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A group of four 19th century / 20th century Staffordshire flat back ceramic porcelain cabinet figurines in a form of a Poodle. The collection comprising of a pair of miniature mantle piece poodle in seating position raised on a blue mantle piece, a pair of poodles in seating position with a tree stump behaving raised on a plinth base along with another poodle with a flower basket on his mouth with a tree stamp on background raised on a plinth base. No makers marks
A group of four 19th century and 20th century English and continental ceramic porcelain figurines in the manner of Staffordshire flat back to include 17th century musician with a dog next to a tree stamp raised on a plinth base, a musician lady raised on a plinth base, an “ Earth “ man / gardener raised on a plinth base a putti figurine raised on a plinth base. No makers marks. Measures: 19cm tallest
A collection of vintage 20th century Chinese blue and white ceramics comprising of a ginger jar decorated with prunus, a lychee shaped vase with foliate decoration and character stamp to the base. Together with another blue and white vase. Signs of wear and tear commensurate with there age. Measures 21cm high
GVI Postcards. Quantity of British postally used cards with King George 6th stamps (1937 to 1950s). A mixture but chiefly towns/countryside views and subject matter (greetings etc). Of interest also to stamp / postmark collectors, Postal History & Genealogy research for names & addresses to include wartime messages. Huge assortment of cancellations.
A collection of commemorative coin covers by Benham comprising of Queen Diana 5 Mark, Queen Elizabeth £2, Queen Elizabeths 85th birthday One Crown, Queen Elizabeth / Edinburgh Castle £2, Princess Diana $1, Farewell Hong Kong 1997 coin, Queen Elizabeth Birthday Crown & Stamp, Maritime Heritage Portsmouth Crown, Hot Air Balloons One Crown, HRH Prince William of Wales, The Age of the Stewarts, Reign of King Edward VIII, Morris & Company one penny.
Mohammed Ghani Hikmat (Iraq, 1929-2011)The Bedouin Camp bronze sculptureexecuted circa late 1960's, bearing the stamp of The Meridian Foundry, Greenwich48 x 23cm (18 7/8 x 9 1/16in).Footnotes:Provenance:Property from the collection of the renowned Iraqi architect Mohammed Saleh Makiya (1914-2015)Thence by descent to the present ownerFor further information on this lot please visit Bonhams.com
Jewad Selim (Iraq, 1919-1961)Republic of Iraq Commemorative Stamp offset and lithography, hinged and framedissued on 15/10/1979 by the Republic of Iraq4 x 3cm (1 9/16 x 1 3/16in).Footnotes:Catalog codes:Michel IQ 1019Stamp Number IQ 939Stanley Gibbons IQ 1400Face value: 25 Iraqi filsCondition: MintLot to be sold without reserve.For further information on this lot please visit Bonhams.com
BÜRKEL, HEINRICH1802 Pirmasens - 1869 MünchenTitel: Italienische Ruinenlandschaft. Technik: Öl auf Karton. Montierung: Auf Sperrholz gelegt. Maße: 30,5 x 52cm. Bezeichnung: Monogrammiert unten rechts: HB. Rahmen/Sockel: Rahmen. Rückseitig:Nachlassstempel des Münchener Malers Friedrich Voltz.Literatur:H.-P. Bühler / A. Krückl: Heinrich Bürkel: Mit Werkverzeichnis der Gemälde, München 1989, S. 292, Nr. 567 mit Abb.Provenienz:Privatbesitz, Deutschland.Erläuterungen zum KatalogHeinrich Bürkel Deutschland Münchner Schule 19.Jh. Gemälde Architektur Studie Ruine BÜRKEL, HEINRICH1802 Pirmasens - 1869 MunichTitle: Italian Ruins Landscape. Technique: Oil on card. Mounting: Laid on plywood. Measurement: 30,5 x 52cm. Notation: Monogrammed lower right: HB. Frame/Pedestal: Framed.Verso:Estate stamp from the Munich painter Friedrich Voltz.Literature:H.-P. Bühler / A. Krückl: Heinrich Bürkel: Mit Werkverzeichnis der Gemälde, Munich 1989, p. 292, no. 567 with ill.Provenance:Private ownership, Germany.Explanations to the Catalogue
