20th Century design, theatre, and fashion. Born Romain de Tirtoff in 1892 in St Petersburg, Russia, he moved to Paris in 1910 to pursue his dream of becoming an artist. His father, an Admiral in the Imperial fleet had wanted his only son to follow the family's naval tradition. In order to avoid the perceived shame to the family name he became known by his nickname, Erté, which was derived from the French pronunciation of his initials.Once in Paris he quickly found employment with the highly respected Parisian Couturier Paul Poiret and in 1915 Erté started supplying the fashion magazine Harper's Bazaar with illustrations and designs. This relationship would continue for the next twenty years and included an incredible 240 illustrated covers.His work for Harper's Bazaar brought him international acclaim and in 1925 he started working with many Hollywood producers, designing the sets and costumes. He is however most revered for his work with Parisian theatres, including the FoliesBergère, Bal Tabarin and Le Lido. Through his iconic fashion designs, illustrations, and theatrical costumes, Erté's legacy continues to inspire and captivate a century on, bringing timeless glamour and elegance to the present day.
λ  ERTÉ (FRENCH 1892-1990) LE MAGICIEN Gouache and gold paint Signed (lower right); stamped with studio stamp (verso) 37.5 x 27.5cm (14¾ x 10¾ in.) UnframedExecuted circa 1955.Provenance: Purchased directly from the artist and by descentThe proceeds from this collection of works by Erté will be donated to:Southbank Sinfonia, Grange Park Opera and Little Angel Theatre, Islington. Please visit our website for more information on these charities. Erté, a name synonymous with beauty, elegance, and innovation, stands as an icon in the world of 20th Century design, theatre, and fashion. Born Romain de Tirtoff in 1892 in St Petersburg, Russia, he moved to Paris in 1910 to pursue his dream of becoming an artist. His father, an Admiral in the Imperial fleet had wanted his only son to follow the family's naval tradition. In order to avoid the perceived shame to the family name he became known by his nickname, Erté, which was derived from the French pronunciation of his initials.Once in Paris he quickly found employment with the highly respected Parisian Couturier Paul Poiret and in 1915 Erté started supplying the fashion magazine Harper's Bazaar with illustrations and designs. This relationship would continue for the next twenty years and included an incredible 240 illustrated covers.His work for Harper's Bazaar brought him international acclaim and in 1925 he started working with many Hollywood producers, designing the sets and costumes. He is however most revered for his work with Parisian theatres, including the FoliesBergère, Bal Tabarin and Le Lido. Through his iconic fashion designs, illustrations, and theatrical costumes, Erté's legacy continues to inspire and captivate a century on, bringing timeless glamour and elegance to the present day.
HENRI GAUDIER-BRZESKA (FRENCH 1891-1915) MALE NUDE CROUCHING Pen and ink Stamped with H.S. Ede Collection stamp (lower left) 36 x 38cm (14 x 14¾ in.)Provenance: Mercury Gallery, London Condition Report: Unexamined out of glazed frame. Sheet appears to be stuck down to card. A couple of handling creases scattered across the extreme edges of the sheet. A couple of nicks and small tears to the extreme edges. Discolouration most notable to the left edge and upper edge. Condition Report Disclaimer
λ  ERTÉ (FRENCH 1892-1990) RHAPSODY IN BLUE: THE ROCKETTS; DANCER GIRLS Gouache Both signed (lower right); stamped with studio stamp and titled (verso) Each 37.5 x 27cm (14¾ x 10½ in.) Unframed (2)Provenance: Purchased directly from the artist and by descentThe proceeds from this collection of works by Erté will be donated to:Southbank Sinfonia, Grange Park Opera and Little Angel Theatre, Islington. Please visit our website for more information on these charities. Erté, a name synonymous with beauty, elegance, and innovation, stands as an icon in the world of 20th Century design, theatre, and fashion. Born Romain de Tirtoff in 1892 in St Petersburg, Russia, he moved to Paris in 1910 to pursue his dream of becoming an artist. His father, an Admiral in the Imperial fleet had wanted his only son to follow the family's naval tradition. In order to avoid the perceived shame to the family name he became known by his nickname, Erté, which was derived from the French pronunciation of his initials.Once in Paris he quickly found employment with the highly respected Parisian Couturier Paul Poiret and in 1915 Erté started supplying the fashion magazine Harper's Bazaar with illustrations and designs. This relationship would continue for the next twenty years and included an incredible 240 illustrated covers.His work for Harper's Bazaar brought him international acclaim and in 1925 he started working with many Hollywood producers, designing the sets and costumes. He is however most revered for his work with Parisian theatres, including the FoliesBergère, Bal Tabarin and Le Lido. Through his iconic fashion designs, illustrations, and theatrical costumes, Erté's legacy continues to inspire and captivate a century on, bringing timeless glamour and elegance to the present day.
