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James Turrell (American, b.1943) Eclipse A, B, C, D,a quantity of cibachrome prints 40.5 x 30.5cm, unframed Eclipse A: 15 numbered from an edition of 500 and with artist's stampEclipse B: 5 numbered from an edition of 500 and with artist's stampEclipse C: 15 numbered from an edition of 500 and with artist's stamp, 21 unnumberedEclipse D: 9 numbered from an edition of 500 and with artist's stamp, 24 unnumberedCondition ReportA couple of very light and superficial scratches and imperfections, but overall in good condition.
James Turrell (American, b.1943)Eclipse A, B, C, D,a quantity of cibachrome prints40.5 x 30.5cm, unframed Eclipse A: 14 numbered from an edition of 500 and with artist's stampEclipse B: 6 numbered from an edition of 500 and with artist's stampEclipse C: 15 numbered from an edition of 500 and with artist's stamp, 22 unnumberedEclipse D: 9 numbered from an edition of 500 and with artist's stamp, 24 unnumbered Condition ReportA couple of very light and superficial scratches and imperfections, but overall in good condition.
James Turrell (American, b.1943)Eclipse A, B, C, D,a quantity of cibachrome prints40.5 x 30.5cm, unframed Eclipse A: 14 numbered from an edition of 500 and with artist's stampEclipse B: 11 numbered from an edition of 500 and with artist's stampEclipse C: 16 numbered from an edition of 500 and with artist's stamp, 23 unnumberedEclipse D: 9 numbered from an edition of 500 and with artist's stamp, 19 unnumberedCondition ReportA couple of very light and superficial scratches and imperfections, but overall in good condition.
James Turrell (American, b.1943) Eclipse A, B, C, D,a quantity of cibachrome prints 40.5 x 30.5cm, unframedEclipse A: 15 numbered from an edition of 500 and with artist's stampEclipse B: 5 numbered from an edition of 500 and with artist's stampEclipse C: 15 numbered from an edition of 500 and with artist's stamp, 21 unnumberedEclipse D: 18 numbered from an edition of 500 and with artist's stamp, 24 unnumbered Condition ReportA couple of very light and superficial scratches and imperfections, but overall in good condition.
James Turrell (American, b.1943) Eclipse A, B, C, D,a quantity of cibachrome prints 40.5 x 30.5cm, unframedEclipse A: 15 numbered from an edition of 500 and with artist's stampEclipse B: 5 numbered from an edition of 500 and with artist's stampEclipse C: 15 numbered from an edition of 500 and with artist's stamp, 21 unnumberedEclipse D: 30 numbered from an edition of 500 and with artist's stamp, 12 unnumberedCondition ReportA couple of very light and superficial scratches and imperfections, but overall in good condition.
Photography. A collection of 53 loose 19th-century albumen prints, mostly UK & Ireland topographical & architectural views, including several hand-tinted views of Japan (Mount Fuji & temples), several views of Notre Dame, some with printed captions, some inscribed verso, various sizes, two bearing publisher's blind-stamp: Frith's Series and Pettitt of Keswick,. Loose/unmounted, generally very well-preserved, some folds and creases at edges (53)Provenance: By descent of the family of John Benjamin Stone (1838-1914)
Dante's Inferno. After Eugène Delacroix, lithograph by Célestin Nanteuil, depicting Dante & Virgil in a boat on the Styx, Paris: Bertauts, [c. 1848], blind-stamp to centre of lower margin, 'Les Artistes Contemporains', 192mm by 232mm (lithograph), 32cm by 45cm (sheet). Together with a similar lithograph by Célestin Nanteuil, this time depicting a hunting scene with mythological figures in a forest, again published by Bertauts, c. 1849-63, blind-stamp, 'Les Artistes Anciens et Modernes'. The lithographs are well-preserved, the wide margins have pale spotting & mount-burn (2)
Eugène Constant (French, active Italy, 1848-55). Four views of Rome, salt print or similar process, very fine paper mounted on individual card sheets, the lower-left of each image bearing Eugène Constant's blind-stamp, and again at the lower-right of each card mount. The four views comprising: Arch of Septimius Severus, 16.2cm by 21.6cm; Piazza Santa Maria Maggiore, 16.4cm by 21.9cm; Arch of Titus, 15.6cm by 21.7cm; The Colosseum, 15cm by 21.8cm. The images themselves are well-preserved and bright, but two of the card mounts have marks and insect damage. The first two images have a lilac/silvery-grey tone; the last two images have a slightly golden/reddish-brown hue. The first three images are very well-preserved with only some incredibly faint spotting visible in the sky; the final image has some light handling marks and a few small blots. Together with three images that appear to be a similar process with the same matte finish, this time bearing no blind-stamps to images or card mounts: Castel Ponte Sant'Angelo, 18cm by 25cm (very good, a few incredibly faint spots, lifting slightly from mount at lower-right); Tiber & Castel Sant'Angelo [possibly by James Anderson], 16cm by 24.3cm (very good with some pale spotting, lifting from mount at lower-right); Tomb of Caecilia Metella, 20.6cm by 29.7cm (very good); the card mounts of these three in varying condition with stains & wear (7)