SPITZWEG, CARLMünchen 1808 - 1885Titel: Der Wäscheplatz vor der Kleinstadt. Wäschebleiche in Meran mit Küchelberg im Hintergrund. Datierung: Um 1879. Technik: Öl auf Karton. Maße: 40 x 20cm. Rahmen/Sockel: Rahmen. Rückseitig:Auf dem Karton Etikett mit handschriflicher Bestätigung und Nachlassstempel: "Ich bestätige hiermit, dass dies Bild 'Die Waschbleiche' von Carl Spitzweg gemalt ist / Otto Spitzweg" sowie Etikett der Galerie Heinemann, München mit der Nummer 11345.Literatur: H. Uhde-Bernays: Carl Spitzweg. Des Meisters Leben und Werk. 5. Aufl. München 1919, Abb. 49;F.v. Ostini: Aus Carl Spitzwegs Welt. Barmen 1924, S. 17;G. Roennefahrt: Carl Sptizweg. Beschreibendes Verzeichnis seiner Gemälde, Ölstudien und Aquarelle. München 1960, Nr. 1447;S. Wichmann: Carl Spitzweg. Verzeichnis der Werke: Gemälde und Aquarelle, Stuttgart 2002, S. 474, Nr. 1252. Hier mit weiteren Angaben zu Literatur und Provenienz.Provenienz:Galerie Xaver Scheidwimmer, München;Versteigerung Koller, Zürich, 11.11.1981, Nr. 5097 mit Abb.;Privatbesitz, Österreich, 1983-1990;Privatbesitz, Deutschland.In diesem Gemälde zieht Carl Spitzweg alle Register seiner Kunstfertigkeit: zunächst stellt er in biedermeierlicher Manier eine sonnendurchflutete Szene an einer alten Stadtmauer mit Stadtgraben dar. Im Vordergrund wässert eine junge Frau weiße Bettlaken, daneben spielt ein Kind. Im Hintergrund staffeln sich Häuser mit roten Dächern und die imposante gotische Nikolaus-Kirche von Meran zu Füßen einer gewaltigen Felsabbruchkante, dem Küchelberg.Ein Motiv mit scheinbarer Alltagsidylle. Aber dieses Gemälde wäre nicht ein Meisterwerk von Spitzweg, wenn nicht eine Botschaft, eine Geschichte, in diesem Kunstwerk stecken würde:Die auf dem ersten Blick so leicht mit der Gießkanne hantierende junge Frau leistet in Wirklichkeit Schwerarbeit. Denn gleich nach dem Waschen wurden zu dieser Zeit die gewichtigen Wäschestücke unausgewrungen auf dem Gras ausgelegt und mit der Gießkanne ständig feucht gehalten, damit die Sonne die Stoffe strahlend weiß bleichen konnte.Die abgebildete Magd läuft also immer wieder zum Bach, der an der Stadtmauer entlang rauscht, um die Gießkanne erneut für ihre Tätigkeit zu füllen. Gleichzeitig passt sie auf das neben der Wäsche spielende Kind auf und verscheucht die Katze, die womöglich noch mit ihren Tatzen über die frischen Leinen läuft. Am Ende der Stadtmauer schlendert scheinbar uninteressiert ein Wachsoldat in Uniform. Allerdings sammelt er offensichtlich gerade seinen ganzen Mut. Soll er die junge Frau ansprechen?Beide sind so in ihrer Welt versunken, dass sie nicht bemerken, wie das ganze Geschehen vom viereckigen Wohnturm der Stadtmauer aus genauestens beobachtet wird. Hier beugt sich eine Gestalt genussvoll aus dem Fenster und betrachtet neugierig den Fortlauf der Geschichte.Und schon hat Spitzweg uns Betrachter in die Bildgeschichte hineingezogen. Wir genießen die wunderbaren Details seiner künstlerischen Handschrift, die handelnden Personen, die genau bestimmbaren Pflanzen, die Darstellung des südländischen Städtchens Meran innerhalb der Stadtmauern, das muntere Licht-Schattenspiel. Und gleichzeitig amüsieren wir uns über die versteckten Andeutungen des Künstlers. Zu gerne würden wir in einer zweiten Variante des Bildes