We found 165558 price guide item(s) matching your search

Refine your search

Year

Filter by Price Range
  • List
  • Grid
  • 165558 item(s)
    /page

Lot 6225

Posthumous print published in collaboration with H.P. / De Tijd and George Mulder Foundation, 1991. Colour print on thick white stock (hts paper), 80 x 78.5 cm, image size 63 x 65.5 cm. With embossed stamp 'George Mulder Foundation H.P./De Tijd’ on lower right corner. Verso features stamp Keith Haring@George Mulder Foundation 1991, numbered 230/500 in pencil. Paper moderately bubbled, with slight irregularities along the extremities, image in very good state.

Lot 2422

Filled-in 'Bespreekbiljet' for the event on 9-11 August 1928. (2) Ticket for the Horse Riding on August 11. (3) Press Card Olympic Games Horse Riding (copy w. municipality tax stamp).(total 3)

Lot 6257

(1) L'Humidité No.21 Feb 1974, Hervé Fischer special. Magazine published by Jean Francois Bory, Paris, 20 pp. Includes inlaid card 'hygiene de l'art'. With original sending envelope addressed to Tjeerd Deelstra.(2) Folded poster printed blue on white, 65 x 50 cm. Text about Fischer (in French) by Pierre Restany, Paris 4 Feb 1973 titled 'La vie d'Artiste'. (3) Brochure 'Art Power 12' and text sheet regarding 'Hygiene de l'art'. (4) 2 information sheets about rubber stamp art 'Art et communication Marginale'. (total 6 )

Lot 6014

In 1957 Stanley Brouwn moved to Amsterdam from Paramaribo (Surinam), aged 22. The same year his first ever published work appeared in Spiraal No.1 (Harry Ruhé, Stanley Brouwn: A Chronology). Brouwn contributed several poems and drawings to the first fives issues of the Amsterdam based literary and graphic periodical. Included in this lot are issues 1, 2, 3 and 5. Comprises: (1) Spiraal 1, December 57, with poem by SB. Slight damage to top right corner, else very good. (2) Spiraal 2, slight dog ear top right. (3) Spiraal 3, minimal toning on cover. (4) Spiraal 5, reproduced Brouwn drawing on the front cover, two poems and a b/w picture featuring SB on interior of the backcover. All issues staple-bound stencilled booklets, with minimal toning on covers. (5) Tongoni 2 October 1959. With reproduced drawing by Brouwn. Tongoni (1958-1959) was one of the first literary magazines of Surinam. Cover moderately soiled, with faint library stamp on front cover. All copies very rare. (total 5)

Lot 2096

"Lady in dark blue dress with a white veil cocktail hat". Watercol. on paper. Signed and dated bottom right "Eric/49". On verso: copyright stamp and stamped no. 1285. 68 x 45 cm.(2) "Europe Needs your Help. Care". Publ. in Vogue 12-1-1947, p. 16. Signed bottom right "Eric". 65 x 60 cm. (total 2)

Lot 7

Versjes. De Waelburch Blaricum, 1927. 1st ed., 42 p. Orig. wr. and col. ills. by Lou Loeber, bookplate stamp on 1st flyleaf. Sl. worn and stained, bottom corners of front cover and 1st flyleaf partly missing, no spine rather bound w. cords (later).

