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Lot 1348
*Albert Goodwin RWS (1845-1932) - Amalfi, watercolour with traces of body colour and heightened with white, titled lower left, signed lower right, 25 x 37.5cm. With imprint of a studio stamp, possibly unrelated, above signature. Light fading. Otherwise no apparent faults. In modern glazed frame
Lot 1537
A mid-19th century gilt brass cased strut clock, in the manner of Thomas Cole, retailed by M.F. Dent, 33 Cockspur Street, London, having a finely engraved silvered dial, Roman numerals and blue steeled hands over the retailers signature, within pierced gilt brass border, the arched case with further anthemion engraving, h.20cm. In running order. Glass good. Dial good but with consisntent tarnishing all over. Makers stamp faded. Case with some tarnishing and handling wear. Otherwise appears all good and original.
Lot 183
A Diamond Pendant Necklace, an oval cut yellow-green coloured diamond within a border of round brilliant cut white diamonds, to a heavy textured herringbone chain necklace, principal diamond weight 2.67 carat, total estimated diamond weight 4.30 carat approximately, chain length 41cm, drop measures 1.5cm by 2.3cm see illustration. This is in good condition. The diamond pendant is detachable from the chain by way of a clip. The chain fastens with a tongue and box catch and features a figure-of-eight safety clip. It bears no hallmark, and does have a stamp (Chinese?), in our opinion it would test as gold. Gross weight 92.1 grams. CR 01.02.19
Lot 61
^ A Lady's 18ct Gold Diamond Set Wristwatch, signed Boucheron, Paris, 1961, (calibre 690), lever movement signed Omega and numbered 18646924, adjusted to two positions, gold coloured bark finished dial, diamond set bezel, case back inscribed Boucheron Paris and numbered 79427, back winding, French eagle's head gold stamp standard mark for 18ct gold, 8mm wide see illustration 19.02.19, Case back with surface scratches and minor dents, glass with one crack. Glass with minor chips and scratches which is visible under an eyeglass, hand setting correctly and winding smoothly, movement in going order. Total watch weight 54.3g.
Lot 109
An early 20th century silver stamp box, with hinged sloping cover enclosing twin division gilt lined interior, with removable glass stamp moistener, maker Deakin & Francis, Birmingham 1904, length 7cm. Glass stamp moistener with some minor surface scratches to silver.Gilt wash interiors slightly faded and worn.Hinge action good.
Lot 244
*G. Snell for Godolphin Fine Arts Ltd, a modern British School bronze model of a horse jumping a ditch, with fox looking on, naturalistically modelled to integral angular shaped base, mid-to dark brown patina, with Morris Singer Founders London stamp, dated 1971 and numbered 3/12 to rear of base, h.44.5cm, length 50cm. Stands well.Good original patina.Sone greenish areas to low relief sections.Overall well-modelled and very decorative.
Lot 258
Laurence Broderick (b.1935) - Goddess of Water, maquette, fountain No.12, bronze with mid green patina, edition No. 6/6, signed, titled, numbered and with indistinct studio stamp to front and back of hair, bronze h.146cm, raised on contemporary light oak stepped base, gross h.179cm. Note: Purchased from Laurence Broderick Studios, Sandy, Bedfordshire, 7th November 1996 by the current vendor. This work was exhibited in the Cork Street exhibition of 1996.
Lot 402
Arne Wahl Iversen (1927-2016) - a Danish 1960s teak planter, having three short drawers, removable rectangular metal liner, laddered undertier and raised on turned supports, with Danish Furniture Control stamp to interior of upper drawer, h.55cm, w.97cm, d.33cm. Stands well.Colour and patina good.Bottom drawer handle missing upper inner edge.Liner tired.Worn and with paint losses throughout.
Lot 6282
WW2 Third Reich Waffen SS Einheitsfeldmütze M43 field cap. Trapezoid machine embroidered eagle and deathshead insignia on black backing machine sewn to cap. Double button front. Maker marked buttons by "RSS" (Richard Sieper & Söhne) Rayon bias sewn under the top of the turnup. Smooth grey cotton lining with faded ink stamp and size marking "57". Rayon pull down loops.
Lot 706
A MALCOLM APPLEBY TREES HAIR ORNAMENT AND FIVE BUTTONS all hallmarked AM in a triangle stamp, hair ornament dated Edinburgh 1990, dimensions approx 12.5cm x 9.5cm, weight in original box. Four stamped flower buttons dated Edinburgh 1997, and a button of Pictish design dated Edinburgh 1998, all approx diameter 1.5cm, weight of hair ornament and buttons together 65.2gms Condition Report: light tarnish throughout otherwise good.
