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Lot 12
Make & Model: Fiat 500L Pop star TwinairDate of Reg: AU13 WYYColour: Whitecc: 875MoT: 01-02-2022Fuel Type: PETROLMileage: 71kTransmission: MANUALSummary: Two registered keepers with the last recorded since September 2015. One service stampVehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=149767
Lot 53ST
Make & Model: Mini Roadster CooperDate of Reg: LC13 KEUColour: Blackcc: 1598MoT: 28-07-2022Fuel Type: PETROLMileage: 48kTransmission: MANUALSummary: Two registered keepers with the last keeper since August 2016. One service stampVehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=149956
Lot 10
δ Banksy (b.1974)Barcode (Black stamp)Screenprint in black, 2004, stamped with the black Banksy tag, numbered from the edition of 600 in pencil, printed and published by Pictures on Walls, London, on wove paper, the full sheet, 497 x 695mm (19 1/2 x 27 3/8in)This work has been authenticated by Pest Control Office and a new Certificate of Authenticity will be issued to the buyer.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 132
Wilfrid Gabriel de Glehn (1870-1951)Study for 'The Enchanted Isle' c.1924, studio stamp numbered 874, pencil and sanguine, 36 x 49cm Exh. Messums 'In Search of a Golden Age' 2008. No. 37 Sold together with Hamilton, Dr Jane 'In Search of a Golden Age, hardback catalogue published to accompanying the above exhibition and in which the work is illustrated (p.49)
![Ɵ HIMALAYAS: Annapurna and K2: Four Works: SIGNED. [French text]. 1951-1954. comprises: HERZOG, Maurice. (1919](https://cdn.globalauctionplatform.com/dabd139c-dce0-40c8-b7fd-adaf0150cc09/90d87cd5-5770-4bd3-90ab-adb200fe6d15/468x382.jpg)
Lot 46
Ɵ HIMALAYAS: Annapurna and K2: Four Works: SIGNED. [French text]. 1951-1954. comprises: HERZOG, Maurice. (1919 - 2012). Annapurna Premier 8.000. SIGNED. B. Athaud, Paris and Grenoble, (1951). Collection Sempervivum 16., 8vo., (200 x 140mm), publisher's illustrated black cloth, design by Claude Arthaud, gilt lettering to spine, patterned e/ps., SiGNED by the author to half-title, preface by Lucien Devies (president of the French Alpine Club), French text, 32 heliogravure plates after Marcel Ichac, sketches, 3 maps (including folding map at end), 293pp: An account of the 1950 French Expedition conquest of Annapurna led by the author, Herzog reached the summit with Louis Lachenal: HERZOG, Maurice. (1919 -2012). and ICHAC, Marcel. (1906 - 1994). Regards vers L'Annapurna. SIGNED. B. Arthaud, Paris and Grenoble, (1951). 4to., (250 x 200mm), publisher's cream card covers, black lettering to front, photo. illustrated dustwrapper unclipped, SIGNED by Maurice Herzog to half-title, ink stamped 'Neptune' top r.h corner of title page, preface by Lucien Devies, French text, colour and b/w. photo. illustrated after Marcel Ichac, Gaston Rebuffat, Maurice Herzog, Louis Lachenal, Jacques Oudot and Marcel Schatz, double-page map loosely inserted, 96pp; with a duplicate copy Regards vers L'Annapurna. SIGNED. B. Arthaud, (1951). second edition as stated, half leather and cloth, gilt lettering to spine, French text, SIGNED to half-title by Maurice Herzog, double-page map at end, 96pp: with HOUSTON, Charles S. (1913 - 2009) and BATES, R.H. (1911 - 2007) and BELL, G.I. (1926 - 2000) K2 8611M. SIGNED. Arthaud, Paris. (1954). first edition, 4to., (250 x 200mm), publisher's cream card covers, lettered in black to front and spine, French text, photo. illustrated dustwrapper unclipped, half-title, SIGNED to the title page by six members of the 1953 Third American Karokaram Expedition, including Charles Houston, Robert H. Bates, Dee Molenaar, Peter Schoening, Robert Craig and Tony Streather, photo. illustrations after members of the expedition, lacks loosely inserted map, 100pp., each volume within removeable clear wrapper. (4) Condition Report: Annapurna Premier 8.000. SIGNED: Regards vers L'Annapurna. SIGNED and duplicate copy Regards vers L'Annapurna. SIGNED. second edition - minor wear to dustwrappers and toning to leaf edges. K2 8611M - lacks the loosely inserted map, ink stamp Jean-Marc Mattlet, Profondeville, to verso of title page, some light marks to cream covers. Condition Report Disclaimer
Lot 395
Rare WW1 British Other Ranks 1917 Dated Stiff Top Cap, interesting example of a khaki cloth stiff top pattern cap with short pattern peak having green underside covering. Interior with a black oilskin cloth sweatband and lining. The lining has white stamp for R Johnson Ltd, size marked 7 and 1917 date. Some wear to the exterior and interior of the cap. Very scarce item of WW1 headdress to find.