Orwell, George. Nineteen Eighty-Four, true first American edition as stated on copyright, New York: Harcourt, Brace and Company, 1949. Octavo, publisher's cloth, first state dust-jacket priced $3.00 on front flap, blue variant [no priority], pp. [iv], [i-ii], 3-314. Contents very good, clean, bright, some light handling marks in places, binding good with slight wear to cloth at edges, dust-jacket well-preserved & vibrant with a short tear at top-right of upper cover, slight loss at upper corner & top of spine, formerly US library with a few small stamps to endpapers, one stamp recording the date, 6 June 1949 [pre-dating the official release date in the US of 13 June 1949, presumably owing to it being for a library], wear to pastedown from a previous label, rental price to lower spine, housed in protective mylar covers. A true first American edition of this iconic and hugely influential novel, published the same year as the first UK edition
Yeats, W. B. The Poetical Works, signed by the author, Vol. I [of two], New York: Macmillan, 1913. Octavo, publisher's gilt blue cloth, top edge gilt, bearing blind-embossed ownership stamp at foot of title (from the personal library of Kenneth Anderson), neat owner inscription from the same on ffep, a bookseller's note in pencil states that this first volume is autographed and the second [no longer present] was initialled. Contents very good, clean, bright, slight surface wear to ffep from previous cataloguing notes in pencil, binding tight & square, cloth well-preserved with light bumping & wear to extreme corners
Carr (John) Viaggio in Olanda E Nel Mezzodi della Germania, etc. [Journey Into Holland and In the Middle of Germany] Vol. 1 & Vol. 3 only [of 3], Napoli: Mirelli, 1833, printed paper wrappers, worn, with 8 hand coloured engraved plates, small octavo. Together with Barozzi (Jacopo) L’Architettura, etc. 2 parts in 1 “Trattato di Meccanica & Ex Fabrica et Ratiocinatione, Venezia: Locatelli, 1778, 54 copper engraved plates, quarter calf, marbled paper boards, reverse of final plate has a small rubber stamp “G.S. Biblioteca Salomone, Nicosia” and also a label inside front board. Dated 1911. Published by Francesco Locatelli, Venice, 1778; and 1 other Italian printed book, 1741 (4)
A collection of vintage football programmes, mostly 1960s to 1970s, predominantly Derby County (home & away) with approximately 50 programmes for the 1969-70 & 1970-71 seasons, to include four earlier programmes for DCFC games against Aston Villa on 26 May 1945 (wartime Midland Cup Final), Luton Town on 3 April 1946, Arsenal on 19 April 1946, Charlton Athletic on 27 April 1946 ("Victory" Cup-Final Souvenir); to also include FA Cup Final programmes for 1966, 1968, 1970, 1972, several programmes for international games, a complete (filled) Mexico 70 World Cup Soccer Stars album, and a reasonably well-filled (but not complete) Picture Stamp album of First Division Soccer Stars 1967-68, the whole in one plastic container, condition generally very good, the 1940s programmes creased & worn, sold with all faults
A WHITE METAL DIAMOND SET FULL ETERNITY RING, polished band, set with single cut diamonds (three stones are missing), rubbed stamp mark to the outside rim, ring size M 1/2, approximate gross weight 2.9 grams (condition report: three stones are missing, would benefit from a gentle clean, overall condition good)
TWO SILVER VESTA CASES AND A STAMP HOLDER, the first vesta of a rectangular form, decorated with a floral pattern and vacant cartouche, striker to the base, hallmarked 'J.G' Birmingham 1900, fitted with a chain, the second a ridge design with floral patterns, striker to the base, gilt interior, hallmarked 'Albert Jackson' Birmingham 1907, together with a stamp holder in the form of an envelope with a floral pattern, fitted with a jump ring, hallmarked 'Albert Ernest Jenkins' Chester 1906, approximate gross weight 39.3 grams (condition report: general light wear, tarnishing to all, one vesta has a stamp inside and the stamp holder has a plaited lock of hair inside)
A GENTS YELLOW METAL WWII SIGNET RING, of a square form, detailed with a tank and inscribed 'ON NE Passepas', translates to 'They Shall Not Pass', detailed shoulders leading onto a polished band, rubbed stamp mark to the outside of the shank, possibly French, ring size N, approximate gross weight 3.1 grams (condition report: ring size alteration visible, general light wear, overall condition good)
A COLLECTION OF WALKING STICKS, HORSE CROP AND SWAGGER STICK, comprising a miliary swagger stick with embossed regiment stamp 'Royal Warwickshire Regiment', a riding crop with a bronzed horse handle, six walking sticks, one umbrella and an African hardwood carved walking stick (10) (Condition Report: all appear in fair condition)
THREE LATE VICTORIAN YELLOW METAL BROOCHES, the first set with a garnet cabochon to the centre, detailed with rose cut diamonds, with a floral and scroll mount, also set with two rose cut diamonds, unmarked, fitted with a brooch pin and C clasp, the second a flower detailed bar brooch, stamp mark hidden beneath the brooch pin , fitted with a base metal brooch pin and C clasp, a bohemian garnet flower brooch, stamped 9ct, approximate gross weight 15.2 grams (condition report: one diamond missing to the front of the first brooch, the garnet brooch is also missing a garnet, general light wear)
A large Keswick school of industrial arts copper charger with floral embossed design and scroll detail to edges, scratched siganture to reverse, lacking stamp, sold with an early 20th century Keswick school of industrial arts charger of small proportions, having embossed dragon and folliate design. approx 19 inch, indistinct dignature J H.....? latge charger having applied suspension rings top reverse, otherwise in good conditiuon commensurate with age and use, the scratch signature is faint, please see additional images.