Lot 707
A SILVER AND GREEN GEM BROOCH BY GUNDOLPH ALBERTUS with a stamped starburst pattern both set centrally with a green gems, dimensions 3.9cm x 2cm, weight 4.3gms Gundolph Albertus worked for the Georg Jensen company for 40 years, from 1926 to 1954 he was the assistant director, supervising the quality of the workshop as well as designing jewellery and silverware. He was also Georg Jensen's brother in law Condition Report: medium tarnish, stamped 800 for continental silver and GA monogrammed silver makers stamp. Abrasion to the green gems, possibly glass.
Lot 717
A SILVER ALEXANDER RITCHIE CROSS PENDANT marked verso A.R Iona, with further stamp for Saunders & Shepherd CS*FS with Chester hallmark for 1907. Dimensions 7cm x 3.6cm. Together with an identical designed cross in silver gilt, stamped Saunders & Shepherd CS*FS with Chester hallmark 1904, lacking Alexander Richie stamp, weight of both 36gms Condition Report: The silver one, is more brightly polished than the gold plated example which has a dull bloom type finish.
Lot 2310
Late 19th century French novelty timepiece in the form of a beam engine, movement by Guilmet of Paris. Realistically modelled on the machine with a centrally pivoted beam and two brass-bound flanking chambers on a stepped industrial base, the circular movement stamped with the GLT makers stamp and numbered 211 19cms by 20cm .FOOTNOTESA similar example is illustrated in Roberts, 'Mystery, Novelty and Fantasy Clocks, Shiffer, 1999, fig 22-25.The 8-day timepiece movement has a compound pendulum causing the beam to rock up and down and apparently operate the pistons.Guilmet produced a series of clocks of an industrial nature between c.1875 and the 1910s. The beam engine automaton is one, others include the steam hammer clock, lighthouse clocks, and mortar clocks. This lot numbered 211 must have been among the earliest of this series, as known serial numbers of the main series of industrial clocks listed in Derek Roberts' book, Mystery, Novelty and Fantasy Clocks run from 52 to 4566.. Have not had this clock running and cannot guarantee that it keeps good time. Mechanism appears complete. Dials with cracks. Case with general wear and scratched. Please see images.
Lot 98
West Indies.- Barbados.- Bellin (Jacques Nicolas) Carte de l'Isle de la Barbade dressee au Depost des Cartes et Plans de la Marine, fine large-scale maps of Barbados, with the island shown divided into parishes with detail of topography, anchorages, shoals, rocks, etc., and with an elaborate title cartouche in the upper right, engraving on thick laid paper, a good clear impression, platemark 610 x 420 mm. (24 x 16 1/2 mm), sheet 620 x 470 mm. (24 1/2 x 18 1/2 in), some very minor handling creases, spotting, and surface dirt, unframed, with Depot de la Marine anchor stamp at the centre left of map, 1758 and later.
Lot 17
§ Sylvia Gosse, RBA, RE, SWA (British, 1881-1968) Red Lion Square signed 'Gosse' (lower left) oil on canvas 44 x 34cm (17 x 13in) Following in the footsteps of both her mother and aunt, the latter of whom was married to the renowned painter Lawrence Alma-Tadema (1836-1912), Gosse studied at the St John's School of Art and later at the Royal Academy Schools. In 1908, Gosse met the artist Walter Sickert (1860-1942) who was particularly impressed with her artistic talent and potential. She enrolled in the artist's evening classes at Westminster School in 1909, and later in Sickert's new art school. Sickert's stylistic influence remains evident in Gosse's impasto technique, as well as in her continued portrayal of both street scenes and domestic interiors. Gosse eventually took over the running of the 'Sickert and Gosse School of Painting and Etching', taught students, and according to the art historian Wendy Baron, influenced Sickert's later work. Gosse exhibited extensively from 1911 at the New England Art Club, the Royal Academy and the Carfax Gallery. An extensive number of her works can now be found in major public collections including the Tate, the British Museum, and the Ashmolean Museum, Oxford.Oil on a coarse weave canvas support. There is an artists' suppliers stamp on the reverse which is difficult to decipher. The canvas has good tension and is in plane. There is minor abrasion to the paint layer at the upper left corner, otherwise the paint layer is in a good condition. The painting has a varnish layer which has yellowed with age but is glossy and even. There is a light layer of surface dirt present.
Lot 151
POOLE POTTERY: A "FREEFORM" MINIATURE TRIAL VASE, shape no. 688, "Tropic Turquoise", probably designed by Alfred Read, painted by Gwen Haskins, 14.5cm high, and a "black panther" miniature bottle vase (2) Condition Report: Both appear to be in good overall condition with no visible damage. Bottle vase has no stamp mark.