Lot 364

par le citoyen Formage. Paris and Rouen, Barrois and Periaux, "An VIII" (1799 or 1800), 2 parts in 1 vol. (12), 252; (4), 308 p. Contemp. hcalf, gilt spine w. mor. letterpieces. A good copy w. minimal imperfections.Authenticated by the author. 1st ed. of a collection of 290 orig. fables in verse that reflect the spirit of the French revolution. Interestingly, some of these fables condemn slavery and call for freedom of slaves. Quérard III, 163; Frère, Normandie I, 478. (2) G.A. le Monnier. Fables, contes et épitres, par M. l'Abbé Le Monnier. Paris, A. Jombert père a.o., 1773. (24),215,(1 blank),7,(1) p. W. engr. frontisp. by B.L. Prevost after C.N. Cochin, contemp. marbled calf, ribbed and gilt spine w. mor. letterpiece, marbled edges. 1st ed. of orig. fables by Monnier (1721-1797), a French priest and literary author. Attractive copy from the library of the prolific French writer and traveler James Condamin (1844-1929), a priest and canon who became professor in literature in Lyon. W. his owner's entry dated 1912 on first free endpaper, his stamp and an old catalogue clipping on the title-p., and some short annotations in pen at the beginning of the work. Cohen-De Ricci 621; Cioranescu 39140. -and 3 others (1802-1810), incl. a rare French language Baltimore imprint by Warner & Hanna (1810). (total 5)

Lot 6005

Catalogue and rare poster 'Oltre la pittura oltre al scultura. Mostra di ricerca di arte visiva'. Milan, Galleria Cadario, 1963. Booklet, 6 pp. Texts in Italian by Umbro Apollonio, Umberto Eco et al. Stamp of Nouvelle Tendance Section Hollandaise (Henk Peeters) on back cover. Peeters also added a text correction in pen (the name of his magazine nul=zero was misspelled). Folded poster, 69 x 28 cm, with the names of participants on recto and b/w pictures of their work on verso. Artists include Peeters, Cruz-Diaz, Colombo, Mack, Morellet, Getulio, Munari, Mari, Piene, Gruppo N et al. Tiny tear (1 cm) along fold of the poster, else a very good copy. (2) Invitation card 'Panorama de la nouvelle tendance' at gallery Amstel 47, Amsterdam May 1963 featuring Aubertin, Fontana, Klein, Kusama, Manzoni, Soto et al. (3) Card and brochure for a show by Getulio at Amstel 47 July 1963. Text in Dutch by Henk Peeters. (4) Mikro-nul/zero, brochure for the exhibition at Galerie Delta Rotterdam August 1964 presenting Klein, Peeters, Piene, Manzoni, Uecker and others. Library copy with marks. (total 6)

Lot 1862

With introduction by T.B. Roorda. J.A.A.M. van Es, Wassenaar, 1928.Sm. folio, cloth, front plate in black and gilt-stamp with original woodcut of a ringowl (p. 1), 2 further original woodcuts of a parakeet (p. 4) and a white-necked crane (p. 16). Woodcuts and reproductions are all on blotting paper, 46 p., sl. foxing as usual, otherwise a fine copy.

Lot 1225

Complete series Blauwe reeks #1-7. No. 1, 3, 5-7 in 1st printing, added Tijl Uilenspiegel #1. De opstand der Geuzen. Standaard Boekhandel 1952-1957. Added: Facsimile series vol 1-6. Standaard, 1983-84. Hc. in half cloth. Fair condition. Traces of use, wear and small rest., name in #4 and 5, some traces of previous spinal tape on #1. Name on cover TU #1, spine rest. and lacks Kuifjespunt. Het Spaanse Spook, spine rest., some recol., name stamp on title p. (total 14)

Lot 2287

Series of 31 Gelatin Silver Prints w. images of men, in the desert, w. partner, sable, tree, etc. from various series. All 12.5 x 10 cm. 9 w. stamp "Western Photography Guild", 1 w. "Bruce of Los Angeles" on reverse.(total 31)

Lot 2662

Col. lithogr. (film)poster, 98.5 x 62 cm, titled in col. crayon in lower margin, printed in Finland by SKSK (Suomalaisen Kirjallisuuden Seuran Kirjapainon), n.d. (1952).Folded several times, lower margin folded backwards and fixed w. tape to the back of the poster, many marginal pinholes. Ex collection of Centrafilm Dordrecht, with a number of their stamps verso, this copy numbered "No. 13" with stamp verso. Also with their stamped annotation verso: "Verzoeke het reclamemateriaal met veel zorg te behandelen. Speciaal bij litho's s.v.p. de bestaande vouwen en bij litho's en foto's de bestaande prikgaten gebruiken. Recto with stamp of the Centrale Commissie voor de Filmkeuring in upper right corner. Very rare, probably a proof copy, possibly a filmposter for a film that was never released (not on IMDB).

