Achille Brocot. A rare perpetual calendar striking mantel clock of year duration with Mean Time indicator, two piece white enamel dial with Brocot`s visible escapement, the backplate signed A.B. in a five pointed star and numbered 4192, bi-metallic pendulum with enamel centre, the calendar dial beneath signed Achille Brocot, three subsidiaries for day, date and months, penny moon, sector above for Mean Time at Noon, the calendar backplate with Brocot`s stamp and numbered 4194, both trains each with eight additional barrels mounted either side of the calendar, in heavy scrolled plates numbered 4193, on original gilt wood base, 16.5in (42cm) h. A similar, but later, clock by Brocot no. 6145 sold by Christies Amsterdam `The Museum Art Gallery Auction`, 2 April 2003 for €45,400.
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Drocourt. A rare silver striking carriage clock, white enamel dial signed Hunt & Roskell, London, the repeating movement with Drocourt`s stamp and numbered 27156, replaced lever platform, in a silver gorge case, the base inscribed Hunt & Roskell, late Storr & Mortimer, no. 327, hallmarked London 1891, 12cm h, in a fitted velvet travelling case with plate key. (2)
Moorcroft Circular Pin Tray Moorcroft Collectors Club 2004, copyright 2004, initialled KF, Moorcroft Pin Tray copyright 2001 (seconds) TP & Earlier Moorcroft Circular Pin Tray, blue under glazed mark Moorcroft with original label, potters to the Late Queen Mary, under glazed stamp Made in England, deep blue ground & Moorcroft Small Baluster Vase 2001 under glazed blue marks (4 pieces, 1 box)
Edward VIII five shilling book of stamps, five 1910 - 1935 Silver Jubilee stamps, one hundred and ten George VI 12th May 1937 stamps, six 1966 World Cup stamps, ten 1840 - 1940 stamps, eighteen 4d Winston Churchill stamps, six red 1d stamps, seven blue 21/2d stamps, one Radar 4d stamp, four blue 10d Bahamas stamps and twenty five blue 4d stamps.
Five Boxes housing Stanley Gibbons Stamps of the World set 2002; Great Britain FDC`s in two albums; commercial mail in album; two albums relating to Stamps of the World on cover; all world in albums, envelopes and loose; collection of Polar Postal History journals; The War Stamp Overprints of The Falkland Islands J.P. Bunt and misc
Netherlands. Two printed Collecta albums housing a mint and used collection from 1867 onwards, with strength in middle period. Noted 1923 Cultural Fund mint, 1927 60th Anniversary of establishment of Dutch Red Cross Society mint, 1932 Child Welfare used, 1933 Seamen`s Charity used, 1933 Child Welfare mint, 1950 and 1951 Cultural and Social Relief Funds mint, 1952 International Postage Stamp Exhibition mint,
F. Barbedienne a Paris, a large French ormolu mantel clock with an eight-day duration movement striking the hours and half-hours on a bell with an outside countwheel, the backplate stamped for the maker of the roulant blanc, Japy Frères, the white enamel dial having blue Roman numerals, decorative brass hands and signed ‘F. Barbedienne a Paris, Bould. Poissoniere 30’, the ormolu case in the form of a scantily-clad female seated on a goat, standing on a decorative plinth mounted with swags of grapes & leaves in which is seated the movement, with case stamped ‘F. Baredienne, Founder’ and embossed with a further stamp ‘Reduction Mechanique A Collas brevete’, height: 70cm. * The renowned foundery was formed in 1838 with the partnership of Ferdinand Barbedienne and Achille Collas, who invented the machinery to reduce castings. Collas died in 1859 leaving Barbedienne to run the business alone becoming President of the Reunion of Bronze Makers in 1865. He died in 1891.
A Highly Collectable and Original `Destroy` T-shirt , From The Seditionaries Collection, by Vivienne Westwood & Malcolm McLaren, c1977, from the famous Kings Road Shop. The label has been removed (many years ago) by the owner. (1) History Statement about the Destroy T-Shirt From `Punk Fashion History`: "Perhaps the single most famous/controversial t-shirt is the Destroy one featuring the word Destroy, a massive swastika, an upside down Jesus on a cross and a postage stamp with the Queen on it. From afar you can just make out the word and swastika. You have to look closely to see the other motifs - A typically ambiguous and deliberately provocative t shirt. If there was a political agenda here it was a situationist/anarchist one to confront, subvert and confuse. The important thing to note here is the swastika was just one of many motifs used and a powerful one."
