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7 Stamp albums - Aircraft and Germany stock book 16 pages, Thermatics land transport stock book 12 pages, water transport, Churchill, red cross stock book, Scouting, lighthouses, letterboxes, mushrooms, air balloons - stock book 9 pages, Butterflies/fishes/perfins stock book 20 pages, Air, Space, around the world stock book 48 pages.
A wavy gold 'sleeve' ring designed by K R Hooper of Hooper Bolton Ltd., c.1973, and made by Leo De Vroomen,the flat section sleeve ring with five raised textured wavy bands, to a textured ground. Le De Vroomen maker's mark. 14.00 -14.50mm wide approximately, 11.19g.Finger size N½ LEAccompanied by an insurance valuation from Hooper Bolton Ltd., dated 1973 and a letter of provenance from Mr K R Hooper dated 1988. Presented in a drawstring pouch from Hooper Bolton.Condition ReportThe ring is only marked with the makers mark, no stamp marks or hallmark.Tested as approximately 18ct gold.Light surface marks to the gold.Please view additional images.
A Second World War German Labour Corps Belt Buckle, early aluminium type with 'Pebbled' finish and probably original brown leather tag with make's stamp 'Noelle & Hueck Ludenscheid 1936'. *CR: Good condition and good quality example. *BP 22.5% (18.75% plus VAT) plus a lot fee of £8 inc. VAT on each lot.
An unusual Second World War German Belt Buckle, with central swastika within a wreath and eagle above with geometric raised wings, with a reeded roundel and oak wreath, possibly for the SA or NPEA. Aluminium with a make's stamp inside 'M4/22' and the original matching RZM paper label, also marked 'M4/22'. *CR: Good condition. *BP 22.5% (18.75% plus VAT) plus a lot fee of £8 inc. VAT on each lot.
A Second World War German Luftwaffe Paratrooper's Badge, with a grey zinc wreath with gold plated eagle, the reverse with a thin round vertical pin, and illegible make's stamp. 5.2 x 4.5cm. *CR: Gilt finish worn on eagle, possibly an old copy. *BP 22.5% (18.75% plus VAT) plus a lot fee of £8 inc. VAT on each lot.
An unusual Saxon Ulan helmet in thick grey felt body, large brass and nickel helmet plate with crest within a wreath and crown border mounted on a many pointed star, with a brown leather chin strap with painted Reichs cockade to one side and large green and white felt cockade mounted to the flat-top. Internally with a worn brown leather liner, the remains of the issue stamp visible to the peak. 18cm tall, 23cm front to back. *CR: Slight moth marks, slight differences in colour across the felt and slightly out of shape ... but a fine example/. *BP 22.5% (18.75% plus VAT) plus a lot fee of £8 inc. VAT on each lot.
A 1914 Christmas Tin, a small collection of trench art to include lighter bodies, A Berlin 1938 '5 years' stamp on presentation cards, a Second World War Work Book, banknotes and a copy of the 'Former French Front Newspaper, special edition 'The Germans'. *CR: Mixed states. *BP 22.5% (18.75% plus VAT) plus a lot fee of £8 inc. VAT on each lot.
Three well illustrated German Second World War or earlier books: 'Die Deutsche Luftwaffe', a large photo book, published 1938, with a foreword by Hermann Goring, showing all the sections of the Lutwaffe, including fighters, bombers, ground attack aircraft and anti-aircraft sections. With a property rubber stamp inside of the Reichsfuhrer-S and name of original owner. 'Der Grosse Befehl', a large photo book on the invasion of France, 1940, published 1941, showing tanks, infantry, paratroops and aircraft in action with a proprty stamp inside of 'Vrijwilliger Legion Nederland'. 'Das Deutschland Jahrbuch' which deals with the Hitler Youth and sections of the Party, military, Germany in WW1 and other subjects. With a property rubber stamp inside of the Reichsfuhrer-SS. (3). *CR: All with wear and signs of age. *BP 22.5% (18.75% plus VAT) plus a lot fee of £8 inc. VAT on each lot.