Lot 1480

Amst., 1970s. Gelatine silver print.Added: (2) A.J. Otto. Paardenslager ten Katestraat 79. (3) Fa. Jonker Slijterij. Korte Nieuwendijk. All 30.5 x 40 cm. Photographer's stamp on verso. From the archives of Posthuma de Boer. As publ. in: Arnoldussen/Posthuma de Boer. Buurtwinkels, 2011. (total 3)

Lot 1831

Dédicace in black grey and blue.14 x 15 cm. Painted on title page in catalogue Soulages, Cimaise, 1964. Signed 'Pour (?) Hoofstraate cordialement'. *some handwritten additions in same hand on the last page of Notice Bibliographique. Stamp 'Galerie d'Eendt' (founded by Wil Hoogstrate) on front cover.

Lot 2099

(1) 'Vionnet's interpretation of the Coat-dress.' Watercol. on thick paper. 36.5 x 27 cm. Lemon-yellow wool crêpon dress, crêpe scarf striped vertically in black, white and yellow. Stamp on verso "Drawing by Erickson, Feb 27 1930" and "From the Paris Office". Publ. in American Vogue, 4-12-1930.(2) 'Vionnets black afternoon coat'. Watercol. on thick paper. 43.5 x 36 cm. On verso text label and stamps "Drawing by Erickson, Made in France, from the Paris Office of Vogue, Mar. 7 1932". Publ. in American Vogue May 1, 1932. (total 2)

Lot 3202

Friedländer, Hamburg, 1900. 85 x 65 cm. Lith. no. 1628. Small ticket is pasted over the owner's stamp, i.e. Edwin Schirmer's Welt-Artisten-Archiv. Mild wear along folding lines.

Lot 6211

Zurich, Seedorn Verlag, 1983. Original ill. cardboard cover, 33 x 32.5 x 1.5 cm, 90 pp., 86 offset graphics in iris print, four text sheets. Signed edition of 150, this one numbered 128/151. All copies are unique, containing a selection of 86 of a total of 12.986 handmade iris prints, marked on reverse with a numbered stamp. Moderate stain on cover, interior very good. Jan Voss (born 1945) is a German artist living in Amsterdam where he has been operating the artist-run bookstore Boekie Woekie since 1986. Voss studied at the Dusseldorf Academy of Fine Arts with Dieter Roth in the late 60s/early 70s. Making artists’ books has become a major aspect of his multimedia-based practice.

Lot 6149

(1) Jolanta Marcolla. Lublin (Poland), Galeria LDK Labirynt, 1976. Designed by the artist, Warsaw. Stapled booklet, 20 x 14 cm, 12 pp., printed b/w. Overview of works divided in categories photo, painting, video, film. (2) Jolanta Marcolla, Relacje: Photo, Film, Video. Warsaw, Mala Galeria, February 1979. Staplebound, 19 x 19 cm, 12 pp. plus inserted essay in English by the Polish art historian Bozenna Stokfosa, 4 pp. Features b/w reproductions of works. Stamp of Marcolla on cover. Great publications by the groundbreaking Polish artist Jolanta Marcolla (1950-), who made experimental films and conceptual photographs and co-founded 'Gallery of Actual Art' in Wroclaw in 1970. (total 2)

Lot 2285

Series of 30 Gelatin Silver Prints w. images of men, rear end, full-frontal, in the desert, w. partner, fishnet etc. from various series. All 12.5 x 10 cm. All w. stamp "Bruce", "Western Photography Guild" or "Bruce of Los Angeles" on reverse.(total 30)