λ  ERTÉ (FRENCH 1892-1990) RHAPSODY IN BLUE: GIRL DANCING WITH THE RABBIT; THE DANCER BOYS Gouache Both signed (lower right); stamped with studio stamp and titled (verso) Each 38 x 27.5cm (14¾ x 10¾ in.) Unframed (2)Provenance: Purchased directly from the artist and by descentThe proceeds from this collection of works by Erté will be donated to:Southbank Sinfonia, Grange Park Opera and Little Angel Theatre, Islington. Please visit our website for more information on these charities. Erté, a name synonymous with beauty, elegance, and innovation, stands as an icon in the world of 20th Century design, theatre, and fashion. Born Romain de Tirtoff in 1892 in St Petersburg, Russia, he moved to Paris in 1910 to pursue his dream of becoming an artist. His father, an Admiral in the Imperial fleet had wanted his only son to follow the family's naval tradition. In order to avoid the perceived shame to the family name he became known by his nickname, Erté, which was derived from the French pronunciation of his initials.Once in Paris he quickly found employment with the highly respected Parisian Couturier Paul Poiret and in 1915 Erté started supplying the fashion magazine Harper's Bazaar with illustrations and designs. This relationship would continue for the next twenty years and included an incredible 240 illustrated covers.His work for Harper's Bazaar brought him international acclaim and in 1925 he started working with many Hollywood producers, designing the sets and costumes. He is however most revered for his work with Parisian theatres, including the FoliesBergère, Bal Tabarin and Le Lido. Through his iconic fashion designs, illustrations, and theatrical costumes, Erté's legacy continues to inspire and captivate a century on, bringing timeless glamour and elegance to the present day.
FDC. 7 x Assorted Benham FDC 3 x Engineering Achievements. Thames Flood Barrier. Emergency Support Vessel, IOLAIR. Humber Bridge. (Single stamp plus single postmark dated 25 May 1983). 4 x British Textiles. The Weaver. Factory children with typical Yorkshire mill in the background. Calico printing. Bleaching fields. (Single stamp plus single postmark dated 23 July 1982). Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
Gregor Fisher signed Scotland 45th Anniversary of the first regional stamp The Flying Scotsman FDC Edinburgh 14th October 2003. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
FDC. 10 x Assorted FDC Benham 150 years of Liverpool/Manchester Railway. 2 x North Star. 2 x Fury. 2 x Phoenix. 2 x Jupiter. 2 x Liverpool. (Single stamp plus single postmark 12 March 80). Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
FDC. 5 x Assorted FDC Colorano 'Silk' cachet. The Royal Air Force (Single stamp plus single postmark dated 16 Sept 86). Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
FDC. 5 x Assorted Benham 1946-1996 50 Anniversary Children's Television. Sooty's. Stingray. Wood Lane. Danger Mouse. The Clangers. (Single stamp plus single postmark dated 3 Sept 96). Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
David Hockney, a signed (in green and blue ink) 1992 European Arts Festival Silk FDC with insert. The stamp, (top right) was designed by Hockney, a British artist considered to be one of the most influential of the 20th century. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
Quentin Blake, two original signed items: a 6x4 official Roald Dahl BFG unused postcard. Plus, a signed 2012 FDC. Postmarked 10-1-12 with Charlie and the Chocolate Factory stamp. He has illustrated over 300 books, including 18 written by Roald Dahl, which are among his most popular works. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
FDC. 6 x Assorted Benham FDC 5 x London Landmarks plus 1 x London 1980. Royal Opera House. Buckingham Palace. Albert Memorial. Kensington Palace. Hampton Court. (Single stamp plus single postmark dated 9 April 1980. 7 May 80). Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
FDC. 5 x Assorted Benham FDC 50th Anniversary of the D-Day landings. Gold Beach. Pegasus Bridge. Juno Beach. Sword Beach. Utah Beach. (Single stamp plus single postmark dated 6.6.94). Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
Commissioner of AFFIDAVITS form 1872, Common Law Courts £1 Stamp Attached. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
FDC. 9 x Assorted Benham FDC 4 x British Birds. Kingfisher. Dipper. Moorhen. Yellow Wagtail. (Single stamp plus single postmark dated 16 Jan 1980). 5 x Springtime. Swallownest. Birdbrook. Wingfield. Featherstone. Ducklington. (Single stamp plus single postmark 14.3.1995). Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
FDC. 8 x Assorted Benham FDC Castle High Values (Single stamp plus single postmark dated 18/10/88 24/3/92). Windsor Castle. Edinburgh Castle. Caernarfon Castle. Carrickfergus Castle. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
Margaret Thatcher, British Prime Minister (1979-1990). A signed Isle of Man Votes for Women FDC, Postmarked 22 May 1981, with insert. Also, a Winston Churchill Silk FDC signed by the Marquess of Bath. With two stamps, one a Churchill 4d, stamped 'Longleat House Churchill Exhibition'. The other a Princess Anne and Mark Phillips stamp, postmarked Warminster Wilts, 6 Feb 74. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