Lot 458
British 1922 Pattern Service Dress Tunic, fine example of the khaki wool four pocket service dress tunic with brass general service tunic buttons to the front and pockets. Sergeants rank chevrons to the arm. Interior with washed out size label but War Department broad arrow stamp with date letter “R” for 1939 still clear. Evidence of shoulder titles and collar badges once being present.
Lot 461
Scarce British WW2 D-Day Landings British Full Battle Assault Jerkin, of brown canvas cloth with Bren gun pouches to the front, side pouches, fixed large pack to the reverse and lower pouch to the reverse. Complete with the original webbing and toggle straps. Stamped inside SMALL and SOFT KIT with broad arrow WD stamp, makers mark unclear and remains of 1943 date. Overall remains in very good condition, showing just light wear. Also named to the interior top, “G.WYVER”.
Lot 464
WW2 British Winter / Snow Smock Suit, fine example of the white cloth winter pattern snow over smock with the original hood. Original 1943 dated size label to the interior. Accompanied by a pair of white camouflaged snow pattern over trousers which have the 1943 label to the inside. Pair of 1942 dated snow mittens with ink stamp to the inside and elasticated wrist sections. Some discolouration to the smock top but the others generally good condition. These suits were worn by British troops and commando’s in Norway and other winter theatres of operations.
Lot 488
WW1 1914 Iron Cross 2nd Class and Citation Set to a Member of a Pioneer Minenwerfer-Battalion VIII, the cross is complete with much of its original frosted finish to the frame, un-marked ring and complete with a length of ribbon. Accompanied by original printed citation for the award issued to “Pionier Ludtke Minenwerfer-Battalion VIII. 3. Kompagnie”. With ink stamp for the Prussian Minenwerfer battalion and signature of commander. Citation is dated August 1917. Some wear and creases to the citation but otherwise good example.
Lot 521
Imperial German Ks98 Bayonet Marked for East Africa, fine example with two piece chequered grips, steel pommel and steel cross guard. The guard is stamped “D.O. A”. Housed in its steel scabbard which has lost its paint finish. Sawback blade with crown ERFURT stamp. Spine with acceptance stamp and crowned W 11 for 1911. Blade 25cms, overall 40cms. Some wear but still a interesting bayonet.
Lot 523
Imperial German Seitengewehr M-1914 Mauser Bayonet, with steel pommel having acceptance stamp to the reverse. Two piece wooden grips. Housed in its steel scabbard. Blade with fuller to the back edge. Stamped “SAMSON WERK” to the forte. Some pitting to the blade and dents to the scabbard. Blade 31cms, overall 46 ½ cms.