Lot 1892

Letterpress and cliché print, leaf size 32 x 39 cm (leaf), printed in black on bright yellow paper w. stamp "prova" in black verso.With central vertical fold; a bit creased in margins, but a very good copy. Eventually published in Let mots en liberté futuristes (Milan, 1919). 'A Tumultuous Assembly: Numerical Sensibility' is an example of tavole parolibere (free-word pictures). In this print, the subject of which is Italy’s victory in World War I, Marinetti drew from a visual collage and parole in libertà (words-in-freedom) and eschewed regulations of grammar and syntax to create a work that can be interpreted both visually and aurally. The work liberates numbers, signs, letters, and images from their functional responsibilities, exaggerates forms, and juxtaposes diverse elements, thereby producing unexpected associations. The Futurists celebrated the potential of war, drawing analogies between weaponry, such as torpedoes and bombs, and Futurist poetry. Here, Marinetti combined innovative typography, found elements (such as the image of the drummer boy on the left and the strips of letters and numbers throughout the composition), and dramatic variations in scale to create a dynamic composition representing a celebrating crowd'. (www.metmuseum.org)

Lot 2226

Pencil drawing of 4 girls. 20 x 17 cm. Stamp on verso 'Prof O.R. Schatz, Wien II, Gr. Mohreng 3b (...)'.

Lot 1479

Amst., 1960s. 30.5 x 40 cm. Gelatine silver print, photographer's stamp on verso.Added: De Snoepkoningin. Commelinstraat 58, Amst., 1970s. 30.5 x 40 cm. Photographer's stamp and handwritten title on verso. From the archives of Posthuma de Boer. Publ. in Buurtwinkels (cover photo), 2011. (total 2)

Lot 6305

Strip of brown toilet paper (10 x 121 cm) folded in 8 ( 13.5 x 10 cm). Each part has an original rubber stamp with the word 'shit' in French, English, German, Slovakian, Hungarian, Arabic and Chinese.The item is contained in a transparent plastic bag. Also includes the original sending envelope addressed to Libellus/Guy Schraenen. The title 'Very Alternative Art' is stamped on the top sheet of toiletpaper.

Lot 6309

Falling (Denmark), Lomholt Formular Press, 1982. Mail art catalogue, 21 x 20 cm, 126 pp., includes original envelope mailed to Bart Boumans. (2) Added is an announcement poster for the festival, released by Carsten Schmidt-Olsen and Lomholt Formular Press. A3 b/w photocopy with original red stamp (Danish Mail Art) and handwritten corrections. Contributors to the international mail art show include: Albrecht D., Guy Schraenen, Hetty Huisman, Peter Below, Johan van Geluwe, Pier van Dijk, Robin Crozier, Leonhard Frank Duch, Lon Spiegelman, Guy Bleus, Bill Gaglione, Edgardo Antonio Vigo, Gabor Toth et al. (total 2)

Lot 2232

Kake no. 1-5, 8 (excellent condition) and 9 (sl. waterst.).Added: 7 issues of the Manhattan Review of Unnatural Acts -and 1 other. Early/mid-1970s. All w. bookplate stamp first owner. (total 15)

Lot 1496

Ca. 1950-1960. Many 17 x 23 cm, some 12 x 17 cm. Mostly depicting interiors/ design furniture, some by J.H. Meyer, "Binnenhuis-Architect W.B.A." (Rijswijk), some interiors w. antique (style) furniture, in contemp. board box.Orig. photogr. (also incl. images apparently clipped from periodicals), many on verso w. manuscript address of interior architect J.H. Meyer (also w. a sm. portfolio with his printed address) and w. addresses and owners of the interiors. Some photogr. w. verso stamp of photographers Visser Van Weeren (The Hague), Bart de Kok (Amsterdam) or J.W. Durrer (The Hague), a.o. In the same box is a possibly related sm. portfolio with some bills, quittances, etc., dating from World War II. (total approx. 100)

