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Click here to subscribeTwo Victorian Tunbridge ware stamp boxes, each decorated with a profile bust of Queen Victoria, with more than one thousand tesserae, the top with stickware, the sides with mosaic, one inscribed `POSTAGE STAMPS.`, the other `POSTAGE ONE PENNY`, 1½in (3.6cm) wide, 1Ύin (4cm) deep, max. (2) Provenance: The Alberto Rava Collection of Tunbridge ware.
λTwo Victorian Tunbridge ware and rosewood stamp boxes, the lids decorated with geometric designs, 1½in (3.5cm) square and two rectangular boxes. (4) This lot shows the evolution from `old` Tunbridge ware to a later higher quality output. Provenance: The Alberto Rava Collection of Tunbridge ware.
A Victorian Tunbridge ware and macassar ebony desk-stand attributed to Thomas Barton, with a turned ebony handle flanked by a pair of lidded cylindrical containers and two stamp boxes, with a central watch stand, pen tray, an ivory match stand and a metal striker, on bun feet, 5in (12.7cm) high, 8Ύin (21.8cm) wide, 5Ύin (14.5cm) deep.
A Staunton pattern boxwood and ebony chess set by Jaques & Son, the white king stamped `JAQUES LONDON`, with red crown marks to two knights and one rook, one rook with a plain stamp, weighted bases, the king: 4½in (11cm) high, the pawn: 2Όin (5.5cm) high, in a mahogany baize lined box with green trade label inscribed `THE Staunton Chessmen, TWO PRIZE MEDALS AWARDED, H. Staunton, Note this Signature, Without it none are Genuine. J. JAQUES & SON, LONDON, ENGLAND.`. (33)
THEODORE GERICAULT [FR 1791-1824], PENCIL, PEN & BROWN INK & BROWN WASH, DRAWING ON 2 SIDES: 13.5 x 21.5 cm [5 1/4" x 8 1/2"] total size; "La Mort de Paris" on recto; "Le Christ en Croix" [in pencil] on verso; P.O.D. in a circle stamp in far lower right corner; framed. Drawing done for the early stages of the "prix de Rome" contest in 1816 with the subject being "Oenone Refusant de Secourir Paris" [although he was not one of the finalists]. Provenance: sold by Hazlitt, Gooden & Fox Ltd., London England, 7-9-1986, catalogue No. 8, plate 8 in the Hazlitt, Gooden & Fox exhibition, "French Drawings, 19 June - 18 July 1986" - photocopies of the bill of sale and exhibition listing [also seen in the last photo detail] both in customer file. Collections: Brame, Saint Remy, 1878; Pierre Dubaut [Lugt 2103b]; Hans E. Buhler, Winterthur. Exhibited: Paris, Hotel Jean Charpentier, "Exposition Gericault", April May 1924, no. 76; New York, Marie Sterner Galleries, "First Exhibition in America of Gericault", 1936, no. 25; Paris, Galerie Bernheim-Jeune, "Exposition Gericault", May 1937, no 86; Paris, Galerie Bignou, "Gericault---cet inconnu", May June 1950, no. 2; Winterthur, Kunstmuseum, "Theodore Gericault", 1953, no. 119; Paris, Galerie Bernheim-Jeune, "Gros, Gericault, Delacroix", Paris 1954, no. 34. Literature: C. Clement, "Gericault, etude biographique et critique", 3rd edition, Paris 1879, p. 430, no. 92 bis; "Revue de l `art ancien et moderne, XI.VI, 1924, p. 53; L. Eitner, "Two Re-discovered Landscapes by Gericault and the Chronology of his Early Work" in "Art Bulletin", June 1954, p. 136, note 25; P. Dubaut and P. Nathan [eds.], "Sammlung Hans E. Buhler, Winterthur 1956, no. 44; L. Eitner, "Gericault`s `Dying Paris` and the Meaning of his Romantic Classicism" in "Master Drawings", Spring 1963, p. 26 [illustrated plate 21]; L. Eitner, "Reversals of Direction in Gericault`s Compositional Projects" in "Stil und Uberlieferung in der Kunst des Abendlandes, III, Berlin 1967, p. 129 [illustrated plate 21, 3]; C. Clement, "Gericault, etude biographique et critique", 3rd [1879] edition, New York 1974 preface and catalogue supplement by L. Eitner], p. 472, no. 92 bis; L. Eitner, "Gericault/His Life and Work", London 1983, pp. 87, 89 [illustrated fig. 69]; New York, San Diego and Houston, "Master Drawings by Gericault", June 1985 January 1986 [catalogue by P. Grunchee], p.59 [illustrated plate 17b]. All references as per the Hazlitt, Gooden & Fox catalogue listing [see photo detail].
CAMILLE PISSARRO [FR 1831-1903], BLACK CHALK, PEN & INK, WATERCOLOR, "AU MARCHÉ", 7 1/4`` X 4 1/4``: Above size is a sight size; 19 cm x 11.5 cm actual size. Double initialed lower right, "C.P." with atelier stamp [Lugt 613e]. C. 1890; Inscribed, "Delatre 20-3x d`epreuves 3x do" in the upper left; titled on verso. Sold by Hazlitt, Gooden & Fox Ltd., London England, 7-9-1986, catalogue no. 28, plate 30 in the Hazlitt, Gooden & Fox exhibition, "French Drawings, 19 June - 18 July 1986". Framed. Photocopies of the bill of sale and the exhibition listing [also seen in the last photo detail] both in customer file.