An Art Deco Britannia standard silver and ivory oblong dish by The Goldsmiths & Silversmiths Co. Ltd, London 1935 (jubilee mark), incuse retailers stamp of Goldsmiths & Silversmiths, with twin plain ivory baton handles, plain sides and on an oblong moulded foot, 23cm (in) long, 248g (8 oz) gross
A Minerva Goddess First Series Goddess Mascot, an extremely rare first series type (without P.De.Soete signature, even though it was his piece). It has the unequal length Minerva text specific to the earliest examples. Correct stamp around the neck area, Click Here to view this item on www.i-bidder.com
Jan Lievens A bearded man in profile etching, with monongram centre left, indistinct ink stamp verso, 17th century, 145 x 120mm (5 3/4 x 4 3/4 in); with A Young man in profile, etching, trimmed into plate at lower and right margin, 150 x 115mm (6 x 4 1/2 in), both unframed. (2) Condition report: Bearded man in profile has several damp-stains, slight browning, and surface dirt with finger-soiling. The Young man in profile is missing roughly 10-15mm at the lower margin, and 30mm at the right margin, including the loss of the monogram.
An album of engravings and etchings including The rape of the Sabines by Cherubino Alberti, after Caravaggio, c.1570-1615 or later, with collector`s stamp of Martin Folkes [Lugt 1034], Adoration of the Shepherds after Carlo Maratti, c.1680-1720, 6 Piranesi etchings from Archi Trionfali, a Franciscus de Neve etching, published by Giovanni Giacomo de` Rossi, a Paul Sandby etching, c.1758, with etchings after Fragonard, Boucher, Veronese, and others, total c.145 prints, 18th and 19th century, v.s., all neatly tipped into album leaves, straight-grained morocco, gilt, worn, 4to. Condition report: Occassional spotting, browning, surface dirt and stains.
Pieter Schenck A Lady at Confession mezzotint, on laid paper, c.1675-1719, with collector`s ink stamp of Louis Deglatigny verso [Lugt 1768], 250 x 185mm (9 3/4 x 7 1/4 in), [Hollsetin 431]; Magnus Pictor Inops, mezzotint, Ludolph Smids MD inscribed at lower right, indistinct collector`s stamp verso, 240 x 180mm (9 1/2 x 7 in), [see BM 1872,1012.914 for reverse impression] § Jan van Somer. 3 drinkers, mezzotint, c.1676, with collector`s ink inscription of S.Scheikevitch of Moscow verso [Lugt 2264], 265 x 220mm (10 1/2 x 8 3/4 in); with a portrait of lady wearing a feathered hat by Carel de Moor, mezzotint, 2nd state with letters, and two others including an oriental profile portrait (6) *** Pieter Schenck`s (1660-1718) `Lady at Confession` is a pirated reverse copy of the original mezzotint by the British engraver John Smith (1652-1743); Schenck protected himself against copying by adding a Dutch Priviledge to the print. [Antony Griffiths `The Print in Stuart Britain`, BM 1998]
Samuel Cousins Young child with a dog mixed-method engraving, . visible, mounted within the platemark, but well outside the image, signed in pencil, lower right, Printsellers` Association blind-stamp, lower left, with Thomas Agnew and Sons` label on the backboard, Colnaghi, Thomas McLean, and Manchester, Thomas Agnew and Sons, 1879. 370 x 420mm (14.5 x 16.5in)
Mukul Dey Omkar Baba; Drawing the net, East Bengal scene; On the River Hooghly; portrait of John Anderson 4 etchings, Omkar Baba printed in colours, titled and inscribed a state proof, lower left, dated Sept 21, 1968, lower right, the two scenes signed in pencil lower right, and titled in pencil lower left, the portrait signed and dated July 15th 1937, in pencil lower right, with sitter`s etched signature in the plate, an ink stamp lower right, v.s., all unframed (4) Condition report: The first three with minor handling creases, the portrait hinged into conservation mount.
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