AFTER ALFRED BESTALL THREE SIGNED RUPERT THE BEAR PRINTS, three limited edition signed prints, published by Clark Brandt Publishing Company, copyright Beaverbrook Newspapers 1971, with two other limited edition prints of works by Bestall, framed Guernsey Rupert stamp print, framed collection of Rupert pin badges, Rupert England Footballer print, album of cards and phonecards, Rupert Annual, No.55 from 1990 and collection of reproduction Laurel & Hardy posters and photographs, including one with facsimile signatures
A BOXED SCALEXTRIC MOTOR RACING SET NO. GP3, appears largely complete with both cars, but appear to show signs of mould, box is very damaged, with an unboxed Scalextric grand stand, small quantity of assorted Meccano, a wooden fort, with a quantity of plastic and other soldiers to include Timpo, Britains and a Keymen Bobby Charlton figure and a Orbit stamp album, all in playworn condition
British school (20th century),A bust length portrait of a lady with amber necklace,Watercolour on paper,Unsigned,30.5cm x 22.5cm,Framed and glazed,With a further watercolour portrait on paper depicting a girl in a blue dress, indistinctly signed (possibly J. C. Fawkes) and dated 1913, 33.5cm x 23.5cm, framed and glazed, and a modern stylised portrait print with Bolaffiarte blind stamp, 27.5cm x 21.5cm, framed and glazed (3)
Full title: Three various Boch Keramis Art Deco crackle glazed vases with polychrome design, La Louvière, a.o. Charles Catteau, first half 20th C.Description:H 26,7 - 24 cm (the tallest and the smallest vase) The base of the 'fruits' vase with the Boch Freres Keramis stamp, the decor number 'D.952' and the Charles Catteau signature. The number '208' inscribed, referring to the shape of the object. Vases with the similar design are part of the collection of the Koning Boudewijnstichting and can be dated 1925 (link). The base of the tallest vase with the Boch Freres Keramis stamp, the decor number 'D.738' and the Charles Catteau signature. The number '899' inscribed, referring to the shape of the object. Vases with the similar design are part of the collection of the Koning Boudewijnstichting and can be dated 1922-23 (link). The base of the 'purple' vase with the Boch Freres Keramis stamp and the decor number 'D.1099'. The number '898' inscribed, referring to the shape of the object. Vases with the similar design are part of the collection of the Koning Boudewijnstichting and can be dated ca. 1930 (link). The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Full title: An octagonal Boch Keramis Art Deco vase with polychrome floral design, La Louvière, Charles Catteau, second quarter of the 20th C.Description:H 27,7 cm The base with the Boch Freres stamp, the name of Charles Catteau and the decor number 'W. 1138'. The number '1036' inscribed, referring to the shape of the object. Ref.: - A quite similar vase is part of the collection of the Koning Boudewijnstichting and can be dated 1928 (link). The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Full title: Four Boch Keramis Art Deco crackle glazed vases with polychrome floral design, La Louvière, first half 20th C.Description:H 31,5 - 22,7 cm (the tallest and the smallest vase) The base of the vase on the left side with the number '23'. The base of the second vase with the number '23' and the inscribed number '909', referring to the shape of the object. The base of the third vase with the Keramis stamp, the decor number 'D.2762' and the number '31'. The inscribed number rather difficult to read. Vases with the similar design are part of the collection of the Koning Boudewijnstichting (link). The base of the fourth vase with the Keramis stamp and the decor number 'D.2542'. The number '895' inscribed, referring to the shape of the object. Vases with the similar design are part of the collection of the Koning Boudewijnstichting (link). The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Full title: Two Boch Keramis Art Deco crackle glazed vases with polychrome design, one of which mounted as a lamp, La Louvière, first half 20th C.Description:H 31,1 - 22,7 cm The bottom of the Charles Catteau (1880-1966) vase with the stylized swallows with the Keramis stamp and the decor number 'D.1288'. The number '894' inscribed, referring to the shape of the object. The bottom of the vase mounted as lamp with the Keramis stamp and the decor number 'D.1249'. The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Full title: Two Boch Keramis Art Deco crackle glazed vases with polychrome flower and butterflies design, La Louvière, first half 20th C.Description:H 31 - 21,6 cm The base of the smallest vase with the Keramis stamp, the decor number 'D.2516' and the number '15'. The letter 'O' and the