Lot 343
•ERNST EISENMAYER (Austrian 1920-2018) 'Old Jack' a head and shoulders profile portrait of Joseph John 'Jack' Gover, signed and dated 1944 lower right, oil on canvas laid on board, 55cm x 45cm Ernst Eisenmayer was born in Vienna in 1920 to poor Austro-Hungarian Jewish parents. During an attempt to reach France from Vienna following the annexation of Austria in 1938 He was arrested in Saarbrücken on the French-German border and transported to the infamous Dachau concentration camp. Fortunately for Ernst, his younger brother Paul had reached Britain as a Kindertransportee, where his guardian, Professor JL Brierley, promised to sponsor Ernst in Britain. This secured his release from Dachau in April 1939, where he was possibly one of the last prisoners freed before the outbreak of the Second World War. However, arrival in Britain proved something of a Pyrrhic victory. In 1940 Eisenmayer was sent to five different British internment camps, including Onchan on the Isle of Man, where he made objects for warehouse exhibitions and wrote for the camp newspaper. His monochrome 'Violinist at Onchan' was later published as a stamp motif of the Isle of Man. In 1944 he showed work for the first time in an exhibition on Austrian art in exile. Two years later he enrolled at Camberwell College of Arts and studied there until 1947. Initially he focused on painting but later began creating sculptures and works with welded steel, bronze and stone. Acquiring British citizenship after the war, he worked temporarily as a toolmaker, painting in his free time under the guidance of the Austrian artist, poet and playwright Oskar Kokoschka, who became a key influence and supporter of his career. The City of Vienna awarded him the Medal of Honour for his artistic work. A short film by Frances Lloyd on the early work of Eisenmayer was shown at the Jewish Museum of Art as part of their 2009 exhibition, "Forced Journeys: Artists in Exile in Britain 1933-45." It describes the artist's deportation from Munich central station. The curator Rachel Dickinson considered his contribution to the exhibition as the "greatest aesthetic revelation." In 1975 Eisenmayer left England for Italy where he lived until 1988, then moving to Amsterdam until 1996. He returned to Vienna and lived in the Maimonides Center, a Jewish retirement home. His last two retrospective exhibitions were Art beyond Exile and The Dignity of Man. Condition Report: one area of 'bubbling' of canvas where it is not affixed to the backing board, otherwise works appears to be in good condition with no obvious signs of damage or restoration
Lot 562
KAYSERZINN: AN ART NOUVEAU PEWTER TRAY, oblong form, decorated in relief with stylised flowers, carp and crustaceans, no. 4143, impressed stamp markings, 55cm length x 26.5cm width Condition Report: Item appears to be in good overall condition, slightly mis-shaped to edges, some wear to decoration.
Lot 627
HEAL AND SONS: A PAIR OF OAK BOOKCASES, rectangular form, two open-shelves, below a cupboard with hinged glass door, with single shelf, raised on square feet, Heals button stamp, 103cm high x 45.5cm long x 20cm deep Condition Report: Pair have some staining and water discolouration marks, otherwise pair appear to be in good overall condition.
Lot 656
•PETER LOVIG NIELSEN FOR DANSK DESIGNS: A TEAK KNEEHOLE DESK, shaped rectangular top with a pair of floating three drawer compartments below, on tapering legs, bearing makers stamp, 155cm long x 70cm deep x 73cm high Condition Report: Item appears to be in good overall condition, few surface marks and scratches.
Lot 79
MOORCROFT: A PAIR OF "ANEMONE" VASES, of squat form with raised neck, decorated with flowers on a blue ground, two oviform vases decorated in the " Anemone" pattern on blue and green ground and a "Autumn Leaves" pattern pot, impressed stamp markings, tallest 12.5cm (5) Condition Report: Cover on pot missing, small hairline to oviform vase, chip to foot on squat vase and firing flaw to rim on same vase, otherwise remainder appears ok.
Lot 1305
WWII Interest A Rare German SS Officers Sword With Scabbard And Original SS Portepee And Felt Sword Case. Officers sword in wonderful condition comprising ebony grip wrapped with single strand wire, forming 13 bands; The grip fitted with circular silver Runic disc to centre. Hilt underside bears the SS Rune acceptance stamp in chamfered octagon; the pommel being the special SS style which screws into the hilt of the sword and not the blade tang. Blade in polished steel is unmarked/without maker and is in very good condition, the white leather blade buffer pad is still intact, the scabbard is in good condition and retains 99% of the black paint finish, the lower scabbard mount is decorated with the standard line pattern, the upper mount is in the traditional Wotan's Knot pattern, the sword is complete with the correct and original SS officers silver brocade and silver-wire portepee with woven black runic insignia to top knot. Along with original fawn wool felt sword case with woven cotton rope drawstring. Overall size: 99cm, blade size, 83cm. Please see accompanying image
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