FDC. 5 x Assorted Benham FDC 150th Anniversary of The Universal Penny Post. (Single stamp plus single postmark dated 10.1.1990)/. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
A cased Edwardian silver card/stamp case, Sydney & Co, Birmingham 1903, with figural decoration to one side and a garden scene on the reverse, presented within fitted case, 10.5cm wideCondition:Hallmarks clear, clasp in good working order and secure, general wear in keeping with age but no significant visible damage, refer to images, some wear to outer case
A George II silver cream jug, of baluster form with later embossed decoration, together with a George III silver cream jug with later embossed decoration, a bright cut engraved silver vesta case, a silver miniature model of a chair, a miniature white metal purse stamped '925', a silver stamp case in the form of an envelope and a Vulcanite vesta case, total weight of silver approx 7.1oz (7) (some damage)
Fabergé, a nephrite and gold bell push, workmaster Henrik Wigström, late 19th century, composed of polished green nephrite, the circular foot tapering up into a domed button, trimmed in gold with a fringe of acanthus leaf motifs, the foot with a gold band of laurel leaves, supported on three fluted circular feet, the base issuing a wire, measuring 6.1 x 6.1 x 4.5cm, signed Fabergé, Russian assay mark, workmaster's stamp HW, scratched inventory number 14197
A gold, enamel and diamond snuff box, of oval outline, centring on the cipher of Tsar Nicholas II, set with rose-cut diamonds, within a border of larger rose-cut diamonds and surmounted by a crown set with cabochon rubies, to a ground of radiating pale and deep blue guilloché enamel, the box sides with deep blue guilloché enamel, the juncture between box and lid lined with a border of laurel leaves in gold, centring on a cabochon ruby within scrolled borders of rose-cut diamonds, opening to reveal a plain gold interior, measuring 6.2 x 5.1 x 3cm, spurious Russian marks for Fabergé and Henrik Wigström, gross weight 141 grams, fitted wooden case with spurious Fabergé stamp
German. WW2 Luftwaffe Fallschirmjager Paratrooper's Shrapnel Damaged Helmet. A good scarce late WW2 production example with original painted finish and allow screws. To the left side is shrapnel damage. The interior retains leather lining with maker's and size ink stamps. Complete with original leather chinstrap harness, this slightly reduced in length and the loop to the buckle is absent. The inside of the shell with the stamp "CKL66 4883"
German Third Reich Police Double Decal Steel Helmet. A scarce rolled edge example with Police eagle to the left side (75% present) and Swastika shield to the right (90%). Retaining original painted finish to the shell. The interior with alloy band (maker stamped and 1938) supporting leather lining and chinstrap. Also to the crown interior an ink stamp including The interior of the shell stamped with the number E154 and NS66. Some minor service and age wear GC.
RAF Air Officer's Field Service Side Cap by Bates. A good and scarce early EIIR example of the Regulation pattern worn by Air Officers. The side cap with light blue piping to the curtain, peak flash and crown. Complete with Queen's Crown bullion cap badge and mounted gilt buttons. The interior with cotton lining and tailo'rs stamp of Bates London. Some service wear. GC.
Imperial German Prussian Artillery WW1 1915 dated Pickelhaube. A good example, with brass fittings to the helmet plate, ball top, edge trimming and rear spin. The interior with lining and issue stamp 1915 etc. The helmet retains a good shape, but please note heavy restoration to the front peak, fitted with replacement cockades, chin strap original but broken.
WW2 RAMC 11th Armoured Division Battledress Blouse and Cap. Uniform A rare as worn example of the 1940 pattern Battledress Blouse. To each arm RAMC shoulder titles, printed on felt 11th Armoured formation badges and RAMC arm of service. The right cuff with service chevrons and an unusual crimson RAMC band. Medal ribbons indicate service through North West Europe. The interior with issue label and WD stamp indicating 1942. Accompanied by a 1922 pattern Other Ranks cap retaining original RAMC plastic economy cap badge. Overall GC (2 parts)
12th (Prince of Wales's Royal) Lancers lance cap circa 1882-1905. A good example of black patent leather body, peak and crown top with ornate brass foliage bosses to each corner, red cloth upper. Triangular fluted plate bearing Prince of Wales plumes over Royal Arms above Sphinx on Egypt plinth flanked by SOUTH AFRICA 1851.2.3 and CENTRAL INDIA scrolls; across the base a tri-part scroll PENINSULA SEVASTOPOL WATERLOO. Lion head bosses to each side support a brass leather backed chin chain. Woollen blue on yellow boss with regimental Victorian button supports a scarlet horsehair plume in its brass holder. Leather and waxed cotton sweatband to the interior, also a 1902 WD ink issue stamp. Slight age wear GC.
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