Rotella Mimmo. Tengo. 1974 Litografia offset a colori incollata su carta, mm 323x276; 700x500. Firmata 'Rotella' e numerata '90/125', in basso. Al verso annotazione e firma: 'L'opera Tengo riprodotta è autentica, Rotella'. Timbri a secco Tempio dell'Arte e Arte Studio Macerata. La carta risulta lievemente e uniformemente ingiallita con uno strappo di circa 10 mm, in alto. Entrambe le defezioni si presentano fuori dalla stampa offset. La litografia Tengo fa parte della Cartella MIMMO ROTELLA, composta da 9 opere grafiche, stampate in 125 esemplari, numerate e firmate dall'artista, editate da Arte Studio Macerata di Pio Monti, nel 1974. L'annotazione firmata dall'artista, presente al verso, come il timbro a secco del Tempio dell'Arte, risultano essere di successiva esecuzione. Offset colored litography attatched on paper, 323x276 mm; 700x500 mm. Signed 'Rotella' and numbered '90/125' on the bottom. On the verso note and signature: 'L'opera tengo riprodotta è autentica, Rotella'. Blind-tooled stamps of the Tempio dell'Arte and Arte Studio Macerata. The paper is slightly yellowed with a tear of around 10 mm, on the top. Both defections are out of the offset print. The litography 'Tengo' is part of the folder MIMMO ROTELLA, composed by 9 graphic works, printed in 125 copies, numered and signed by the artist, edited by Arte Studio Macerata of Pio Monti, in 1974. The note signed by the artist, on verso, with the blind-tooled stamp of Tempio dell'Arte, turn out to be of following execution.
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Rotella Mimmo. Senza Titolo. Anni '80 Litografia materica a colori, mm 360x300; 700x500. Firmata e annotata 'Rotella, P.A.', in basso. Timbro a secco della Stamperia d'Arte Il Bulino, in basso a destra. Buono stato di conservazione. Colored 'materica' lithography, 360x300 mm; 700X500 mm; Signed and noted 'Rotella, P.A.', at the bottom. Blind-tooled stamp by Stamperia d'Arte Il Bulino, bottom right. Fair conditions.
Schifano Mario. Senza Titolo (Cavalli). Anni '80 Litografia smarginata, mm 640x490. Firmata e numerata 'Schifano, 13/150', in basso. Timbro a secco Grafica d'Arte Lombardi. Esemplare in buono stato. Full sheet litography, mm 640x490. Signed and numbered 'Schifano, 13/150', at the bottom. Stamp Grafica d'Arte Lombardi. Good conditions.
French patinated and gilt brass wall clock, the circular case with a cast egg and dart bezel, eagle crest and leaf scroll tail, white enamel Arabic dial on a Marti 8-day movement with external countwheel striking the half on a bell, Exhibition stamp 1900, case diameter 25cm (suspension feather snapped; pendulum and winding key). *See clocks and watches proviso.
Wildlife of the 50 states - an FDC and postcard album with 50 different stamp covers and USPS maximum cards - all stamped USPS CAPEX Toronto. From 1987. Has certificate of authenticity and all contenst are pristine as new. Ideal for the wildlife lover as well as the stamp collector. Original price well in excess of £500.
*English school. Portrait of a young girl, circa 1830, circular oil on canvas, head and shoulders portrait of a young girl wearing a white shift, her short dark curls crowned with a red-ribboned wreath of Morning Glory flowers, and her cheek resting on her hands clasped atop a column, against a ground of blue sky and two fluttering peacock butterflies, sometime relined, diameter 43cm (17ins), stretcher 46 x 46cm (18 x 18ins), stretcher with impressed stamp 'W. Morrill Liner', gilt moulded frame, with remains of label 'Aitken Dott, Carver and Gilder, 26 South Castle Street [Edinburgh]' The sitter, with her pretty elfin face, bears a marked resemblance to Lady Gertrude Fitzpatrick (daughter of John FitzPatrick, 2nd Earl of Upper Ossory), who was the subject of Sir Joshua Reynolds's 1779 painting entitled 'Collina', held by Columbus Museum of Art. The present work however is more likely to be a fancy picture than a conventional portrait. The column and butterflies suggest the Greek goddess Psyche, although the girl may also represent a month or season, or simply be a fairy figure. The picture restorerr William Morrill (1838-1910) took over his father's business in 1866, working extensively for the National Gallery, National Portrait Gallery, Royal Collections and other prominent collectors. Dante Gabriel Rossetti described him as 'skilfull and careful' and Burne-Jones and Whistler also employed him. The leading Edinburgh firm of Aitken Dott was founded in 1842. It exhibiited and sold work by the leading Scottish artists of the day, as well as carrying out carving, gilding and framing work. The business traded from 26 South Castle Street from 1874 until 1982, and is still in existence today as fine art dealers in Dundas Street, The Scottish Gallery. (1)
*Continental School. Head and shoulders of an elderly woman in profile, circa 1700, red chalk on pale grey paper, 12 x 9.5 cm (4.75 x 3.75 ins) mount aperture, small printed collector's stamp in the form of an eye lower right, framed and glazed Provenance: Nathaniel Hone (1718-1784) Lugt 2793. Private Collection Bristol. (1)
Hogarth (William). The Original Works of William Hogarth, John and Josiah Boydell, 1790, letterpress title and list of plates, 110 engravings on eighty-eight sheets, portrait frontispiece with printed publication date 'June 4 1795', plates 56-60 and 80-81 mounted to wove sheets, plate 71 torn without loss, some old damp-staining to lower and outer margins throughout, sometimes affecting plate impressions, evidence of library stamp removal to lower outer corner of title with resultant paper thinning, title spotted, a little occasional finger soiling, contemporary calf with later antique-style morocco gilt reback to match, scratched and rubbed, a little wear, folio (645 x 490 mm) (1)
*Indian miniatures. Calendula, early 19th century, pen, ink and watercolour on recycled paper, old calligraphy and ink stamp, some toning to paper, 20 x 16 cm (8 x 6.25 ins), framed and glazed, together with Hunting scene, 19th century, group of Indian huntsmen dismembering a bear, opaque watercolour on paper within decorative border with deer, lions and tiger, manuscript text to verso, a few small wormholes, image 25 x 13 cm (9.75 x 5.25 ins), plus Female musician, late 19th/early 20th century, standing female with veena and peacock, Persian text at head and foot, image 15 x 12 cm (6 x 4.75 ins), framed and glazed, with three other watercolours, including a landscape with elephants and deer (6)
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