erfahren, wie die Geschichte ausgeht.Erläuterungen zum KatalogCarl Spitzweg Deutschland Münchner Schule 19.Jh. Gemälde Dorfleben Malerei Italien SPITZWEG, CARLMunich 1808 - 1885Title: Washing Place in front of the Town. Laundry bleach in Merano with the Küchelberg in the background. Date: Ca. 1879. Technique: Oil on card. Measurement: 40 x 20cm. Frame/Pedestal: Framed.Verso:On the card label with handwritten confirmation and estate stamp: "Ich bestätige hiermit, dass dies Bild 'Die Waschbleiche' von Carl Spitzweg gemalt ist / Otto Spitzweg" as well as label from Galerie Heinemann, Munich with the number 11345.Literature: H. Uhde-Bernays: Carl Spitzweg. Des Meisters Leben und Werk. 5th ed. Munich 1919, ill. 49;F.v. Ostini: Aus Carl Spitzwegs Welt. Barmen 1924, p. 17;G. Roennefahrt: Carl Sptizweg. Beschreibendes Verzeichnis seiner Gemälde, Ölstudien und Aquarelle. Munich 1960, no. 1447;S. Wichmann: Carl Spitzweg. Verzeichnis der Werke: Gemälde und Aquarelle, Stuttgart 2002, p. 474, no. 1252. Here with additional details to literature and provenance.Provenance:Galerie Xaver Scheidwimmer, Munich;Auction Koller, Zürich, 11.11.1981, no. 5097 with ill.;Private ownership, Austria, 1983-1990;Private ownership, Germany.In this painting Carl Spitzweg uses all the skills of his art: first he depicts a sun-drenched scene at an old city wall with a moat in Biedermeier style. In the foreground a young woman is washing white sheets, next to her a child is playing. In the background, houses with red roofs and the imposing Gothic Church of St. Nicholas in Merano are staggered at the foot of a huge cliff, the Küchelberg.A motif with an apparent everyday feel. But this painting would not be a masterpiece by Spitzweg if there were not a message, a story, in this work of art:The young woman using the watering jug so lightly at first glance is in fact doing hard work. For at that time, immediately after washing, the weighty pieces of laundry were laid out unwringed on the grass and kept constantly damp with the watering can so that the sun could bleach the fabrics brilliant white.So the depicted maid keeps running to the stream that rushes along the city wall to fill the watering can again for her job. At the same time, she keeps an eye on the child playing next to the laundry and shoos away the cat that may still be running its paws over the fresh linen. At the end of the city wall, a guard soldier in uniform strolls seemingly uninterested. However, he is obviously gathering all his courage. Should he approach the young woman?Both are so absorbed in their world that they do not notice how the whole event is being closely observed from the square residential tower of the city wall. Here a figure leans out of the window with relish and curiously watches the story unfold.And already Spitzweg has drawn us viewers into the pictorial story. We enjoy the wonderful details of his artistic handwriting, the characters, the precisely identifiable plants, the depiction of the southern town of Merano within the city walls, the lively play of light and shadow. And at the same time we are amused by the artist's hidden hints. We would love to find out how the story ends in a second version of the painting.Explanations to the Catalogue