Lot 3441

Friedländer, Hamburg, 1929. 119 x 84 cm. Lith. no. 8543. With the owner's stamp of Edwin Schirmer in lower right. Some toning, mild wear. *Circus Blumenfeld was founded in 1811 by Moritz Hirsch Levy. During the 19th century the circus became one of the largest of its time, and was passed on from father to son(s). In 1874 the circus obtained a residence in Guhrau. These new winter quarters were often shared with the Jewish Strassburger circus, a circus linked by marriage for several generations. In 1920 the circus set up their permanent base in Magedburg. However, like many other Jewish enterprises, Blumenfeld fell victim to the economical crisis and rise of national socialism; they went bankrupt at the end of the 1920s and only one family member was to survive the Holocaust.

Lot 6343

Staplebound booklet, 21 x 15 cm, 40 pp. with green plastic tape mounted along the spine, and an original stamp of a boxer on the cover. For this fifth issue of the magazine Carrion invited fellow artists to send works on the theme of box(ing), which were then photocopied and assembled, in an edition of 300. With contributions by Anna Banana, Bill Gaglione, Michelle Perfetti, Klaus Groh, Ko de Jonge, Niels Lomholt, Pawel Petasz, Paulo Bruscky, Buster Cleveland, Robin Crozier, Graciela Marx, Edgardo Antonio Vigo et al. Age toning on the covers, green tape on spine is partly loose, else a fine copy.

Lot 6053

Frankfurt, Typos Verlag, 1963. Poster featuring a drawing by Paik, with text announcing Dé-coll/age/4, edited by Wolf Vostell. Offset litho, 40 x 58 cm, folded 3 times, with stamp 'redaktion Dé-coll/age Wolf Vostell Cologne' on recto.Mailed copy with sender's address of Dr. de Wilde, director of the Stedelijk Museum Amsterdam, on verso. Also features a stamp by Typos Verlag. Mild toning along folds, small trace of tape, else a fine copy. Rare.

Lot 6131

(1) Gilbert & George, Art & Project Bulletin 20. Amsterdam, Art & Project, 1970. Folded A4 sheet, 4 pp., printed b/w. Features drawings portraying the artists. Unmailed copy, folded once. In good condition. (2) A Day in the Life of G & G, the sculptors. London, Art For All, 1971. 12 pp. Third booklet, numbered 494/1000 on the back. With red G&G stamp on last page. (3) Gilbert & George, The Paintings (with Us in the Nature) of G&G, the human sculptors. Amsterdam, Stedelijk Museum, 1971. Cat 511, 4 pp. (4) To be with art is all we ask, G & G the human sculptures. Aachen, Gegenverkehr Zentrum für aktuelle Kunst, 1970. Katalog 8/70, 21 x 20 cm, 16 pp. All items in good condition. (total 4)

Lot 6278

Four items by the Brazilian artist based in Amsterdam. Comprises: (1) Passeport. Amsterdam, Stempelplaats, 1979. Thick black board covers with stamped title, 15 x 10 cm, 24 pp. Edition of 100. Artists' booklet with printed rubber stamps and some original additions. Very rare, in good state. (2) Rubber Stamp Publications II. Amsterdam, Stempelplaats, 1979. 8 pp. designed by Goulart. (3) Karimbada 1, Rubber Vol. 2 No. 2 February 1979. 16 pp. with stamp works by Bruscky, Duch, Lisboa and Medeiros. Text on mail art from Brazil by Ulises Carrion. (4) Kunststoot No. 1, Spring 1979. 29 x 20.5 cm, 32 pp. Artists' run magazine. Cover and special mail art project by Goulart. With coffee stains, interior contributions by Claudio Goulart are fine. (total 4)

Lot 6291

Three cards (14.8 x 10.5 cm) with typewritings in original mailed envelope, 1982. Comprises: (1) Pause. Titled 'Schlüsselfigur' and signed in pencil on bottom margin. Verso features a typed note to Bart Boumans, stamped 'Typewritings Ruth Wolf-Rehfeldt', with additional stamp (of a woman with walking stick and snail).(2) Signs Fiction, title stamped on the typewriting recto, verso stamped 'Typewritings Ruth Wolf-Rehfeldt'. (3) Information, verso stamped 'Typewritings Ruth Wolf-Rehfeldt'. All cards mint. (total 3) Ruth Wolf-Rehfeldt (1932) is a German artist associated with visual poetry and mail art, particularly known for het ‘typewritings' produced between the 1970s and 1980s. Living in the strict surveillance in the former German Democratic Republic, mail art allowed for communication with an international network.