PAUL GAVARNI [FR 1804-1866], WATERCOLOR, GOUACHE, PEN & BROWN INK, H 11 1/2" X W 8" SIGHT, "PIERROT": Signed lower right; 30 x 21 cm full size [on bill of sale]; inscribed lower left: "Et, pour la Canaille et Messieurs les Militaires, un sou!"; Hetzel & Cie stamp No. 57 on verso of the paper indicating that the work was unpublished; framed. Provenance: purchased 7-12-1985, Hazlitt, Gooden & Fox Ltd, London, England, exhibition, "Nineteenth Century French Drawings, 13 June - 12 July 1985, cat. No. 10 [label on verso of framing - see photo detail, also photocopy of the bill of sale in customer file].
Eight-keyed maple bassoon by Johann Heinrich Wilhelm Grenser, Dresden, circa 1810, brass mounts, brass keys with circular covers on saddle mounts. with two later crooks, in fabric wallet, stamped H. Grenser, Dresden with the device of a crown and a further indecipherable stamp on the tenor joint, overall length 51 9/16", 131cm
Four items of 66th Berkshire and Royal Berkshire regimental porcelain dinner ware late 19th / early 20th century, comprising a footed leaf shaped dish with foliate scroll handle, impressed `GB` and retailer`s stamp for Sharpus & Co., 13 Cockspur Street, London, 9½in. (24.5cm.) diameter and a pair of Coalport half moon side plates, blue-green factory mark and retailer`s stamp for J. Defries & Sons, 147 Hounsditch, London, 9¼in. (23.5cm.) long, all with `66th The Berkshire` regimental crests and blue & gilt line rims; together with a Spode `Royal Berkshire Regt.` dinner plate centred with the regimental crest, factory mark and `T. Goode & Co, London` retailer`s mark to base, 9½in. (24cm.) diameter, some gilt wear. (4)
A Steinway rosewood cased Model O boudoir grand piano c.1924, the frame numbered 201384, with ivory keys, on square tapered legs and brass castors, gilt retailer`s stamp for `Dale Forty & Co. Ltd.` to edge of lid, 71in. (180cm.) long, 57¾in. (146.5cm.) wide, together with a buttoned leather adjustable piano stool. (2)
Royal interest - A 1969 Remploy Prince of Wales Investiture chair in Vermilion stained beech and plywood, the square back with gilt Prince of Wales feather crest, over a red square cushioned seat and deep bar arms, on square legs, 30½in. (77.5cm.) high, 21¼in. (54cm.) wide, maker`s trefoil stamp and date `1969` to base of seat. * This chair was used by the invited guests to the Prince of Wales Investiture at Caernarfon Castle 1st July 1969.
After Archibald Thorburn (1860-1935) Studies of Prey A set of twelve coloured prints, each signed in pencil, with blind stamp, published 1919 by A. Baird Carter each 29 x 20.5cm (12) * Provenance - With The Moorland Gallery, Cork Street, London *Notes - Published by A Baird Carter.The set of 11 published in 1919 (9 7/8 in x 6 5/8 in). `Gyr Falcon` published as a single print in 1913 (10in x 7 ¼in). There was only one set of twelve birds of prey published in 1919 by A Baird Carter, 70 Jermyn St., London. However, this set is so rare that if a plate went missing it would be impossible to find a replacement. This is why the `Gyr Falcon` has been used to fill the gap.
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![PAL FRIED [HUNG. / AMER. 1893-1976], OIL ON CANVAS RECLINING NUDE FEMALE 23" X 29": depicts a reclining female nude](http://lot-images.atgmedia.com/SR/33875/2890132/191-2013822101641_468x382.jpg)
![THEODORE GERICAULT [FR 1791-1824], PENCIL, PEN & BROWN INK & BROWN WASH, DRAWING ON 2 SIDES: 13.5 x 21.5 cm [5 1/4&qu](http://lot-images.atgmedia.com/SR/33875/2890132/2034-2013822101830_468x382.jpg)
![CAMILLE PISSARRO [FR 1831-1903], BLACK CHALK, PEN & INK, WATERCOLOR, "AU MARCHÉ", 7 1/4`` X 4 1/4``: Above size](http://lot-images.atgmedia.com/SR/33875/2890132/2035-2013822101833_468x382.jpg)
![RAFAEL CORONEL [MEXICAN, 1932-], ENCAUSTIC, 1955, FACE, 19`` X 11 1/2``: Signed and dated lower left; framed. Jessie W. Forsy](http://lot-images.atgmedia.com/SR/33875/2890132/2041-2013822101850_468x382.jpg)
![PAUL GAVARNI [FR 1804-1866], WATERCOLOR, GOUACHE, PEN & BROWN INK, H 11 1/2" X W 8" SIGHT, "PIERROT":](http://lot-images.atgmedia.com/SR/33875/2890132/2223-2013822102719_468x382.jpg)