FLORENTINER SCHULE16. / 17. Jh.Titel: Allegorische Figur. Technik: Rote und schwarze Kreide auf Papier. Montierung: Kaschiert. Maße: 20 x 9,5cm. Rahmen/Sockel: Rahmen. Rückseitig:Bezeichnung: "395 Ant Klinckosch" und unbekannter SammlungsstempelProvenienz:Privatbesitz, Deutschland.Erläuterungen zum KatalogFlorentiner Schule Italien Italienische Schule Handzeichnungen Allegorie Zeichnung Religiöses Thema FLORENTINE SCHOOL16th / 17th C.Title: Allegorical Figure. Technique: Red and black chalk on paper. Mounting: Mounted. Measurement: 20 x 9,5cm. Frame/Pedestal: Framed. Verso:Inscription: "395 Ant Klinckosch" and unknown collection stamp.Provenance:Private ownership, Germany.Explanations to the Catalogue
FLÄMISCHE SCHULE17. Jh.Titel: Damenportrait. Datierung: Um 1650. Technik: Öl auf Holz. Montierung: Parkettiert. Maße: 51 x 38cm. Rahmen/Sockel: Rahmen. Rückseitig:Auf der Parkettierung alt beschriftet: "Helena Leonora Sieveri / A Study by Ant. van Dyck / from the Collection of C.A. Lentham Esqu. No. 23" sowie mit Sammlungssiegel.Provenienz:Sammlung Goudstikker (mit rückseitigem Sammlungsstempel);Privatbesitz, Deutschland.Das Goudstikker Art Research Project bestätigt uns in einer Email vom 15.05.2020, dass keine Ansprüche an der vorliegenden Arbeit geltend gemacht werden.Wir danken Rudi Ekkart, Den Haag, für seine Hilfe bei der Katalogisierung des vorliegenden Gemäldes.Erläuterungen zum KatalogFlämische Schule Flandern Niederländische/ Flämische Schule Originale Porträt Gemälde Frau FLEMISH SCHOOLca. 1650Title: Portrait of a Lady. Date: ca. 1650. Technique: Oil on wood. Mounting: Parquetted. Measurement: 51 x 38cm. Frame/Pedestal: Framed. Verso:An old inscription on the parquettery: "Helena Leonora Sieveri / A Study by Ant. van Dyck / from the Collection of C.A. Lentham Esqu. No. 23" as well as the collection seal.Provenance:Collection Goudstikker (with collection stamp verso);Private ownership, Germany.The Goudstikker Art Research Project confirms in an e-mail dated 15.05.2020 that no claims are being made in respect to the present work.We are grateful to Rudi Ekkart, The Hague, for his help in cataloguing the present painting.Explanations to the Catalogue
A 19th century French Sevres porcelain cabaret tray, of quatrefoil form with a central portrait of Louis XVI in a gilt roundel, on a blue celeste ground, with gilt rim, the underside with blue 1844 Sevres stamp and a red 'Chateau des Tuileries' stamp, 30 cm wideCondition report: overall good, no breaks, some loss of gilding
A collection of Oriental items to include a small modern Oriental jardinière with enamelled flowers on black ground, height 17cm, modern red back stamp to the base, a Continental vase, later painted with overlay enamels in the Japanese Satsuma style, signed in gold to the base 'P Watson' dated 1932, a pair of small white porcelain vases with blue painted garden flowers, signed in blue to the base, height 11cm, a Chinese parasol, a Chinese silver bangle with twelve nut-shaped lozenges, each with a representation of fruit, corn and other harvest items, with safety chain and stamped with Chinese silver mark to the tongue fastener, width 7cm and a modern chrome ornament depicting Romulus and Remus as children suckling on a wolf, on black acrylic base (7). CONDITION REPORT The Romulus and Remus ornament is missing a foot. The jardinière has some nibbles to the edging. Minor rim chips to the remaining ceramics. The paper parasol is in reasonable condition.
THOMAS HUSON RI (British, 1844-1920); oil on board, 'The Rippling River Murmurs Low', riverside scene, signed, label pasted to board verso, 26.5 x 36.5cm, framed and glazed. CONDITION REPORT No loss of paint, needs cleaning. Clear signature, label verso, gallery stamp and some handwritten info, some indiscernible. No breaks or tears to the board. Frame has some chips and is over painted.