Lot 1811

Drawing, white, black chalk, 62 x 45.5 cm, with stamp "Atelier Leo Gestel 1941" in lower right corner, on grey paper. In passe-partout under glass.

Lot 6001

London, Royal College of Art, 1958. 27 x 21.5 cm, 48 pp. Original wrapper, fluorescent orange version (the other being fluorescent green) featuring a printed drawing and added cuts made with a sharp object by Fontana (1899 - 1968). First sheet contains a stamp by Dutch Zero artist Henk Peeters, who also seems to have written 'ARK/Fontana' on the spine. Slight scuffing along spine and some minor irregularities on cover. Some of the glue-bound pages in the center part are starting to get loose.ARK (1950-1973) was an academic journal of the Royal College of Art published by students, usually displaying work by graduates. This issue includes a text about Fontana's 'Technical Manifesto' (1947) with some light corrective pencil marks presumably by Peeters. Scarce copy.

Lot 1287

Lombard Collectie, 1956. Fair copy, cover sl. dam. in image with (amat.) rest. and corners. With: (2) De Zwarte Talisman. Lombard, 1958. Fair copy, with dam. and rest. to edges and book-block. Ex-library stamp removed. (3) Het Geheim van Balibach. Book block re-attached, name on title-p. in pen, else good copy. All incl. Kuifjepunt. (4) Koene Ridder vol. 1-17, 19 and 20, sc., first ed. (5) Paul Rijperman 9x sc., 7x hc. (6) Kris de Saeger. Dossier Craenhals. Arboris, hc., 1990. (7) De avonturen van Pom en Teddy. De Zwarte Talisman. Lombard sc. Name on title p. in pen, else fine copy, including inlay 'De Craenhals Fanclub'. Added: (7) De Koene Ridder. Valstrik in Kiev. Casterman, 1985. With dédicace by Craenhals on verso cover in pencil. (total 43)

Lot 2579

Paris, Bureau de la rédaction et de l'administration, 1844, nos. 1-365 (complete) and 1850, nos. 1-273. With numerous, mostly caricatural, woodc. and lith. plates. Quarterly bound in marbled paper boards, all vols. with small red wax stamp on front endleaf. Bindings shabby, one vol. with front and backboard loose, some browning, small stamps on title-p. (total 7)

Lot 8

Amst., Luctor, 1944. 14 p.Added: (2) De gouden haan. N.pl., n.publ., ca. 1945. 36 p. Owner's stamp on verso cover. Spine restored in hcl., cord also restored. (3) Idem. Variant with '100000 gulden' image on p. 14. (total 3)

Lot 6380

Second catalogue of the inventory from Other Books and So in Amsterdam, edited by Ulises Carrion, Aart van Barneveld and Michael Gibbs.Staplebound stencilled booklet, 21 x 14 cm, 32 pp. Sections include Language Art, Objects/Multiples, Records, Cassettes, Posters, Music, and Postcards. Cover loose from interior (at staples), name and some notations added by a former owner, stamp of Baackscher Kunstraum Cologne on last page. Rare.