number '1046' inscribed, referring to the shape of the object. A similar egg-shaped vase is part of the collection of the Koning Boudewijnstichting and can be dated 1938/1940 (link). The base of the vases with the Boch Freres Keramis stamp, the decor number ['D.742'] and the signature 'Ct' (for Charles Catteau). The number '898' inscribed, referring to the shape of the object. Vases with the similar design are part of the collection of the Koning Boudewijnstichting and can be dated 1922/1923 (link and link). The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Full title: A pair of Boch Keramis Art Deco crackle glazed vases with polychrome floral 'Rosette' design, La Louvière, Charles Catteau, [1922-1924]Description:H 34,4 - 34 cm The base of the vases with the Boch Frères stamp, the decor number 'D.704' and the signature 'Ct'. The number '951' inscribed, referring to the shape of the object. Ref.: - A similar vase is part of the collection of the Koning Boudewijnstichting (link). The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Full title: Three Boch Keramis Art Deco crackle glazed vases with polychrome deer design, La Louvière, Charles Catteau, second quarter of the 20th C.Description:H 31,6 - 24,1 cm The base of the largest vase with the Keramis stamp and the decor number 'D.943'. The number '960' inscribed, referring to the shape of the object. The base of the vase on the right with the Boch Freres stamp, the number '15' and the decor number 'D.943'. The base of the third vase with the number '31' and later added the date 'Sept 1954' (September 1954). A similar vase is part of the collection of the Koning Boudewijnstichting and can be dated 1925-1940 (link). The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Full title: A Boch Keramis Art Deco crackle glazed dodecagonal flower holder, La Louvière, [1927-1928]Description:H 13,9 cm The base of the flower holder with the Boch Frères stamp, the decor number 'D.1183' and the numbers '3' and '24'. The number '1025' inscribed, referring to the shape of the object. Ref.: - A similar flower holder is part of the collection of the Koning Boudewijnstichting (link). The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Full title: Three Boch Keramis Art Deco vases with polychrome floral design, La Louvière, a.o. Charles Catteau, first half 20th C.Description:H 29 - 23,6 cm (the tallest and the smallest vase) The base of the smallest vase with the Boch Freres Keramis stamp, the decor number 'D.2062' and the initials 'V.B.' (for Vittorio Bonuzzi). The number '847' inscribed, referring to the shape of the object. The base of the vase on the left side with the Boch Freres Keramis stamp, the decor number 'D.967', the signature of Charles Catteau and the letter 'W'. The number '899' inscribed, referring to the shape of the object. A similar vase is part of the collection of the Koning Boudewijnstichting and can be dated 1925 (link). The base of the vase in the middle with the Boch Freres Keramis stamp, the decor number 'D.958', the signature of Charles Catteau and the letter 'W'. The number '896' inscribed, referring to the shape of the object. A similar vase is part of the collection of the Koning Boudewijnstichting (link). The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Full title: Two octagonal and dodecagonal Boch Keramis Art Deco vases with polychrome design, La Louvière, Charles Catteau, first half 20th C.Description:H 14,7 - 12,3 cm The base of the dodecagonal vase with the Keramis stamp, the name of Charles Catteau, the decor number 'D. 1126' and the letter A. The number '1025' inscribed, referring to the shape of the object. A similar vase is part of the collection of the Koning Boudewijnstichting and can be dated 1925 (link). The base of the octagonal vase with the Keramis stamp, the name of Charles Catteau, the decor number 'D. 1127' and the letter A. The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Full title: Jan van Kessel (1626-1679): Exotic birds in an oriental landscape, oil on copperDescription:Work: 24,8 x 18 cm Frame: 34,2 x 28,1 cm The verso with a customs stamp and the number '6' in old ink. Dr. Klaus Ertz confirmed the authorship of Jan I van Kessel in February 2015. The painting forms a beautiful symbiosis between east and west. Jan van Kessel the Elder or Jan van Kessel (I), was a Flemish painter active in Antwerp in the mid 17th century. He practised in many genres including studies of insects, floral still lifes, marines, river landscapes, paradise landscapes, allegorical compositions, scenes with animals and genre scenes. As a scion of the Brueghel family many of his subjects took inspiration of the work of his grandfather Jan Brueghel the Elder. On the other hand, a Chinese city can be disentangled in the background. In the middle plan we see men with a 'queue', a hairstyle characterized by a bare forehead and a single long braid of hair. This type of hairstyle, laid down by decree on July 21, 1645, was part of a long process involving hairstyles and the Manchu conquest of China. The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Full title: Eugène Laermans (1864-1940): Various academic studies and sketches, pencil and charcoal on paperDescription:Work: ca. 75 x 50 cm (the double sided drawing) Frame: 80 x 55 cm Work: ca. 70,5 x 51,5 cm (the academic drawing of a man) Frame: 73,8 x 54,9 cm Work: ca. 29 x 23 cm (the drawing of the houses) Frame. 