A quantity of books to include 'Conquests of the Cross: A Record of Missionary Work Throughout the World' edited by Edwin Hodder, printed by Cassell & Co Ltd London, Paris, New York and Melbourne 1890, to include various black and white images of missionaries throughout the African continent and a large fold-out of 'Pioneers of Civilisation - The Meeting of Livingstone and Stanley in Central Africa', a fifth edition of 'A Manual of Cartomancy, Fortune Telling and Occult Divination' by Grand Orient, published in London by William Rider & Son Ltd 1912, W.S. Furnaux 'Butterflies, Moths and Other Insects' documenting British butterflies and moths, the outdoor world, life in ponds and streams, published by the Westminster Press Ltd, 104 Shoe Lane, London EC4, various other children's books, copies of the St James Bible, a vintage game of 'Tiddly Road Safety', Nelson; 'The Railway Book', two small cameras and an 'All Nations' stamp album containing a quantity of world stamps to include Netherlands, Switzerland, Italy, India, Great Britain, etc.
A mixed lot of ephemera comprising two albums of postcards, a schoolboy's stamp album, and a Victorian photograph album containing portraits together with a quantity of children's book including 'Boys Own Annual', 'Eagle Annual', and a copy of the 'Wigwam and the Warpath', by Ascott R Hope (14).
An album and a quantity of loose Royal Mail Mint stamps to include motorcycles, general anniversaries, British Polar explorers, British flowers, 'The Year of the Child', Police, Christmas, butterflies, etc, a presentation album titled 'Christmas Stamps of Great Britain 1966-1978' and two folders containing Royal Mail reproduced enlarged stamp edition post/picture cards.
A 2017 'The Queen's Official Birthday' £5 silver coin cover, limited edition no.183/250, a 'Great Britain Alone' five coin first day presentation cover, limited edition no.56/450, a 2016 'The Queen's Official Birthday' 1oz fine silver coin cover, limited edition no.244/450, a 2013 'Men's Singles Champion' limited edition no.743/995 commemorative first day stamp cover, and a 2013 'London Underground' 150th Anniversary' limited edition no.412/450 £2 silver coin cover (5).
A 2013 '100th Anniversary of birth of Benjamin Britten' UK 50p coin, a The Brexit gold-plated limited edition no.1341/4950 commemorative coin, two 2015 'The Longest Reigning Monarch' date stamp coins in presentation packs, a 2015 'The Coronation Day' date stamp £1 coin, a Numisproof of 'The Flying Scotsman' 2oz silver coin, limited edition no.158/495, a 2016 'Last Round Pound' Piedfort silver £1 coin, limited edition no.1761/3,000, a 2016 'Last Round Pound' silver piedfort £1 coin, limited edition no.4159/11,000 and a 2018 'Royal Wedding' £5 date stamp issue (8).
A large collection of various first day covers and stamp books to include Queen Elizabeth II Sapphire Jubilee stamp collection, Royal commemorative coin covers, mixed Royal commemorative photo printed coins, London 2012 commemorative coin, 2006 proof coin collection, 2017 annual coin set, commemorative postage stamp sets to include 'The Birth of a King', 'Classic British Locomotives', 'Land Sea and Air' etc.
Various mixed coin and stamp collectibles to include, various coin sets including 'HRH The Prince George Five Crown Coin', 'The Diana Princess of Wales Five Crown Coin', 'The Prince George's First Birthday Photographic Five Crown Coin', 'The Pope John Paul II Canonisation Five Crown Coin', '2008 UK Coinage Royal Shield of Arms Proof Collection', various coin covers, etc (approx 26).
A 9ct gold St Christopher pendant inscribed 'Love Margaret', on a fine 9ct gold chain, with a shark's tooth pendant attached, a silver pendant with Penny Red stamp enclosed, on a flat chain link necklace stamped 925 and a sterling silver pocketknife type pendant, on a silver plated chain (3).
A quantity of costume jewellery to include a Swarovski crystal swan, a case of various fashion watches, a large silver cross and necklace, Brooks & Bentley 'Foot prints' necklace and bracelet, a set of 'Jersey' pearls, Danbury Mint Sunset Cascade cultured pearls, various bracelets and necklaces, a silver napkin ring, a silver stamp case in the form of an envelope, etc.
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165558 item(s)/page