Lot 2341

In German, English and Dutch, various publ., ca. 1900-1960 (mostly pre-1940). Ill., all in orig. wr., various sizes.Collection of ill. (rare) publ., incl. several trade-catalogues, price-lists, manuals for specific cameras etc., publ. a.o.: Goerz (3); Wellington (3); and Ivens & Co (Amsterdam, 6 partly as reseller). Incl. a.o.: (1) Goerz Camera's und Objektive. 1912. 142 p. 4to. W. stamp of Ivens & Co. (2) Ernst Lomberg Langenberg (Rhld) Trockenplatten. 1913. 44 p. 4to. Backwr. dam. (3) Richard Henning & Co (Rhaco) 1933-1934. 121 p. (4) Gebrs. Zaalberg Singel 180 Amsterdam, Prijs-courant foto-artikelen. Ca. 1910. 32 p. W. stamp of Ivens & Co. (5) Ivens & Co, Catalogus No. 26, Karton-papier, opzet-papier, opplakkartons, inschuifkartons, passe-partouts. Ca. 1910. 16 p. (6) Notes on the use of the Wellington specialties. Ca. 1910. 112 p. German ed. as well. -and 40 jaar Centra Films 1923-1963 (1963, no pagination, 2 numb. mounted photogr. film stills, orig. cord bound wr., obl. 4to. Very rare. (total 35)

Lot 2225

Watercol. 25 x 20 cm. Stamp on verso 'Prof O.R. Schatz, Wien II, Gr. Mohreng 3b (...)'.

Lot 33

Tien Gow, Chinese dominoes. Fu Zhóu, first half of the 20th century.63 bakelite tiles.Lacquered wooden box. Brass clasp.Marks of use. Damaged box.Measures: 7,5 x 20,5 x 10,5 cm (box); 6 x 2,5 cm (counters).This domino was manufactured in the coastal city of Fu Zhóu, one of the most industrial cities in China, as the stamp on the inside of the lid indicates.Ancient Chinese dominoes (Tien Gow or Tin Kau), consisting of 63 bakelite dominoes. In its original box, in lacquered wood with vegetal motifs. Tien Gow or Tin Kau is the name of Chinese gambling games played with a pair of dice or a set of 32 Chinese dominoes. In these games, Heaven is the top rank of the civilian suit, while Nine is the top rank of the military suit. The civilian suit was originally called Chinese costume while the military costume was called barbarian costume but this was changed during the Qing dynasty to avoid offending the Manchu ruler.

Lot 86

Rose Family Bowl for the export market. China, 19th century.Enamelled porcelain.With adhesive on the base in the form of a stamp of Antiques Jewellery and Silverware MadridMeasurements: 12 x 29 cm (diameter).This bowl, made for the export market in Europe, is decorated with tobacco leaves on a glazed background known as 'café au lait'. The Rose Family style originated at the end of the Kagnxi period, the Qing dynasty emperor who reigned from 1662 to 1912. The new ornamental style is based on the introduction of new enamels, the most famous of which is pink, which gave the style its name. Other new colours were also added, such as opaque yellow, white and the now independent black (until then, to fix the black glaze, it had to be covered with a glaze of another colour, usually translucent green). Technically, the most important is opaque white, as it could be mixed with other glazes to achieve a wide range of pastel shades, as well as allowing a smooth tonal gradation that made it possible to successfully imitate Western painting. What defines the Rose Family, therefore, is not the predominance of this colour, but this new polychrome. The new style led to the abandonment of the previously predominant Green Family, characterised by the abundance of this colour and the use of more watery glazes.

Lot 260

A Victorian red walnut square occasional table with open barley twist supports, 56cm wide x 69cm high; together with a further Victorian walnut square occasional table with partially carved top on turned tapering legs united by stretchers, 45.5cm wide x 59.5cm high (2)Minor marks, dents and scratches overall due to age and use. The red walnut table with stamp 'R 2362' beneath.

Lot 356

Two antiquarian engravings one by Henrietta Rae, 'Apollo and Daphne', Arlington Proof blind stamp lower left corner, 56cm x 66cm; the other entitled 'Innocence', in oval aperture, 42cm x 35.5cm (2)Extensive foxing and some marks overall to both mount and pictures, scuffs, marks and general light wear to frames as expected

Lot 199

Andrew Watson Turnbill RA RSA PS (British, 20th Century) Old Tolbooth Edinburgh, drypoint etching, limited to 300 proofs with Academy Proof stamp to lower left. Signed in pencil to lower right, approx 12x7.5ins, framed, mounted, unglazed.