38,2 x 31,8 cm Work: ca. 29 x 20 cm (the red pencil drawing) Frame: 40 x 30,3 cm Provenance: - The drawings stamped with the artist's studio stamp 'Oeuvre Prov. Atelier Bron. Eug. Laermans' and with 'Vente G. Fievez 25 IV 1942' (Studio sale by G. Fievez in Brussels in 1942). - Ex-collection Mr. Legrand, Brussels (at least two frames). - At least two of the frames were part of the exhibition 'Dessins de Laermans' in 1944 in the Palais des Beaux-Arts de Bruxelles. The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Full title: Eugène Laermans (1864-1940): Three academic nudes, charcoal on paperDescription:Work: ca. 71 x 42,3 cm (the double sided drawing) Frame: 74,4 x 45,7 cm Work: ca. 68,8 x 48,8 cm Frame: 73,8 x 53,7 cm It concerns two papers with three academic studies. One of the papers is double sided. Provenance: - The three drawings stamped with the artist's studio stamp 'Oeuvre Prov. Atelier Bron. Eug. Laermans' and with 'Vente G. Fievez 25 IV 1942' (Studio sale by G. Fievez in Brussels in 1942). Most probably the lot numbers 229 and 230. - Ex-collection Mr. Legrand, Brussels. - At least one of the frames was part of the exhibition 'Dessins de Laermans' in 1944 in the Palais des Beaux-Arts de Bruxelles (nr. 146). The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Full title: Salvador Dali (1904-1989): Six lithographs in colours, dated 1983Description:Work: ca. 40,5 x 30 cm Frame: ca. 60 x 40 cm The lithograps part of the portfolio 'Les chevaux de Dali' ('The horses of Dali'), a series of works with a horse as the main theme. The six lithographs are: 'Le chavel de labeur', 'Neptune', 'Le cheval de course', 'Lady Godiva', 'Le centurion' and 'Bucephale'. The paper with the 'Georges Israël editeur' dry stamp and with the S.P.A.D.E.M copyright symbol. The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Full title: Pierre Alechinsky (1927): 'Mais où sont-ils', lithograph in colours, ed. VI/VIII, dated 1963Description:Work: ca. 76,5 x 64 cm Paper: ca. 78 x 65,5 cm Frame: 108 x 92 cm The lithograph with the 'Permild and Rosengreen' stamp. A similar lithograph is part of the collection of the Art Institute Chicago, No.1965.853 (link). Ref.: - Yves Riviere, 211. The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
ANN CARRINGTON (BRITISH B.1962)PEARLY QUEEN OF ST JAMES'S PALACEacrylic and pearl buttons hand sewn on black linen, in artist's perspex box120 x 110cm (47 x 43¼ in.)"Interestingly, the most reproduced work of art in history is not the Mona Lisa. Sculptor Arnold Machin's portrait of the Queen has sold more than 200 billion copies since it was issued in 1967 as the new UK postage stamp. The Machin design has become instantly recognisable - an iconic piece of 20th century design.Collecting stamps as a child, I always found the Machin image strikingly beautiful. As the years went by, this humble stamp I unthinkingly attached to hundreds of envelopes became invisible to me with familiarity, yet gave a sense of continuity.A few years ago, while mulling these things over, a letter arrived at my studio. On a whim I removed the stamp, photographed it and projected the image on to the wall, blowing it up to the size of a small Royal Mail van. On this scale the printing dots looked like buttons, which got me thinking of another great London establishment - the Pearly Kings and Queens.Combining these two threads of thought, my first Pearly Queen was born. A Machin stamp was enlarged on to black canvas and embroidered from pearl buttons specially dyed in a kaleidoscope of high-pitched disco patchwork colours. It was commissioned by Jacob Rothschild in celebration of the Queens 80th birthday, and now hangs in Waddesdon Manor as part of the Rothschild Collection.Elton John, Gwyneth Paltrow and the Earl of Westminster have all commissioned Pearly Queens, but making a queen for the Queen(!) was the pinnacle. Created as a special commission for the Queen's Diamond Jubilee, and made to complement the crimson velvet and golden button banner for the Royal Barge, the stamp artwork hung in the Queen's waiting room.You can't just reproduce Machin's beautiful postage stamp of the Queen - even if it is a hundred times bigger and made from velvet and buttons. One has to have an official licence. Every one of my Pearly Queens is officially licensed by Royal Mail Ltd and The British Postal Museum Archive."- Ann Carrington