Lot 526
Scarce WW1 Austrian Experimental Pattern M-1985 Sawback Bayonet, two piece wooden grip, steel pommel and guard with muzzle ring. Housed in its steel scabbard with frog lug. Sawback blade with fuller to the back edge. Stamped “FG” over “GY” and the reverse side with Austrian eagle acceptance stamp. Blade 24 ½ cms, overall 37cms. The Germans had produced a sawback version of the Austian M.1888 bayonet during WW1, however this example would appear to be an Austrian experimental version made in Austria
Lot 548
Third Reich SA (Sturmabteilung) Dress Dagger by EP&S Solingen, good untouched example with the original brown wooden grip having SA emblem and eagle inserted. Gau district stamp to the reverse of the lower cross guard but this is not clear. Housed in the original anodised scabbard with single hanging ring. Double edged blade with standard motto “Alles fur Deutschland” and E P & S Solingen makers trade mark to the reverse. Some wear to the blade but would clean up. Blade 22cms, overall 37 ½ cms.
Lot 557
Luftwaffe Officers Sword by E & F Horster Solingen, fine example of a nickel silver officers dress sword complete with the disc pommel with gilt sun dial type swastika to both sides. Blue leather covered grip with wire binding, cross guard in the form of eagle feathers with sun dial mobile swastikas to the centre of each side. Housed in its blue leather scabbard with nickel silver fittings and two hanging rings. Near mint condition polished straight blade with acceptance stamp and makers trade mark of E & F Horster, Solingen. Blade 69cms, overall 91 ½ cms. Some light scuffs to the leather but generally a good example.
Lot 559
Third Reich Hitler Youth Boys Dagger by F W Holler Solingen, untouched example with two piece chequered grips with loose fitted HJ enamel diamond badge inserted to the centre. Housed in its blackened steel scabbard with leather belt loop attachment and press stud fastening. Plain single edged blade with the reverse having RZM stamp and M7/33 for the maker of F W Holler, Solingen. Blade 13 ¾ cms in length, overall 25 ½ cms.
Lot 575
Third Reich Heinrich Hoffmann Photograph of Adolf Hitler with Ink Signature, fine example of a black and white postcard, being the type produced by the official photographer of the Nazi party Heinrich Hoffmann, showing Adolf Hitler in NSDAP political uniform. Blue ink signature of Adolf Hitler to the lower corner. Reverse of the card with Austrian (Osterreich) stamp and Vienna (Wien) ink stamp for 10th April 1938. Displayed in a modern frame. Sold as viewed.
Lot 612
Luftwaffe Pilots Badge by C E Juncker Berlin, fine example of an early pattern Luftwaffe pilots qualification badge by one of the premier German award makers C E Juncker. Tombak example with the early thin wreath, polished to reveal the under colouring, making it almost appear like a combined Pilot Observers qualification badge. Much of the original silvering remains to the central eagle. Reverse of the award has the correct pin and catch fixing. Reverse of the eagle has the makers stamp for C E Juncker Berlin S.W. Overall a good example.
Lot 620
Third Reich Nurses Award & Insignia Grouping, consisting of the social welfare / red cross medal with its original full length ribbon, 2x brooch badges in enamel for the Deutsche Rotes Kreuz (German Red Cross), cotton Red Cross armband with the remains of the ink issue stamp visible and personal identity card from the German Red Cross with image of her in uniform. Group all belonged to Herta Tonndorf from Hannover.
Lot 674
WW2 German Army Cavalry Other Ranks Tropical Pattern Overseas / Side Cap, fine example of the olive tropical cloth other ranks overseas cap with its original bevo tropical pattern eagle and cockade with golden yellow soutache indicating service with the cavalry section. Interior with red cloth lining having the remains of the makers stamp. Small period field repair to one side but generally a good example.
Lot 676
Waffen-SS M-38 Pattern Forage Cap, well worn example of the field grey cloth forage / side cap with embroidered SS insignia to the side, single Totenkopf skull button to the front and copper brown soutache for the Reconnaissance section of the Waffen-SS (later period for KZ guards). Interior of the cap with tailors ink stamp, size and 1941 date. Cap shows service wear and some scattered areas of moth damage.
Lot 713
WW2 German Kriegsmarine Compass Guide Top, fine example of a luminous dial top for a marine compass which is marked with eagle over M Kriegsmarine acceptance stamp and “D.S TYPE 14/1”. Please note due to the material this item is made from, we are not able to offer shipping to clients outside of the UK.