Winnie the Pooh Cel. Disney hand painted movie cel stamp in the bottom right. Image depicting Winnie extending his pot of Honey. On the back it says this was used in the making of the film Winnie the Pooh and a day for Eeyore according to the Walt Disney Productions, Burbank California. This Cel has spotting on the cel itself. Being sold as is. Overall size: 18 1/4 x 21 1/4 in. Sight size: 8 1/2 x 11 1/2 in.
Disney Rabbit and Tigger Cel. Disney hand painted movie cel stamp in the bottom left. The image is depicting a Jovial Tigger and rambunctious Rabbit in a heated discussion . On the back it says this was used in the making of the film Winnie the Pooh and a day for Eeyore according to the Walt Disney Productions, Burbank California. This Cel has spotting on the cel itself. Being sold as is. Overall size: 18 1/4 x 21 1/4 in. Sight size: 8 x 11 in.
Jo Brand Signed Post Office First Day Cover. British stamp with 11 July 1979 Beatrix Potter Postmark. Good Condition All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Daniel Panagopoulos mixed media (lavis and pastel) with an abstract composition - with on the back a stamp of the Succession with certificate || PANAGOPOULOS DANIEL (1924 - 2008) werk in gemengde techniek (lavis en pastel) met een abstracte compositie - 30 x 20 met op verso een stempel van de successie van het atelier van de kunstenaar met certificaat
Sonia Delaunay monogrammed mixed media (gouache and pastel) with a stamp with "Project with letters 1914" annotation || DELAUNAY SONIA (1885 - 1979) werk in gemengde techniek (gouache en pastel) - 24,5 x 35 gemonogrammeerd en met stempel met "Project with letters 1914" prov : vader van expert/kunstenaar Zeljko Lah
Andy Warhol "Zebra" silkscreen from the series "Endangered Species" with the blind stamp of Warhol's master printer Rupert Smith and with on the back the red stamp of Ronald Feldman || WARHOL ANDY (1930 - 1987) silkscreen uit de reeks "Endangered Species" : "Zebra" - 96,5 x 96,5 met blindstempel van de Warhol's meesterdrukker Rupert Smith met op verso de rode stempel van "Ronald Feldman"
Daniel Panagopoulos ink drawing with a fauvist style portrait - with on the back a stamp of the Succession with certificate || PANAGOPOULOS DANIEL (1924 - 2008) inkttekening met een fauvistisch uitgewerkt portret - 29 x 19 met op verso een stempel van de successie van het atelier van de kunstenaar met certificaat
17th Cent. Flemish Antwerp School oil on panel - with panel mark and a wax collection stamp on the back || VLAANDEREN - 17° EEUW olieverfschilderij op paneel van de Antwerpse School : "Kalvariesccène met Christus aan het kruis" - 66,5 x 45,5 het paneel draagt een paneelmerk en heeft een oude collectiestempel in was
Bengt Lindström signed oilpainting dd 1968 titled "Mystery Tour" - with on the back a stamp signed Alexandre and Marianna Lindström || LINDSTRÖM BENGT (1925 - 2008) olieverfschilderij op papier op doek dd 1968 met een typische kleurrijke 'Cobra' - compositie met figuren, getiteld "Mystery Tour" - 73 x 57 getekend en met op verso een stempel getekend Alexandre en Marianna Lindström
Andy Warhol "Panda" silkscreen from the series "Endangered Species" with the blind stamp of Warhol's master printer Rupert Smith and with on the back the red stamp of Ronald Feldman || WARHOL ANDY (1930 - 1987) silkscreen uit de reeks "Endangered Species" : "Panda" - 96,5 x 96,5 met blindstempel van de Warhol's meesterdrukker Rupert Smith met op verso de rode stempel van "Ronald Feldman"
Daniel Panagopoulos drawing (lavis) with an abstract composition - with on the back a stamp of the Succession with certificate || PANAGOPOULOS DANIEL (1924 - 2008) inkttekening (lavis) met een abstracte compositie van omstreeks 1950 - 29 x 19 met op verso een stempel van de successie van het atelier van de kunstenaar met certificaat
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165598 item(s)/page