A dish warmerFranceMaker Charles-Nicolas ODIOT, circular shaped silvered metal, with gadrooned frieze to rim and foliage handles, decorated with shells and acanthus and resting on 4 claw feet with palms and scrolls finialsOrnamented on both faces with marriage heraldic shield for the Vachon de Briançon family, Marquesses of Belmont surmounted by marquess coronet supported by two figures in coats of arms and swords surmounted by crowned ermine mantlingParis 1826-1838(in very good condition)The plate warmer herewith described, does not feature any stamp or maker's mark, but its provenance is secure. ODIOT did not systematically mark his silver plated pieces when these were part of an important set that included solid silver tableware.A vegetable dish and its warmer, of the same exact characteristics and engraved with identical heraldic, undoubtedly belonging to this same set, was sold in the HUBERT de GIVENCHY collection sale, at Christie's, in October 14, 2021 (lot 202). Another pair, belonging to the same set, was also sold by Sotheby's in Paris, in November 29, 2016 (lot 82).10x32x24 cm1810 g
A dish warmerFranceMaker Charles-Nicolas ODIOT, circular shaped silvered metal, with gadrooned frieze to rim and foliage handles, decorated with shells and acanthus and resting on 4 claw feet with palms and scrolls finialsOrnamented on both faces with marriage heraldic shield for the Vachon de Briançon family, Marquesses of Belmont surmounted by marquess coronet supported by two figures in coats of arms and swords surmounted by crowned ermine mantlingParis 1826-1838(in very good condition)The plate warmer herewith described, does not feature any stamp or maker's mark, but its provenance is secure. ODIOT did not systematically mark his silver plated pieces when these were part of an important set that included solid silver tableware.A vegetable dish and its warmer, of the same exact characteristics and engraved with identical heraldic, undoubtedly belonging to this same set, was sold in the HUBERT de GIVENCHY collection sale, at Christie's, in October 14, 2021 (lot 202). Another pair, belonging to the same set, was also sold by Sotheby's in Paris, in November 29, 2016 (lot 82).11x48x28 cm2904 g
A set of three egg spoonsFrench silverGuilloche decoration the bowl with blank cartouche by QUEILLÉHallmarks: Minerva 1st grade, master goldsmith PQ for 1847-1895(in very good condition)The QUEILLÉ were a dynasty of goldsmiths specialised in silver cutlery and tableware in the 19th century. The company achieved the extraordinary longevity of approximately one century, during which remained in the family ownership. The original maker's stamp "an antique oar" flanked by the PQ initials wont suffer but minor alterations during the firm's long life.The house was founded by the spoon maker Pierre-François QUEILLÉ, who engraved his stamp in 1808, continuing his activity until 1834.He is succeeded by Pierre-François QUEILLÉ II, cutler, who registers his own mark in October 23, 1834. Based at 70 Faubourg Montmartre in Paris, his seal will be voided in November 27, 1846.Eugène QUEILLÉ, goldsmith, takes over the workshop and registers his stamp in February 11, 1847, based at 8 petite rue Saint-Roch-Poissonnière.In 1874 the QUEILLÉ are recorded at 11, rue des Petits-Carreaux, in the heart of a goldsmiths neighbourhood.They will maintain the company's original activity, when their workshop is acquired by Antoine LAPARRA.MUSEUMS, PUBLIC INSTITUTIONS AND LISTED OBJECTS•MINISTRY OF DEFENCE, HÔTEL DUET, PARIS, Silver gilt dinner set, listed as Historical Monument in April 27, 1926.Comp: 11,2 cm81,6 g
Pieter Cornelis Dommersen (Dutch, 1834-1908)Flushing, Holland signed and dated 'P.C.Dommersen.1894.' (lower left); bears wax stamp (on the reverse)oil on panel 32.4 x 54.6cm (12 3/4 x 21 1/2in).Footnotes:ProvenanceWith Frost and Reed, London, no. 21871.With Douwes Fine Art, London.Private collection, UK.For further information on this lot please visit Bonhams.com
Erté (Romain de Tirtoff) (Russian/French, 1892-1990)A pair of costume designsboth signed 'Erté' (lower right); stamped with artist studio stamp (on the reverse) watercolour and pencil heightened with gold and silver each 37.8 x 25.1cm (14 7/8 x 9 7/8in). (2)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
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165598 item(s)/page