Lot 721
WW2 German Kriegsmarine Officers 7x50 Binoculars, good pair of the 7x50 Kriegsmarine deck officers binoculars with the mounting plate being stamped “7X50 beh 330251 (T) KF” and the other side with remains of the Kriegsmarine eagle over M stamp and “23706 N”. Complete with rubber eye pads and rubber sections to the lower body of the binoculars. Optics remain clear. Complete with leather shoulder strap.
Lot 822
Scarce Victorian Sword for an Officer of Mounted Police, slightly curved single edge blade cut with a single fuller, struck with government inspector’s stamp, regulation triple bar iron guard, wire bound fish skin covered grip, in its steel mounted leather scabbard. Blade 79 ½ cms, overall 96cms. Good condition overall.
Lot 282
glazed earthenware, painted signature in green, printed factory stamp, impressed 14322.5cm highFootnote: Note: In 1897 William Moorcroft was employed as a designer at James Macintyre & Co.; with a background in ceramic chemistry, he was a keen experimenter and introduced an array of new wares and glazes to the production line. However, it wasn’t until the launch of ‘Florian Ware’, one year later, which really cemented his reputation as a talented designer and ceramicist. The arrangement of sinuous flowing lines and intricate foliate patterns were outlined using an applied raised slip, a technique known as tube-lining. Moorcroft was meticulous, and oversaw every stage of production to ensure quality was met at the highest level; and Florian Ware was the first range in which Moorcroft began to sign his name or initials on every piece he worked on and supervised. Over the next few years, richer colours were introduced and several new patterns were registered. In particular, the charming designs of trees amongst rolling hills in an English countryside caught the eye of Liberty’s in London, and a partnership was soon struck between Moorcroft and the company. who remained a major outlet of his pottery, as well as other significant retailer’s such as Harrod’s and Tiffany & Co. In 1912 Moorcroft’s relationship with the directors at James Macintyre disintegrated and in 1913, with the financial backing of the Liberty family, he opened his own pottery in Cobridge. He was inundated with orders from several distributors who were keen to support his venture, and many of the popular patterns from the Macintyre period such as Spanish, Pomegranate, Hazeldene and Claremont, continued to be produced at Cobridge. However, he was also keen to develop his particular interest in his Florian-style designs and some of these early Macintyre patterns were revived and redeveloped in bolder forms and richer colours from the late 1920s. By the 1930s, tastes were beginning to change and whilst English native flowers always remained central to his most popular wares, Moorcroft started to look further afield for new inspiration. Amongst some his hi contemporaries, for example Charles Noke and Bernard Moore, there was a growing interest in the high-fired Oriental wares which produced the most intense and dramatic effects. To achieve these flambé glazes Moorcroft built his own special kiln and was highly secretive about his methods, however the ware produced as a result were arguably some of his most remarkable, given the complex and demanding nature of the skills required. Whilst other potteries sought to deliver a consistent sang de boeuf colour, Moorcroft embraced the unpredictable nature of the kiln and the eccentric array of colourful glazes it could produce, making every piece unique. Walter Moorcroft took over management of the pottery after his father’s passing in 1945. During a few difficult years of transition, his father’s designs were crucial in ensuring the success and continuation of the business, but soon after Walter developed his own style which matured into the 1950s. William displayed a clear preference in using English flowers and landscapes for his wares, however Walter was fascinated by more exotic species and so patterns such as Hibiscus, Arum Lily, Caribbean and Marine began to emerge alongside a dramatic use of colour. Importantly, Walter was also knowledgeable of the transmutation process and exhibited the same skill as his father to continue the production of flambé wares. In 1998 the pottery established a new Design Studio, led by Senior Designer Rachel Bishop, to further expand its range of products and continues to build on William and Walter’s legacy today.
Lot 288
glazed earthenware, with gilded highlights, painted signature in green, printed factory stamp, 23cm high; together with a further ‘FLORIAN 18TH CENTURY’ PATTERN VASE by William Moorcroft, glazed earthenware, with gilded highlights, made for Jenner’s of Edinburgh, painted signature in green, printed factory stamp, stamped MADE FOR C. JENNER & CO./ EDINBURGH, 20cm high
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164719 item(s)/page