Lot 31

Postage stamp with Lords pray written on twice 1942 together with silver stamp holder

Lot 61

A large collection of various stamps, stamp albums, first day covers, some contained albums, various cigarette cards etc contained in two tray boxes

Lot 67

Three stamp albums and contents

Lot 719

An illustrated postage album, Worldwide stamp Album and an album of humours postcards

Lot 117

A BOX OF ASSORTED GENTS FASHION WRISTWATCHES AND A SMALL WALLET OF STAMPS, all watches are used and untested, with names to include a boxed 'Amadeus quartz' on a stainless steel bracelet, another 'Amadeus quartz' with a round silver dial, 'Slazenger', two 'Sekondas' and a 'Ben Sherman' watch, together with a small brown wallet with four Queen Elizabeth II silver jubilee stamps 1952, a 4d stamp, a 1d stamp, a Sverige 75 stamp

Lot 166

A YELLOW METAL BELCHER CHAIN, 15c stamped tag to one link, fitted with a bolt spring clasp, worn 15 stamp mark, length 420mm, approximate gross weight 9.5 grams (condition report: some links may require some attention, clasp in good working condition, overall condition good)

Lot 564

FOUR BOXES AND LOOSE CERAMICS, GLASSWARES AND LAMPS, to include a fifteen piece Beswick blue and white 1960s/70s part tea set, with a similar Poole Pottery teapot and cup, five table/desk lamps of various styles, a Spode Christmas Tree mug, a brass stamp box with Sunflower lid and matching letter rack, a Royal Doulton The Snowman DS2 figure, five pieces of Wedgwood Ice Rose gift wares, etc (4 boxes + loose) (sd, untested)

Lot 755

EPHEMERA, one box containing a collection of bookmarks, some embroidered, two scrapbooks, one featuring Military material, postcards, three Sunday Stamp Albums, Railway and Tram ephemera, including early 20th century London Transport Maps and Guides (1 box)

Lot 170

Child with cat. Oil on Canvas. Appears to be unsigned. Old canvas stamp verso. Has had wax reline. Sight Size: 34 x 27 in. Overall Framed Size: 43 x 35.75 in.

Lot 1037

A novelty Victorian horseshoe vinaigrette/flask and stamp case, by Henry William Dee, London 1879, the hinge cover London 1877 by Jenner and Knewstub 1877, over stamped with makers mark of Henry Dee, horseshoe form, gold horseshoe inlay to both sides, the hinged cover on the side opens to reveal a scent/water flask, (stopper in a stuck position), stamp slit to the base, ring attachment, interior silver gilt, to one side a pierced and engraved foliate scroll grille, stamp case to the centre, height 5.2cm, approx. weight 2.1oz.

Lot 3740

Nordamerika. Silber, teilw. gest. Sterling. Ornamentale Gravurdekore besetzt mit Türkisen und Korallen. Teilw. mit Herstellerstempel "Nakai". Ges.-Gew. ca. 68,31 g. Two native american bracelets set with small turquoises and corals, in silver. Partly stamp "Nakai".

Lot 102

Bronze French Dancer Figure - signed J.Philipp w/the JB Deposee Stamp

Lot 154

The Westminster Collection Penny Black (1840) and Penny Blue (1841) Commemorative Stamp Set

Lot 155

The Westminster Collection Penny Red Letter (1841) Commemorative Stamp Set

Lot 242

Pair of American 1980's Wildfowl/Wading Birds (Ducks) Signed Stamp Prints to include John S Wilson (1939-2011) and Burton E Moore (

Loading...Loading...
  • 165558 item(s)
    /page

Recently Viewed Lots